Artist Information
Biography
Having vigorously kicked off his solo project in early 2002, Scott Celani and his supporting players are hitting venues all over the U.S. At a typical show, audience members are treated to Celani's well-crafted, melodic pop songs. Celani presents his music with a full band or in acoustic format. Either way, Celani offers a powerhouse of rhythm and melody.
Throughout his music career, Scott has performed live all over the U.S. and Canada, and his music has been played or is being played on radio stations all over North America. Scott has shared the stage with the likes of The Goo Goo Dolls, Ben Folds, Hootie & The Blowfish, REO Speedwagon, Our Lady Peace, Vertical Horizon, Jon Secada, Jimmy Eat World, Sum 41, Good Charlotte, The Guess Who, Eddie Money, Tom Cochrane, The Marshall Tucker Band, Willy Nile, Sam Roberts and The Clarks.
For his first 3 releases, “Them Apples” (2002), "Saturday" (2004) and “Wired for Nostalgia” (2006), Celani teamed up with acclaimed Toronto record producer Brent Bodrug of The B-Group Music (Alanis Morissette, Oscar Peterson, Jacksoul, Carlos Morgan). All 3 records were released to packed houses in Scott’s home town of Buffalo, NY. Scott and his band have spent 2003 - 2007 touring the U.S. in support of all 3 releases.
In addition to receiving rave reviews, the first 3 studio efforts have garnered extensive commercial radio play as well as television and film placement. The song placement list includes “Discs”, a highly publicized television pilot currently being considered for feature film release in Hollywood. By the way, Scott was also cast in the lead role (clips available at www.myspace.com/discsshow).
And now for the present. Celani and crew have decided to take the “home grown” approach to the newest studio project. Teaming up with co-producer, engineer and fellow band mate Matt Young, Celani is in the process of recording a new batch of songs that reflect a new level of maturity in both composition and performance from an experienced and road-tested singer-songwriter and a killer band. Celani and company released 2 “teaser” songs in the summer of 2008, with the rest of the EP due out in 2009. You can hear the 2 new songs right now at www.myspace.com/scottcelanimusic. Stay tuned!
Instrumentation
5-PIECE BAND:
Scott Celani - Lead Vocals / Guitar
Matt Young - piano
Nick Georgakis - bass
Cave Wilson - drums
Larz Rizzuto - drums
Jack Prybylski - saxophone
ACOUSTIC TRIO #1
Scott Celani - lead vocals / rhythm coustic guitar
Matt Young - piano
Larz Rizzuto - cocktail drums
ACOUSTIC TRIO #2
Scott Celani - lead vocals / rhythm coustic guitar
Marty Nightengale - lead acoustic guitar
Cave Wilson - percussion
Discography
Albums:
Them Apples (2002)
Saturday (2004)
Making a Scene (Live/Acoustic - 2006)
Wired for Nostalgia (2006)
Singles:
Where Did You Come From
Saturday
Both singles received extensive radio play on Hot AC and CHR stations nationwide. Over 35 stations added 1 or both of the songs, with some stations giving as much as 40 spins per week. (source: Howard Rosen Promotion - Los Angeles, CA)
Links
Press
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Scott Celani in TV Pilot - The Buffalo News
[+ Show ]
Scott Celani's mother once told him that Buffalo is one of the best-kept secrets. The city's ric...Scott Celani's mother once told him that Buffalo is one of the best-kept secrets.
The city's rich history of arts and entertainment is one of those great secrets Celani is now helping to tell. Celani, a Buffalo musician, plays the lead role in "Discs," a Buffalo-based television series that screened its pilot episode to a crowd of more than 150 viewers flowing into the aisles Thursday at Hallwalls Contemporary Arts Center on Delaware Avenue. "Discs" is not only set in Buffalo, but is also written, directed and produced by Buffalonians and features a cast of 100 percent homegrown talent. The pilot episode tells the story of a coffee shop that attracts a clash of races acting out in violence but who share a common love for music. Creator and director Norman Toy intends to maintain the show's Buffalo nature. "I don't want to see this being filmed on the streets of L.A.," said Toy, adding that the series has received interest from music-based television channels VH1 and MTV. "The objective is to see this stay in Buffalo, not somewhere where you're looking at palm trees." Toy, who was a writer for the television show "MacGyver," received inspiration from the mosaic of cultures in the Buffalo community. "I created this in the midst of hearing, seeing cultural tensions everywhere you look," Toy said. "The theme of it is that a neighborhood is transitioning. It is becoming multiracial. The wrong people are falling in love, the right people are falling in love, and as a result there is conflict. "But they all go to the same music store." In the show, that music store is a combination of Elmwood Avenue's own Spot Coffee and New World Record and hosts Friday night concerts featuring up-and-coming local bands, which are actual Buffalo musicians. Even the soundtrack is all-Buffalo. "Every episode ends with a live band Friday night, where the store owner sells CDs and coffee," Toy said. "Our goal is to keep every band a band that is coming out of Buffalo." The pilot episode of "Discs" closes with Last Conservative, a local rock band with Good Charamel Records. Toy's wife, Milly, of Bidwell Productions is the executive producer of the series, which is co-produced by Evan Pease and Peter Williams of local creative production company 3C Multimedia. Norman Toy and the rest of the "Discs" crew hope to begin filming the next two episodes, which are already on paper, as soon as they decide who will be producing it. Whether or not "Discs" is sold to a larger company or syndicated independently by Bidwell Products and 3C Multimedia, as it is now, Toy wants to make sure he has a say in the future of the series. "I want to keep a close connection with it," Toy said. "My ideal mix would be to have a partnership with a larger company." Still, Toy is appreciative of the talent he found right around the corner. "I feel lucky for the great actors, writers and technicians we had," Toy said. James J. Alfieri, co-founder of 3C Multimedia, also sees Buffalo as a center for the imagination. "There must be something about the water in Buffalo that spikes creativity," he said. "As some things become depressed around the area, people are more creative, and I think we have a shot and opportunity to make something pretty tremendous."
