Artist Information
Biography
We Memphis Pencils formed in March of 2007 on the campus of the University of Arkansas, in Fayetteville, with the intention of making unconventional yet accessible music.
Martin Bemberg, our band's lead singer and primary songwriter, began composing what would become the Pencils' first tunes at the age of seventeen (see: "Un Dandy Dia"), but it was not until the summer of 2007 that these seminal tracks were recorded (two of them ended up on our first cohesive release, 2009's "Crayon Jewels" EP).
The songs on "Crayon Jewels" were recorded over the span of two years and to a certain degree convey the dynamism of mood and perhaps genre, which has become one of our key features. And while we have difficulty precisely describing our sound in terms of concrete genres and wish not to pigeonhole ourselves, dynamism is perhaps the one characteristic that most accurately defines our music. Dynamism, however, is not only apparent in the differences between songs, but also within songs, which is to say that variations in time signature and phrasing are an essential part of the Memphis Pencils sound.
On the previously mentioned "Crayon Jewels" EP, this dynamism, while present quite often, is not so consistently pervasive as in the band's newer material. This fact is the clearest indication of the band's progress towards a more mature identity. It is appropriate here, we think, to point out the word "progress," for the band does somewhat appreciate the label of "progressive pop." "Progressive," as we understand it, is a word reserved for music that is defined by change and contrast. "Pop," as we understand it, is a word reserved for music that is defined by accessibility and an emphasis on melody. We think our music not only fits all of these criteria, but is essentially defined by them.
Though we do have certain accomplishments under our belts (placing at the top of Ourstage's indie pop charts and subsequently performing at CMJ in 2008; playing during South By Southwest in 2009; being named one of the "Best New Bands In America" by The Boston Phoenix; breaking even on a few regional tours; and opening for acts like Dana Falconberry, Daniel Francis Doyle, Mae, and Slaraffenland), we have not received much recognition, or experienced, by industry standards, "success." However, we are confident that following the release of our first full length album in 2011 on Victory Garden Records, we will move on to bigger, better things.
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Instrumentation
Martin Bemberg - Vocals, Guitar, keys
Reed Faitak - Bass
Jim Sloan - Vocals, Guitar, Keys.
Joel Paul - Vocals, Guitar, glockenspiel
JD Paul - Drums
Discography
Shhh, I'm Rustic (February 2011)
Crayon Jewels EP (Fontee Fount, 2009)
Official Website
http://memphispencils.bandcamp.com
Links
Video
Photo Gallery
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By Brian Wolf (http://aportraitofshatteredearth.blogspot.com)
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Press
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Memphis Pencils 9 p.m. Friday, July 30. Foam, 3359 South Jefferson Avenue.
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The sound of Crayon Jewels, the latest, not-quite-full-length album by Memphis Pencils, is Sufjan St...
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Best New Bands In America: Arkansas
[+ Show ]
WHY THEM? There’s a bevy of badass noise-rock going down in Fayetteville, but this quintet caught us...
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Arkansas Indie Coming To The Windy City
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Memphis Pencils and Messy Sparkles are serving Chicago a double helping of dreamy progressive pop ne...
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Memphis Pencils Win OurStage CMJ Competition
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Here is an interview with Martin Bemberg and Andrew McDougal (former synth player) by Quinn Strassel...
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Memphis Pencils Included On Art Amiss 13 Compilation
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Here is a story publicizing the release of the Art Amiss 13 compilation. The compilation includes th...
Setlist
Helium Efforts
Bored By Beacons
Cities In Love
Aysenur
Askim
Critters
Janet Reno Yawning
Paper Pirouettes
Nestor, Best Your Intercessor
Happy Birthday, Harvey
Keep It Simple, Sartre

