supersonic
Artist Information
Biography
Red Baron represents, literally and figuratively. He is an emcee, college professor and attorney who has crafted a stirring brand of music that is thought-provoking and relevant, honest and life-changing. He has garnered high compliments from hip-hop legends (EPMD, DJ Scratch), industry tastemakers (Mtv Correspondent Sway) and record executives (VP of A&R at Def Jam, Lenny S), in addition to having won the Grand Prize in the Hip-Hop Category for the 2010 John Lennon Songwriting Competition; all of which has quickly made Red Baron one of rap music's best kept secrets.
Born in the bedrock of blues music, reared in the home of R&B, and classically trained in violin and piano, it would seem Red was destined to make music of some sort. His music fuses the blues, jazz, soul, R&B and rock, yet still rings true of hip-hop.
Red Baron found his voice as a musician while a student at Morehouse College, where he graduated in 2004. Shortly after graduating, he released his critically acclaimed debut, “Paint the Town Red." He released his highly anticipated second album, entitled, “Shades of Grace” on April 19, 2011.
Red has performed in various venues: colleges and universities, national conferences, churches, rehabilitation centers, detention centers, bars, clubs, and even a grocery store. His material has been featured on an official mixtape (Empire State Mixtape Vol. 2) alongside material from some of the more prominent names in hip-hop (e.g. Jay-Z, Kanye West, Will.I.Am, Swizz Beatz, Lil' Wayne, T.I., Usher, Diddy, Neyo, Drake, Nikki Minaj, Rick Ross, etal). In short, the forums have changed, the response has not.
Amid a time where most contemporary artists spin tales of lustful acts, violence, “bling-bling” dreams, etc., Red Baron’s content and potent lyrics set him apart. His music focuses on his faith and fulfilling his role as a husband, father, attorney and educator. Quite simply, his music is what a beautiful painting sounds like. Just listen, you'll know all you need to...
For more on Red Baron, please visit: www.paintedred.net
You may also read his blog by visiting: www.thepaintedone.wordpress.com
Instrumentation
Red Baron (voice)
Discography
- Discography -
2004:
“Created to Rule” Red Baron is a featured artist on Reverend Derrick Hill's “Created to Rule”
(October 9, 2004)
2005:
"Paint the Town Red"
(April 19, 2005)
can be purchased at iTunes, Napster, Walmart Music Downloads, Great Indies Music and or Cdbaby ( http://cdbaby.com/cd/redbaronmusic)
2006:
“We Must Go Forward: The Passion of the Black Man” Red Baron is featured on Fishers of Men Productions' soundtrack to the stage play "We Must Go Forward: The Passion of the Black Man" (January 28, 2006)
"Mission Possible" Red Baron is a featured artist on Permanent Multimedia Inc.'s Mixtape "Mission Possible" (Summer 2006)
2008:
"Age of Innocents" Red Baron is a featured artist on the Delaware Valley Church of God Compilation "Age of Innocents." (Winter 2008)
2010:
Red Baron is a featured artist on Shamika Phoenix's "On The Rise"
(October 5, 2010)
Red Baron is a featured artist on DJ Whutevva's "Empire State Mixtapes Vol. 2" [featuring exclusive material from Jay-Z, Kanye West, Will.I.Am, Swizz Beatz, Lil' Wayne, T.I., Usher, Diddy, Neyo, Drake, Nikki Minaj, Birdman, Rick Ross, Fabolous, Chris Brown, B.O.B., Trey Songz, Jim Jones, J.Cole, etal]
(October 20, 2010)
2011:
"Shades of Grace" EP (available for free download at: http://redbaron.bandcamp.com)
(February 2, 2011)
"Shades of Grace"
(April 19, 2011)
- Songwriting Competitions -
2010 John Lennon Songwriting Contest Grand Prize Winner in Hip-Hop Category: " Have Plenty feat. Tomeka Carroll"
2004 P.E.P.E.R.S. Love and Social Justice Spoken Word Event Grand Prize Winner in the Love Category*
- Radio Airplay -
Banana Peel Radio (North Vancouver, British Columbia)
Dr. Love Internet Radio (Atlanta, GA)
The Good Life Radio (nationally syndicated radio program)
G-Town Radio (Philadelphia, PA)
Holy Culture Radio
Indie Life Radio
Infinite Radio
One Sound Network (Atlanta, GA)
Pongid Radio
Rebourne Radio (Memphis, TN)
Silent Planet Radio(Wilkes-Barre,PA)
Streetblast Internet Radio
WEAL 1510 AM (Greensboro, NC)
Jango (http://www.jango.com/music/Red+Baron)
730 Music Radio
Unheard Radio
KRS ONE's Temple of Hip-Hop on Shades of Radio
ATLanta Movement Radio
Empire State Radio (102.5 FM)
ruKus Radio
Street Flava Radio (101.8 FM)
TM 101 Radio
-Feature in Publications-
CCM Magazine
Atlanta LowDown (October 2005)
BYOBB Album Review (October 2005)
SonicBids Artist Spotlight (February 13, 2006-February 20, 2006)
GospelSynergy Magazine (September 2008)
Lyrics, Inc. Magazine (October 2008)
Next Music Blog (May 2010)
Indie Music Universe Artist/Band of the Week (July 11-17, 2010)
IAE Magazine Album Review (fall 2010)
Vents Magazine (fall 2010)
MusicFix Song Feature ("Life is Beautiful") (October 2010)
Hip-HopStardom101 Unsigned Hype (October 2010)
Revolutionary Ink (summer 2011)
Skope Magazine (summer 2012)
BroBible (fall 2012)
Drop the R (fall 2012)
Hip-Hop News Media (fall 2012)
The Powerhouse Show (fall 2012)
Soul Anchor Collective (fall 2012)
Tha Produce Section (fall 2012)
Beats and Lyrics Magazine (fall 2012)
Praverb.net (fall 2012)
Official Website
Links
Audio
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Nobody feat. Tomeka Carroll & Domonique Wilson
Listen -
Have Plenty feat. Tomeka Carroll (radio edit)
Listen -
Life is Beautiful feat. Tomeka Carroll (radio edit)
Listen -
Southern Comfort (Hue I Am) feat. Lisa McClendon (radio edit)
Listen -
Invincible feat. Kurtis Parks
Listen -
If This Sense Were Common (featuring Tomeka "Epiphany" Carroll)
Listen
Lyrics
Video
Red-Baron---Have-Plenty-feat--Tomeka-Carroll
Shamika-Phoenix---On-The-Rise-feat--Red-Baron
Photo Gallery
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Red Baron Triple Self Portrait
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image_228111
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Red Baron - Rapfest 2011 (horizontal front view)
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Red Baron recording at Sanctifly Music Group Studios (October 14, 2009)
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Red Baron live at the United Black Christians Biennial Banquet (July 2, 2005)
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Red Baron live @ Hip-Hop 4 Palestine (vertical full body)
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Red Baron live at Faith Tabernacle Baptist Church (August 9, 2008)
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Red Baron live at Faith Tabernacle Baptist Church (August 9, 2008)
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Red Baron and Tomeka Carroll live at 50 TopMics Tour Finals in Brooklyn, NY (November 7, 2010)
Download print quality (high-res) version (Right Click -> Save As) -
Red Baron and Tomeka Carroll live at 50 TopMics Tour Richmond Showcase (October 17, 2010) (*Red Baron was selected as the winner of this showcase!)
Press
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Red Baron appears in the Artist 2 Watch Section of Skope Magazine
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Red Baron http://www.sonicbids.com/RedBaron How does it feel to be an A2W artist @ Skopemag.com?...Red Baron
http://www.sonicbids.com/RedBaron
How does it feel to be an A2W artist @ Skopemag.com?
Red Baron: I count it an honor. It’s always humbling for a reputable publication such as Skopemag to recognize what I do. You have covered some of the greats, I’m glad to be in the number.
Skope: Besides fortune & fame what draws you to music and being an artist?
Red Baron: Truth be told, the allure of fortune and fame has never been a motivating factor for me. The two merely represent a potential byproduct of success. The music draws me because of the way it speaks to people. It speaks to me. I suppose I’m blessed to say God has graced me with a gift to use it to speak to others. In so doing, I can impact the lives of others while doing something I love. It is as I say in one of my songs, entitled This Music, “We pause from breathing for speaking meaning sacred is prose/So in the last ten years I have been placed in these shows/I’ve been placing my life on hold for the saving of souls.”
Skope: What are you currently promoting the most via an album, tour, single etc?
Red Baron: At the moment I am still actively promoting my sophomore album, Shades of Grace. Shades of Grace is the natural progression of my debut, Paint the Town Red. The music itself has heavy fusions of gospel, jazz, blues, soul, rock and yet still rings true of hip-hop. Its content wrestles with some of the more compelling issues of our day–conversion, the intersection of race and faith, the search for love, satisfaction and purpose–all neatly packed into one incredible cd. You may preview and download Shades of Grace in its entirety for free by visiting: http://redbaron.bandcamp.com.
I am also prepping for the release of a new single entitled Nobody. Nobody chronicles the harrowing details of the fatal shooting of Trayvon Martin by neighborhood watch volunteer George Zimmerman in addition to the fatal shooting of Oscar Grant III by former Oakland transit officer Johannes Mehserle. The song paints a vivid picture of the two tragedies, remarks on their unfortunate frequency, the unjust application of law and how hip-hop and urban culture contribute to the stereotyping of African American men.
It is slated to appear on the official mixtape for the Spike Lee executive produced film You’re Nobody, ’til somebody kills you. The Michael Pinckney directed film, is a gritty, action-packed tale of two New York City homicide detectives, Detective Charles Johnson and Detective Joseph Francelli, who are hurled into the high-stakes world of the hip-hop industry when a series of rap superstars are mysteriously killed.
Skope: How much time per week do you devote to music and do you work/school as well?
The short answer is not enough. I’m married with two small children (my daughter is two, my son is about eight months). I’m also an attorney and college professor (Hip-Hopcrisy: Hip-Hop and Black Culture at Temple University). My course at Temple meets twice a week, and I am typically at my law office or at home with my family when not there. Suffice to say, much of my day is filled with plenty of activity that draws my attention away from the music. Nevertheless, I make it a point to regularly set apart specific time to write, record, perform, conduct interviews, et cetera. That’s how we’re talking now.
Skope: Have you been able to earn money from music and if so how?
Red Baron: I have earned money from my music, but not enough to leave my day job. I have earned money from some of the more traditional revenue within the industry: album sales and digital downloads, performance fees (show money) song writing contests, artist showcases, et cetera. I have also earned money by providing counsel for artists and companies within the entertainment industry.
Skope: What person has been the most encouraging & supportive of your music?
Red Baron: My wife is undoubtedly my biggest supporter. Her encouragement is invaluable. I could not do this without her help.
Skope: What is coming up for you & where you at online?
Red Baron: Aside from promoting Shades of Grace and prepping for the release of Nobody, I am in the process of writing my next album, entitled The Cost of Living. I also have enough songs in the works to act as a promotional project to release prior to The Cost of Living. Additionally, I am working on a single, which may turn into an ep, with a colleague who is an emcee and physician. Lastly, I have a few contributing articles in the works for online publications and/or my own blog. Updates for all will appear on my site: http://paintedred.net.
Speaking of which, you may learn more about what I do by visiting: http://paintedred.net. You can follow me on Twitter @thetrueredbaron. I am also on Facebook (http://facebook.com/The.Red.Baron.1) and blog at http://thepaintedone.wordpress.com. -
Red Baron featured in Beats and Lyrics Magazine
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Section 1: What project are you currently promoting? At the moment I’m actively promoting my s...Section 1:
What project are you currently promoting?
At the moment I’m actively promoting my sophomore album, Shades of Grace. Shades of Grace is the natural progression of my debut, Paint the Town Red. The music itself has heavy fusions of gospel, jazz, blues, soul, rock and yet still rings true of hip-hop. Its content wrestles with some of the more compelling issues of our day--conversion, the intersection of race and faith, the search for love, satisfaction and purpose--all neatly packed into one incredible cd. You may preview and download Shades of Grace in its entirety for free by visiting: http://redbaron.bandcamp.com.
What is your thought process when working on new music?
I approach each new song with a mind to create a timeless piece of art that speaks to people. I want to make music worthy of your time, music you will enjoy that will challenge and inspire you, music that will encourage you to share with others. That’s the goal.
What inspires your music?
Life itself is ripe with inspiration. Each day greets us with new possibilities, new hope, new adventures and the like. It merely takes the presence of mind to pause long enough to observe them. Besides, the fact that the true and living God, Who created the Heaven and earth, desires to spend time with me, with us, is sufficient inspiration to last all eternity.
How would you classify your music?
The producer I work with said my music is “what a beautiful painting sounds like.” My former manager describes it as “hip-hop/soul,” because, in his words, I am making “more than just rap music.” I believe those are apt descriptions. More specifically, I describe my music as authentic, because it’s real.
I talk about genuine issues I encounter. I’m an adult (I’m 30) so I make music for grown ups. I actually get up and go to work, then come home and spend time with my wife and children (unless of course I’m on the road). I’m a follower of Jesus Christ. My music reflects all of that, and if you find those things boring, you probably won’t like what I rap about. In terms of my sound, my music blends the music I heard as a child, yet still rings true of hip-hop. Just listen, and you’ll know all you need to . . .
How would you describe yourself as an artist?
I like to tell people, imagine if Jay-Z and Lauryn Hill had a love child, raised him in the church and only let him listen to gospel and the classics of soul. That person's music would sound like mine. In short, my music is what a beautiful painting sounds like.
What sets your music apart from others in your genre?
My perspective, my content, my lyrical abilities, my sound all give my music potency that sets it apart from that of others. It centers on my faith and how I fulfill my role as a husband, father, attorney and college professor, all set to the tune of great music. Who else does that?
When you are working on a new song… Do you already have a concept in mind or do you rather write on top of music/beats?
Each of my songs has its own story, but they all begin with a concept (e.g. marriage, fatherhood, appreciating life, the search for satisfaction, my upbringing, balancing my legal career with my musical career), and a corresponding moment of inspiration. From there, the idea evolves and develops further.
Typically, I write to an instrumental of a song that captures the mood I want to convey (it also serves as a good starting point when I talk to my producer about making music) if I do not have music already. At that point, I generally write small portions (e.g. four to six bars) of the song at a time, then arrange it in the most fitting way, though some times I write the whole verse/song in a brief moment of inspiration. I usually prefer to literally write my verses (put pen to pad or put fingers to keys), but there have also been several occasions, where I had a long road trip, or was just riding in the car and would place an instrumental on repeat while I mumbled the eventual lyrics to myself, you know the whole not writing my lyrics down thing.