e-mail: lmariacher@buffnews.com -
Best of WNY Magazine
[+ Show ]
Wired For Nostalgia is the latest release from Scott Celani. A tireless road warrior, Celani can be ...Wired For Nostalgia is the latest release from Scott Celani. A tireless road warrior, Celani can be found playing music almost every night where he has honed his songwriting and musical chops. For this CD he enlists his band (Matt Young/keyboards, Larz Rizzuto/drums, Brent Bodrug/keyboards, Drew Birston/bass, Marty Nightengale/guitars along with Dee Planche and Steve Caprio on bass. Cave Wilson and Mark Krunowski from The Filterkings also lend a hand in the studio. “Star” a big Cheap Trick styled rocker about the music biz kicks things off and is followed up by the sweet sounds of “I’ll Call You Back”. “Must Be Something More” features nice intertwined guitars from Celani and Nightengale on acoustic and electric respectively. The driving “Only Who We Are”, the bitter kiss off to a former lover “Biting My Tongue” and the icy coolness of “Missing” are outstanding tracks as well. An update of a previous Celani tune “Delhi (Electric 2006) and a cover of The Buggles “Video Killed The Radio Star” along with a holiday track “Christmas by the Lake” are included here also. For more on Scott Celani and his new release Wired For Nostalgia go to www.scottcelani.com.
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Special Effects Magazine
[+ Show ]
Checking Out the Tunes & Other Stuff in Ellicottville Well here we are at the beginning of June. ...Checking Out the Tunes & Other Stuff in Ellicottville
Well here we are at the beginning of June. Our area is green and warming. It¹s hard to believe about six weeks ago we had snow. Anyway the music is great, however, my golf keeps getting worse.
Now about the music, as usual last Friday was quiet. However Saturday wasn¹t. It started at Balloons with "The Scott Celani Band". We were really treated to a special concert by Scott & Company. Most of the groups that play around here are what I call "Cover Bands". That is most of the music they do was written by other artists. The majority of Scott¹s music is his own. To describe his show as excellent would be an understatement. A lot of my enthusiasm comes from the fact I like his type of music. This band has what I call a "Paul Simon" sound. As usual Matt Young and Larz Rizzuto were with Scott. However Jack Prybylski of "The Jack Prybylski Jazz Band" and Nik Georgakis were also there adding a sax and bass to the already wonderful sound. Thanks go to M K 2, Tina and the rest of The Balloons Beautiful People for a fun evening. -
Ink 19 Magazine
[+ Show ]
Let's get it out of the way: singer/songwriter Scott Celani is not John Mayer. Nor is he trying to b...Let's get it out of the way: singer/songwriter Scott Celani is not John Mayer. Nor is he trying to be Mayer. Unfortunately, every young male with an acoustic guitar and a sensitive voice is going to be compared to Mayer, as if he had invented the genre. Although not as well known, Celani is becoming an established figure on Buffalo, NY's music scene.
Frankly, Celani has a more masculine vocal style; there's lung power underneath the hood, especially on "Long Road to Nowhere," wherein his vocals capture the rising emotions of the chorus. Some of the tracks on the CD find Celani nursing a broken heart; however, the lyrics find him refusing to succumb to depression. Celani’s soaring voice references the '70s, back in the days when male singers are encouraged to rip it up and not reign it in.
