Suzie Vinnick

Artist Information

Biography

SUZIE VINNICK - Live At Bluesville

Suzie Vinnick, winner of the 2012 CBC Saturday Night
Blues Great Canadian Blues Award had a busy 2012 with festival appearances at the Harrison Festival of the Arts
in British Columbia, the Canmore and Edmonton Folk
Festivals in Alberta, Summerfolk in Ontario and more. She
supported her new 2012 album entitled Live At
Bluesville, a collection of roots, blues and gospel tunes
featuring Suzie and her parlour guitar, Mabel.

Vinnick’s first solo acoustic blues album Me ‘n’ Mabel,
offered many opportunities, including numerous US and
international performances such as opening for John
Hammond at the Madison Square Park Conservancy in
New York City, performing in Germany at the Women in
(e) Motion Festival in Bremen, and being invited to record
in Washington, DC with Bill Wax, the Program Director of
B.B. King’s Bluesville at Sirius/XM Radio.

In early 2011 Suzie sent a copy of Me ‘n’ Mabel to Bill Wax
and the album ended up charting for seven weeks on B. B.
King’s Bluesville “Picks to Click” reaching number three.
This gave Suzie exposure to wider markets and very
positive feedback on Me ‘n’ Mabel from fans. In November
2011, as part of a two week tour in the US, Suzie and Mabel
spent a few hours recording at the Sirius/XM Radio studio
with Bill and his team. Suzie felt so good about the
recording session that she wanted to share it with her fans.

Live At Bluesville features Suzie and her parlour guitar,
Mabel, and will appeal to fans of her album Me ‘n’ Mabel
and her earlier, roots-music based album, Happy Here.

“One of my favorite singers.”
- Holger Petersen, CBC Saturday Night Blues

“One of the greatest voices in Canada!!”
- Elaine Overholt; vocal coach to Richard Gere, Queen Latifah,
Catherine Zeta-Jones

“Her solo work jumps genre barriers with the ease of an
Olympic hurdles champion...she's equally at home in folk,
blues, pop and country”
- Kerry Doole, Exclaim Magazine

“…combined with her amazing guitar chops, Vinnick is just a blue note or two away from turning into a legend. “
Music By the Bay Concert Series

TRACKLISTING

1. You’ll Be Mine (Dixon)
2. Looking ForA Kiss
(Vinnick/Fearing/Wilson)
3. Everybody's Gotta Walk (Welch)
4. Can’t Find My Way Home
(Winwood)
5. Calling Out Your Name (Fines)
6. How’d You Know I Missed You
(Vinnick/Fines)
7. Shelter Me (Miller & Miller)
8. All Night, All Day (Vinnick/PD)

Instrumentation

Rick Fines - Guitar, slide guitar
Roly Platt - Harmonica
John Dymond - Bass Guitar, Acoustic bass
Gary Craig - Drums

Discography

2012 - Suzie Vinnick - Live At Bluesville
2011 - Suzie Vinnick - Me 'n' Mabel
2009 - The Marigolds - That's the State That I'm In
2008 - Suzie Vinnick - Happy Here
2007 - Betty & the Bobs - self-titled debut
2007 - Vinnick Sheppard Harte - My Favourite Shirt
2006 - Rick Fines & Suzie Vinnick - "Nothing Halfway"
2005 - The Marigolds - self-titled debut

2002 - Suzie Vinnick - "33 Stars"
2000 - Vinnick Sheppard Harte - "And They All Rolled Over"
1994 - Suzie Vinnick - "Angel in the Sidelines"
1992 - Tony D & His Cool Band - "Dig Deep"

Suzie's music can be streamed at CBC Radio 3:
http://radio3.cbc.ca/#/artists/Suzie-Vinnick

Official Website

http://www.suzievinnick.com

Links

• MySpace
• Facebook
• Twitter
• Last.fm

Audio

• Save Me For Later
  Listen   Download
• The Honey I Want
  Listen   Download
• Sometimes I Think I Can Fly
  Listen   Download
• Get Some
  Listen   Download
• Little One (HAPPY HERE)
  Listen   Download
• Never Been to Spain
  Listen   Download
• Believe In Yourself (HAPPY HERE)
  Listen   Download
• Butterflies & Sunflowers (HAPPY HERE)
  Listen   Download
• Drive Fast (33 STARS)
  Listen   Download
• Love In A Bottle (RICK & SUZIE)
  Listen   Download