What are some of your musical influences?
Ironically, to be a rapper I did not grow up listening to much rap, and do not listen to as much as one would suspect now. I didn’t begin listening to rap until my early teenage years, because my parents’ introduction to rap music came from the musings of 2 Live Crew. Naturally they said, “If that is what rap is, there will be none of it in our house.” So, I drifted towards their collections of old gospel albums (really old stuff like Mahalia Jackson) and the classics of soul as a small child: Marvin, Aretha, James, Bob, Stevie, Michael, you name them. Additionally, my mom wanted me to learn to play the violin as a child. She would often say, “You never see little black boys playing the violin. I want to see you play in Carnegie Hall one day,” so it was a foregone conclusion I would play. That’s why I often say by the time I encountered rap I was more Bach than ‘Pac, more influenced by Mozart than Mos Def.
Once I started listening to rap, I loved people who could rap, people who had respect for the craft. Some of those who would prove influential included: ‘Pac, Jay, Nas, Big, The Roots, Outkast and Common.
Later, one of the more instrumental influences just so happens to be three great friends of mine that I went to college with—The Remnant. They taught me how to balance lyrical dexterity with relate-ability. In essence, they showed me how to be myself and not compromise my message.
What obstacles have you faced in the music industry?
The biggest obstacle is simply being heard. One of the blessings of the Internet is the ability to access virtually anyone on the globe with a few strokes of keys. The problem is millions of others have that same access, and are bent on getting their music to the masses, regardless of whether it’s any good. The struggle then begins to rise above the fray to actually have people hear your music. There have been other struggles, errant deals, untrustworthy business partners, disappearing financiers; however, separating yourself from the hordes of others who are plastering their music across the web daily probably poses the most difficult challenge.
What hard lessons have you learned while working in the industry?
Trusting the right person (people) is imperative, people are more self-interested than they might appear, talent rarely trumps politics, are all hard lessons you pick up along the way.
Do you feel that artists really understand the business aspect of the music industry?
Unfortunately, most artists have little to no understanding of the inner workings of the industry, they simply want to make music or reap one of the cursory benefits, fame. It is called the music business for a reason; the ultimate goal is to drive up profit margins. That lack of understanding leads to terrible deals and the fleecing of artists that we hear of so often.
What steps have you taken to market your music?
I do a bit of everything. I actively engage in social media promotion, host contests for my fans, send regular newsletters and e-blasts to my followers, send press releases to major press outlets, give away promotional projects and songs, enter songwriting competitions, participate in artist showcases, network at industry events, etc.
If you can have any collaboration with an artist who would it be and why?
The list of my dream collaborations is seemingly endless and ever-changing, but it always begins with Lauryn Hill. She’s the quintessential hip-hop artist, one of the greatest artists of her generation and one of the more intriguing public figures of her time. Working with Stevie Wonder would also literally be a dream come true. He is a living legend. I also have a great deal of admiration for the work of India.Arie, Asa, Hypnotic Brass Ensemble, Talib Kweli, Lecrae, Theory Hazit and a host of others.
Who would you consider are the top 5 producers now?
That’s difficult, but I believe you have to look at a producer’s body of work and influence to make this determination. Consequently, I would name some more established greats like Dr. Dre (he does not actively produce at the rate that he once did, but his work speaks for itself), Timbaland (breathed new life into hip-hop and R&B, and constantly reinvents himself), Kanye West (he literally changed the sound of urban music), 9th Wonder and ?estlove (he is not generally lumped into the producer category, but he is the architect of The Roots sound as hip-hop’s greatest/top living producers).
What song are you currently promoting? Who is the producer and how did the song come about?
I’m prepping for the release of a new single entitled Nobody. Nobody chronicles the harrowing details of the fatal shooting of Trayvon Martin by neighborhood watch volunteer George Zimmerman in addition to the fatal shooting of Oscar Grant III by former Oakland transit officer Johannes Mehserle. The song paints a vivid picture of the two tragedies, remarks on their unfortunate frequency, the unjust application of law and how hip-hop and urban culture contribute to the stereotyping of African American men.
It is slated to appear on the official mixtape for the Spike Lee executive produced film You're Nobody, 'til somebody kills you.
What is your next album/cd that you are working on? What is the concept behind your next musical project?
My next album is tentatively entitled Imitation of Life. Conceptually, it is a continuation of the themes from my first two studio albums— Paint the Town Red and Shades of Grace respectively. With regard to content, my first album set forth many of what I consider foundational truths over dope beats; I often said it was the Good News over good music. My sophomore album’s, content explored the intersection of my faith some of the more complex quandaries of everyday living. The music heavily fused hip-hop with other genres. Imitation of Life will display how many of us fail to live life to its fullest because we settle for imitations of what is most fulfilling. We cleave to the counterfeit though the genuine article is within reach. Sonically, I’m aiming to more cohesively weave my love for different types of music with what I love of hip-hop. It will be a rich, soulful project that I look forward to you hearing.
Do you have any major performances or tours planned for 2012?
I’m presently in talks with the eXtreme tour, an annual rock and rap tour across the United States and Canada, about joining their 2013 summer tour. I am also negotiating my participation in a European tour for the winter of this year. Other than that, I have several shows lining up in my area of the country (Philadelphia, New York, etc.).
What are your project plans for 2012?
Aside from promoting Shades of Grace and prepping for the release of Nobody, I’m in the process of writing my next album, entitled Imitation of Life. I also have enough songs in the works to act as a promotional project to release prior to Imitation of Life. Additionally, I am working on a single, which may turn into an ep, with a colleague who is an emcee and physician. Lastly, I have a few contributing articles in the works for online publications and/or my own blog. Updates for all will appear on my site: http://paintedred.net. -
Red Baron featured in the New Music You Should Know Section of Bro Bible
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Apparently this guy isn’t just a hip hop artist, he’s also an attorney and a college professor. This...Apparently this guy isn’t just a hip hop artist, he’s also an attorney and a college professor. This album has an old school feel with tastes of gospel, jazz, blues, soul, and rock.
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Red Baron listed as one of 50 Christian Artists That Provide Hope for the Future
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This post was inspired by a lack of knowledge about the genre that I fell in love with back in 2000....This post was inspired by a lack of knowledge about the genre that I fell in love with back in 2000. I gravitated to Christian Hip-Hop after I became a Christian and I listened to everything ranging from Ambassador, LPG, Tunnel Rats, Mars ILL, New Breed, The Remnant, Cross Movement, Shai Linne, Braille, Sho Baraka, Nomadic the Journeyman, and many more.
Years went by and I started to distance myself from Christian Hip-Hop, I was tired of the same thing! I felt that the artists were not sharing their full testimony. I felt that honesty was being replaced by an overbearing message. I felt like the fire and brimstone message was not connecting with the masses (out of sight, out of mind).
Now over the years I have seen a resurgence in lyrical quality, artists such as Trip Lee, Da Truth, Viktory, Jin, Giano, Bizzle, Andy Mineo, and more provide lyrics that are applicable to life. I still thought that the production was super par...
I also felt like the primary focus was on feeding Christians as opposed to reaching those that were at a cross road. Yesterday, I had the opportunity to listen to a monumental mixtape from Houston based emcee Lecrae called Church Clothes.
The mixtape has already produced a large buzz based on the step up in terms of production (the project boasts features from 9th Wonder, Boi-1da, S1 and more). The reach potential for this project is what gravitated me towards checking it out (I will admit that I am not the biggest Lecrae fan yet he gained a new fan yesterday!).
The mixtape caused me to ponder about the state of Christian Hip-Hop, most importantly who or whom the torch bearers should be. Humble Beast, Illect and Reach Records have rosters full of gospel based talent.
I am not a gospel or CHH aficionado so I asked for assistance from my homie Kellus from the DaSouth.com in terms of putting together this list. He provided some incredible leads and exposed me to artists I have never heard before. This list is comprised of artists that have the quality or qualities to reach a vast majority of people. -
Hip-Hop Stardom 101 Red Baron feature (pages 20-21, 28)
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1. Tell us about where [you’re] from and how long you[have] been doing music? I start off my song S...1. Tell us about where [you’re] from and how long you[have] been doing music?
I start off my song Southern Comfort (Hue I Am) by saying, “I was born by the river/Where the vehicle of choice was a ‘Lac or Chevy pickup/And the side of the track you were at is how that differed . . .” Basically, I was born in Memphis grew up outside of Atlanta and now I’m holding down Philly. I’ve been making music since I was in high school.
2. Tell us about yourself and what company you represent.
I am just a guy with a gift that wants to be used of God to get His Word out to His people, and if you would just listen, you would know all that you need to . . .
I represent Sanctifly Music Group, LLC. We’re a Philadelphia-based production company that specializes in the authorship, recording, editing, release, distribution, sale, performance, and representation of recording artists’ work and the artists themselves. Our aim is to create timeless music that does not compromise our message.
3. What was the real turning point in your career?
This year’s been a blessing. I received some big compliments from key figures in the industry (e.g. EPMD, Dj Scratch, Lenny S (VP of A&R at Def Jam) and Mtv Correspondent Sway), received the Grand Prize in the Hip-Hop Category of Session 1 of the 2010 John Lennon Songwriting Competition, participated in some notable music industry showcases and received more radioplay, etc. Nevertheless, one of the more important moments in my career came early.
In the fall of 2002, I participated in Clark Atlanta’s Homecoming Gospel Concert. I happened to close the concert. On that afternoon I did my song called, As in the Days of Noe. It’s based on a scripture (Matthew 24:37) where Jesus compared His second coming to the days of Noe (Noah).
The concert took place on beautiful fall afternoon; there wasn’t a cloud in the sky. As I finished my song, I glanced out of the window, and began seeing storm clouds forming outside. Shortly after I finished with the final line, “Because looking in the sky, it looks like rain to me,” the clouds seemed to burst, and the area had begun to receive a torrential downpour. The rain fell with such force that we all had to wait indoors for the rain to cease. From that day forward, I knew this is what I am supposed to do.
4. How would you describe your music and style?
The producer I work with said my music is “what a beautiful painting sounds like.” I believe that is an apt description. More specifically, I describe my music as authentic, because it’s real.
I talk about genuine issues I encounter. I’m an adult (I’m much closer to 30 than I am to 20) so I make music for grown ups. I actually get up and go to work every morning. In the evening, I come home and spend time with my wife and daughter (unless of course I’m on the road). I’m a follower of Jesus Christ. My music reflects all of that, and if you find those things boring, you probably won’t like what I rap about. In terms of my sound, my music blends the music I heard as a child, yet still rings true of hip-hop. Just listen, and you’ll know all you need to . . .
5. Are you working on any mixtapes, singles [or] albums currently?
I am presently nearing the release of my second album, entitled, Shades of Grace. The album is the natural progression of my debut in terms of content and instrumentation. The actual content tackles some of the more compelling issues of our day—conversion, the intersection of race and faith, overzealous religious fervor, unity of mankind, the search for love, satisfaction and purpose—all neatly packaged into great music.
The music itself includes a deft fusion of jazz, blues, soul and rock, but keeps its foundation in hip-hop. Hip-hop as a genre has lost a sense of its compositional element, and too often rappers and their audiences have grown satisfied with monotonous melodies and looped drum patterns. That significantly diminishes the aesthetic appeal of the music, at least in my eyes. This album will push the genre more towards making music again. It will be available on iTunes, Amazon, Napster, Myspace Music, Walmart Music Downloads, Zune and Cdbaby. You can find the lead single, Have Plenty (winner of the Grand Prize Winner in the Hip-Hop Category of the 2010 John Lennon Songwriting Competition) on iTunes right now.
6. What artists inspired you when you were younger?
Ironically, I didn’t begin listening to rap until my early teenage years, because my parents’ introduction to rap music came from the musings of 2 Live Crew. Naturally they forbid rap in their house, so I drifted towards their collections of the classics of soul as a small child: Marvin, Aretha, James, Bob, Stevie, Michael, you name them. Additionally, my parents also ensured that I learned to play the violin and piano at a young age, so by the time I actually encountered rap, my musical stylings were more influenced by Mozart than Mos Def.
Once I started listening to rap, I initially hung off every word of any emcee that said something that demonstrated skill. Some of those who would prove influential included ‘Pac, Jay, Nas, Big, The Roots, Outkast and Common.
Later, one of the more instrumental influences just so happens to be three great friends of mine that I went to college with—The Remnant. They taught me how to balance lyrical dexterity with relatability. In essence, they showed me how to be myself and not compromise my message.
7. Besides being an artist, tell us something we may not know about you?
I’m an attorney (yes you read that right). I’m blessed to say I have several gifts, which at times push me in seemingly different directions. My pursuit of the law is one such gift; however, my legal knowledge, experience and skill allow me to protect the rights and interests of marginalized segments of society, as well as advance many of the endeavors that have you asking me questions. Being a lawyer also makes people be nice to me . . .
8. How can anyone get in contact with you if they wanted to do business with you?
Those interested in learning more information about my music may do so by visiting: www.paintedred.net, and may read my blog by visiting: www.thepaintedone.wordpress.com. I am also on several social networking sites: www.facebook.com/The.Red.Baron1, www.myspace.com/thetrueredbaron and www.sonicbids.com/redbaron. Additionally, I may be reached via e-mail at redbaron@paintedred.net, for those looking to collaborate or present business opportunities. For booking requests, please send all inquiries to booking@paintedred.net.
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2010 John Lennon Songwriting Competition Session 1 Grand Prize Winner (Hip-Hop Category) Survey
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1. Who wrote the music, the lyrics, etc? With regard to the authorship of Have Plenty feat. Tomek...1. Who wrote the music, the lyrics, etc?
With regard to the authorship of Have Plenty feat. Tomeka Carroll, I wrote the lyrics, my wife, Rashida Welbeck, wrote the chorus, and Tomeka Caroll wrote the outro she sings at the conclusion of the song. David Liciaga of 3-Fifths Multi-Media-www.3-fifths.com composed and produced the original instrumentation, and David P. Stevens of Sanctifly Music Group, LLC added additional arrangements and production to the composition.
2. What are your backgrounds and influences?
Ironically, I did not begin listening to rap until my early teenage years, primarily because my parents’ introduction to rap music came from the musings of 2 Live Crew. Naturally they forbid rap in their house, so I drifted towards their collections of the classics of soul as a small child: Marvin, Aretha, James, Bob, Stevie, Michael, you name them. Additionally, my parents also ensured that I learned to play the violin and piano at a young age, so by the time I actually encountered rap, my musical stylings were more influenced by Bach than ‘Pac, more Mozart than Mos Def.