“Smile While You’re Crying” and “In Spite of Me” are even better with their singalong choruses and sharp production. This album doesn't sound like an independent release, which may cause problems acquiring airplay on college radio because Celani is obviously aiming for a larger audience here. The sunny and romantic title track moves at a brisk pace and brings Celani closer to '80s AOR territory than the Triple A focus of Mayer and his imitators.
Mayer who?
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Whisperin' and Hollerin' - UK
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I don't review singles often; in fact, I haven't written about one in years. But when you hear a pop...I don't review singles often; in fact, I haven't written about one in years. But when you hear a pop song as infectious as "Saturday," you are left with no choice but to sing its praises.
Singer/songwriter SCOTT CELANI has crafted a sunny jewel, a glowing slice of summer in the city good vibrations with toe-tapping jangling guitar and warm vocals. This is the kind of melodic rock that alternative radio stations used to spin before all the angst settled in and booted out Crowded House and Squeeze.
Celani's voice is somewhere between Billy Corgan of Smashing Pumpkins and Glen Phillips of Toad the Wet Sprocket; it soars with a whispered fragility that makes you hum every syllable. People still make music like this? Of course they do. Check out more from Celani at http://www.scottcelani.com. -
Crossover Magazine - Frohburg, Germany
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Würden Bon Jovi heute noch aktuell sein, würden sie solche Musik machen. (Gott bewahre! - Anm. des i...Würden Bon Jovi heute noch aktuell sein, würden sie solche Musik machen. (Gott bewahre! - Anm. des immer noch "Keep The Faith" liebenden rls) Die Stimme von Scott Celani erinnert zumindest stark an den Sänger Jon Bongiovi. Aber das tut der Sache keinen Abbruch. Im Gegenteil.
Der Amerikaner Scott Celani bietet seinen Hörern auf dem Album "Saturday" sieben Titel, welche unterschiedlicher kaum sein könnten. Er beginnt mit "Long Road To Nowhere", ist stimmig und rockig, wenngleich auch ein bisschen zu sehr wie Nickelback, aber in Nordamerika liebt man halt Rockhymnen.
Die vier darauffolgenden Titel sind kurze Rocksongs, wenngleich die sonst übliche E-Gitarre gegen eine Akustikgitarre eingetauscht wurde, ideal zum Aufstehen, Autofahren, Kochen oder was man auch immer mit netten Rocksongs zu tun gedenkt.
"Saturday" ist der Ohrwurm des Albums, durchaus Radio-tauglich "Smile While You're Crying" dürfte hingegen für deutsche Ohren gewöhnungsbedürftig sein, zu sehr sind die Worte schmerzvoll in die Länge gezogen. "In Spite Of Me" ähnelt zu sehr "Tell Me It's Over". Das Album wird im Verlauf der Titel immer besser, wenngleich der Sänger sich nicht wirklich für eine Richtung entscheiden kann. Die Stärken Scott Celanis sind eindeutig die sparsamer arrangierten Titel, allen voran "Delhi", welches mit Perkussion und einer Gitarre auskommt und doch der schönste von allen. denn bei diesem Titel überzeugt Scott Celani, zeigt, dass er mehr kann als Mainstream-Rock made in U.S.A.
Nach 25 Minuten endet die Platte und kann nur bedingt überzeugen. Wie gesagt, wunderbar zu allen Tätigkeiten, die man mit Musik untermalen möchte, aber kein Durchbruch in der Musikgeschichte, falls dieser Anspruch heute überhaupt noch geltend gemacht werden kann. Die sieben Songs sind nett gemachte Lieder, die viel versprechen und auf eine weitere Platte des Sängers neugierig machen, aber nur, wenn er sich für sich selbst entscheidet und nicht nur bereits bekanntes wiedergibt.
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Domaincleveland.com
[+ Show ]
With a strong sense of when pop can meet folk-rock and still remain credible and enjoyable, Scott Ce...With a strong sense of when pop can meet folk-rock and still remain credible and enjoyable, Scott Celani, has released his latest disc ?SATURDAY?. Often in the past Acoustic rock or folk rock has tried to morph itself into crossover pop-rock with mixed results, but Mr. Celani and friends have produced a collection with real emotion delivered in pop format. Accompanied, again, with co-writer/producer Brent Bodrug (B-GROUP MUSIC) Scott ?s effort is slick, polished, and yet still raw and real.
A driving piano, and pleading vocals carry ?In Spite Of Me? as we ponder the choices we?ve made in life. ?Searching threw the ashes for a glimmer of light, to take away the darkness of a terrible night, can you find a way?? Asks, Scott, on Stand Up an interesting song with country leanings. Scott seems to focus on seasons, times, and nature, and use those to relate how He?s feeling and what was important to him at those important moments. Searching for answers, reflecting on life, and above it all Scott says? I want to see you smile, Give your Existence a break for a while?.
