Colleen Kattau and Some Guys

THANK YOU to the artists who made this benefit show an amazing, energizing and joyful celebration of resistance!
Colleen Kattau kicked off the showed with her tremendous, soul-grabbing voice. It was a powerful way to start off the night. - soawatch.org

In the title track to her new album, Inhabited Woman, Colleen Kattau sings with the spirits who inhabit her soul. They include the grandmother she hardly knew; her close friend and collaborator, the late Jolie Rickman; the Chilean songstress Violeta Parra; and the crusty old folk master Utah Phillips. In her music and her political activism, she embodies her belief that “we carry the past with us.”

- Ed Griffin-Nolan

In the title track to her new album, Inhabited Woman, Colleen Kattau sings with the spirits who inhabit her soul. They include the grandmother she hardly knew; her close friend and collaborator, the late Jolie Rickman; the Chilean songstress Violeta Parra; and the crusty old folk master Utah Phillips. In her music and her political activism, she embodies her belief that “we carry the past with us.”

- Ed Griffin-Nolan

Binghamton — Charlie King’s life was changed when he heard a Catholic Peace Fellowship speaker during his sophomore year at college.
“The whole vision of a peaceful tomorrow that was part of Catholic tradition that had never been taught to me in Catholic schools, that came alive for me,” King said. “I’m still living in the legacy of that one visit.” Now decades later, King shared that vision during a performance for students at the La Tazza Coffee Shop during the Easter break. The event, sponsored by St. James Parish Peace and Justice Ministry also featured Colleen Kattau. Young people sat in comfy chairs sipping from large cups as King and Kattau sang and talked. “By the time they came for me, there was no one even left to try,” they sang the words attributed to Martin Niemoller, a World War I German naval officer who became a minister. Niemoller is credited with a poem encouraging people to stand up for everyone, because the last person left would have no one to speak for them. Niemoller was eventually arrested for his words and survived two concentration camps.

“He learned the hard way that you really can’t hide from justice,” King said, “You can’t really keep a low profile until it all blows over, because eventually it all ends up on your doorstep.”
Rosa Parks, who refused to give up her seat on a segregated bus, and activist and one-time presidential candidate Eugene Debbs were among the many names brought up during the performance by King and Kattau. “They had a very good message,“ said Christopher Fitzpatrick who was confirmed last year at St. James. “They were able to use it through not just words but also through song and examples.”

“Last year, we learned that we’re all equal and we should all stick up for what we believe in,” Fitzpatrick said, “They reinforced that through Nelson Mandela and the other examples they used.” Singer Colleen Kattau, a teacher by profession, believes that young people are receptive to their message because they sing from the heart.
“We try to engage them and get them to think,” she said. “Ask them questions. To do some critical thinking, that’s the key.” “We try to mix it up with humor and with a little sarcasm here and there. So I think that’s how we can get a message across. But really making it more of a dialogue is very important,” she said.

Maria Murphy is a sophomore at Seton Catholic Central High School and in the St. James confirmation program. Murphy said she is interested in civil rights, and she learned from the presentation.
“They covered a lot of ground. I was really satisfied,” Murphy said. “The church is supposed to talk about equality and loving one another, treating one another with respect. And they made a good comparison in a couple songs about God listening to the people, and just they way they were talking, it was a comparison of us to be more like Jesus, help one another.”

“Anybody, anyone doing either the most simple work or the most complex, it doesn’t matter,” Kattau said, “If they stand up, speak to those in power. Stand up for what they believe in and learn how to deal with other people who don’t share the same ideas that they do.”

“The main thing is their lives can make a difference,” King said. “I think that so much of what is shoved down our throats as a culture tells us that how we make a difference is by buying things. And it’s a heartless way of life.” King hoped the students walked away with a sense that living a good and meaningful life can affect other people. “Maybe you sing to a thousand people and [if] one person changes, it’s worth the investment in time and energy,” he said. - Deacon John Picciano

Binghamton — Charlie King’s life was changed when he heard a Catholic Peace Fellowship speaker during his sophomore year at college.
“The whole vision of a peaceful tomorrow that was part of Catholic tradition that had never been taught to me in Catholic schools, that came alive for me,” King said. “I’m still living in the legacy of that one visit.” Now decades later, King shared that vision during a performance for students at the La Tazza Coffee Shop during the Easter break. The event, sponsored by St. James Parish Peace and Justice Ministry also featured Colleen Kattau. Young people sat in comfy chairs sipping from large cups as King and Kattau sang and talked. “By the time they came for me, there was no one even left to try,” they sang the words attributed to Martin Niemoller, a World War I German naval officer who became a minister. Niemoller is credited with a poem encouraging people to stand up for everyone, because the last person left would have no one to speak for them. Niemoller was eventually arrested for his words and survived two concentration camps.