Once I started listening to rap, I initially hung off every word of any emcee that said something that demonstrated skill. For example, Talib Kweli is one of those rare artists that never ceases to make me say, “Wow.” Eventually others would prove influential (e.g. ‘Pac’s versatility, Jay’s wit, Nas’ lyricism, Big’s delivery, The Roots’ chemistry, Common’s perspective, Outkast’s artistry, etc.).
Later, one of the more instrumental influences in shaping the music I make and helping me find my voice as an artist just so happens to be three great friends of mine that I went to college with—The Remnant. They taught me how to balance lyrical dexterity with relatability. In essence, they showed me how to be myself and not compromise my message. They helped me learn how not to lose sight of me when presenting the message.
3. How was the song recorded? What equipment did you use? Who is singing?
We began recording Have Plenty in the spring of 2009 at Sanctifly Studios’ prior location in Bryn Mawr, PA. We began by recording my vocals over the original instrumental written and produced by David Liciaga of 3-Fifths Multimedia. At the time of the initial recording, I had written a different chorus. I wanted Tomeka Carroll to sing it because we had collaborated previously, and I believed her voice would offer a beautiful compliment to the composition already in place.
My wife heard my preliminary recordings after one of my sessions, and wrote what is now the chorus. After hearing what she wrote, I leaned towards using what I originally wrote for the chorus, until I came to my senses and realized what my wife wrote was a better fit (I’m so glad I listened to her!). We later flew Tomeka Carroll in from Richmond, VA, and taught her the chorus on our way to the studio. She sang it, and my wife, along with a close friend of ours (Karena Sheppard) accompanied Tomeka with background vocals.
A couple of months after that session, Sanctifly Studios moved to its Philadelphia location, and I scheduled a session to add live instrumentation and perfect my vocal performance. David P. Stevens of Sanctifly Music Group wrote additional arrangements, and subsequently added live instrumentation on the acoustic guitar, electric guitar and electric bass. We also contacted Wardell “dELLpHoNics” Pearson, Jr. to add live drumming to help embellish the composition.
4. How did you hear about the Contest?
I learned of the John Lennon Songwriting Contest from Sonicbids. I have received notification for the Contest for years, but finally decided to exercise some prudence and enter this year.
5. What inspired the creation of your song?
There is a scripture in the Bible that reads, “Not that I speak in respect of want: for I have learned, in whatsoever state I am, therewith to be content.” The next verse goes on to say, “I know both how to be abased, and I know how to abound: every where and in all things I am instructed both to be full and to be hungry, both to abound and to suffer need.” Those two scriptures (Philippians 4:11-12) essentially sums up the concept of Have Plenty.
Of the songs that will complete my upcoming album, Have Plenty is one I wrote more recently. Many who hear it now will more than likely will remark on how easily one may say, “I have plenty” with a new wife, new daughter, new home, new degree and new job. Nevertheless, I tend to remind such people that I wrote much of this song not too long after I was sleeping on the floor of my little apartment in Philadelphia.
The concept came to me as I sat in that little apartment and noticed how sparsely furnished it was. I had begun imagining where I could soon place new furniture and artwork when I remembered how a short while before I simply prayed to find a place to sleep, any place other than my car. It was a few days after I trekked nearly eight hundred miles from the place I called home in order to begin my pursuit of a juris doctorate. As the mention of sleeping on the floor would suggest, there were struggles along the way. During that time, I came to understand “how to be abased, and I know how to abound.” Regardless of the state, I know that when I have the Father, I have everything that I need. As I sat in my seat, I reminded myself to be content with what I had before I began bemoaning what I lacked.
With Have Plenty, I wanted to encourage others to think similarly. We rarely find contentment “whatsoever state [we are], therewith . . .” Rather we continue to reach to add more to out lot, and in so doing, “We may get what we reached for, but we lose what we had.” When more is never enough we become “imprisoned in picket fences” we once envisioned as security. The prayer is that we will see through them long enough to understand we do not have to remain confined by them.
6. Please let us know of any shows (dates, times, venues, etc.) which will be featuring your material.
I have several upcoming performances, including:
• Philadelphia’s 2010 Street Games Festival hosted at the Parkwest Town Center (N 52nd St. and W Jefferson St., Philadelphia, PA) on Saturday September 18, 2010,
• Timeless Music Ent.’s 50 TopMics Next to Blow Music Industry Showcase hosted at Club Xscape (814 West Grace Street Richmond Virginia 23220) on Sunday September 19, 2010 and
• Shamika Phoenix’s album release party hosted at Generations Restaurant (9 State Road Media, PA 19063) on Sunday October 3, 2010.
7. If you have an email and a website, please give us the address and URL.
Those interested in learning more information about my music may do so by visiting:
www.paintedred.net, and may read my blog by visiting: www.thepaintedone.wordpress.com. I am also on several social networking sites: www.facebook.com/The.Red.Baron1, www.myspace.com/thetrueredbaron and www.sonicbids.com/redbaron. Additionally, I may be reached via e-mail at redbaron@paintedred.net. For booking, please send all inquiries to contact@paintedred.net.
8. If you attended High School in the area in which you now live, please provide the name of the school below.
N/A
9. What are your goals as a songwriter?
Like every musician, I just want to be heard. The greatest compliment any musician can receive is that a song the musician made resonated with people. That is what I aim for, to have the music reach people and receive my message. I aim to keep expanding the scope of my reach, and take my music to a national and international level. Moreover, I intend to continue writing songs for myself, and as opportunities present themselves, I will write for other artists as well.
10. Is there anything else we should know or that you can tell us about yourself that makes your “story” unique?
I’m different. I’m an emcee who did not grow up listening to large volumes of hip-hop, and rarely listen to it now. Consequently, the music I make today reflects the music I heard as a child: gospel, soul, rock, R&B, jazz, et cetera, but still rings true of hip-hop. I’m a Christian who believes the greatest sermon I could ever preach is the life I live. The music I make merely serves as a few lines in that sermon. I am a husband, father, son, brother, attorney (yes attorney), youth minister, writer and educator whose music celebrates the joys of fulfilling those roles. I also make great music I believe you would enjoy. Just listen, and you’ll know all you need to . . .
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Red Baron: The Road Less Traveled: "Paint the Town Red" Album Review
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Red Baron: The Road Less Traveled: In the effort of full disclosure, I have to admit I am not a fa...Red Baron: The Road Less Traveled:
In the effort of full disclosure, I have to admit I am not a fan of Christian rap, or Holy hip hop (all apologies if that is considered a derogatory term). My issues have nothing to do with the message. It’s a matter of preference, likely from my realm of church socialization of music; I prefer to hear my spiritual songs in the ilk of John P. Kee and others. Beyond that, my issue with spiritually based rap that I’ve heard on the radio is that the production quality is poor, the lyrics are not limber enough to stretch beyond the weight of the message, and the delivery typically sounds like someone is trying to preach, speak and rap all in the same breath. My experiences have been so consistent, I was wary when I received a CD from Atlanta-based artist Red Baron. I can say unequivocally, that Red Baron is a true hip hop artist, whose subject matter happens to be uplifting the Christ and that he shatters all of my preconceived notions about widespread viability of this segment of the art form.
Blame me on not providing you a more well-rounded backgrounder for Red Baron. My schedule during my review period didn’t provide time for an in-depth interview. Had I had time to visit with him, I would have wanted to really politick with him about his track “Hip Hopcrisy”, featuring a beat that sounds like a Jay-Z layover about the music industry pushing a legacy of terrible music almost like an agenda. I would have asked him more about the production of the track, “One” which felt like early Wu-Tang production, a la “36 Chambers”, with the haunting background strings. I would have pressed him on the track “Red Baron” with the resident artist going on an ego trip, powered by the Spirit, saying, “Can we change our ways/in these last and urgent days?” I think we would have had some interesting discussions about “Long Kiss Goodbye” a tale about being young and in love, including being (too) young in the spirit. Two of my favorites would be “As In the Days of Noe”, with xylophones reminiscent of early ‘90’s Native Tongues production and “I Still Got this Praise.”
What separates Red Baron from others I’ve heard is not simply the subject matter, but the lyricism and the delivery. The album is both hopeful and direct about redemption and all of the opportunities for redemption through the spirit. It doesn’t profess an easy road to salvation, but a realistic look at the world and the behaviors the someone on the path exhibits. Red Baron’s voice sounds like an American version of Kardinal Official. The production here is strong. There are strings, violins and guitars, reminiscent of Fishbone in their heyday. There are a few missteps in my mind, including the mic levels which, at times frustrated me as much as Bahamadia’s. Also, the vocal support from guest vocalist Epiphany is much stronger on “If this Sense were Common” than “”Long Kiss Goodbye.” But, these are minor items on a solid outing.
Now LD Fam, this does not mean that you now need to flood the LowDown office mailbox with much more. If I am provided bluegrass, heavy metal, whatever I likely will review it once and then move back to my wheelhouse, evidenced on other albums I’ve covered here.
As for Red Baron, the album is well worth the listen, the burn and all of that. I enjoyed it thoroughly. You can find Red’s album at most of the local record stores here, as well as on his site: http://www.paintedred.net .
My name is Kinetic and I approve this album.
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Red Baron appears on Drop t he R
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Philadelphia, PA’s Red Baron has made his sophomore studio album, entitled Shades of Grace, availabl...Philadelphia, PA’s Red Baron has made his sophomore studio album, entitled Shades of Grace, available for free download. Shades of Grace is the natural progression of Red Baron’s critically-acclaimed debut, Paint the Town Red. The album has been described as “a masterpiece” and “Hip Hop in its purest form”. The music itself has heavy fusions of Gospel, Jazz, Blues, Soul, Rock and yet still rings true of Hip Hop. It’s content wrestles with some of the more compelling issues of our day-conversion, the intersection of race and faith, the search for love, satisfaction and purpose…all neatly packed into one incredible CD.
Red Baron is an attorney and college professor (Hip-Hopcrisy: Hip Hop and Black Culture at Temple University) who has crafted a stirring brand of music that is thought-provoking and relevant, honest and life-changing. His music has been described as “what a beautiful painting sounds like”. He has garnered high compliments from Hip Hop legends (EPMD, DJ Scratch), industry tastemakers (MTV Correspondent Sway) and record executives (VP of A&R at Def Jam, Lenny S), in addition to having won the Session 1 Grand Prize in the Hip Hop Category for the 2010 John Lennon Songwriting Competition; all of which has quickly made Red Baron one of rap music’s best kept secrets. Be on the lookout for more from him, and enjoy this new project below.
DOWNLOAD: Red Baron – “Shades of Grace” -
Next Music Blog Interview
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Why or how did you choose your bandname? In all honesty, I didn’t first choose my name consideri...Why or how did you choose your bandname?
In all honesty, I didn’t first choose my name considering all of the hidden metaphors and symbolic nature of such a title—I simply liked how it sounded. After the passing of my grandfather, whom I closely resemble, people began calling me “Red” to emphasize how closely my features mirrored his (he was called “Carpenter Red”). Shortly after I began rapping, I chose Red Baron because the moniker “Red” had already stuck, and I also thought “Red Baron” sounded cooler and more distinctive than “Red.” Once I shifted the focus of my music, I began calling myself the baron painted red with the blood of Christ. When I researched the title baron, I discovered as with so much of our destiny, God had predestined what I initially deemed a mere coincidence.
Essentially, during the time of British nobility, a baron’s job was to add to his king’s kingdom. Rather than extending the boundaries of a given territory as barons of old, I lifts up the name of Jesus, that He might draw all men unto Him (John 12:32). In so doing, I add to my King’s kingdom.
What inspired you to pursue a music career?
I never intended to pursue a music career initially. Moreover, as a young man, my parents pushed me to find a respectable profession rather than gallivanting around with these songs of mine (I guess that is part of the reason I am an attorney today). Even when I expressed my creative impulses early on, I originally envisioned myself pursuing a career as a visual artist because I have been drawing since before I could write. In terms of the music, I was not even listening to rap for more than a year and a half before I started rapping myself. Yet something happened when I started listening. It’s as I said in my song This Music, “This was music, like I had heard through the grapevine/Percussion, base lines, people used to create rhymes/It changed lives, from that day it changed mine/I was in love, fighting only would waste time.” When I stopped fighting the music’s hold on me, I began to see my purpose in it. Again, in This Music I say:
But I kept rhyming/I kept writing, I kept fighting/Looking for a purpose in this, praying that I’d find it/And that’s when I gave God glory in all that I did/Flowing in His name/Knowing it wasn’t my gift/So I obeyed saying that I would do it in faith/And at each place they would say, “What must I do to be saved?”/And that’s when I would say I knew that my influence was great/I would preach this Gospel, I would do what it takes/I couldn’t do this any more to rock an audience/I’m held accountable when all of the applauses end
Can you recall any particular moment or experience that may have moved you to pursue a music career? If so, please explain:
In the fall of 2002, Clark Atlanta University’s Homecoming Committee invited me to participate in the school’s Homecoming Gospel Concert, scheduled to take place in the James P. Brawley Student Center. The organizer placed me at the close of the concert, in part because her unfamiliarity with my brand of music left her few other options. On that afternoon I presented a song I had recently written called, As in the Days of Noe. The song is based on a scripture (Matthew 24:37) where Jesus compared His second coming to the days of Noe (Noah).
The concert took place on beautiful fall afternoon. When it started, there was not a cloud in the sky. Most of the attendants took note of the picturesque weather because the Student Center had large windows that provided a good view of the campus. As I proceeded through the song, I glanced out of the window on occasion, and began to see storm clouds forming outside. Shortly after I concluded the song with the final line, “Because looking in the sky, it looks like rain to me,” the clouds seemed to burst, and the area had begun to receive a torrential downpour. The rain fell with such force that it compelled all of the concert’s attendants to wait indoors for the rain to cease, and all who were outdoors to seek shelter from the unexpected deluge. From that day forward, I knew this is what I am supposed to do.
What or who are your biggest musical influences (past or present)?
Surprisingly enough I did not begin listening to rap until my early teenage years, primarily because my parents’ introduction to rap came from the musings of 2 Live Crew. Naturally they forbid rap in their house, so I drifted towards their collections of the classics: Marvin, Aretha, James, Bob, Stevie, Michael, you name them. They also ensured that I learned to play the violin and piano at a young age, so by the time I actually encountered rap, my musical stylings were more influenced by Bach, Mozart, Beethoven, Otis Redding, Booker T & the MGs, Wilson Pickett, Marvin Gaye, Stevie Wonder and Michael Jackson than any particular rapper.