This EP has a nice flow to it, and leaves you wanting more material. The good news is though you can always press repeat. Not your typical coffee-house folk-pop-rock this CD has direction and helps tell a cohesive story. Subtle uses of keys and programming creates an atmospheric backdrop to flesh out an already mature sound. I am unsure if the full band is a permanent part of his sound now, but I can say it?s a winning combo. If you like Vertical Horizon, Our Lady Peace, Guster, Jump Little Children, or other modern pop-rock you should pick up this disc. For more info check out http://www.scottcelani.com/www.scottcelani.com
July 19, 2004
>www.bestofwny.com
SCOTT CELANI
'Saturday'
By Bob Silvestri
Scott Celani continues to broaden his fan base and musical aspirations on his new release titled Saturday. The seven song CD features Celani on guitar and vocals along with Geno McManus on lead guitars, Brent Bodrug on keyboards, Drew Birston on bass, Adrian Passarelli on drums, Jeff Schaller on drums and percussion and Diana Planche on background vocals. The songs have an adult/alternative feel akin to BNL or even Blue Rodeo but retain their edge with McManus' sharp guitar parts. The percussive sound and slide guitar on "Stand Up" shows a different side to Celani's writing style. "Delhi" also follows a percussion driven melody. The title track "Saturday" and "Tell Me It's Over" are catchy summer type songs while "In Spite Of Me" and "Smile When You're Crying" was my tracks of choice. "Long Road To Nowhere" rounds out the disc. For more information about Scott Celani and his new release Saturday check out www.celani-saturday.com or tour dates and news www.scottcelani.com.
June 24, 2004
Cutting Edge Magazine
http://www.thecutting-edge.net/
SCOTT CELANI
Saturday
Independent Release
Usually when we get sent an independent release that contains the words "singer/songwriter" we whence a bit. The garage is full of such CDs. That's not to say they're all crap, but 80% come damn close. When we heard from New York native Scott Celani we were a bit leery at first but after several back-to-back sessions with Saturday we can boldly go on record as saying, "for a singer/songwriter this one kicks ass."
Whether it's Celani's '70s style of writing, his strong use of vintage keyboard/piano/organ or his ability to capture soulful, melodies, Saturday harkens back to a time where songs lasted. Falling somewhere between Rupert Holmes in "Long Road To Nowhere", the Doobies in funky "Saturday" and Jimmy Buffett in "Dalhi," Celani builds on his backbeats then fully delivers during the chorus.
As a guitarist he moves with ease through mid-tempo rockers "In Spite Of Me" and the drum-heavy "Tell Me It's Over". The piano-based ballad "Smile While You're Crying" reaches out to mid-'80s John Waite while the stripped down "Stand Up" makes the most out of an acoustic framework. The record benefits from a tight production courtesy of Brent Bodrug (Alanis Morissette) and puts Celani's smooth tenor up front where it belongs.
Website: www.scottcelani.com.
June 23 , 2004
The Lewiston-Porter Sentinel/Wheatfield Tribune
Celani shows range with 'Saturday'
by Joshua Maloni
Orchard Park's Scott Celani is one of the most versatile singers in Western New York. On the heels of his 2002 release "Them Apples," I caught him performing an assortment of songs. He first rocked the Ratt at Niagara University, doing an acoustic set of cover material ranging from soft rock to classic rock, new wave and current favorites with longtime collaborator Andy Mac. What followed was a set of edgier, big-vocal originals. Later that winter, he contributed to a Rolling Stones tribute at Nietzsche's. Today, he's back with a new album, "Saturday," which feels a bit like Bon Jovi, but has country and Middle Eastern flares to it.
Celani's second solo effort starts off with "Long Road to Nowhere," the album's best track. It aptly blends his hearty vocal chops with singer Diana Planche's delicate voice on backup, not to mention some sharp guitar work. It's a song you don't mind getting stuck in your head.
The album is typical of Buffalo-based musicians in that is provides just a taste of potential ability, which is to say it's too short. Seven songs and less than 30 minutes of music hardly allows one to get involved - or even finish the car ride home. But that's neither here nor there. The big question is whether or not "Saturday" will propel Celani (pronounced Cee - laney, despite my best efforts to pronounce it Cell - ani) to bigger and better things. The artist's second go-around with Canadian producer Brent Bodrug is definitely different than his critically-adored "Them Apples." Is it better? I'm not convinced it is.
However, it does show that Celani has musical range. That, coupled with his constant touring and industry know-how, should result in label interest, which, despite the music industry's bad reputation, is necessary for up-and-coming talent to break into mainstream radio, ergo, selling enough records to make music a fulltime profession. But, the music has stopped, and I digress.
