KJ Denhert

Artist Information

Biography

KJ Denhert is a unique artist, singer, guitarist and songwriter who calls her music Urban Folk and Jazz. Her voice is powerful, her lyrics full of intelligent insight, and her musicianship is impeccable. Her eclectic yet unified performances reach out to many different types of audiences without compromising her music and beliefs. She is heard at her best on her most recent recording, Destiny and is known to be especially good live. She performs the unusual feat of being both highly individual and quite accessible.

KJ remembers, “I picked up a guitar when I was ten and immediately I started writing music. I was completely self-taught, by listening to records and playing them over and over, teaching myself tablature from a great James Taylor book. In the 1980s, KJ Denhert toured for six years as the lead guitarist and occasional vocalist with an all-female band called Fire, playing rock and top-40 music throughout the US, Canada and Europe. After the group ran its course, she worked at a day job while continuing to write and play music. While working in Cleveland as a financial analyst, she started the Mother Cyclone label and made her first recording. Moving home to New York in 1997, she formed the NY Unit, a group that she still performs with.

Destiny, set to be released in 2012, is KJ Denhert’s tenth recording to date. “I left my day job eight years ago and began to make the records that I’ve been wanting to record ever since I started to dream of such a thing. I combine all of the styles that I grew up with and enjoyed, going all the way back to Sergio Mendes. My music has a bit of acoustic guitar, some R&B and it grooves in what I hope after ten recordings is a signature of my style. I took the opportunity to tip my hat to icons for me like Steely Dan and James Taylor and since Album No. 9 I have been experimenting with the intimacy of piano trio. I brought that back on Destiny, which is out as an EP now at shows and dug in with the songs about life as I see it today. “Destiny is the place you’ll find yourself on the road you took to avoid it”-Jean De La Fontaine, 15th century French philosopher.



Among KJ Denhert’s many accomplishments, in addition to running her own band over fifteen years and label, are eight highly successful appearances at Umbria Jazz (“the audience response was very gratifying”), an ongoing residency at the 55 Bar in NYC since 1998, winning many songwriting contests (including being named among the six winners of the Kerrville New Folk Song contest in June 2006 for Private Angel and the Mountain Stage Newsong contest in August 05 for Little Mary), and successful appearances at other festivals and clubs around the world. Her previous recording with her quartet, Another Year Gone By, Live won the 2006 Independent Music Award for Best Live Performance. And Album No. 9’s reggae anthem “Choose Your Weapon” has already won an Independent Music Award in 2011 and in 2012 was just name a grand prizewinner in the John Lennon Songwriting Contest.

In March 2012 a fifteen year celebration was held at the Tribeca Performing Arts Center and KJ has been stretching out with a weekly Saturday afternoon brunch series in trio format at Smoke Jazz, extended through May while her full band still convenes at the 55 every other Saturday, except for when they will appear at Umbria Jazz in July 2012!

A crowd pleaser whose music is impossible to classify but very easy to enjoy, KJ Denhert is in her own special category.

Instrumentation

KJ Denhert & The NY Unit
KJ Denhert, is a both a singer songwriter and guitarist, including playing lead guitar in her band w/ with band members who have been touring with her for the last eight to ten years.
Full Band; 4-6 Piece;Guitar & Vocals, plus bass, drums, keys, electric guitar, percussion.Booking up to two 90- minute shows/day. [Festivals, Theatres, Clubs ]

Trio:KJ plus Bass, and Percussion [ Festivals, Smaller Halls, GLBT Events] Booking up to 90+ minutes.

Duo: KJ Denhert & Adam Falcon
Two Acoustic Guitars, Two Vocals
[supporting their joint CD The Songwriters Notebook]

Solo: KJ- Acoustic Guitar, Vocals [Songwriter Events, House Concerts, Benefits, GLBT ] Booking 45 minutes or less.