In regards to rappers, initially, I hung off every word of any emcee that said something of quality—someone that said things that really excited you about the craft. For example, Talib Kweli is one of those rare artists that never ceases to make me say, “Wow.” Eventually others would prove influential (e.g. ‘Pac’s versatility, Jay’s wit, Nas’ lyricism, Big’s delivery, The Roots’ chemistry, Common’s social commentary, Outkast’s dedication to artistry, Mos just being Mos, et cetera).
One of the more instrumental influences in shaping the music I make and helping me find my voice as an artist just so happens to be three great friends of mine that I went to college with—The Remnant. They taught me how to balance lyrical dexterity with relatability. In essence, they showed me how to be myself and not compromise my message. They helped me learn how not to lose sight of me when presenting the message. I learned how to turn my music into a ministry by watching how they reached people at shows. They also encouraged me to keep doing what I’m doing and have fun in the process.
How do you describe your music to others?
The composer I work with said my music is what a beautiful painting sounds like. I believe that is an apt description. My work depicts the airbrushes of God’s handiwork in our lives, and hopefully offers the listener something beautiful to listen to as well.
Any memorable experiences while performing live or while touring "on the road"?
I don’t have many crazy stories about touring, but I have performed in some unconventional settings, the oddest being a grocery store. I got a phone call one Sunday morning from someone that had seen me at a previous concert, and he asked would I be willing to rap at the grand opening of the grocery store where he worked (The Whole Foods on Ponce de Leon for those familiar with Atlanta). I agreed, and within about an hour and a half, I was rapping in the foyer of the store. I got a great reception and a wholesome breakfast out of it all.
What kind of feedback have you received from your current release?
Like every musician, I just want to be heard. The greatest compliment any musician can receive is that a song the musician made resonated with people. That is what I aim for, to make music that reaches people and does not compromise the message. This project has been blessed to do that, and impact a wide range people in a multitude of ways, despite the fact I have not completed it yet.
For example, I was once told how a friend of a friend heard my song Ready to Live while in the hospital shortly after his doctors told him he had days to live. He told my friend hearing the song inspired him fight to live as long as he could and enjoy each of his last moments. The same song had the same friend’s young son running around their home singing it, and has had crowds in various other settings (e.g. churches, bars, clubs, etc.) on their feet rockin’ with me. My single Have Plenty has been generating a great response on various radio stations. Others have told me my song Live is Beautiful has brought tears to their eyes and that my song Good Faith has given them chills. Others have told me how other songs have made them rethink deep-seated notions, and the like. In all, it is humbling to hear and see such things, and I never take for granted the blessing that occurs when my music touches people.
What is the inspiration behind your current release?
The short answer is that this album is the continuation of the last. My first album sought to present the Gospel assuming you had not heard it before, and simultaneously give you good rap music. This album seeks to show what happens with that Gospel if you choose to take it home with you, while giving you good music in the process.
Conceptually this album grew out of a desire to navigate the intersection of faith and everyday living. How does my faith mollify our society’s urges to quench faith? How do I reconcile my faith with my racial identity? How does my faith drive my intellectual pursuits, or steer my quest to find a fulfilling vocation? How does it absolve the lingering doubts of my non-believing friends? How does it guide my search for companionship? These are the types of questions we all wrestle with once we leave our houses of worship. This project seeks to illustrate the subtleties of God’s grace working through our lives as we grapple with these issues.
Sonically, I wanted this album to embody a more holistic musical expression. Hip-hop as a genre has lost a sense of its compositional element, and too often rappers and their audiences have grown satisfied with monotonous melodies and looped drum patterns. That significantly diminishes the aesthetic appeal of the music, at least in my eyes. I envisioned this project showcasing the influences of genres that preceded hip-hop, in addition to other genres that grew along alongside hip-hop and those which contributed to its growth. I also, I wanted to display more of my own personal musical influences.
Why should potential fans be turned on to your music?
There’s a distinct difference between the music you hear and the music you to listen to. Music you hear is the organized noise that periodically clutters your ears, and is soon forgotten. Music that you listen to captures your attention, resonates within your spirit, touching your soul in ways that you often lack the ability to describe. In hearing my music, you are forced to listen, because it commands your attention; and if you’ll just listen, you'll know all you need to...
What sites can fans find you at online?
Fans, supporters and those who are simply curious about this emcee called Red Baron can find more information on my music at my site: www.paintedred.net, can hear two of my new singles, Have Plenty feat. Tomeka Carroll and Invincible feat. Kurtis Parks, at: http://www.airplay.jango.com/red+baron, can buy my first album on iTunes, Cdbaby, Walmart Music Downloads, and Great Indie Music and can read some of my thoughts on my blog: www.thepaintedone.wordpress.com. I also may decide to stop being a dinosaur and join Twitter some time in the near future. Hopefully I’ll decide to do so before Twitter goes the way of the dinosaur.
What can fans expect from you in the near future?
I am presently nearing the completion of my second album, entitled, Shades of Grace. The album is the natural progression of my debut in terms of content and instrumentation. The music itself includes a deft fusion of jazz, blues, soul, rock and yet still ring true of hip-hop. The actual content will tackle some of the more compelling issues of our day—conversion, the intersection of race and faith, overzealous religious fervor, unity of mankind, the search for love, satisfaction and purpose--all neatly packaged into great music. It will be available on iTunes, Napster, Walmart Music Downloads, Great Indies Music and Cdbaby.
Anything else you may want to inform our readers?
I appreciate you taking the time to read this. Be on the lookout for Shades of Grace. If you’re in the Tri-State area, look me up, and drop by a show. Take care, and until next time, get painted red.
The interview is also below:
Why or how did you choose your bandname?
In all honesty, I didn’t first choose my name considering all of the hidden metaphors and symbolic nature of such a title—I simply liked how it sounded. After the passing of my grandfather, whom I closely resemble, people began calling me “Red” to emphasize how closely my features mirrored his (he was called “Carpenter Red”). Shortly after I began rapping, I chose Red Baron because the moniker “Red” had already stuck, and I also thought “Red Baron” sounded cooler and more distinctive than “Red.” Once I shifted the focus of my music, I began calling myself the baron painted red with the blood of Christ. When I researched the title baron, I discovered as with so much of our destiny, God had predestined what I initially deemed a mere coincidence.
Essentially, during the time of British nobility, a baron’s job was to add to his king’s kingdom. Rather than extending the boundaries of a given territory as barons of old, I lifts up the name of Jesus, that He might draw all men unto Him (John 12:32). In so doing, I add to my King’s kingdom.
What inspired you to pursue a music career?
I never intended to pursue a music career initially. Moreover, as a young man, my parents pushed me to find a respectable profession rather than gallivanting around with these songs of mine (I guess that is part of the reason I am an attorney today). Even when I expressed my creative impulses early on, I originally envisioned myself pursuing a career as a visual artist because I have been drawing since before I could write. In terms of the music, I was not even listening to rap for more than a year and a half before I started rapping myself. Yet something happened when I started listening. It’s as I said in my song This Music, “This was music, like I had heard through the grapevine/Percussion, base lines, people used to create rhymes/It changed lives, from that day it changed mine/I was in love, fighting only would waste time.” When I stopped fighting the music’s hold on me, I began to see my purpose in it. Again, in This Music I say:
But I kept rhyming/I kept writing, I kept fighting/Looking for a purpose in this, praying that I’d find it/And that’s when I gave God glory in all that I did/Flowing in His name/Knowing it wasn’t my gift/So I obeyed saying that I would do it in faith/And at each place they would say, “What must I do to be saved?”/And that’s when I would say I knew that my influence was great/I would preach this Gospel, I would do what it takes/I couldn’t do this any more to rock an audience/I’m held accountable when all of the applauses end
Can you recall any particular moment or experience that may have moved you to pursue a music career? If so, please explain:
In the fall of 2002, Clark Atlanta University’s Homecoming Committee invited me to participate in the school’s Homecoming Gospel Concert, scheduled to take place in the James P. Brawley Student Center. The organizer placed me at the close of the concert, in part because her unfamiliarity with my brand of music left her few other options. On that afternoon I presented a song I had recently written called, As in the Days of Noe. The song is based on a scripture (Matthew 24:37) where Jesus compared His second coming to the days of Noe (Noah).
The concert took place on beautiful fall afternoon. When it started, there was not a cloud in the sky. Most of the attendants took note of the picturesque weather because the Student Center had large windows that provided a good view of the campus. As I proceeded through the song, I glanced out of the window on occasion, and began to see storm clouds forming outside. Shortly after I concluded the song with the final line, “Because looking in the sky, it looks like rain to me,” the clouds seemed to burst, and the area had begun to receive a torrential downpour. The rain fell with such force that it compelled all of the concert’s attendants to wait indoors for the rain to cease, and all who were outdoors to seek shelter from the unexpected deluge. From that day forward, I knew this is what I am supposed to do.
What or who are your biggest musical influences (past or present)?
Surprisingly enough I did not begin listening to rap until my early teenage years, primarily because my parents’ introduction to rap came from the musings of 2 Live Crew. Naturally they forbid rap in their house, so I drifted towards their collections of the classics: Marvin, Aretha, James, Bob, Stevie, Michael, you name them. They also ensured that I learned to play the violin and piano at a young age, so by the time I actually encountered rap, my musical stylings were more influenced by Bach, Mozart, Beethoven, Otis Redding, Booker T & the MGs, Wilson Pickett, Marvin Gaye, Stevie Wonder and Michael Jackson than any particular rapper.
In regards to rappers, initially, I hung off every word of any emcee that said something of quality—someone that said things that really excited you about the craft. For example, Talib Kweli is one of those rare artists that never ceases to make me say, “Wow.” Eventually others would prove influential (e.g. ‘Pac’s versatility, Jay’s wit, Nas’ lyricism, Big’s delivery, The Roots’ chemistry, Common’s social commentary, Outkast’s dedication to artistry, Mos just being Mos, et cetera).
One of the more instrumental influences in shaping the music I make and helping me find my voice as an artist just so happens to be three great friends of mine that I went to college with—The Remnant. They taught me how to balance lyrical dexterity with relatability. In essence, they showed me how to be myself and not compromise my message. They helped me learn how not to lose sight of me when presenting the message. I learned how to turn my music into a ministry by watching how they reached people at shows. They also encouraged me to keep doing what I’m doing and have fun in the process.
How do you describe your music to others?
The composer I work with said my music is what a beautiful painting sounds like. I believe that is an apt description. My work depicts the airbrushes of God’s handiwork in our lives, and hopefully offers the listener something beautiful to listen to as well.
Any memorable experiences while performing live or while touring "on the road"?
I don’t have many crazy stories about touring, but I have performed in some unconventional settings, the oddest being a grocery store. I got a phone call one Sunday morning from someone that had seen me at a previous concert, and he asked would I be willing to rap at the grand opening of the grocery store where he worked (The Whole Foods on Ponce de Leon for those familiar with Atlanta). I agreed, and within about an hour and a half, I was rapping in the foyer of the store. I got a great reception and a wholesome breakfast out of it all.
What kind of feedback have you received from your current release?
Like every musician, I just want to be heard. The greatest compliment any musician can receive is that a song the musician made resonated with people. That is what I aim for, to make music that reaches people and does not compromise the message. This project has been blessed to do that, and impact a wide range people in a multitude of ways, despite the fact I have not completed it yet.
For example, I was once told how a friend of a friend heard my song Ready to Live while in the hospital shortly after his doctors told him he had days to live. He told my friend hearing the song inspired him fight to live as long as he could and enjoy each of his last moments. The same song had the same friend’s young son running around their home singing it, and has had crowds in various other settings (e.g. churches, bars, clubs, etc.) on their feet rockin’ with me. My single Have Plenty has been generating a great response on various radio stations. Others have told me my song Live is Beautiful has brought tears to their eyes and that my song Good Faith has given them chills. Others have told me how other songs have made them rethink deep-seated notions, and the like. In all, it is humbling to hear and see such things, and I never take for granted the blessing that occurs when my music touches people.
What is the inspiration behind your current release?
The short answer is that this album is the continuation of the last. My first album sought to present the Gospel assuming you had not heard it before, and simultaneously give you good rap music. This album seeks to show what happens with that Gospel if you choose to take it home with you, while giving you good music in the process.
Conceptually this album grew out of a desire to navigate the intersection of faith and everyday living. How does my faith mollify our society’s urges to quench faith? How do I reconcile my faith with my racial identity? How does my faith drive my intellectual pursuits, or steer my quest to find a fulfilling vocation? How does it absolve the lingering doubts of my non-believing friends? How does it guide my search for companionship? These are the types of questions we all wrestle with once we leave our houses of worship. This project seeks to illustrate the subtleties of God’s grace working through our lives as we grapple with these issues.
Sonically, I wanted this album to embody a more holistic musical expression. Hip-hop as a genre has lost a sense of its compositional element, and too often rappers and their audiences have grown satisfied with monotonous melodies and looped drum patterns. That significantly diminishes the aesthetic appeal of the music, at least in my eyes. I envisioned this project showcasing the influences of genres that preceded hip-hop, in addition to other genres that grew along alongside hip-hop and those which contributed to its growth. I also, I wanted to display more of my own personal musical influences.
Why should potential fans be turned on to your music?
There’s a distinct difference between the music you hear and the music you to listen to. Music you hear is the organized noise that periodically clutters your ears, and is soon forgotten. Music that you listen to captures your attention, resonates within your spirit, touching your soul in ways that you often lack the ability to describe. In hearing my music, you are forced to listen, because it commands your attention; and if you’ll just listen, you'll know all you need to...
What sites can fans find you at online?
Fans, supporters and those who are simply curious about this emcee called Red Baron can find more information on my music at my site: www.paintedred.net, can hear two of my new singles, Have Plenty feat. Tomeka Carroll and Invincible feat. Kurtis Parks, at: http://www.airplay.jango.com/red+baron, can buy my first album on iTunes, Cdbaby, Walmart Music Downloads, and Great Indie Music and can read some of my thoughts on my blog: www.thepaintedone.wordpress.com. I also may decide to stop being a dinosaur and join Twitter some time in the near future. Hopefully I’ll decide to do so before Twitter goes the way of the dinosaur.
What can fans expect from you in the near future?