The bottom line is that listening to Celani, in any way, shape or form, save album length, is never disappointing, and 'Saturday' is another step in the right direction.
May 24, 2004
Night-Life Magazine
CD Review: Scott Celani - "Saturday"
By Raphael Tombasco
The weekend has always been a good time to take a break from the onslaught of work faced during the normal week. This sense of relaxation and harmony make "Saturday" the perfect title to Scott Celani's more subdued and mellow second musical offering.
The first track, "Long Road to Nowhere", sets the album off with a catchy upbeat pop tune reminiscent of many of today's popular songwriters such as John Mayer and Dave Matthews.
The major difference lies in Celani's soft crooning. His voice blends perfectly with the tight instrumentation displayed by himself and the rest of his band, consisting of keyboardist Brent Bodrug, drummer Adrian Passarelli, bassist Drew Birston, guitarist Geno McManus and percussionist Jeff Schaller.
Each player has a chemistry which turns what could easily be run-of-the-mill pop songs into something more unique. From the melody of the vocal harmonies to the simple beat of a bongo drum, the musicians maintain a good vibe throughout the album.
Continuing on the from the title track "Saturday" to the more experimental and equally claiming tracks, "Stand Up" and "Delhi", this release promises to deliver a talented singer/songwriter to a musical world that has become increasingly devoid of feeling and artistry.
Every song is different, touching on various styles of music from country to techno; styles that many artists are afraid to mix. Scott Celani's skill and versatility as a musician are shown throughout "Saturday", creating a mellow and rewarding mix of music that manages to transcend most of today's mundane pop.
April 25, 2004
The following review has been posted or will soon be posted on the following music sites:
http://www.muzikreviews.com/, http://www.evolvingartist.com/, http://www.musicdish.com/, http://www.music-sites.net/, http://www.ubomag.com/ (Underground Beat Online), http://www.zongoo.com/, http://www.buzzle.com/
Artist: Scott Celani
Title: Saturday
Genre: Rock-Pop
Label: Independent
By Keith "Muzikman" Hannaleck
I knew after I heard Scott Celani's EP "Them Apples" last year that he was just warming up, what was to come would be even better. A new album has arrived, it's called "Saturday", and it is nothing but energetic bursts of shining rock-pop that will make you smile, give you a chill, and prompt you to dance across the floor.
Right from the opening track "Long Road To Nowhere" straight through to the end, you can tell Celani has stepped it up a notch on this album. His voice is incredibly clear and melodic, while the musicianship is stellar. His voice in particular, which serves him well as an instrument in and of itself, is what impresses me the most. He sings strongly with warmth, assurance, and a melodic pop sensibility that so many artists are lacking today. His music is primarily acoustic with a mixture of consistently electrifying instrumentation featuring a blend of keyboards, guitars, a tight rhythm section, and beautifully layered and harmonious background vocals.
Yes, I think Scott Celani has found the magic that will attract the right ears that could catapult his career soon. Perhaps now a good label will sign him and full-length album will be forthcoming. Hey, if you are good enough to share the same stage with Vertical Horizon and legends such as Eddie Money, you are a talent recognized by some of the best in the business.
I was disappointed that all of this wonderful music had to end so quickly, in a good way. The entire CD comes in just over 23 minutes, which actually constitutes as an EP. Besides the fact that this is great music, that is probably why I keep listening to it over and over! I really hope the next time Celani goes into the recording studio he will produce a solid hour of music. I am most certain it will be fantastic, just as everything I have heard from him thus far has been.
© Keith "MuzikMan" Hannaleck-http://www.muzikreviews.com
June 18, 2003
CD Review: Scott Celani -
"Them Apples"
By Stacy Board
The Muse's Muse
www.musesmuse.com
"Even though this is a 6-song kind of EP CD, it's a strong CD. The second track "Where Did You Come From" is a great power pop groove and hook. It's a pretty rocking and very strong song. The sixth and last song on the CD, "Doing Fine", is the other stand out song in my opinion. It's got some really nice surprises in the arrangement and some great harmony work. Brent Bodrug deserves some credit for his fine production and arrangements. Scott writes all lyrics but for some help on "Nameless". He does have full music credit on "One More Day", but all others have at least one other person assigned writing credit, including Brent Bodrug. I think the mix of writers is the reason for the varied sound that he achieves from song to song. I think "Them Apples" is a good CD and would like to hear a longer CD from Scott Celani. As an added bonus there's a blooper track at the end that contains stuff the parental advisory board will hopefully miss."