Roster(NY Unit member since):
KJ Denhert- Acoustic guitars, vocals, songwriter(founder)/Ray Levier(1998)- Drums/Aaron Heick (2007) -sax/- Guitar/John Caban (1999)- Guitar /Mamadou Ba (1996)- Bass/Whynot Jansveld (1998)- Bass/Phil Gaita (2001)- Bass/Peter Vitalone (1998), Keys, piano/ ATN Stadwijk (2004), Keys, Piano/Bennett Paster 2006 Keys, Piano/Sue Hadjopoulos(2003)- Percussion/ Kevin Jones (2008) Percussion Andy Galore (2004) Bass

Discography

Destiny/ EP
March 2012
Limited edition prerelease

Album No. 9
Nov 9 2010

2009 Choose Your Weapon/ Chanson Baz Bar
Limited edition CD single Mother Cyclone Records

2008 Dal Vivo a Umbria Jazz (Motema)

2007 Lucky 7
(digital release scheduled 10-18-07 w/Motema)

2005 Another Year Gone By, Live NEW RELEASE
(*Indie Music Award Winner, Live Performance CD)

2004 KJ Denhert & Adam Falcon The Song Writers
Notebook (*Indie Music Award Finalist)

2003 KJ Denhert, Girl Like Me (*Indie Music Award Finalist) (2005Winner Mountain Stage New song Festival -Little Mary)

2001 KJ Denhert, Live (with R. Levier, J. Caban, P. Gaita) Just Plain Folks Music Award Nomination

1999 KJ Denhert & the NY Unit Looking Forward Looking Back (EP)

1996- Cyclone Sisters Songs From the Casa Del Wacko

Official Website

http://www.kjdenhert.com

Audio

• Choose Your Weapon
  Listen   Download
• Little Problems
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• He's Not Coming Home
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• Lucky 7
  Listen   Download
• Little Mary
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• Moon Dance (Live Performance)
  Listen   Download
• Beautiful
  Listen   Download
• Sad Song
  Listen   Download
• Over The Rainbow
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• What's My Name III
  Listen   Download
• Try To Fly
  Listen   Download

Lyrics

• Little Mary
• Private Angel
• He's Not Coming Home
• Choose Your Weapon

Video

Little Mary

Photo Gallery

Press

• Nightlife Highlights -Wavy Davy [+ Show ]
  

  Chronogram 3/05 Nightlife Highlights By DJ Wavy Davy KJ Denhert FEBRUARY 19 Radio program...
  Chronogram 3/05
  
  Nightlife Highlights
  By DJ Wavy Davy
  
  KJ Denhert
  FEBRUARY 19
  Radio programmers and A&R reps take note: why Ms. Denhert is not yet a major-label star remains a mystery to NH. With funky attitude, irresistible songwriting and a top-notch band, KJ makes national acts look like bar bands. The ever-generous Full Moon Resort presents a hot winter night to remind you that the funk still lies just beneath the snow line.
  8:00pm
  No cover
  Oliverea
  (845) 254-5117
  www.kjdenhert.com
  

• Pioneering Performers [+ Show ]
  

  Julie Gorham Jan16 2005 Pioneering Performers Arriving late I rounded the corner, following...Julie Gorham
  Jan16 2005
  
  Pioneering Performers
  
  
  Arriving late I rounded the corner, following my ears to the funky sound of KJ Denhert. I was greeted with her animated grey locks erratically grooving to, “My Love Is Complete”. It was January 16th and ‘Philadelphia Songwriters Project’ was scrawled across my calendar. They had organized a set where four of Philly’s uprising singer-songwriters convened in an evening of round-robin. For a new-comer, this was a perfect toe-dipper into the ocean of talent this city has to offer; for a seasoned music-cat, it was an intimate sing-a-long where they could sway heads and tap feet as they mouthed the words to some of their favorite tunes. Sharing the stage with KJ were Joshua Komorowski (from The Love Syndicate), Chinua Hawk and, returning for his second year, Mutlu. This event was held at the acoustically abundant Kimmel Plaza, where a party-bag of people mingled to partake of Philadelphia’s musical offering (and with each artist playing three songs they were bound to get a plateful!).
  
  KJ Denhert is a handmade necklace among songwriters. Pioneering her self-titled ‘urban folk and jazz’ style, she wields her guitar with the skill of a storyteller, using pops, plucks and slides to perfectly punctuate her quirky lyrics. Whether she’s getting down in “My Love Is Complete” or in gentle lullaby with, “Oh, Susannah” she and her peppercorn-colored instrument uniquely transpire KJ’s wisdom with the captivating rawness of a candle-flame. Her matter-of-fact advice to “Little Mary” to “not be afraid, there are a million of us feeling this way” left me wishing for five minutes alone to glean from her strong spirit; luckily, we have her songs....
  