I am presently nearing the completion of my second album, entitled, Shades of Grace. The album is the natural progression of my debut in terms of content and instrumentation. The music itself includes a deft fusion of jazz, blues, soul, rock and yet still ring true of hip-hop. The actual content will tackle some of the more compelling issues of our day—conversion, the intersection of race and faith, overzealous religious fervor, unity of mankind, the search for love, satisfaction and purpose--all neatly packaged into great music. It will be available on iTunes, Napster, Walmart Music Downloads, Great Indies Music and Cdbaby.
Anything else you may want to inform our readers?
I appreciate you taking the time to read this. Be on the lookout for Shades of Grace. If you’re in the Tri-State area, look me up, and drop by a show. Take care, and until next time, get painted red.
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What Others Have Had to Say About Red Baron
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What do others have to say about you? In a time where being comfortable is preferred over honesty...What do others have to say about you?
In a time where being comfortable is preferred over honesty and truth suffers at the hands of convenience, Red Baron offers an album that looks to effect change in the hearts of men and women alike. Transporting poignant observations on an eager lyrical soundscape, Red Baron will sure be to have the listening public in a frenzy.
-Adan Genesis of the Remnant-
The Red Baron has used his gift for holy hip-hop to tend the sheep of God, which so many have left behind. My life has been blessed, my viewpoint has been changed, and my understanding of God's word has been transformed by the ministry of this 'mighty man of valor.
-Courtney Clayton (HIP4HOP Ministries, President/ Founder)-
[Red] is able to speak the words of life in a new era with a passion for the truth. This is what makes his talent and rap a bridge for a generation to cross over into a place where peace surpasses all understanding.
-Tony Rocker (Morehouse College Bonner Scholar Program, Assistant Program Director)-
What it means to be a Red Baron truly inspired me to do the best I can I adding to my Father’s kingdom.
-Jaketa Stoudemire (Spelman College ’06)-
[A] unique[ly] powerful experience with the Truth that is God’s Word and the reality that we as believers face in the world that we are in but not of
-Karla Gurley (Bayshore Christian Ministries, TeenWorks Assistant)-
Red Baron,
His passion ignites a flame in those when he delivers. What we do remember the most about Red is his humbleness. God’s word said that He would exalt those that are humble. His spirit and readiness to serve has inspired us to continue to run this race with patience and boldness. We need examples in our society, role models, and Red isn’t ashamed to put his name on the line for the one that died on the cross for our sins.
-Ricardo Flo of Platinum Souls-
His cool and unique style has soothed our souls throughout the years—exemplifying truth, honor, and pure hip-hop! We appreciate knowing that he too represents winning 1 million souls and more!
-Ty Scott of Platinum Souls-
Red Baron’s stage presence is amazing, and the insight and message within his music is inspiration to people from all different types of faith… The first time I saw [Red] perform my mouth dropped. This brother was spittin’ to Get By, and it was just raw… The line that got me was, “But it’s really hip, hip-hopcrisy, it’s gotta be more than [hot] beats and misogyny…” [Red] brings a very unique wisdom and energy to the art that shows wisdom beyond his years.
-Smalleyez-
The first time I heard [Red] perform, I was reminded of the vital role of music in social change. [Red’s] powerful lyrics and passionate performance carry the gospel vision of generations before him and will renew any listener’s belief in a better, more hopeful tomorrow.
-Christa Mazzone (Call to Renewal, Field Organizer)-
Red Baron’s rhyme scheme has the ability to reach you on both a spiritual and intellectual level. While his style is still unique, his delivery attracts the average listener, and what’s more, it’s hot!
-Lyric-
The Red Baron brings the truth with tight beats and meaningful lyrics. His message exposes the dangers of hip-hop, yet encourages young people to get excited about a relationship with God.
-Ericka Dorsey (Spelman College ’04)-
The Red Baron's poetic style and hip-hop gospel message are a true reflection of his character. The words that are spoken from his lips are the words that resonate from his heart. He is truly passionate about the message that he brings.
- Michelle Tyree(Fellowship of Christian Athletes/Georgia Tech, Program Assistant)-
[His] ministry is blessed, I truly know God uses [him] because [he] has spoken to my spirit and life's situations on several accounts. [Red] you are the best. Thank you for being obedient :)
-Tara Taylor (Spelman College ’04)-
Besides the creativity that he labors after, the clever lyrics he waves, and the energetic show he offers, the Red Baron is above all transparent. He is completely honest. There is no pretense in him. There is no fronting in him. He is a person of impeccable character. In a musical genre where protection of ego and pride are almost pre-requistes, Red is a blinding light of humility. His relationship with God glows from him. STOP SLEEPING AND GO TO HIS SHOW NOW!!!
-Alex Trackstar-
Red Baron is an audacious musician whose vocal instrumentation and lyricism combined with his passion for Christ, captures the very essence of God’s heart. A true minister of the Gospel…I’m honored to call him friend
-Tomeka "Epiphany" Carroll-
[Red] is a musical genius! His ability to create music that speaks to today’s generation is incredible. I have heard some of the tracks from his upcoming release and they are blazin’ hot. Trust me when you buy this CD you will not be disappointed!
-Reverend Derrick Hill (Ray of Hope Christian Church, Youth Pastor)-
Whenever [he] minister[s] I can tell that it’s not coming from a place of pride or self-centeredness, but always from a place of knowing and loving God. Seeing [him] minister is witnessing love expressed and fulfilled purpose in action
-Titilayo Tinubu (Georgia Family Council, Communications Manager)-
If a blessing is what happens when God moves from the eternal background to my momentary reality, I can definitely say that I’ve been blessed through the messages in this music. They have comforted me, disturbed me from complacency, put words to vague conviction, and helped me to deal with some of the hardest times of my life. I thank God for the gift that He’s placed in [Red], and I thank [Red] for being a humble and responsible steward over it.
-Kwasi Agbottah (Doctoral Candidate at the University of Delaware)- -
AJ&DBS Interview
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Q. How did the project come into existence? A. I began this project as I neared the completion of...Q. How did the project come into existence?
A. I began this project as I neared the completion of my second year of law school (yeah I’m a lawyer). Naturally the pace of my music slowed considerably while there, but I managed to begin writing and recording when I could, then completed the bulk of it upon graduation. ·
Q. Who are the members of the band if any and please tell us about it?
A. I’m a solo artist, but I perform with a live band when possible. They are Anthony Forrest (keys), Dave Stevens (guitar) Brian Lomax (bass) and Tracy Smith (drums).
Q. How would you describe your sound/genre?
A. The producer I work with says my music is “what a beautiful painting sounds like.” I believe that’s an apt description. More specifically, I describe my music as authentic hip-hop, because it’s real.
My content addresse genuine issues I encounter. I’m an adult (I’m much closer to 30 than I am to 20) so I make music for grown ups. I actually get up and go to work every morning. In the evening, I come home and spend time with my wife and daughter (unless of course I’m on the road). I’m a follower of Jesus Christ. My music reflects all of that, and if you find those things boring, you probably won’t like what I rap about.
In terms of my sound, my music blends the music I heard as a child, yet still rings true of hip-hop. By way of comparisons, imagine if Jay-Z and Lauryn Hill had a love child, raised him in the church and only let him listen to gospel and the classiscs of soul. That person would make music that sounds like mine. Just listen, and you’ll know all you need to . . .
Q. What formal training or previous experience do any of the members have?
A. As a smaller child I received classical training in the violin and piano. I didn’t appreciate it then, so I stopped as a teenager. As a result, I don’t play any more.
Q. Are you working w/ a producer on your upcoming album?
A. Yes, I am working with David P. Stevens to put this album together. He’s an extraordinary musician and composer.
Q. Who would you say has been the biggest influence on the bands sound or that you have used as inspiration for your music?
A. It’s difficult to pinpoint one person or group, particularly within rap, because I did not listen to much rap until my teenage years. My parents’ introduction to rap music came from the musings of 2 Live Crew. Naturally they forbid rap in their house, so I drifted towards their collections of the classics of soul as a small child: Marvin, Aretha, James, Bob, Stevie, Michael, you name them. Additionally, my parents also ensured that I learned to play the violin and piano at a young age, so by the time I actually encountered rap, my musical stylings were more influenced by Mozart than Mos Def.
Once I started listening to rap, I initially hung off every word of any emcee that said something that demonstrated skill. Some of those who would prove influential included ‘Pac, Jay, Nas, Big, The Roots, Outkast and Common.
Later, one of the more instrumental influences just so happens to be three great friends of mine that I went to college with—The Remnant. They taught me how to balance lyrical dexterity with relatability. In essence, they showed me how to be myself and not compromise my message.
Q.What advice would you give to others starting out?
A. Make sure this you know this is what you are supposed to do. One of the foremost advantages of the Information Age is that artists can disseminate their music more broadly and more easily, hence consumers are inudated with more music than ever before. Consequently, there is an enormous amount of awful music out, and there is no need for others to contribute to it.
Q. Where can people go to learn more about you and hear your music?
A. Anyone interested in learning more about my music may do so by visiting my site: www.paintedred.net, or by visiting my electronic press kit. You may also read my thoughts on some of the compelling issues of our day at my blog, Kind of Red. I am also on Facebook and Myspace. Lastly, I regularly send out an electronic newsletter with updates about my music. All those interested in receiving it should send an e-mail to contact@paintedred.net, and I will have them added to the e-mail list.
Q. If you could play anywhere in the world or with anyone you wanted where and who would it be with?
A. I would love to do a show on every inhabited continent, and venture into any country that would have me, but I have a particular affinity for Ghana (where my father is from), France (I studied French in high school and college), India (I love the culture), China (it’s China) and Australia (arguably one of the coolest places on the planet). I’d love to share the stage with Stevie Wonder, Lauryn Hill, Norah Jones, India.Arie and Israel Houghtin.
Q. What has been your greatest experience so far either individually or as a whole?
A. This year’s been a blessing. I received some big compliments from key figures in the industry (e.g. EPMD, Dj Scratch, Lenny S (VP of A&R at Def Jam) and Mtv Correspondent Sway), received the Grand Prize in the Hip-Hop Category of Session 1 of the 2010 John Lennon Songwriting Competition, won a notable music industry showcase and received more radioplay, etc. Nevertheless, one of the more important moments in my career came early.
In the fall of 2002, I participated in Clark Atlanta’s Homecoming Gospel Concert. I happened to close the concert. On that afternoon I did my song called, As in the Days of Noe. It’s based on a scripture (Matthew 24:37) where Jesus compared His second coming to the days of Noe (Noah).
The concert took place on beautiful fall afternoon; there wasn’t a cloud in the sky. As I finished my song, I glanced out of the window, and began seeing storm clouds forming outside. Shortly after I finished with the final line, “Because looking in the sky, it looks like rain to me,” the clouds seemed to burst, and the area had begun to receive a torrential downpour. The rain fell with such force that we all had to wait indoors for the rain to cease. From that day forward, I knew this is what I am supposed to do.
Q. Do you have any upcoming events or news you would like to tell our readers about?
I am participating in Timeless Music Entertainment’s 50 TopMic Tour Finals in Brooklyn, NY on Sunday November 7, 2010, I have a show in Ardmore, PA Saturday December 4, 2010 and am scheduled to appear in XXL in January 2011 and on The Source Magazine’s website in January 2011.
Q. Where do you see yourselves or hope to be in about 5 years?
A. Five years from now I foresee doing similar things as I’m doing now, touching people’s lives with great music, just on a grander scale. I also envision expanding the scope of my reach by creating a nonprofit organization that uses hip-hop to teach young adults history, sociology and enhancing their literary skills, while challenging them to engage in responsible social action. -
Vents Magazine Interview
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1. What's the meaning behind the band's name? The moniker “Red Baron” means” the baron painted re...1. What's the meaning behind the band's name?
The moniker “Red Baron” means” the baron painted red with the blood of Christ.” There is a scripture in the Bible where Jesus says, “And I, if I be lifted up from the earth, will draw all men unto me.” During British nobility, a baron’s job was to add to his king’s kingdom (e.g. annex new land and/or obtain other forms of wealth for the kingdom). Rather than extending the boundaries of a given territory as barons of old, I desire, to exalt the name of Jesus with my music and with the life I live. In so doing, I add to my king’s kingdom.
2. How the band started??
While in high school, I went to the mall with a friend on a Saturday afternoon. We bought a cd single of a popular song on the radio while there (do they still sell those things?). When we got back to the house, we listened to the song. When it ended, the instrumental began to play. My friend said, “Hey, let’s freestyle.” I reluctantly agreed, he liked what I said, and decided we should start a group that day. We worked together for several months, and disbanded after he moved to a different area. I continued rapping, and the rest is as they say . . .
3. What's the message to transmit with your music??
I oftentimes begin my set by telling the audience that hip-hop and my car have a great deal in common. Aside from making far too much noise at times, both are vehicles. I typically further the point in saying the fact that my car brought me to the evening’s venue does not make it good or bad, it simply makes my car a vehicle. Likewise, hip-hop is not good or bad; it’s a vehicle, that when used correctly, can transport the listener to a greater understanding of this life we live, this life as it should be and the God I serve. That is my aim, to use my music to transport the listener to a place where he/she can see there is a better way.
4. What's your method at the time of writing a song??
Each of my songs has its own story as to how it came to be, so I do not have a standard formal for writing. Notwithstanding, all of my songs begin with a concept (e.g. appreciating life, the search for satisfaction, my upbringing, balancing my legal career with my musical career), and then begin to evolve as the idea develops. Typically, I write to an instrumental of a song that captures the mood I want to convey (it also serves as a good starting point when I talk to my producer about making music). At that point, I generally write small portions (e.g. four to six bars) of the song at a time, then arrange it in the most fitting way.
I actually enjoy writing rather than composing verses in the studio (though I have done that on occasion), because I have the opportunity to better collect my thoughts and ensure the lyrics are of the utmost quality. During the writing process, I tweak and revise the lyrics until I record them. Presumably, I developed this habit in part because studio time was a luxury for me early in my career, so I had little time to waste when I went to record. Even though I have more consistent access to the studio, I tend come to the studio with the song near completion. Once I record the song, I consider it complete.
5. [Who are] your [biggest] music influences??
Ironically, I did not begin listening to rap until my early teenage years, primarily because my parents’ introduction to rap music came from the musings of 2 Live Crew. Naturally they forbid rap in their house, so I drifted towards their collections of the classics of soul as a small child: Marvin, Aretha, James, Bob, Stevie, Michael, you name them. Additionally, my parents also ensured that I learned to play the violin and piano at a young age, so by the time I actually encountered rap, my musical stylings were more influenced by Bach than ‘Pac, more Mozart than Mos Def.