April 16, 2003
Review: Scott Celani - Them Apples
(B-Group Music)
by Keith "Muzikman" Hannaleck
Musicdish.com
"Scott Celani says loud it and proud on "Them Apples," a new six song EP just bursting at the seams with rocking guitars and fiery vocals. Celani rips his way through each track pouring every bit of him into each word and note. This is one of those CDs that you will listen to once and say "Umm, pretty good," then again and say "That was real good, I think I will listen again." By the third time you are pissed off it is not a full-length album. No problem, I know the next time out we will see a lot more of the same from this talented young man.
I really liked the words to "Just Like Me," it has a little something that we all can relate to- "Are you lonely just like me? Do you wonder where you're supposed to be?" It is like being in a room with a 100 or more people and feeling alone. I can relate because I have been there and done that. The music then brings all the energy of the lyrics into a focus, making it both stirring and provocative. Celani is funny too; at the end of the CD, he is making his way through a song and he gets frustrated then stops, cusses and hollers, then ends up laughing at himself and telling the guy behind the glass that he is an asshole as he is chuckling. That is the kind of stuff that I am sure goes on regularly, we just never hear it. I thought it was a nice touch and a great way to end an album. This guy has loads of talent and he uses it well. I really look forward to hearing more soon! This is great rock music, damned straight!"
April 9, 2003
CONCERT REVIEW
Seven Day Faith / Scott Celani / Skyjuice
Sphere Entertainment Complex
by Bob Silvestri
Bestofwny.com
"Next up was Scott Celani and his band, playing songs from his latest release “Them Apples”. His band, guitarist Jay Neubauer (That 80’s Hair Band), drummer Adrian Passarelli (Nelly Furtado) and bassist Steve Caprio (Mr. Marbles), rocked out on the tracks “Where Did You Come From”, “Doing Fine”, a great version of “Iceman”, “One More Day” which Celani dedicated to those who have loved ones in the Middle East, and “Nameless” among others. Celani is about to hit the road for a tour of the Southeast and beyond. Let’s wish him the best of luck."
March 28, 2003
CD/Concert Review
By Hank Dubey
Special Effects Magazine
"Speaking of liking, if you were at Balloon's last Saturday between 5pm and 9pm, you would have been liking the music being offered by Scott Celani. I enjoyed it so much I took one of Scott's CDs (entitled "Them Apples") home with me, and have since listened to it several times. At one point, I was reminded of Bon Jovi; while at another, I was thinking psychedelic Beatles… good rhythms, catchy lyrics, nice melodies and strong vocals. Next time Scott's in town, pick up one of his CDs… well worth your investment, as I can definitely see star potential in his sound. Now, I won't spoil the surprise for you, but there are six original songs listed on the CD cover; however, there's a seventh track on the CD itself. Interesting ending."
March 12, 2003,
CD Review: Scott Celani, "Them Apples"
by Bob Silvestri
Bestofwny.com
"Scott Celani’s has a new CD out titled Them Apples that is melodic, hook-laden rock at its best. The six-song disc continues in the fine tradition of Buffalo born rockers like the great Willie Nile. “Other Places” starts the disc with heavy drum and bass and an overlay of guitar on top of Celani’s confident vocals. ”Where Did You Come From?” is a stomping rocker with an arena rock hook on the chorus. “One More Day” sounds dare I say, Springsteenesque, in moods and styling. “One More Day” features a nice fluid guitar solo in the middle and is one of the best tracks on the disc. ”Nameless”, another great rock song, deals with alienation and showcases Celani’s impassioned vocals. “Nameless’ is another standout on the CD. “Just Like Me” a melodic pop rock number that would be at home on any Squeeze record uses a sometimes-distorted vocal technique with success. “Doing Fine” is simply another great rocker with a killer hook. The unofficial bonus cut starts as an acoustic rock song and shows a style not offered by Celani on the previous six songs. However it quickly turns into an obscenity and giggles laced tirade as he goofs up the song. The disc ends with a voice saying, “That’s it? That’s all there is.” As another voice replies, “That’s it.” repetitiously until the disc abruptly ends. Helping out Scott Celani (vocals/guitar) on Them Apples are Justin Abedin (guitar), Drew Birston (bass), Creighton Doane (drums) Andy Mac (background vocals) and Brent Bodrug (programming).
To paraphrase the old cliché and the title of Celani’s new disc “How do you like Them Apples?” Very tasty indeed! For more on Scott Celani go to www.scottcelani.com."
CD Review: Scott Celani - "Them Apples" by Jaime Dombrowski Nightlife Magazine December 26, 2002 "The first thing I picture when listening to Scott Celani's first release is lots of young ladies singing every word to every song. Not like I had to conjure this image from nothing… that's literally what happened at a recent show. With the perfectly pop beats and clean, clear vocals belting out loving lyrics, you can understand why. Celani has that teen-heartthrob thing going on, and while that usually means the music sucks, it's not so with Celani. His vocals are real and emotional, and the pop beats have just the right amount of rock undertones to make the songs not so boring. This is a good start to a new solo career. Visit Celani's website at www.scottcelani.com."