• Acoustic Guitar Magazine April 2004 [+ Show ]
  

  Hit List K.J. Denhert, Girl Like Me . . . Even before Cassandra Wilson,...
  
  
  Hit List
  
  
  K.J. Denhert, Girl Like Me . . .
  Even before Cassandra Wilson,
  Norah Jones, and their various
  guitar-playing accompanists nudged
  the category into national
  prominence, New York native K.J.
  Denhert was calling herself an
  "urban folk and jazz artist." This
  diva plays guitar, strumming and
  picking her acoustic in settings that
  include electric guitars and bass,
  keyboards, drums, percussion, and
  occasional sax, cello, looping, and
  programming. She personalizes the
  James Taylor and Joni Mitchell
  influences in her original songs with
  funk beats and soulful vocals that
  sound both streetwise and
  sophisticated. Denhert's radical
  revamp of the Beatles' "She Loves
  You" is just one revelation on this,
  her first full-length studio album,
  which also harks back to such blues,
  jazz, and soul forebears as John
  Mayall (circa Turning Point), Les
  McCann (a la "Compared to What"),
  and Roberta Flack. (Mother Cyclone,
  www.kjdenhert.com)
  óDerk Richardson
  April Issue 2004

• E Jazz Review [+ Show ]
  

  CD Review K.J. Denhert ''Girl Like Me'' Mother Cyclone Records I wasn't sure I wa...
  
  CD Review
  K.J. Denhert
  ''Girl Like Me''
  Mother Cyclone Records
  
  I wasn't sure I wanted to review this CD project when I saw the
  words ''Urban Folk Artist'' associated with the CD. Then I saw the
  word ''Jazz'' as well! And then, Oh Yes........With all the fire, guts,
  and gusto of a consummate vocal/instrumental artist, K.J.
  Denhert's vocal & guitar talents came at me like a runaway train.
  What makes this disc a unique effort is how Denhert marries the
  urban folk idiom to our beloved jazz idiom succinctly &
  successfully. Ergo, my review of her, has taught & edified me anew
  about how pliable jazz can be. She sings definitely from the
  'earth,' but what she sings to us, she says with authority! I would
  suggest it to be more true that she plies her talents out of sheer
  uncomplicated ''joie de vivre.'' Finally, K.J. Denhert is one of those
  audacious talents with an ability to give us a performance with a
  'rush,' while we sit trying to catch our breath, & reckon with her
  sentimentality, solid vocal humor, and meaningful aplomb.
  
  George W. Carroll/The Musicians' Ombudsman
  

• Indie Music . Com August 2004 [+ Show ]
  

  Reviews: K.J. Denhert ~ Girl Like Me Posted on Saturday, August 07, 2004 @ 11:41:36 EST Topic: Re...Reviews: K.J. Denhert ~ Girl Like Me
  Posted on Saturday, August 07, 2004 @ 11:41:36 EST
  Topic: Reviews
  