Once I started listening to rap, I initially hung off every word of any emcee that said something that demonstrated skill. For example, Talib Kweli is one of those rare artists that never ceases to make me say, “Wow.” Eventually others would prove influential (e.g. ‘Pac’s versatility, Jay’s wit, Nas’ lyricism, Big’s delivery, The Roots’ chemistry, Common’s perspective, Outkast’s artistry, etc.).
Later, one of the more instrumental influences in shaping the music I make and helping me find my voice as an artist just so happens to be three great friends of mine that I went to college with—The Remnant. They taught me how to balance lyrical dexterity with relatability. In essence, they showed me how to be myself and not compromise my message. They helped me learn how not to lose sight of me when presenting the message.
6. What plans do you guys have for the future??
I am presently nearing the completion of my second album, entitled, Shades of Grace. The album is the natural progression of my debut in terms of content and instrumentation. The music itself includes a deft fusion of jazz, blues, soul, rock and yet still ring true of hip-hop. The actual content will tackle some of the more compelling issues of our day—conversion, the intersection of race and faith, overzealous religious fervor, unity of mankind, the search for love, satisfaction and purpose--all neatly packaged into great music. It will be available on iTunes, Napster, Walmart Music Downloads, Great Indies Music and Cdbaby.
7. Which has been the funniest prank you guys have been or took part while on tour or after a show??
I wish I had some funny stories to share, but my road stories are pretty tame. When I travel with a band, we always laugh and joke, but rarely play jokes on each other.
8. If you guys were stranded in the middle of nowhere after a show or
while on tour. The help is 65 miles away from where you guys are, ¿Who would you guys send to look for help? And if while the rest wait, there's no food and the only way to feed yourself is by eating each other, ¿Who would you eat first?
Since I am a solo act, I would have to send myself for help, and eat my imaginary friend for a snack. It’s better than chewing on my hand while I walk.
9. Which country you guys would love to play?
I would love to do a show on every inhabited continent, and venture into any country that would have me, but I have a particular affinity for Ghana (where my father is from), France (I studied French in high school and college), India (I love the culture), China (it’s China) and Australia (arguably one of the coolest places on the planet).
10. With which bands you guys would love to share stage??
I’m usually lumped into the category of people like: Common, Jill Scott, Lupe Fiasco, Kanye West, Talib Kweli, The Roots, Lauryn Hill, Outkast, J. Cole, and Indie Arie. I’d love to share the stage with all of them. Additionally, I would love to share the stage with Stevie Wonder (that would be a tremendous honor), Norah Jones, K’Naan, Israel Houghtin, Chris Tomlin, Kirk Franklin and Lecrae and Sho Baraka.
11. Are you guys OK, with the direction the band is going actually?
Most certainly, I just need to keep moving forward . . .
-
Album Review: Red Baron - "Paint The Town Red"
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Categories: Beats: 4 Rhymes: 4 Quality: 4 Content: 4 Consistency:4 Overall: 4 Open your tex...Categories:
Beats: 4
Rhymes: 4
Quality: 4
Content: 4
Consistency:4
Overall: 4
Open your text books turn to chapter seven and you will find a man invading the streets of Atlanta college campuses with a red paint brush. This man is Red Baron with his debut album, Paint The Town Red on Strange Fruit Productions. WARNING: This album contains 13 tracks chock full of God's Word, dope lyrics, and cinematic production.
The album's opening song is "One" in which he tells of how there is one God and we are one in Christ. "Beautiful" is a song describing and encouraging a women's true beauty. "HipHopcrisy" talks about how Hip Hop has been perverted by money and self glorification. Red Baron spits, "Now our kids are starving cause we've been feeding 'em garbage, we produced it we rapped it and then we bought it, we call these neo pimps and hustlers artists, gave them awards when their thoughts are Godless".
Red Baron spits about how financial aid payments, no food, and parking tickets won't take away his praise on “I Still Got This Praise". He also gives you a descriptive tale of the day our savior was crucified on the album's closing song, properly titled, "The Cross".
This album's standout tracks are "Long Kiss Goodbye" and "Eyes Wide Shut" (my favorite). "Long Kiss Goodbye" talks about the relationship between a man and the women we were once faithful to, the world. Red Baron spits about how he had to end this relationship due to the pull away from God that the world so strategically cast upon us. "Eyes Wide Shut" features The Remnant (shouts out to Fan Club). The production on this song will place you into a movie setting as these four mc's talk about those walking and leading blindly. Lyrically and conceptually the best song on the album.
The only weak points of Paint The Town Red are the songs, "Red Baron" and "Paint The Town Red", though good songs, they just don't measure up to the rest of the album. Other than that this album is a straight banger. Please cop three and don't front. Be sure and lookout for more Red Baron projects, this is only the beginning for this bright emcee.
For more info and to cop the album and see Red Baron log onto:
www.paintedred.net and www.sonicbids.com/redbaron.
Peace Until Next Time!
Double -
Preach Pastor Interview
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DJ Worship More: Red Baron first of all I would like to say thank you and thank you again for the ...
DJ Worship More: Red Baron first of all I would like to say thank you and thank you again for the privilege to air your music on our station. Red you are an artist of many accomplishments in the industry and you are NOT a stranger by any means to rap and Hip Hop scene.
Tonight we will be discussing your new single Have Plenty feat. Tomeka Carroll from new your sophomore album Shades of Grace.
Before we discuss your new album, many of our readers/listeners would like to know about the stage name Red Baron.
(Question #1) DJ Worship More: Red please inform us, why did you decide to give yourself the title of the Red Baron.
(Answer #1) Red Baron: In all honesty, I didn’t first choose my name considering all of symbolism of the title—I simply liked how it sounded. After the passing of my grandfather, whom I closely resemble, people began calling me “Red” to emphasize how much we looked alike (he was called “Carpenter Red”). Meanwhile, some of my friends began calling me “Red “because of my complexion. Shortly after I began rapping, I chose Red Baron because the moniker “Red” had already stuck, and I also thought “Red Baron” sounded cooler and more distinctive than “Red.”
Now the moniker “Red Baron” means” the baron painted red with the blood of Christ.” In John 12:32 Jesus says, “And I, if I be lifted up from the earth, will draw all men unto me.” During British nobility, a baron’s job was to add to his king’s kingdom (e.g. annex new land and/or obtain other forms of wealth for the kingdom). Rather than extending the boundaries of a given territory as barons of old, I desire, to exalt Jesus with my music and with the life I live. In so doing, I add to my king’s kingdom.
DJ Worship More: Red you are the [Session 1 Grand Prize Winner in the Hip-Hop Category of the John Lennon Songwriting Competition]. That is an awesome accomplishment by a Christian rapper; to me it’s no surprise after hearing your music and ability to flip a metaphor.
(Question #2) Question DJ Worship More: Were you surprised to taken this honor as the 2010 winner in this category and as a Christian rapper do you think that this is new door the God has opened for you and other Christian rappers to present music that is accepted by the secular world with a power spiritual message?
(Answer #2) Red Baron: First, I appreciate your kind words on Have Plenty. To answer your question, winning the John Lennon Songwriting Competition was humbling. The selection committee is an assemblage of some the more notable names within the music industry, and to have them think so highly of the record is an honor.
You’re also correct about God using this opportunity to open new doors. One of the more formidable obstacles for “Christian Music” reaching nonbelievers is Christian music incorporating contemporary genres (e.g. rock, rap, R&B) has traditionally paled in comparison to its secular counterparts. On an episode of King of the Hill, the show’s main character, Hank, stumbled across a lackluster Christian rock band. He approached them and simply said, "you're not making Christianity better, you're making rock and roll worse." I believe people would be more willing to hear what we have to say if we presented it in a more compelling fashion. For Christians who make music, that starts by allowing God to use them to make great music.
With every song I write, I strive to make timeless music that conveys God’s eternal truth. As a believer in the living God, I should strive for nothing less, and rely on Him to guide the process. Winning this competition is yet another medium God has used to offer legitimacy to what I do with my music, and prayerfully for those who come after me.
DJ Worship More: I would like to take a quote from you when you wrote that, “Music you hear is the organized noise that clutters your ears, and is soon forgotten. Music that you listen to captures your attention, resonates within your spirit, touching your soul in ways that you often lack the ability to describe. In hearing the
Red Baron, you are compelled to listen to him; and if you’ll just listen, you'll know all you need to...”
That quote is exactly how I felt when I first heard you new release Have Plenty and to use a quote of my own the message is in the music!
Red Baron: Praise the Lord. That is a high compliment.
(Question #3) DJ Worship More: Love the single Have Plenty, please tell me about Shades of Grace what is the meaning behind the title?
(Answer #3) Red Baron: Thank you. In one of my songs I say, “A friend says, ‘God is a painter and the sky is His canvas’/I say, ‘Man is painted in the hue of His grandness/And it’s enchanting, how God stands and/Colors our struggles with the beauty of His planning‘. . . ” Basically, we see the shades of God’s grace with the passing of everyday. At times believers obsess over the black and white letters of the law and fail to see the blood of Christ within the shades of grey.
Conceptually this album grew out of a desire to navigate the intersection of faith and everyday living. How does my faith mollify our society’s urges to quench belief? How do I reconcile my faith with my racial identity? How does my faith drive my intellectual pursuits, or steer my quest to find a fulfilling vocation? How does it absolve the lingering doubts of my non-believing friends? How does it guide my search for companionship? These are the types of questions we all wrestle with once we leave our houses of worship. This project seeks to illustrate the subtleties of God’s grace working through our lives as we grapple with these issues.
(Question #4) DJ Worship More: What inspired you to write the song Have Plenty?
(Answer #4) ) Red Baron: The concept came to me as I sat in my old apartment in Philadelphia and noticed how sparsely furnished it was. I had begun imagining where I could soon place new furniture and artwork when I remembered how a short while before I simply prayed to find a place to sleep, any place other than my car. I had moved to Philadelphia several months prior, trekking nearly eight hundred miles from the place I called home, to begin my pursuit of a juris doctorate. At the time that I moved, I did not have a place to say. I merely held onto my belief that God was calling me to attend law school. As the mention of sleeping on the floor would suggest, there were struggles along the way, but God provided. During that time, I came to understand “how to be abased, and I know how to abound.” Regardless of the state, I know that when I have the Father, I have everything that I need. As I sat in my seat, I reminded myself to be content with what I had before I began bemoaning what I “lacked.”
(Question# 5) DJ Worship More: Do you feel that even in today’s economy that the “Jones” are still looking for more and not settling for less yet not looking for more in the spiritual?
(Answer# 5) Red Baron: Our society is inherently materialistic, so I do not believe challenging economic times will squelch our desire, as a society, for more . If anything, this economy has caused less pretending amongst everyday people, but a cursory glance at the entertainment industry will show that the “haves” are still looking to have more.
(Question #6) DJ Worship More: Red, where can we purchase your CD?
(Answer #6) Red Baron: Shades of Grace is slated for release Tuesday January 18, 2011. It will be available virtually any where you may purchase music online (e.g. iTunes, Zune, Amazon, Myspace Music, Wal-Mart Music Downloads, et cetera) and also available in stores initially within the tri-state area, and then in stores nationally. Have Plenty is currently available at iTunes, Zune, Amazon, Mysapce Music and other online stores. My debut album Paint the Town Red is also available online in the same locations.
(Question #7) DJ Worship More: What websites can we read more about you and how can fan’s follow up on your latest achievements?
(Answer #7) Red Baron: Anyone interested in learning more about my music may do so by visiting my website: www.paintedred.net, or by visiting my electronic press kit at www.sonicbids.com/redbaron. You may also read my thoughts on some of the compelling issues of our day at my blog, Kind of Red, by visiting: www.thepaintedone.wordpress.com. I am also on Facebook (www.facebook.com/The.Red.Baron1) and Myspace (www.myspace.com/thetrueredbaron). Lastly, I regularly send out an electronic newsletter with updates about my music. All those interested in receiving it should send an e-mail to contact@paintedred.net, and I will have them added to the e-mail list.
DJ Worship More:
Red Baron I would like to thank you personally for taking this time to interview with us and share your message and music. Please don’t let up and keep looking up.
Thank you and God Bless
Red Baron: Thank you, I appreciate the opportunity; it’s been a pleasure.