"Scott Celani is Getting a Bit Edgy"
By TIM SCHMITT
Night and Day Magazine
September 26, 2002
Just because he's a little older, a little wiser and on his own, don't expect Scott Celani to start getting sappy. In fact, since parting ways with his former band - Rufus Maneuvers - Celani has added a little grit to his songwriting. His first solo release, "Them Apples," is a collection of songs that adds an extra punch from his previous work.
"It's definitely a little edgier," Celani said. "It's all a matter of preference, but it's better for what I want to do. I'm really happy with the way this turned out."
Celani's CD release party at the Tralf drew over 550 people and he's hoping to draw a good crowd Friday as the third act in Niagara University's Rockin the Ratt series.
"The Tralf show was a huge success and I'm just trying to build on that," he said. "I'm excited to play this show. I was (at Niagara) over the summer and had a really good time. I've had different experiences at different schools, but NU is one of the best."
Fred Heuer of Niagara University was excited to have Celani back in the fold after he played a show for freshmen orientation. "I had students coming up to me an you would have thought they had just seen the Beatles," Heuer said. "Very rarely do I get that kind of response so when they asked me to try to get him back, we asked. We're happy to have him."
After working in Rufus Manuevers, Celani had to approach the new CD very differently. As a solo artist, he called on friend and producer Brent Bodrug - who has worked with Alanis Morissette and Jacksoul - and feels the collaboration turned out in both's best interest.
"It's a really enlightening process," he said. "It's very different because it basically comes down to my discretion instead of having five or six people involved. With the added responsibility you get all the accolades, but you get all the criticism too. There's the gang aspect that you don't quite have, which was nice with the band, but that's the only thing really."
With the CD produced and ready, Celani has focused his energies on getting radio airplay and a potential tour. Although the process of getting noticed is a tough one, Celani believes he'll be able to perservere. "It's not uncommon in a support role to just hop onto a tour and that's one of the things I'm trying to get into," he said. "The industry is such a tough one and it's getting tougher all the time, but you have to go out and make your own luck. You get anybody you can on the phone. You have to be aggressive, not arrogant, but aggressive.
"It's not like it used to be where the industry would nurture people. There was a time before the corporate labels when they might be willing to mold somebody they thought had potential. Now, you have to ready and polished when you get the call."
On "Them Apples," Celani was able to play with some top studio musicans. The result is a six-song collection of pop/rock showmanship that is radio ready. With songs like "Other Places," and "Where Did You Come From," Celani shows he has a solid grasp of pop hooks, but with a twinge of tough guy thrown in. Although Celani isn't one to use image ahead of talent, he realizes the image game is an important one in the competitive industry. "Even before MTV, the look was important and MTV has been around for more than 20 years," he said. "I wish it wasn't that way, but it means a lot." -
Keith Hannaleck: www.muzikreviews.com, www.evolvingartist.com, www.music-sites.net, www.ubomag.com, www.zongoo.com, www.buzzle.com
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I knew after I heard Scott Celani’s EP “Them Apples” last year that he was just warming up, what was...I knew after I heard Scott Celani’s EP “Them Apples” last year that he was just warming up, what was to come would be even better. A new album has arrived, it’s called “Saturday”, and it is nothing but energetic bursts of shining rock-pop that will make you smile, give you a chill, and prompt you to dance across the floor.
Right from the opening track “Long Road To Nowhere” straight through to the end, you can tell Celani has stepped it up a notch on this album. His voice is incredibly clear and melodic, while the musicianship is stellar. His voice in particular, which serves him well as an instrument in and of itself, is what impresses me the most. He sings strongly with warmth, assurance, and a melodic pop sensibility that so many artists are lacking today. His music is primarily acoustic with a mixture of consistently electrifying instrumentation featuring a blend of keyboards, guitars, a tight rhythm section, and beautifully layered and harmonious background vocals.
Yes, I think Scott Celani has found the magic that will attract the right ears that could catapult his career soon. Perhaps now a good label will sign him and full-length album will be forthcoming. Hey, if you are good enough to share the same stage with Vertical Horizon and legends such as Eddie Money, you are a talent recognized by some of the best in the business.
I was disappointed that all of this wonderful music had to end so quickly, in a good way. The entire CD comes in just over 23 minutes, which actually constitutes as an EP. Besides the fact that this is great music, that is probably why I keep listening to it over and over! I really hope the next time Celani goes into the recording studio he will produce a solid hour of music. I am most certain it will be fantastic, just as everything I have heard from him thus far has been. -
Shotgun Reviews
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"Saturday Night's Alright" By Kirby Raine The lines between what is considered an independent..."Saturday Night's Alright"
By Kirby Raine
The lines between what is considered an independent release and a major-label product can sometimes be blurred. Buffalo, NY singer/songwriter Scott Celani’s Saturday album has no markings of Warner Bros. or Columbia yet it shouldn’t be filed with Belle & Sebastian, either.