  Artist: KJ Denhert
  CD: Girl Like Me
  Home: Westchester, New York
  Style: Urban Folk and Jazz
  Quote: "Denhert and her band, the NY Unit, lay down everything from African-esque beats to R&B-tinged funk with the unstoppable power and unbelievable ease of the moon-driven tides."
  By AJ Van Beest
  Here's the shortest review ever: This is an awesome album. Buy it now and be the envy of all your friends.
  Need a little more? OK, how 'bout this:
  Denhert's Girl Like Me — nearly three years in the making — is incredibly rich. Denhert's voice is a beautiful, full alto with a little huskiness around the edges. Denhert and her band, the NY Unit, lay down everything from African-esque beats to R&B-tinged funk with the unstoppable power and unbelievable ease of the moon-driven tides. Denhert's lyrics spring from the heart of someone who's seen both the beauty and pain in the world and wants to share it all. For example, here's a bit of Denhert's “Oleander:”
  Someone come and wake me up
  In my Lakewood home
  You're as sweet as coffee in the cup
  And you've warmed me down to my soul
  Times got hard and we messed up
  Where was I to go
  Seems the harder that I try
  The more that I feel alone
  Girl Like Me covers a lot of musical ground and does it well. It begins with a melodic-minor-moving-to-upbeat funk (“The Silence Was Deafening”), dances through R&B, hangs with shades of Paul Simon and Sting, including a great cover of “Message in a Bottle," spends some quiet time in a dark corner with just a piano and Denhert's unforgettable voice (“Red July, Prelude”), and ends with a beautiful cross-country version of "Oh Susannah," of all things. The mix of styles isn't surprising, though, since Denhert bills herself as an “urban folk and jazz artist.”
  This is Denhert's fifth album, and she has another one — a collaboration with singer/songwriter Adam Falcon — in the works. Though she holds down a regular gig at The 55 Bar in NYC's West Village, not to mention playing all over the city at other venues, Denhert isn't just a performing artist; she also owns and runs Mother Cyclone Records. If Girl Like Me is any indication of the kind of material MCR is putting out there, I oughtta just go camp on the sidewalk in front of the office so I can get all the good stuff. Like she sings in the title track:
  With a girl like me you know you won't get bored
  

• All Music Guide [+ Show ]
  

  In the '70s, no one did more to bridge the gap between soul ...
  
  
  
  
  
  
  In the '70s, no one did more to bridge the gap between soul and the folk-
  pop/folk-rock/soft rock world than Roberta Flack, who acquired a very
  interracial following and managed to appeal to Aretha Franklin and Chaka
  Khan enthusiasts as well as the Joni Mitchell/Joan Baez/Judy Collins crowd.
  Hits like "Killing Me Softly With His Song" and "The First Time Ever I Saw Your
  Face" were played on R&B stations, but they also had enough of a
  singer/songwriter aesthetic to win over what was essentially a '70s equivalent of
  today's Lilith Fair audience. It isn't hard to understand why, three decades later,
  singer/songwriter KJ Denhert was invited to open for Flack; Girl Like Me is the
  perfect marriage of neo-soul and folk-rock/adult alternative sensibilities (with
  hints of jazz at times). Flack, in fact, is among Denhert's influences, as are
  Khan, Mitchell, Janis Ian, and James Taylor (Carly Simon's James
  Taylor, not J.T. Taylor of Kool & the Gang fame). But while Denhert has her
  musical points of reference, Girl Like Me demonstrates that she is a talented,
  expressive storyteller in her own right -- and she obviously doesn't believe in
  confining herself to one genre. Denhert has a lot to offer fans of Alicia Keys,
  Macy Gray, Jill Scott, and Erykah Badu, but anyone who is seriously into
  Sarah McLachlan, Shawn Colvin, or the Indigo Girls also needs to pay close
  attention to her. While Girl Like Me is dominated by Denhert's own songs, she
  provides a few memorable covers as well (including a slightly bossa nova-ish
  take on the Police's "Message in a Bottle" and an unlikely remake of the Beatles'
  "She Loves You"). This very promising effort demonstrates that while Denhert
  isn't easy to pigeonhole, she is very easy to enjoy.
  ~ Alex Henderson, All Music Guide
  
  
  KJ Denhert
  Girl Like Me
  08/12/2003
  

• Dusty Groove America [+ Show ]
  

  KJ Denhert -- Girl Like Me . . . CD . . . Mother Cyclone, 2003 F...
  
  
  
  KJ Denhert -- Girl Like Me . . . CD . . .
  Mother Cyclone, 2003
  
  F
  olksy soul from KJ Denhert -- a wonderful mix of acoustic guitars, soulful
  rhythms, and honest vocals that have an earthy tone, but a sophisticated
  outlook. KJ's been playing in and around New York for years, and the
  album's got a very solid, very professional approach -- one that balances
  all the elements of the music just right, without falling into cliche on either
  side of the fence, and really getting at the best part of KJ's unique sound.
  She bills herself as an "urban folk & jazz artist" -- and we couldn't think of
  a better way to put it! Titles include "Silence Was Deafening", "Little
  Mary", "Violet", "Girl Like Me", "She Loves You", "How Many Ways", "Red
  July", and "I Like Your Face". (From the NuSoul CD page.)
  