Lyrics

• Happy Here
• Little One
• Believe In Yourself
• Butterflies & Sunflowers
• Looking For A Kiss
• Fear's Talking
• Sometimes I Think I Can Fly
• Save Me For Later

Video

Photo Gallery

Press

• 2012 - THE TORONTO STAR - Suzie Vinnick pulls it all together — again — with Live At Bluesville [+ Show ]
  

  Suzie Vinnick has this problem when it comes to getting it all together. Because she has got it all ...Suzie Vinnick has this problem when it comes to getting it all together. Because she has got it all together. And that’s a situation rarely associated with being a preeminent singer of the blues, which she is.
  Struggles? File that under having to getting up at 5 a.m. to catch a flight at Toronto Pearson International Airport for a well-paying gig halfway across the continent. Awful home life? Think again. Her partner
  James Dean — “yup, James Dean” she says — figures in most of her stories like the one about traveling to New Orleans to help in the post-Katrina rebuilding efforts and scoping out new musical material.
  Messed-up career path? Sorry. The much-awarded Saskatchewan-born singer/songwriter has the proclivity of having things fall into place, a knack amply demonstrated by her recently released CD, Live At Bluesville, which she debuts Thursday night
  at Hugh’s Room . This all-acoustic collection — which includes her
  “How’d You Know I Missed You,” a lovely tune suggestive of early jazz co-written with Rick Fines — began life as performances for a SiriusXM
  Radio show recorded live in Washington, D.C. by Bill Wax, program director for B.B. King’s satellite radio show. Vinnick had met Wax at a Toronto blues event last year where she gave him a copy of Me ‘n’ Mabel, her first solo acoustic album. (“Mabel” is Vinnick’s guitar the way “Lucille” is King’s guitar). “I wasn’t completely clear what Bill was going to do on the show, if he was just going to interview me,” says Vinnick on the phone as we both sit tapping away on our respective computers. “I hadn’t been doing a lot of writing but I had been doing a lot of the songs on the recording during recent shows. The goal was not to put an album out but to do a radio show.” Now isn’t this the vintage Vinnick knack all over again, in which a radio show becomes album becomes gig? Well, yes and no. What’s not in evidence is the heavy slogging she’s done over her 40-some years; the recording sessions for others she’s worked on, the festivals she’s appeared in. Early on in life the self-taught Vinnick learned to distinguish career-making from music-making, understanding Billie Holiday’s warning that you can’t really sing the blues if you have them. “I’d always gravitated toward music,” she says, “but I never remember speaking out loud about it or even thinking I was going to be a musician. By 13 I was playing saxophone and had started playing bass in the high school jazz band. But I was in my early 30s when I didn’t have to take other jobs to supplement my income from music.” Along the way she’s appeared with Betty and the Bobs, the Marigolds, toured with the theatrical iteration of Stuart McLean’s Vinyl Café and performed overseas for the Canadian Armed Forces. Breaks in this performance schedule are likely filled in with workshops and blues tutorials she gives for emerging music professionals where she is likely to screen vintage music video clips such as Big Mama Thornton singing “Hound Dog” before Elvis Presley collared it for his own. Vinnick’s range of professional activity is more than matched by the vocal range found on Live At Bluesville where she teases out meaning from lyrics using a repertoire of a half dozen or so voices. On Willie Dixon’s “You’ll Be Mine” her vampy vocal — “you’re so sweet” — morphs effortlessly into a full Joni Mitchell keening as the melody’s notes range higher. A little later a newfound gut-level urgency — “to the day that I die,” she’s singing — becomes deceptively cosy and devilishly cutesy as she insists, “you’ll be mine” in a way that makes you want make sure your wallet is where you left it.
  No wonder she’s always on call to do commercials, with Tim Hortons already part of her portfolio. Vinnick turns singing into a theatre of attitude.
  
  “Sometimes in between the shows I do and being on the road, I have to tune into myself and think, ‘where do we want to go next?’” she says. “I
  would like to do a full big band blues recording. I also want to do something that reflects my Ukrainian roots. For me blues is only one part of the musical pie. I’ve always considered myself a roots musician.”

• 2012 - Review of Suzie Vinnick CD: Live At Bluesville by Craig Dubecki [+ Show ]
  

  Sweet! That one word sums up Suzie Vinnick’s: Live At Bluesville. Starting with a masterful cover of...Sweet! That one word sums up Suzie Vinnick’s: Live At Bluesville. Starting with a masterful cover of Willie Dixon’s “You’ll Be Mine”, this Canadian singer/songwriter and acoustic blues guitarist shows why she has been nominated for a Juno and owns six Canadian Maple Blues Awards.
  