Setlist
Set ranges from 15 minutes to one hour, and may include combinations of any of the following songs:
One
Beautiful
Hip-Hopcrisy
I Still Got This Praise
Red Baron
Long Kiss Goodbye
Paint the Town Red
If This Sense Were Common
Eyes Wide Shut
As in the Days of Noe
the Cross
Cry Freedom
Southern Comfort (Hue I Am)
The (Real) Good Life
Mr. Incredible
Ready to Live
Ready to Live (remix)
The Current
Good Faith
A Black and White Affair
Have Plenty
Invincible
Life is Beautiful
Love or Something Like It
Love or Something Like It (reprise)
The Way
If Hip-Hop is Dead
This Music
What's Crackin'
The World is a Ghetto
Basic Requirements
Calendar
| Date | Time | Venue | City | |
|---|---|---|---|---|
| Jul 29, 2013 Monday | 7:00 PM | Cullen's Upscale American Grille | Houston, TX, US | |
| Aug 17, 2013 Saturday | TBA | Euclid Avenue Congregation Church of the United Church of Christ | Cleveland, OH, US |
| Date | Time | Venue | City | |
|---|---|---|---|---|
| May 19, 2013 Sunday | 7:00 PM | Art"s Garage | Philadelphia, PA, US | |
| May 4, 2013 Saturday | TBA | Resources for Human Development | Philadelphia, PA, US |  |
| Mt. Airy Day | ||||
| Apr 26, 2013 Friday | 7:00 PM | St. John AME Church | Wayne, PA, US | |
| Mar 22, 2013 Friday | 8:00 PM | Arch Street United Methodist Church | Philadelphia, PA, US | |
| 2013 Pro Deo Conference $25 Young Lawyer Registration Fee $35 Seasoned Lawyer Registration Fee http://prodeoconference.eventbrite.com/# | ||||
| Feb 23, 2013 Saturday | 7:30 PM | Common Grounds Coffee House | Philadelphia, PA, US | |
| Common Grounds Coffee Fundraising Concert | ||||
| Jan 6, 2013 Sunday | 7:00 PM | Arts Garage | Philadelphia, PA, US | |
| Oct 4, 2012 Thursday | 4:30 PM | Villanova University | Villanova, PA, US | |
| Red Baron will be offering a guest lecture entitled, "Refection Eternal: Hip-Hop, A Folk Art Birthed in Africa." The lecture will take place in Favley Memorial Library Room #204. | ||||
| Apr 16, 2012 Monday | 6:00 PM | Temple University | Philadelphia, PA, US | |
| A Dialogue on Trayvon Martin: The Plight of Black Children in America Sponsored by OAASUS (The Organization of African American Studies Undergraduate Students) and the Department of African American Studies. | ||||
| Apr 3, 2012 Tuesday | 8:00 PM | Art"s Garage | Philadelphia, PA, US | |
| 50 MIC'S NEXT TO BLOW SHOWCASE TOUR | ||||
| Mar 17, 2012 Saturday | 7:00 PM | Valley Forge Christian College | Phoenixville, PA, US | |
| Mar 10, 2012 Saturday | 7:30 PM | Armory (The 69th Regiment Armory) | New York, NY, US | |
| Feb 20, 2012 Monday | 7:00 PM | Warm Daddy's | Philadelphia, PA, US | |
| Feb 18, 2012 Saturday | 9:30 AM | Mt. Zion Baptist Church | Philadelphia, PA, US | |
| Kubatana Breakfast (Theme: "Knowledge Is Power, Are You Powerless?") | ||||
| Feb 11, 2012 Saturday | 5:00 PM | Faith Tabernacle Baptist Church | Jamaica, NY, US | |
| Feb 10, 2012 Friday | 6:30 PM | The Nail (The Rusty Nail Tavern) | Ardmore, PA, US | |
| 6:30pm doors 7:00pm show Tickets are $10 in advance and $12 at the door. Visit http://www.aftonshows.com/redbaron to purchase tickets. | ||||
| Jan 29, 2012 Sunday | 4:00 PM | New Covenant Church of Philadelphia | Philadelphia, PA, US | |
| Jan 28, 2012 Saturday | 4:00 PM | Faith Tabernacle Baptist Church | Jamaica, NY, US | |
| Pastor Solomon Roberts, Sr. 82nd Birthday Celebration | ||||
| Dec 25, 2011 Sunday | 10:45 AM | Christ Center Church of God/1615-19 Chelten Avenue | Philadelphia, PA, US | |
| Christmas Day Service | ||||
| Nov 20, 2011 Sunday | 7:45 PM | Sanctifly Music Group Studios | Philadelphia, PA, US | |
| Interview on the Kacey Chrysler Show (Empire State Radio 102.5 FM) | ||||
| Oct 24, 2011 Monday | 8:00 PM | Temple University | Philadelphia, PA, US | |
| Power Hour Muzik with DJ Taaj on whipradiotu.com (215)2049449 | ||||
| Oct 21, 2011 Friday | 7:00 PM | Temple University | Philadelphia, PA, US | |
| Temple University - Mitten Hall (Owl Cove) 1913 North Broad Street Philadelphia, PA 19122 UNITED STATES Also featuring: Temple B-Boys Mic Stewart Rahiem Supreme Issa Rabadi DJ Taaj Headlining: OMAR OFFENDUM! Tickets are $5 in advance, $7 at the door. | ||||
| Aug 20, 2011 Saturday | 8:00 AM | Kennedy Kendrick High School 250 East Johnson Highway | Norristown, PA, US | |
| This is a community festival sponsored by New Hope Baptist. | ||||
| Aug 13, 2011 Saturday | 12:00 PM | Path Mark Mall E. 174th Street | Bronx, NY, US | |
| Jun 10, 2011 Friday | 8:00 PM | Common Grounds Coffee | Philadelphia, PA, US | |
| May 24, 2011 Tuesday | 8:00 PM | Rocketown | Nashville, TN, US | |
| May 6, 2011 Friday | 9:00 PM | Kingdom Kafe | West Hempstead, NY, US | |
| Kingdom Kafe Second Anniversary | ||||
| Apr 26, 2011 Tuesday | TBA | Walter G. O'Connell Copiague High School | Copiague, NY, US | |
| Red Baron and MC Psamlist live | ||||
| Apr 23, 2011 Saturday | 7:00 PM | Sanctifly Music Group Studios | Philadelphia, PA, US | |
| "Shades of Grace" album release party | ||||
| Mar 27, 2011 Sunday | 7:15 PM | Sanctifly Music Group Studios | Philadelphia, PA, US | |
| Interview on the Kacey Chrysler Show (Empire State Radio 102.5 FM) | ||||
| Mar 3, 2011 Thursday | 6:00 PM | University of Baltimore, Langsdale Auditorium | Baltimore, MD, US | |
| Feb 18, 2011 Friday | 8:00 PM | MilkBoy Main Stage | Ardmore, PA, US | |
| Shamika Phoenix and Red Baron live | ||||
| Jan 28, 2011 Friday | 7:00 PM | The Nail (The Rusty Nail Tavern) | Ardmore, PA, US | |
| 6:30pm doors 7:00pm show Tickets are $10 in advance and $12 at the door. You may purchase advance tickets by visiting: www.aftonshows.com/redbaron | ||||
| Jan 23, 2011 Sunday | 4:00 PM | Astoria World Manor | Astoria, NY, US | |
| Birthday Celebration for Pastor Solomon Roberts, Sr. | ||||
| Jan 15, 2011 Saturday | 7:00 PM | University City Arts League (UCAL) 4226 Spruce Street | Philadelphia, PA, US | |
| "Shades of Grace" album listening party. | ||||
| Dec 12, 2010 Sunday | 7:30 PM | Sanctifly Music Group Studios | Philadelphia, PA, US | |
| Interview on the Kacey Chrysler Show (Empire State Radio 102.5 FM) | ||||
| Dec 4, 2010 Saturday | 6:30 PM | The Nail (The Rusty Nail Tavern) | Ardmore, PA, US | |
| Visit www.aftonshows.com/redbaron to purchase tickets. | ||||
| Nov 21, 2010 Sunday | 5:00 PM | High Street Church of God | Philadelphia, PA, US | |
| Youth Service | ||||
| Nov 10, 2010 Wednesday | 8:30 PM | Sanctifly Music Studios | Philadelphia, PA, US | |
| Your'll Soul Music Hour Interview on http://www.preachpastor.com | ||||
| Nov 7, 2010 Sunday | 9:00 PM | Jelani's Lounge | Brooklyn, NY, US | |
| Timeless Music Ent.'s 50 TopMics Finals | ||||
| Nov 7, 2010 Sunday | 11:00 AM | Faith Tabernacle Baptist Church | Jamaica, NY, US | |
| Oct 29, 2010 Friday | 7:00 PM | West Oak Lane Church of God | Philadelphia, PA, US | |
| Second Annual "Take Back the Night" *Red Baron will be accompanied by a live band. | ||||
| Oct 24, 2010 Sunday | 11:00 AM | Faith Tabernacle Baptist Church | Jamacia, NY, US | |
| Oct 20, 2010 Wednesday | 12:00 AM | Empire State Mixtapes Vol. 2 (www.empirestatemixtapes.com) | New York, NY, US | |
| Empire State Mixtapes Vol. 2 release (Mixtape Hosted by Power 105.1's Dj Whutevva and VH1 Real Chance of Love 2 Winner Hot Wings) | ||||
| Oct 17, 2010 Sunday | 9:00 PM | Element Lounge | Richmond, VA, US | |
| TopMics Showcase *Red Baron was selected as the winner of this showcase! | ||||
| Oct 3, 2010 Sunday | 8:00 PM | Generations Restaurant | Media, PA, US | |
| Shamika Phoenix album release party! | ||||
| Sep 19, 2010 Sunday | 9:00 PM | Club Xcape | Richmond, VA, US | |
| 50 MIC'S NEXT TO BLOW SHOWCASE TOUR . | ||||
| Aug 13, 2010 Friday | 10:00 PM | Sharon Baptist Church | Philadelphia, PA, US | |
| This concert / cafe was headlined by Da' T.R.U.T.H. | ||||
| Aug 6, 2010 Friday | 9:00 PM | Kingdom Kafe | West Hempstead, NY, US | |
| 8:00pm doors 9:00pm show Red Baron will have accompaniment from a live band! | ||||
| Apr 30, 2010 Friday | 7:00 PM | West Oak Lane Church of God | Philadelphia, PA, US | |
| The Are & Be Lounge | ||||
| Mar 27, 2010 Saturday | 6:00 PM | Faith Tabernacle Baptist Church | Jamacia, NY, US | |
| Appreciation Celebration | ||||
| Mar 24, 2010 Wednesday | 7:00 PM | *Crash Mansion* | New York, NY, US | |
| Better Dayz Entertainment's Hip-Hop Unplugged Music Industry Showcase. Celebrity Judges included: EPMD, Dj Scratch, Lenny S (VP of A&R at Def Jam) and Mtv Correspondent Sway. $10.00 Admission Crash Mansion is located at: 199 Bowery New York, NY 10002 (212) 982-7767 | ||||
| Feb 20, 2010 Saturday | 2:00 PM | Faith Tabernacle Baptist Church | Jamacia, NY, US | |
| Faith Tabernacle Baptist Church is located at: 106-45 160 Street Jamacia New York | ||||
| Jan 15, 2010 Friday | 9:00 PM | The Ark Gospel Entertainment Center | Philadelphia, PA, US | |
| DOORS OPEN @ 8PM URBAN X-PRESSIONS LIVE @ THE ARK OPEN MIC WITH A NEW LIVE BAND SO CALLING ALL SINGERS, RAPPERS, SPOKEN WORD, DANCERS, MIMES COME AND BLESS THE MIC HOSTED BY C-SHARP $10.00 @ DOOR | ||||
| Dec 20, 2009 Sunday | 8:00 AM | *West Oak Lane Church of God | Philadelphia, PA, US | |
| Red Baron will deliver the sermon during the 8:00a.m. service. | ||||
| Dec 7, 2009 Monday | 9:00 PM | Divine Life Podcast | Philadelphia, PA, US | |
| Divine Life Podcast Radio interview. www.blogtalkradio.com/divinelifestyle | ||||
| Nov 10, 2009 Tuesday | 7:00 PM | McFadden's | Philadelphia, PA, US | |
| 461 N 3rd St Philadelphia, PA 19123-4111 (215) 253-3216 | ||||
| Oct 30, 2009 Friday | 7:00 PM | West Oak Lane Church of God | Philadelphia, PA, US | |
| Take Back the Night | ||||
| Oct 17, 2009 Saturday | 3:00 PM | Reconciliation Ministries | Fort Washington, PA, US | |
| 2nd Annual Community Event | ||||
| Sep 23, 2009 Wednesday | 7:30 PM | Fluid Night Club | Philadelphia, PA, US | |
| 7:15pm doors 7:30pm show Fluid Night Club is located at: 613 S 4th Street Philadelphia, PA 19147-1545 (215)629-3686 contact Red Baron at redbaron@paintedred.net for advance tickets | ||||
| Jun 22, 2009 Monday | 6:00 PM | Private Residence | Glenside, PA, US | |
| Private Birthday Party | ||||
| Jun 14, 2009 Sunday | 11:00 AM | *Faith Tabernacle Baptist Church | Jamacia, NY, US | |
| Red Baron is preaching the Sunday morning sermon! Faith Tabernacle Baptist Church is located at: 106-45 160 Street Jamacia New York 1143 | ||||
| Dec 5, 2008 Friday | 8:00 PM | Victory Christian Fellowship | New Castle, DE, US | |
| Victory Christian Fellowship is located at: 100 Wilton Blvd New Castle DE 19720 | ||||
| Nov 25, 2008 Tuesday | 7:00 PM | West Oak Lane Church of God | Philadelphia, PA, US | |
| Unity Service West Oak Lane Church of God is located at: 7401 Limekiln Pike Philadelphia, PA | ||||
| Oct 11, 2008 Saturday | 4:00 PM | Reconciliation Ministries | Fort Washington, PA, US | |
| Community Event | ||||
| Sep 5, 2008 Friday | 7:00 PM | Faith Tabernacle Baptist Church | Jamacia, NY, US | |
| Faith Tabernacle Baptist Church is located at: 106-45 160 Street Jamacia New York 11433 | ||||
| Aug 9, 2008 Saturday | 1:30 PM | Faith Tabernacle Baptist Church | Jamacia, NY, US | |
| Youth Storm 2008 Faith Tabernacle Baptist Church is located at: 106-45 160 Street Jamacia New York 11433 | ||||
| Feb 28, 2008 Thursday | 5:00 PM | Villanova University School of Law | Villanova, PA, US | |
| Passport to the World: A Celebration of Culture | ||||
| Feb 7, 2008 Thursday | 10:45 PM | Liquid Charm | Philadelphia, PA, US | |
| Mic Check THORsday Liquid Charm is located at: 1207 Race Street Philadelphia, PA 19107 | ||||
| Feb 5, 2008 Tuesday | 8:00 PM | Brownie's | Ardmore, PA, US | |
| Villanova's Got Talent Competition: Proceeds to benefit the Probono Society Brownies is located at: 23 East Lancaster Avenue Ardmore, PA 19003 | ||||
| Jan 12, 2008 Saturday | 12:00 PM | The Michigan League | Ann Arbor, MI, US | |
| The Wedding of Kwasi Agbottah and Elizabeth Curseen | ||||
| Dec 22, 2007 Saturday | 6:00 PM | Kingdom Life Family Church | Smyrna, GA, US | |
| Dec 19, 2007 Wednesday | 8:00 PM | G-Town Radio | Philadelphia, PA, US | |
| "The REC" Radio Interview G-Town Radio is located at: 24 Maplewood Mall 2nd floor Philadelphia, PA 19144 | ||||
| Jul 1, 2007 Sunday | 11:00 AM | St. James AME Church | Newark, NJ, US | |
| Youth Service | ||||
| Apr 8, 2007 Sunday | 11:00 AM | St. James AME Church | Newark, NJ, US | |
| Easter Sunday Youth Service | ||||
| Mar 28, 2007 Wednesday | 6:00 PM | Villanova University School of Law | Villanova, PA, US | |