• Another Year Gone By, Live [+ Show ]
  

  Another Year Gone By K.J.Denhert Mother Cyclone Records, 2005 www.kjdenhert.com ste...Another Year Gone By
  K.J.Denhert
  Mother Cyclone Records, 2005
  
  www.kjdenhert.com
  
  step into exactly the same river twice. Denhert’s jazz improvisational style- backed by her own guitar playing and a group of excellent musicians called the New York unit- ensures that you’ll never hear her sing the same song twice, even though the words might be the same (well sort of…) The album includes some old standards-“Ain’t no Sunshine,” “Summertime,” “Sunny,” and “Hit the Road Jack” -but you’ve never heard them quite like this.
  Denhert is the kind of performer who thrives and excels in a live setting, and this recording shows off the fine nuances of her style and the fun she and her musicians have on stage. As Denhert puts it in the liner notes: “The improvisation…is a conversation between players that is worth documenting. It’s dynamic and I can get quite giddy, even silly at times.” “The fun comes through on this CD; you can close your eyes and be transported to the club scene.
  A New York City native, Denhert now lives in Westchester. After a successful career in the corporate world, she bid it all goodbye in 2003 to devote herself fully to her music. The founder and owner of her own independent label, Mother Cyclone Records, Denhert’s goals are simple: She wants to keep writing and performing and growing her label. In addition, she believes in providing her musicians with a decent living that even includes healthcare.
  Denhert and her band do a regular Saturday gig at a Greenwich Village club called the 55 Bar, and she appears regularly in the New Paltz and Kingston areas. Watch for her in the Hudson Valley, or take a weekend trek to the Village. Denhert is a dish best served live and hot. Meanwhile, though, if you can’t get to one of her live performances, Another Year Gone By is definitely the next best thing.
  -SUZANNE MCHUGH
  
  
  
  
  
  14 | www.insideouthv.com | NOVEMBER/DECEMBER 2005
  

• The Urban Folk & Jazz of KJ Denhert [+ Show ]
  

  BY RICH CUCCARO Listening to K.J. Denhert sing for the first time, I thought to myself, “It’s ...BY RICH CUCCARO
  
  
  Listening to K.J. Denhert sing for the first time, I thought to myself,
  “It’s like hearing Roberta Flack with an acoustic guitar!” I’ve never
  lost that viewpoint. Every time I’ve seen her, the soft, silky-smooth
  vocals and the jazz-laced guitar phrasings have always reinforced that first
  impression. Her fluidity and command of every element in her arsenal has
  never ceased to amaze me.
  On Girl Like Me, her latest CD, she receives backup from a host of great
  players, and the ensemble effect may not always convey the impact of seeing
  her do her thing live. It sure is a great listen, though. My favorite original
  composition by K.J., “Violet” is here, as well as some covers that she makes
  her own. Both “She Loves You,” by Lennon/McCartney and “Message in a
  Bottle” by Sting are given jazzy Latin treatments. The old grade-school chestnut
  “Oh Susannah” is a ruminative tour de force. She slows it down and, with
  pensive piano back up and a little poetic license, sorrowfully recounts, “Oh
  Susannah / Don’t you cry for me / cuz I come from New York City / and I
  brought this old guitar / some good times and some scars / I bought this old
  guitar with me.”
  Beginnings
  She may have been thinking of the first guitar she ever
  used. Her grandmother’s entire family of eight brothers
  and sisters were all musicians and, while still a child, K.J.
  knew she could make music if she just had an instrument.
  At 10 years old she picked up a guitar with just four strings
  and wrote a song for a schoolteacher who had passed away
  unexpectedly. Her brother added the two other strings
  and she began teaching herself. She first used James Taylor
  records and a tablature book and then learned Joni
  Mitchell’s open tunings from another book. After that, she
  says “all of the rest was my ears.”
  Asked about early recordings listened to, she began with
  Alvin and the Chipmunks, saying, “there was a B side to
  the 45 of the Chipmunks’ ‘Christmas Time,’ called
  ‘Almost Good,’ an instrumental piano piece that really
  swung!” From there, she listed a who’s who of pop music
  that included The Beatles, Glen Campbell, John
  Hartford, Michael Jackson, The Carpenters, The
  Supremes and Brasil 66 and 67 (even though they were
  her parents’ records). Influencing her direction on guitar
  were James Taylor, Joni Mitchell, Carole King, Crosby,
  Stills, Nash and Young, and the Allman Brothers.
  She says that her taste became more sophisticated as she
  observed when “Joni started playing with the LA express
  and turned onto to certain players, like Larry Carlton on
  guitar and John Guerin on drums,” and continuing, “In college there was
  Bruce Cockburn, Laura Nyro, Steely Dan, and Bonnie Raitt.”
  Revelation
  Asked about when she knew she’d make music for a living, she said, “By age
  14, I was pretty good and would play for my family, their friends and mine.
  I was never without a guitar… I took it on any vacation. My physics teacher
  had a coffee house in the Bronx that I played at. I don't remember how I put
  a band together, but I did, in high school. We got a standing ovation at
  Gurdy's Folk City on my first night out at an actual bar! I was hooked then
  and had been writing songs for years. There were no significant music teachers
  in my childhood. In college I met a guitar player who really intrigued me
  for what was similar about us… Vicki Genfan. The bar was raised and I credit
  her and her guitar-playing ability for inspiring me to work to be a better
  player.” [Acoustic Guitar magazine wrote of Genfan: “Her dazzling displays
  of two-handed tapping, bell-like harmonics and funky bass note slapping
  have guitar aficionados… slack-jawed with awe”] No wonder K.J. was so
  affected. The influence becomes apparent… K.J.’s
  guitar work is stellar.
  