  Armed with only her guitar Mabel, Suzie plays powerful and soulful songs. With a voice that has a range many dream of, it’s perfect for the blues/soul style she lives and breathes. Combined with great chops on the guitar where she smoothly owns the fretboard, Suzie takes us on an adventure of eight songs: a number of very creative and entertaining originals along with some well-chosen covers.
  
  I strongly suggest you get Live At Bluesville and check out in particular: “Looking For A Kiss”, “Calling Out Your Name” (featuring a very lively solo), and a stellar version of Steve Winwood’s “Can’t Find My Way Home”. Suzie Vinnick! I can’t wait until you play the Bluesfest!

• 2011 - Suzie Vinnick draws standing ovation [+ Show ]
  

  Tuesday, February 15th, 2011 By Leader Staff MORRISBURG – No matter what the large audience atte...Tuesday, February 15th, 2011
  By Leader Staff
  
  MORRISBURG – No matter what the large audience attending the concert held on the St. Lawrence Stage Saturday, February 12, was expecting, they got far more than they had ever bargained for.
  Suzie Vinnick gave a performance that brought the crowd to its feet, cheering. Alone on the stage, accompanied only by her guitar (affectionately known to the singer/songwriter/musician as ‘Mabel’), Vinnick’s extraordinary voice literally filled every corner of the auditorium. When she ‘belted out’ a blues number like her award-winning song The Honey I Want Don’t Want Me (“Your behavior’s totally a-pollen..”), the audience roared its approval.
  In an earlier interview with The Leader, Vinnick had said she brought a “lot of different characters” into her voice.
  An undertone of sly good humour characterized much of Vinnick’s stage show at the Morrisburg Meeting Centre. Sherwood Lumsden’s I Need a Cowboy (“to show me moves that I won’t forget..”) brought a brash and sexy lilt to her voice, while her rendition of Lonnie Mack’s hilarious Oreo Cookie Blues made you feel you’d never really known before what a cream-filled cookie could do for you.
  Vinnick’s vocal range is incredible.
  She gently caresses a bittersweet song like The Hand That Rocks the Cradle. She sings of loss and longing in Little One. She makes you think of hot nights and darkened bars with Howlin’ Wolf’s driving blues number You’ll Be Mine.
  Suzie Vinnick is a powerful, elemental force on stage.
  By night’s end, the audience at the Morrisburg Meeting Centre knew it.
  
  

• 2011 - Suzie Vinnick In Sharbot Lake [+ Show ]
  

  Suzie Vinnick's sold-out Oct. 29 show at the Sharbot Lake Country Inn left fans and newcomers to her...Suzie Vinnick's sold-out Oct. 29 show at the Sharbot Lake Country Inn left fans and newcomers to her music wanting more, and why not? The lady, who has won numerous awards, has musical talent galore and a voice that can do it all, one that's been described as “playful, sassy and soulful”.
  
  Suzie's star is definitely on the rise. This year she not only landed her first ever New York City show, where she opened for John Hammond as part of the Madison Square Music-Studio Series concerts, but she has also just put out her first blues solo CD titled “Me N' Mable”. Mable is her beloved acoustic, Canadian-built Larrivee parlour guitar and it accompanied her onstage at Saturday’s show along with legendary Ottawa singer and guitar player Rick Fines, who in 2006 met her halfway on their duo CD titled “Nothing Halfway”. Not too shabby for a gal from the prairies who seems to love nothing more than to share with the audience some of the most intimate parts of her life, especially those that have inspired her songs.
  
  Vinnick’s voice is her strongest card and it was front and centre Saturday night. Hers is one of those voices that any singer would die for, one that ranges from intimate whispery pillow talk, to tough, prairie cowgirl calls, and rings clear as a bell when she croons alone like the best of the female jazzers. She can also muster up some of the deepest, lowest notes I've ever heard from a female performer and when it comes down to the blues, well she has that in spades.
  
  Couple that with her fast and furious fingers on the fret board, which matched lick for lick the spectacular solos of Mr. Fines, and what you got on Saturday night was one red-hot night of musical entertainment. My only regret was that I missed the first set but if the second was any indication, the duo definitely won over the Sharbot Lake crowd.
  