| Ties That Bind | ||||
| Dec 31, 2006 Sunday | 9:00 PM | *Divine Faith Ministries International* | Jonesboro, GA, US | |
| (*performance will include accompaniment by Play on Words and Divine Faith Ministries International Choir*) | ||||
| Jun 27, 2006 Tuesday | 8:00 PM | TBA | Washington, DC, US | |
| Call to Renewal Pentecost Conference 2006: Building a Covenant for a New America | ||||
| Jun 11, 2006 Sunday | 7:00 PM | Roswell Cultural Arts Center | Roswell, GA, US | |
| Unityfest 2 $15.00 admission, 7:30pm doors | ||||
| Jun 3, 2006 Saturday | 1:00 PM | Tomilson Park | Marietta, GA, US | |
| 1st Annual Church of God in Christ Marietta Jurisdiction Picnic | ||||
| May 19, 2006 Friday | 7:00 AM | Alan C. Pope High School | Marietta, GA, US | |
| FCA meeting | ||||
| Apr 28, 2006 Friday | 8:00 PM | Destiny Metropolitan Church | Marietta, GA, US | |
| Destinations: Encore $5.00 admission, 7:30pm | ||||
| Apr 21, 2006 Friday | 8:00 PM | *Georgia Institute of Technology* | Atlanta, GA, US | |
| The Learning Curve Hosted by Gerard Henry of BET (*performance will include accompaniment by Play on Words*) | ||||
| Apr 8, 2006 Saturday | 7:00 PM | *Tuskegee University* | Tuskegee, AL, US | |
| MICs 4 Christ (*performance will include accompaniment by Play on Words*) | ||||
| Apr 7, 2006 Friday | 7:00 PM | The Father's House | Norcross, GA, US | |
| Global Outreach Conference New Generation Campus Ministries/Global Outreach Reunion | ||||
| Mar 31, 2006 Friday | 8:00 PM | Georgia Institute of Technology | Atlanta, GA, US | |
| Destinations: Paradigm Shift $5.00 admission 7:30pm doors, 8:00 show | ||||
| Feb 24, 2006 Friday | 10:15 PM | *Ray of Hope Christian Church* | Decatur, GA, US | |
| Youth and Young Adult Service (*performance will include accompaniment by Play on Words*) | ||||
| Feb 24, 2006 Friday | 8:00 PM | Destiny Metropolitan Church | Marietta, GA, US | |
| Destinations: Politically Incorrect $5.00 admission, 7:30pm doors | ||||
| Feb 22, 2006 Wednesday | 9:45 AM | The Lovett School | Atlanta, GA, US | |
| Middle School Chapel | ||||
| Feb 13, 2006 Monday | TBA | Sonicbids 500 Harrison Avenue, Suite 404R | Boston, MA, US | |
| Sonicbids Spotlight (February 13, 2006 - February 20, 2006) | ||||
| Feb 10, 2006 Friday | 8:00 PM | *Morehouse College* | Atlanta, GA, US | |
| Hopewell Youth Builders Academy fundraising event (*performance will include accompaniment by Play on Words*) $10.00 admission, 7:30pm doors | ||||
| Feb 9, 2006 Thursday | 9:00 PM | Kennesaw State University | Kennesaw, GA, US | |
| Love Jones | ||||
| Feb 8, 2006 Wednesday | 11:30 AM | The Lovett School | Atlanta, GA, US | |
| Upper School Chapel | ||||
| Feb 4, 2006 Saturday | 8:00 PM | Mocha Match Coffee Bar | Decatur, GA, US | |
| First Saturday Sol | ||||
| Jan 29, 2006 Sunday | 5:00 PM | *Greater Community Church of God in Christ* | Marietta, GA, US | |
| (*performance will include accompaniment by Play on Words*) | ||||
| Jan 27, 2006 Friday | 8:00 PM | Georgia Institute of Technology | Atlanta, GA, US | |
| Destinations: Mirage free admission, 7:30pm doors | ||||
| Jan 13, 2006 Friday | 8:05 PM | Earthlink Live | Atlanta, GA, US | |
| Holy Hip-Hop Awards Earthlink Live is located at 1374 West Peachtree Street Atlanta , GA 30309 Phone: (404)885-1365 Fax: (404)885-1919 $12.00 admission, 6:30 doors | ||||
| Dec 31, 2005 Saturday | 10:00 PM | *Victory Heights International Church* | Marietta, GA, US | |
| Watch Night Service (*performance will include accompaniment by Play on Words*) | ||||
| Dec 30, 2005 Friday | 7:30 PM | *The Father's House* | Norcross, GA, US | |
| The Father's House is located at 5875 Peachtree Industrial Blvd. Suite 300 check http://www.wellingtonboone.com/contact/directions.htm for driving directions (*performance will include accompaniment by Play on Words*) | ||||
| Dec 10, 2005 Saturday | 9:00 PM | *CoffeeNet* | Smyrna, GA, US | |
| 2nd Saturdays (*performance will include accompaniment by Play on Words*) CoffeeNet is located at 3100 Highlands Pkwy Suite 4 Smyrna, GA 30080 | ||||
| Dec 4, 2005 Sunday | 6:00 PM | Georgia Institute of Technology | Atlanta, GA, US | |
| Christmas Concert | ||||
| Dec 2, 2005 Friday | 8:00 PM | Destiny Metropolitan Church | Marietta, GA, US | |
| Destinations: Bad Blood | ||||
| Dec 1, 2005 Thursday | 6:00 PM | Morehouse College | Atlanta, GA, US | |
| AUC Kwanzaa Celebration | ||||
| Nov 27, 2005 Sunday | 9:30 AM | The Father's House | Norcorss, GA, US | |
| Sunday Service | ||||
| Nov 16, 2005 Wednesday | 1:30 PM | The Lovett School | Atlanta, GA, US | |
| Hip-Hop club meeting | ||||
| Nov 14, 2005 Monday | 8:30 PM | Georgia Institute of Technology | Atlanta, GA, US | |
| FCA Bible Study | ||||
| Nov 2, 2005 Wednesday | 6:00 PM | The Father's House | Norcross, GA, US | |
| Oct 31, 2005 Monday | 6:00 PM | Greater Community Church of God in Christ | Marietta, GA, US | |
| Hallelujah Night | ||||
| Oct 31, 2005 Monday | 3:00 PM | Spelman College | Atlanta, GA, US | |
| Hip-Hop Collection (sponsored by Peoplz Radio) | ||||
| Oct 28, 2005 Friday | 8:00 PM | Destiny Metropolitan Church | Marietta, GA, US | |
| Destinations: Dark Circus | ||||
| Oct 1, 2005 Saturday | 4:00 PM | Renaissance Jazz Cafe | Greensboro, NC, US | |
| Nu-Reign NC Showdown | ||||
| Sep 30, 2005 Friday | 8:00 PM | Destiny Metropolitan Church | Marietta, GA, US | |
| Destinations: Chain Reaction | ||||
| Sep 23, 2005 Friday | 7:00 PM | Morehouse College | Atlanta, GA, US | |
| GTS Back to School Celebration | ||||
| Sep 16, 2005 Friday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| Alabaster Box | ||||
| Aug 27, 2005 Saturday | 8:00 PM | *Under the Couch (located on Georgia Institute of Technology Campus)* | Atlanta, GA, US | |
| Unleashed Artshow *The art exhibition will also feature some of Red Baron's artwork* | ||||
| Aug 5, 2005 Friday | 10:00 PM | Wyndham Hotel | Atlanta, GA, US | |
| Hype Night 2005 | ||||
| Aug 5, 2005 Friday | 7:00 PM | Roswell Cultural Arts Center | Roswell, GA, US | |
| Unityfest | ||||
| Jul 29, 2005 Friday | 7:30 PM | *Greater Community Church of God in Christ* | Marietta, GA, US | |
| State Auxillaries in Ministry (AIM) Service (*performance will include accompaniment by Play on Words*) | ||||
| Jul 2, 2005 Saturday | 5:15 PM | Omni Hotel | Atlanta, GA, US | |
| United Black Christians (UBC) Biennial Banquet | ||||
| Jun 22, 2005 Wednesday | 6:30 PM | *Greater Community Church of God in Christ* | Marietta, GA, US | |
| Young Men of Valor Class *Class taught by Red Baron* | ||||
| Jun 12, 2005 Sunday | 7:00 PM | Greater Community Church of God in Christ | Marietta, GA, US | |
| Youth Recognition Service | ||||
| Jun 12, 2005 Sunday | 4:00 PM | The Lord's House Church | Norcross, GA, US | |
| Youth Explosion | ||||
| Jun 11, 2005 Saturday | 5:00 PM | All American Skating Center | Stone Mountain, GA, US | |
| Praise God School's Out: Christian Night/Skating Party | ||||
| May 20, 2005 Friday | 8:00 AM | Atlanta Youth Academy | Atlanta, GA, US | |
| Chapel | ||||
| May 3, 2005 Tuesday | 7:00 PM | The Tabernacle Church | Birmingham, AL, US | |
| Hip-Hop Night | ||||
| Apr 27, 2005 Wednesday | 6:30 PM | *Greater Community Church of God in Christ* | Marietta , GA, US | |
| Young Men of Valor Class *Class taught by Red Baron* | ||||
| Apr 22, 2005 Friday | 7:00 PM | Morehouse College | Atlanta, GA, US | |
| Darfur Awareness/Action Campaign Spoken Word Event | ||||
| Apr 19, 2005 Tuesday | 7:00 PM | Georgia Institute of Technology | Atlanta, GA, US | |
| Album Release Party/Birthday Party | ||||
| Apr 15, 2005 Friday | 8:00 PM | Clark Atlanta University | Atlanta, GA, US | |
| Alabaster Box | ||||
| Mar 28, 2005 Monday | 10:00 PM | Georgia Institute of Technology | Atlanta, GA, US | |
| FCA bible study | ||||
| Mar 23, 2005 Wednesday | 6:30 PM | *Greater Community Church of God in Christ* | Marietta, GA, US | |
| Young Men of Valor Class *class taught by Red Baron* | ||||
| Feb 27, 2005 Sunday | 12:00 PM | *Greater Community Church of God in Christ* | Marietta, GA, US | |
| Youth Night/Black History Month Celebration *speaking engagement* | ||||
| Feb 25, 2005 Friday | 7:30 PM | Destiny Metropolitan Church | Marietta, GA, US | |
| Destinations: The Gift and the Curse | ||||
| Feb 13, 2005 Sunday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| NAACP Gospel Extravaganza | ||||
| Feb 11, 2005 Friday | 8:00 PM | Avondale High School | Avondale Estates, GA, US | |
| G42 album release party | ||||
| Feb 11, 2005 Friday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| Alabaster Box | ||||
| Jan 28, 2005 Friday | 7:30 PM | Destiny Metropolitan Church | Marietta, GA, US | |
| Destinations: Club Hipnotiq | ||||
| Jan 4, 2005 Tuesday | 7:00 PM | Victory Church UCC (United Church of Christ) | Decatur, GA, US | |
| UCC conference | ||||
| Dec 7, 2004 Tuesday | 12:00 PM | Spelman College | Atlanta, GA, US | |
| Morehouse College and Spelman College Bonner Scholar Program Pre-Kwanza Event | ||||
| Nov 15, 2004 Monday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| Hip-Hop Summit | ||||
| Nov 12, 2004 Friday | 7:00 PM | Glen Haven United Methodist Church | Decatur, GA, US | |
| BYOBB Friday Night Live | ||||
| Oct 31, 2004 Sunday | 12:00 PM | Westend Historical District Park | Atlanta, GA, US | |
| BYOBB event | ||||
| Oct 22, 2004 Friday | 7:00 PM | Mount Carmel Baptist Church | Atlanta, GA, US | |
| Sep 15, 2004 Wednesday | 12:00 PM | G.W. Hartman Youth Rehabilitation Center | Marietta, GA, US | |
| BYOBB event | ||||
| Sep 11, 2004 Saturday | 7:00 PM | Bodies of Christ Assembly | Statesboro, GA, US | |
| BYOBB event | ||||
| Sep 10, 2004 Friday | 7:00 PM | Glen Haven United Methodist Church | Decatur, GA, US | |
| BYOBB Friday Night Live | ||||
| Sep 8, 2004 Wednesday | 7:00 PM | Metro Atlanta Regional Youth Detention Center | Atlanta, GA, US | |
| BYOBB event | ||||
| Aug 22, 2004 Sunday | 11:00 PM | Apache Cafe | Atlanta, GA, US | |
| Ladies' Night | ||||
| Jun 8, 2004 Tuesday | 5:00 PM | PPV Public Broadcasting Television Station | Atlanta, GA, US | |
| Hip-Hop Gospel Television Broadcast | ||||
| May 29, 2004 Saturday | 7:00 PM | Washington Plaza Hotel | Washington, DC, US | |
| Call to Renewal Conference | ||||
| May 9, 2004 Sunday | 11:00 AM | Church of the Master Presbyterian Church | Atlanta, GA, US | |
| Sunday service | ||||
| Apr 28, 2004 Wednesday | 8:00 PM | Ray of Hope Christian Church | Decatur, GA, US | |
| Youth Service | ||||
| Apr 24, 2004 Saturday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| Hip-Hop Diversified (sponsored by NAACP) | ||||
| Apr 20, 2004 Tuesday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| HIP4HOP Ministries Inc. Bible Study | ||||
| Apr 14, 2004 Wednesday | 12:00 PM | Morehouse College | Atlanta, GA, US | |
| Lose Yourself Lyrical Revival | ||||
| Apr 13, 2004 Tuesday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| Lose Yourself Lyrical Revival | ||||
| Apr 12, 2004 Monday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| Lose Yourself Lyrical Revival | ||||
| Apr 7, 2004 Wednesday | 8:00 PM | Georgia Institute of Technology | Atlanta, GA, US | |
| FCA Spring Bash | ||||
| Mar 27, 2004 Saturday | 7:00 PM | Tuskegee University | Tuskegee, AL, US | |
| Mics 4 Christ | ||||
| Mar 26, 2004 Friday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| Alabaster Box | ||||
| Mar 23, 2004 Tuesday | 7:00 PM | Morehouse College | Atlanta, GA, US | |
| Underground Live | ||||
| Mar 16, 2004 Tuesday | 12:00 PM | Joseph Emerson Brown Middle School | Atlanta, GA, US | |
| Project Nobility Recruitment | ||||
| Mar 12, 2004 Friday | 7:30 PM | University of Pennsylvania | Philadelphia, PA, US | |
| Campus Outreach Opportunity League (COOL) Conference | ||||
| Feb 27, 2004 Friday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| Alabaster Box | ||||
| Feb 15, 2004 Sunday | 7:00 PM | *Spelman College* | Atlanta, GA, US | |
| Love and Social Justice Spoken Word Event (sponsored by P.E.P.E.R.S.) *Red Baron selected as Grand Prize Winner in the Love Category* | ||||
| Feb 15, 2004 Sunday | 4:00 PM | Spelman College | Atlanta, GA, US | |
| Howard Harrel Hall Valentine's Day Celebration | ||||
| Feb 13, 2004 Friday | 12:00 PM | Spelman College | Atlanta, GA, US | |
| Alabaster Box | ||||
| Jan 30, 2004 Friday | 7:00 PM | Spelman College | Atlanta, GA, US | |
| Alabaster Box | ||||