“He learned the hard way that you really can’t hide from justice,” King said, “You can’t really keep a low profile until it all blows over, because eventually it all ends up on your doorstep.”
Rosa Parks, who refused to give up her seat on a segregated bus, and activist and one-time presidential candidate Eugene Debbs were among the many names brought up during the performance by King and Kattau. “They had a very good message,“ said Christopher Fitzpatrick who was confirmed last year at St. James. “They were able to use it through not just words but also through song and examples.”

“Last year, we learned that we’re all equal and we should all stick up for what we believe in,” Fitzpatrick said, “They reinforced that through Nelson Mandela and the other examples they used.” Singer Colleen Kattau, a teacher by profession, believes that young people are receptive to their message because they sing from the heart.
“We try to engage them and get them to think,” she said. “Ask them questions. To do some critical thinking, that’s the key.” “We try to mix it up with humor and with a little sarcasm here and there. So I think that’s how we can get a message across. But really making it more of a dialogue is very important,” she said.

Maria Murphy is a sophomore at Seton Catholic Central High School and in the St. James confirmation program. Murphy said she is interested in civil rights, and she learned from the presentation.
“They covered a lot of ground. I was really satisfied,” Murphy said. “The church is supposed to talk about equality and loving one another, treating one another with respect. And they made a good comparison in a couple songs about God listening to the people, and just they way they were talking, it was a comparison of us to be more like Jesus, help one another.”

“Anybody, anyone doing either the most simple work or the most complex, it doesn’t matter,” Kattau said, “If they stand up, speak to those in power. Stand up for what they believe in and learn how to deal with other people who don’t share the same ideas that they do.”

“The main thing is their lives can make a difference,” King said. “I think that so much of what is shoved down our throats as a culture tells us that how we make a difference is by buying things. And it’s a heartless way of life.” King hoped the students walked away with a sense that living a good and meaningful life can affect other people. “Maybe you sing to a thousand people and [if] one person changes, it’s worth the investment in time and energy,” he said. - Deacon John Picciano

Please remember that music is a universal language and it comes from the heart, mind and soul to the world. --Llajtasuyo

"Pas, salaam, shalom…"

With thousands of people milling up and down barricaded and police-patrolled Fort Benning Road, a voice sings out the lyrics of the peace song. This voice causes a reaction on the surface of your skin. It has a primordial quality. The song is big and beautiful and travels down Fort Benning Road reaching those that have just arrived in Columbus, Georgia. Pat Humphries continues to sing and is joined by Sandy O, and then the crowd joins in. Pat and Sandy are Emma's Revolution and they sing a song for peace at the School of the Americas Protest.

The arrival of protestors at the gates of Fort Benning is part of a much bigger week-long teach in and non-violent event coordinated by the School of the Americas Watch. 2005 marked the 15th anniversary of the School of the Americas Protest, held annually at the gates of Fort Benning in Columbus, Georgia, where the School of the Americas (SOA), or the Western Hemispheric Institute for Security and Cooperation (WHINSEC) - as it was renamed in 2001 - resides. The purpose of the Protest is simple: to shut down the School, under whatever name it adopts.

The SOA/WHINSEC's mandate is to train soldiers from the Americas. Graduates have been linked to some of the worst atrocities and most repressive regimes across Latin America, including the assassination of Archbishop Romero of El Salvador, the massacre of the community of El Mozote, also in El Salvador, as well as Chile's General Augusto Pinochet's inner circle. Pinochet's sword is encased in glass and is displayed in a hallway of the SOA/WHINSEC. But it is not only Latin America's history that has been affected by the SOA/WHINSEC. A massacre of eight people in February of 2005, including three young children, in the Peace Community of San José de Apartadó, in Urabá, Colombia was linked to the Colombian military's 17th Brigade, which is led by an SOA graduate. It was for reasons like these that 20,000 people from across the Americas came to Georgia for the SOA Protest. The annual call to shutdown the infamous School is relevant, strong, and popular. It is also musical.

Folk singer Pete Seeger has called the SOA Watch movement the "singin'est movement since the Civil Rights movement." Music is omnipresent at the SOA protest. It is structurally imbedded in everything that goes on over the weekend. There are singers and musicians that inflect and punctuate the message of the speakers throughout the day. There are concerts, puppetry with music, and a solemn procession with a mournful melody. Protesters come to Fort Benning with their instruments, and they play everywhere.

"Music is cathartic," says Indigo Girl Emily Saliers, who played at the protest. "Sometimes it's just fun, sometimes you need your spirits lifted or you need to kick up your heels. It actually plays a lot of roles. Music takes us out of our pain, or brings us closer to our pain, reminds us of it, makes us live through it."

Harnessing music's ability to affect us emotionally and move us through emotional levels is why many believe this movement has lasted for 15 years and has been so successful, "Not all movements understand the importance of music the way the SOA Watch does," notes Sandy O, who has played at demonstrations across North America. "SOA Watch uses liturgical sounds for the funeral procession for the folks that have been murdered by students of the school. But it also uses upbeat music and sing along music and dance music and puppetry to keep peoples' energy up." She adds, "This is a very heavy subject and a very intense time in the world, and music and the arts and puppetry and dance and poetry are the kinds of things that keep your spirits up while your mind is saying this is pissing me off and I want to do something about it. The arts get the rest of your body involved so you can do something about it."