With record companies no longer having the relevance they used to and technology becoming more accessible to unsigned musicians, we have aberrations like Celani who sounds like he is on a major label. And, seriously, despite my overall lack of respect towards the corporate landscape, there is nothing wrong with a solid, mainstream rock & roll record. Which is exactly what Saturday is.
Reminiscent of acoustic-based rockers such as John Mayer and Toad the Wet Sprocket, Celani is a straightforward storyteller with little interest in irony or sonic innovation. Saturday is an apt name as the CD has the breezy, carefree feel of a weekend getaway, especially the romantic and highly catchy title track. Slick production gives the album a radio-friendly sheen that adds to the air of comfort.
Like others working within this genre, Celani is the sensitive type, sharing his sorrow with no reservations but the choruses are often emotionally winning. Considering that much of what is considered alternative rock these days are merely shapeless grooves with high-school haiku lyrics, it is refreshing to hear clear and honest songs for a change. Don’t expect to hear anything new on Saturday; just think of it as a glass of milk and a bowl of chocolate chip cookies, creating a sense of familiarity that is pleasing and leaves you yearning for more.
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ReviewCentre.com - Manchester, UK
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Scott Celani is definitely in the classic-rock mold. No, it's not that his music reflects the hippie...Scott Celani is definitely in the classic-rock mold. No, it's not that his music reflects the hippie stylings of late '60s-early '70s AOR fodder. The comparison is made because of the clarity and straightforward nature of his words, the ready-ready warmth of his vocals, and the poppy crunch of his guitars. The first five tracks on this CD are aching to be singles, with "Long Road to Nowhere," "Tell Me It's Over," and the title tune having the strongest appeal. I'd link Celani with groups such as Matchbox 20 and Hootie & the Blowfish, only his lyrics are far superior, taking poetic turns. I wish the record were longer, though, but consider it a tight EP. No filler here, man. Check it out at http://www.scottcelani.com.
http://www.reviewcentre.com/review151569.html
Setlist
ORIGINALS:
Next to You
Laughing at the Sun
Meet Me on the Corner
Make it Up to You
Drink All Night
Long Road to Nowhere
Where Did You Come From
One More Day
In Spite of Me
Nameless
Just Like Me
Doing Fine
Run Away
Stand Up
Saturday
Delhi
Ice Man
Tell Me it's Over
Other Places
Smile While You're Crying
I'll Call You Back
Biting My Tongue
How the Story Ends
Ring Around the World
Crying in Her Sleep
Star
Only Who We Are
Must be Something More
COVER LIST (when required):
American Girl - Tom Petty
For What it's Worth - Buffalo Springfield
Drive - Incubus
Stuck in the Middle - Steeler's Wheel
Harder to Breathe - Maroon 5
Brian Wilson - Barenaked Ladies
Ticket to Ride - Beatles
Hard Day's Night - Beatles
Babylon - David Gray
Ants Marching - Dave Matthews
Wonderwall - Oasis
Bad Moon Rising - CCR
All I Want is You - U2
Amie - Pure Prairie League
Blister in the Sun - Violent Femmes
Brandy - Looking Glass
Breakfast at Tiffany’s - Deep Blue Something
Brown-Eyed Girl - Van Morrison
Moondance - Van Morrison
Wild Nights - Van Morrison
Me & Julio - Paul Simon
Cecelia - Simon/Garfunkel
Mrs. Robinson - Simon/Garfunkel
Country Roads - John Denver
Danny’s Song - Kenny Loggins
Dead or Alive - Bon Jovi
Everything You Want - Vertical Horizon
Sweet Caroline - Neil Diamond
If You Could Only See - Tonic
I’m a Believer - The Monkees/Neil Diamond
In Your Eyes - Peter Gabriel
Jack & Diane - John Mellencamp
Lay Down Sally - Eric Clapton
Push - Matchbox 20
Margaritaville - Jimmy Buffett
Only the Good Die Young - Billy Joel
Mr. Jones - Counting Crows
Rain King - Counting Crows
She Talks to Angels - The Black Crowes
Southern Cross - Crosby, Stills & Nash
Summer Breeze - Seals & Crofts
Sweet Home Alabama - Lynyrd Skynyrd
The Middle - Jimmy Eat World
That’s Alright - Elvis Presley
Turn the Page - Bob Seger
What I Got - Sublime
Wicked Game - Chris Isaak
Basic Requirements
Calendar
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