  Suzie opened the second set with one of her own, “City and Skies”, a slow, straightforward, bluesy lament that tells of the loss of her childhood prairie playgrounds with the “hoar frost, full moon lighting up the wheat fields”. One of the most magical moments of the night was their version of Willie Dixon's “You'll be Mine”, a funky low down bar room blues version that Suzie recorded with Fines on her latest CD. No wonder the two seemed in perfect sync, with Suzie showcasing her spot on vocals while jousting on the solos back and forth with Rick, who took the opportunity to demonstrate his one of a kind guitar playing wizardry.
  
  Suzie seems as generous as she is gifted and handed over the limelight to Rick early in the set. He sang “Muskoka Moon”, the title track from his latest CD titled “Solar Powered”, a pretty love song with Suzie blending in with back up vocals and with the two once again taking turns on the solos. Another highlight of the evening was “How'd You Know I Missed You”, a tune the duo co-wrote on their 2006 CD, inspired by a phone call from Suzie’s brother. Suzie crooned out the soulful lyrics first with Rick responding with his finest Louie impersonation, perfectly emulating both Louie’s voice and horn.
  
  Suzie saved some of her best for the last and gave the crowd a choice of either classic rock or gospel for the encore. Not surprisingly the crowd demanded both and she obliged first with a seemingly effortless version of Hoyt Axton's “Never Been to Spain” from her latest CD, followed by a traditional gospel tune that left the crowd wanting more.
  
  Hats off to both performers for a memorable night of music and to the White family at the Sharbot Lake Country Inn in knowing how to pick ’em. It’s no wonder that the venue is fast becoming one of the hottest live music venues around.
  
  For anyone who missed J.P. Cormier, he will be back at the Inn on November 18. For information on tickets call 613-279-2198.

• 2010 - Saskatoon's Vinnick wins song competition [+ Show ]
  

  THE STARPHOENIX MAY 6, 2010 The song Sometimes I Think I Can Fly, written by Saskatoon native Suzie...THE STARPHOENIX MAY 6, 2010
  The song Sometimes I Think I Can Fly, written by Saskatoon native Suzie Vinnick along with Dan Kershaw, took first place in the blues category at the International Songwriting Competition.
  
  There were about 15,000 entries. Canadian talent took four first place awards, three second place, one third place and several honorable mentions, SOCAN says on its website.
  
  Winning first place in the instrumental category were Chris McKhool and Kevin Laliberté (of the group Sultans of String) for Yalla Yalla!. First place in the teen category was awarded to Victoria Leone (age
  16) for Pretend. First place in the music video category was awarded to Sam Roberts for the video to his song Them Kids (directed by Dave Pawsey). The 60 winners share more than $150,000 in cash and prizes. Overall winner, a unanimous selection, was the song Love Lust by King Charles.
  
  Judges included Tom Waits, Rob Thomas (Matchbox 20), Timbaland, Wynonna, Jeff Beck, Loretta Lynn.
  
  © Copyright (c) The StarPhoenix

• 2009 - Songs for Lazy Days. [+ Show ]
  

  Sounds of the Season. Music to help set the mood for entertaining. Ann Lough. Songs for Lazy ...Sounds of the Season. Music to help set the mood for entertaining. Ann Lough.
  
  
  Songs for Lazy Days. Suzie Vinnick, Happy Here, 2008, Suzie Vinnick / Outside Music, Folk Roots.
  
  
  This album of gentle, rootsy folk-pop seems tuned to the rhythms of summer - a boat bobbing on the waves, a bough swaying in the breeze. Saskatoon-raised, Toronto based Suzie Vinnick is yet another gem in the rich sea of gifted Canadian singer-songwriters. True to her sophomore collection's title, she sure sounds Happy Here, but without an ounce of syrup; the songs are fresh and smartly observed, packed with bouncy hooks you'll be humming for days. Fans of Shawn Colvin, Joni Mitchell and Rickie Lee Jones will agree Suzie Vinnick is one to watch.

• 2008 - Mike Sadava's Penguin Eggs Review [+ Show ]
  

  penguin eggs Winter 2008 Issue Suzie Vinnick Happy Here (Independent) Suzie Vinnick is o...penguin eggs
  Winter 2008 Issue
  
  
  Suzie Vinnick
  
  Happy Here (Independent)
  
  Suzie Vinnick is one busy woman, part of many musical agglomerations from Betty and the Bobs to her longtime collaboration with Rick Fines. When she finds the time to do her own Suzie thing, it becomes apparent why she is in so much demand.
  
  For her third disc, Vinnick has teamed up with Stephen Fearing to produce a winner folk-pop album that should be a big boost to her solo career. Vinnick’s versatile voice ranges from a velvety whisper to a gravelly rock chick shout. The songs, including co-writes with Fearing and others, are strong, with a few standouts, including the whimsical Star Fall and mandolin-driven Little One.
  