  The Career
  The next sequence of events shed some light on
  how her experience as a musician expanded. She
  recounts:
  “I left Cornell in 1978 without finishing my
  undergraduate degree. I had a band and was
  receiving airplay on Cornell's station. I had some
  steady gigs but I decided I wanted to learn more
  about the band business and the business of
  music. I made one demo with my band and got
  one rejection letter from Warner brothers… that
  didn't feel good. So… I bought a strat and
  answered an ad in the village Voice, and found a
  job as a lead guitarist in a band. As a result, I spent
  the next seven years on the road. In the first year,
  I paid off my college loans playing for a show band
  that toured the US, mostly playing lounges. That
  band broke up and I called a few other all-girl
  bands. One of them was looking for me already.
  That made me feel good… they had a good
  drummer and bass player so I hooked up with
  them, rehearsed for about a month and spent the
  next six years on a wild adventure that took me all
  over the world, including two USO tours one in
  Asia and one in Europe. I always joke that I am
  going to write a book about those years called
  “Seven Years in Spandex!” In 1986 the band broke
  up after nearly six solid years on the road at no less
  than 50 weeks a year.”
  Speed Bump
  “After three months I went to work for Dannon
  Yogurt as an entry-level finance administrative
  temp. Eighteen years later I came out with a
  hands-on education in Sales Finance and had
  been exposed to marketing concepts and their
  analysis, but I never stopped playing music. I
  worked tirelessly on my guitar playing, writing,
  singing and performing for all 18 years. It’s
  lucky that I did, because leaving that career
  behind as I did this October it wasn't like I had
  to start a career in music… I had one. I have
  four CDs so far and no remaining debt. I have
  a working functioning band, enough material
  for another record and a handful of steady
  gigs.”
  She attended The Northeast Regional Folk
  Alliance (NERFA) conference weekend in
  November this year for the first time to try to
  understand what the opportunities are for her
  as a solo performer, with her duo, and with her
  quartet. She played numerous showcases
  including with both Acoustic Live and Tribes
  Hill. In addition, despite feeling a bit under the
  weather with a cold, managed to stay up most
  of Saturday night/Sunday morning jamming in
  the hallway -- a real trouper.
  Current Developments
  KJ states: “I added a marketing team in May, so
  that when I was ready to return to my true vocation
  full time - I wouldn't be scratching my head
  for what to do next. This really got the momentum
  going. Three days after my official retirement
  date we started radio promotion on Girl Like Me.
  I received an indie music award nomination for
  the song “Violet” and an honorable mention in
  the Falcon Ridge emerging artist showcase. John
  Platt has started spinning my cover of “She Loves
  You” and the first four weeks yielded 29 ads and
  we’ve made a few charts. We're only halfway
  through. There is a publicist set to come on board
  and I've got two recording projects going on. One
  has to be finished by January when I'll head to St.
  Bart's with songwriter and guitarist Adam Falcon.
  We're going to put out an acoustic record that
  really focuses on the way we play guitar and sing.
  Not that we're trying to emulate anyone but I see