Keeping people positive in the face of torture and atrocity and formidable opposition to change has also been crucial to the success of the Protest. Medea Benjamin, founder of GlobalExchange and CodePink, was a speaker at the protest and is a long time supporter of the SOAWatch movement. Medea believes in humour, positive energy and emotional engagement to bring about positive change in the world. "I believe that we should make the movement fun. I don't want to go to something where you're just brought down and feel like, oh no, isn't it awful and you don't have any inspiration to keep doing it." Medea believes that a movement based on guilt will not last long. "If [the protest] is based on feeling communal bonds with people who think like you and who really believe that life is the most sacred of all concerns and they are able to show that concern in a way that's fun and loving and spirited, I think that's great, and that's important to me."

Music has come to play a central rol - Carole Ferrari

Please remember that music is a universal language and it comes from the heart, mind and soul to the world. --Llajtasuyo

"Pas, salaam, shalom…"

With thousands of people milling up and down barricaded and police-patrolled Fort Benning Road, a voice sings out the lyrics of the peace song. This voice causes a reaction on the surface of your skin. It has a primordial quality. The song is big and beautiful and travels down Fort Benning Road reaching those that have just arrived in Columbus, Georgia. Pat Humphries continues to sing and is joined by Sandy O, and then the crowd joins in. Pat and Sandy are Emma's Revolution and they sing a song for peace at the School of the Americas Protest.

The arrival of protestors at the gates of Fort Benning is part of a much bigger week-long teach in and non-violent event coordinated by the School of the Americas Watch. 2005 marked the 15th anniversary of the School of the Americas Protest, held annually at the gates of Fort Benning in Columbus, Georgia, where the School of the Americas (SOA), or the Western Hemispheric Institute for Security and Cooperation (WHINSEC) - as it was renamed in 2001 - resides. The purpose of the Protest is simple: to shut down the School, under whatever name it adopts.

The SOA/WHINSEC's mandate is to train soldiers from the Americas. Graduates have been linked to some of the worst atrocities and most repressive regimes across Latin America, including the assassination of Archbishop Romero of El Salvador, the massacre of the community of El Mozote, also in El Salvador, as well as Chile's General Augusto Pinochet's inner circle. Pinochet's sword is encased in glass and is displayed in a hallway of the SOA/WHINSEC. But it is not only Latin America's history that has been affected by the SOA/WHINSEC. A massacre of eight people in February of 2005, including three young children, in the Peace Community of San José de Apartadó, in Urabá, Colombia was linked to the Colombian military's 17th Brigade, which is led by an SOA graduate. It was for reasons like these that 20,000 people from across the Americas came to Georgia for the SOA Protest. The annual call to shutdown the infamous School is relevant, strong, and popular. It is also musical.

Folk singer Pete Seeger has called the SOA Watch movement the "singin'est movement since the Civil Rights movement." Music is omnipresent at the SOA protest. It is structurally imbedded in everything that goes on over the weekend. There are singers and musicians that inflect and punctuate the message of the speakers throughout the day. There are concerts, puppetry with music, and a solemn procession with a mournful melody. Protesters come to Fort Benning with their instruments, and they play everywhere.

"Music is cathartic," says Indigo Girl Emily Saliers, who played at the protest. "Sometimes it's just fun, sometimes you need your spirits lifted or you need to kick up your heels. It actually plays a lot of roles. Music takes us out of our pain, or brings us closer to our pain, reminds us of it, makes us live through it."

Harnessing music's ability to affect us emotionally and move us through emotional levels is why many believe this movement has lasted for 15 years and has been so successful, "Not all movements understand the importance of music the way the SOA Watch does," notes Sandy O, who has played at demonstrations across North America. "SOA Watch uses liturgical sounds for the funeral procession for the folks that have been murdered by students of the school. But it also uses upbeat music and sing along music and dance music and puppetry to keep peoples' energy up." She adds, "This is a very heavy subject and a very intense time in the world, and music and the arts and puppetry and dance and poetry are the kinds of things that keep your spirits up while your mind is saying this is pissing me off and I want to do something about it. The arts get the rest of your body involved so you can do something about it."

Keeping people positive in the face of torture and atrocity and formidable opposition to change has also been crucial to the success of the Protest. Medea Benjamin, founder of GlobalExchange and CodePink, was a speaker at the protest and is a long time supporter of the SOAWatch movement. Medea believes in humour, positive energy and emotional engagement to bring about positive change in the world. "I believe that we should make the movement fun. I don't want to go to something where you're just brought down and feel like, oh no, isn't it awful and you don't have any inspiration to keep doing it." Medea believes that a movement based on guilt will not last long. "If [the protest] is based on feeling communal bonds with people who think like you and who really believe that life is the most sacred of all concerns and they are able to show that concern in a way that's fun and loving and spirited, I think that's great, and that's important to me."

Music has come to play a central rol - Carole Ferrari