  Although Vinnick would sound fine with sparser production, Fearing has provided a lush background for her voice, including strings, horns and backup vocals. Sometimes it’s a little over the top, but the piano and cello arrangement in Prison of Shame would make George Martin proud.
  
  By Mike Sadava
  
  

• 2007 - Nothing but blue skies smiling at Vinnick [+ Show ]
  

  Thursday, January 18, 2007 Suzie Vinnick was busy Tuesday reading congratulatory e-mails, getting...Thursday, January 18, 2007
  
  Suzie Vinnick was busy Tuesday reading congratulatory e-mails, getting her head around what had just happened the night before and gazing at her new decorating accessories -- three maple leaf trophies.
  
  "It was pretty neat, pretty surreal,'' Vinnick said of winning three Maple Blues Awards. "I'm kind of going 'OK, now what do I do?' "
  
  The former Saskatonian and Toronto resident won female Vocalist of the Year, Bass Player of the Year and, along with Rick Fines, Songwriter of the Year. It was her first trip to the podium since winning the vocalist award in 2003.
  The variety of awards -- singer, player, composer -- means a lot to her.
  
  "It's really nice to be acknowledged in all those musical departments because I work hard in all of them, you know?''
  
  Vinnick's career is all about variety. She's toured nationally with the Vinyl Cafe. She records solo albums. She plays and records with several groups -- the folk-roots trio Marigold (with Gwen Swick and Caitlin Hanford of Quartette), the music and comedy collective Betty and the Bobs and the folk-pop trio, Vinnick Sheppard Harte (VSH). In fact, VSH launched its new CD on Saturday to a full house at the prestigious Hugh's Room, so it's been a busy few days.
  
  Vinnick credits her collaboration with Rick Fines for garnering all the attention this year. She's known the blues scene veteran for some 14 years and they've always talked about doing an album together. That finally happened last year with the well-received Nothing Halfway. Getting that recognition was special. "When we got the songwriting one, I jumped."
  
  Last year when Vinnick was nominated in the vocalist category she prepared a speech and waited nervously. "My hands got clammy-cold and my brain shut off,'' she says. This year, she got to do what she'd intended -- to pay tribute to her late father who loved music but was discouraged from playing guitar, who acted in the school play but froze when it was his turn in the spotlight.
  
  "I'm glad I was able to carry on his dream.''
  
  Vinnick was born in Saskatoon and attended Georges Vanier elementary and Holy Cross High School, taking as much music as she could. She fondly remembers Peter England's influence at Holy Cross.
  
  "He had an awesome music program. I learned so much and obviously it's opened up doors for me."
  
  By 14, Vinnick had attended her first Saturday afternoon jam at the Rose and Crown.
  
  "I was scared before but high for the next week and a half."
  
  Vinnick was later a regular at Bud's jams. She thanks the management for letting her stay and watch big blues acts like Amos Garrett, Jimmy Johnson, Sonny Rhodes and countless others.
  
  "I can't even remember all the bands that I saw."
  
  At 21, Vinnick moved to Ottawa for seven years before relocating to Toronto. Self-managed, she's so well established that the bookings come to her.
  
  But the hard part is keeping what she calls "my 1,800 musical projects" straight. She's part of a Gordon Lightfoot tribute this weekend (and trying to find time to rehearse Rainy Day People and I'd Do It Again). Over the holidays, Vinnick and her partner travelled to New Orleans to help rebuild homes with a charity called The St. Bernard Project. "We worked on three houses and managed to help two families celebrate Christmas in their homes. It was so cool and so rewarding and so great."
  
  Coming up over the next few months is a tentative trip to China with VSH, a blues festival in Omaha and an annual blues workshop on Hornby Island. In other words, things couldn't be better or busier.
  
  "I feel very lucky. I'm making a living at something I love to do.''
  
  

• 2004 - Vinnick's show draws praise [+ Show ]
  

  To the editor: I was wowed by Suzie Vinnick's Blues at McSweeney's Theatre Room on Tuesday night...To the editor:
  
  I was wowed by Suzie Vinnick's Blues at McSweeney's Theatre Room on Tuesday night, Sept. 14, 2004. What a treat! This blues singer-songwriter not only has a great voice but also is a wonderful guitarist. She makes it look easy and charms the ear with tender, virtuoso melodic lines either on the guitar or on the fretless bass. "Vive le blues de Suzie Vinnick!" is what I say!
  