  it as a modern pairing in the fashion that Roberta
  Flack and Donny Hathaway [an apt comparison]
  made some great contributions. I am also collecting
  some live tracks that are quite compelling to
  help with our releases to jazz stations.”
  She says: “I still love acoustic guitar and use it in
  many ways in my writing and in the band. The
  wah wah pedal gives me a somewhat unique ability
  to take edgier solos.”
  Well said. It cannot be stressed too strongly that
  KJ must be seen live to be fully appreciated. In
  addition to her musicianship, she exudes personality.
  As she stated in another interview: “I just get
  carried away. My drummer Ray did an imitation
  of some of things I do when I get into it. I was on
  the floor laughing- no matter what mood I'm in,
  when the band locks in, I have an arsenal of involuntary
  gyrations.”
  In response to a query about her current philosophical
  state, she said: “I was shocked at the outbreak
  of the recent war and very depressed. I just
  didn't believe that anyone in an industrialized
  nation like ours could actually think that a real
  war would bring about any resolutions. I spent a
  lifetime finding my own voice, my own values,
  and my own sound. The world is in a tenuous
  tight-rope walk, and this country that I love is
  inextricably involved in a complicated bind that
  we can't turn and walk away from. When is art
  ever more important, than when a nation is forced
  or terrorized into asking the real value questions?”
  To which we can only add in our best 60-ish rhetoric:
  “Right on, sister!”
  Web site: www.kjdenhert.com
  Upcoming Gigs:
  On Thursday, Dec 4th K.J. has an 11:30 set at
  Downtime as the finale of the “Girls Rock & Girls
  Rule II” a benefit to support Voices of Women
  Organizing Project, Battered Women’s Resource
  Center The show starts at 6:30 Address: 251 W.
  30th St (for other artists see the listings pages)
  A steady gig at The 55 Bar in Greenwich Village,
  NYC, her next 3 dates are Dec 6th and 20th, and Jan
  3rd. She plays 3 sets each night with her band from
  10pm to 2am 55 Christopher St, 212 929-9883
  Friday, Dec 26th 6 -10pm Gadaleto's Seafood &
  Bandstand Cherry Hill Plaza, New Paltz NY
  845-255-1717 K.J. is joined by guitarist Adam Falcon
  Dec 30th DTUT, 1626 2nd Ave (84th-85th St)
  NYC (212) 477-1021 KJ will play a set in addition
  to an 8:30 set by Ina May Wool
  New Year’s Eve 9pm at “17 Main” 17 Main St.,
  Mt. Kisco NY 914 244-1974 K.J. and Band
  ‘…I bought a strat and
  answered an ad in the village
  Voice… and found a job as a
  lead guitarist in a band…’
  
  

Setlist

Our set lists are never written out before a show!
Each set is a response to the venue, the audience.
The cover tunes are usually classics, eclectic and totally completely reworked.

Originals;
Silence was Deafening
Little Mary
How Many Ways
Oleander
Red July
Violet
Girl Like Me
There's No Mercy
Jellybean
Strange Crazy Love
Love On the Side
How Many Ways
I Found You
Rivera
My Love is Complete
Open Your Heart
Understanding

Cover/ Arrangements

Message In a Bottle- Sting
She Loves You- Lennon & MaCartney
Oh Susannah - S. Foster
Moon Dance - Van Morrison
My Cherie Amour- Stevie Wonder
It's Too Late - Carole King
Sunny- Bobby Hebb
Hit The Road Jack - Ray Charles
Ticket to Ride- Lennon & McCartney
Pennies From Heaven- Billie Holiday
God Bless The Child Billie Holiday
Somewhere Over The Rainbow Rogers & Hammerstein
Help- Beatles
Smoke on The Water- Deep Purple

Basic Requirements

Calendar