  Love In A Bottle, what a beautiful song beautifully sung. I loved the courage, the poetic imagery and of course the music. What surprised me are her versions of songs by Led Zeppelin and AC/DC. But as she puts it, she was listening to these guys on her Mickey Mouse record player when she was seven.
  
  Two excellent musicians accompanied her: lead guitarist Troy McLaggan and on the drums Geordie Millar from Miramichi, N.B.
  
  Suzie Vinnick hails from Saskatoon, Saskatchewan. She is on tour in the Maritimes. This show is a must for blues enthusiasts!
  
  I thank you!
  
  Francine McClure

• 2004 - Vinnick shines in hometown showcase [+ Show ]
  

  Saskatoon’s own Suzie Vinnick, now based in Toronto, kicked things off with a dynamic opening set th...Saskatoon’s own Suzie Vinnick, now based in Toronto, kicked things off with a dynamic opening set that struck a chord with the hometown crowd in the Bess Gardens.
  
  Backed by some gifted players, the singer-songwriter showed her versatility with a range of tunes, her rich, warm voice moving easily form soulful to funky to rockin’.
  
  Vinnick showcased songs from her latest CD, the higly listenable 33 Stars, highlighted by two impressive ballads Something So Sweet (a Vinnick original), and Picture in a Frame (Tom Waits) along with an interesting take on Led Zeppelin’s Rock and Roll – a melodic, laid-back version that’s quite catchy.
  

• 2003 - CD Review Suzie Vinnick 33 Stars [+ Show ]
  

  If you were to ask any musician working in the Toronto music scene if they could name one artist who...If you were to ask any musician working in the Toronto music scene if they could name one artist who is a “must see”, the name Suzie Vinnick would come up again and again.
  
  33 Stars is the first commercial release by this singer songwriter who actually tours right across Canada, has a number of bands that perform around Toronto and does a lot of high end session singing, as well.
  
  The CD opens with a couple of smooth jazz infused pieces that feature Suzie’s absolutely captivating voice blended with some stunning guitar work by Kevin Breit ( Norah Jones, Cassandra Wilson) and a great rhythm section which includes bassist John Dymond (Bruce Cockburn).
  
  There is a beautiful cover of Tom Wait’s “Picture in a Frame” and if you’ve ever been curious to hear a jazzed up acoustic version of Led Zeppelin’s ‘Rock and Roll”, you’re in luck.
  
  You might think that a cd, by a singer who is as well known in Canada for her Jazz and blues chops as she is for her heartfelt folk ballads, would be disjointed, almost like a compellation, but 33 Stars holds up as a strong cohesive journey through this singer songwriters many musical colors.
  
  The 3 originals in the back half of the cd that were co written with brilliant Toronto songwriter Kristi MaGraw which consist of the title track, “The Hands that Rock your Cradle” and the absolutely breathtaking “All that I Ask For” and show a depth and diversity that will invite repeated listens…and there is that voice.
  
  I have to give Suzie Vinnicks 33 Stars the appropriate rating of 33 stars.
  
  For Listeners who like
  Norah Jones Feels Like Home
  Amanda Marshall Amanda Marshall
  Jonatha Brooke Steady Pull
  
  
  

Setlist

SUZIE SET SAMPLE:

ORIGINALS
Butterflies Sunflowers
Happy Here
Prison of Shame
Star Fall
Steal A Piece of Your Heart
Believe In Yourself
One More Day
Little One
We Got A Love Like That
The Lucky One
How'd You Know I Missed You
Nothing Halfway
Love In A Bottle
Slow Down Mama
Save Me For later
Blue Church Road
Fear's Talking
Ghosts Can Go
Crying A River
Elvira’s Last Ride
Don’t Wanna Know
Heart Have Mercy On Me
My Kind of Loneliness
The Honey I Want
The Pie That My Baby Makes
Drive Fast
Sometimes I Think I Can Fly
Taking On Too Much
Something So Sweet
Hanging Out In Heaven
The Bad Girl
City & Skies

COVERS
Oreo Cookie Blues
Calling Out Your Name
Picture in a Frame
Rock & Roll
Never Been To Spain
Everybody Gotta Walk
Baby Please Don't Go
You'll Be Mine
Thrown Outta Love
Crazy Bout Lovin Me
I Need A Cowboy
Quit Your Lowdown Ways
Walking By Myself
I Can Tell
Send Me Someone To Love
Queen Bee

Basic Requirements

PDF Rider

Suzie Vinnick - solo show general rider

Calendar