Neil C. Young Trio

Artist Information

Biography

UK jazz guitarist Neil C Young is a gifted guitarist who is establishing his unique talent internationally and in 2011 received a Grammy Award nomination in the improvised jazz solo category..

Incorporating aspects of bands led by John Scofield, Keith Jarrett, George Benson and Pat Metheny, his music is ‘full of soul and energy’ and, ‘the arrangements are beautiful’, writes Eric Elias from the US magazine “Just Jazz Guitar Magazine”.

Neil uses a raw combination of expression and technique across a variety of influences and styles from Be-bop to bossa with a hint of his Rock roots. With the solo Jazz Guitar at its heart, his music is ‘harmonically sophisticated’ said Bill Milkowski (writer of the biography of Jaco Pastorius) in his 2011 review of the last album ‘Where’s yours?’

The Neil C. Young Trio released ‘El Camino’ in the autumn of 2011, the follow up to the acclaimed ‘Where’s yours?’ and is set for distribution through Canadian American Records (U.S.A) and WOA Records (India.)

One of his original compositions, 'Next', featured on the WOA Records’ popular Goa Chillout Zone Volume 2 which reached the heights of number 2 in the Indian Album Charts in October 2009 and since then has had regular airplay on Indian commercial radio with singles from his last 2 albums which were released by Canadian American Records (US)

In a contemporary musical climate which is often overcrowded with an eclectic range of guitar styles, Neil not only acknowledges these various influences, but also displays an in-depth knowledge of performance and composition, which were key to his studies with Gary Boyle and with Fred T Baker at renowned Birmingham Conservatoire.

Away from the confines of the studio, the Neil C Young Trio are a tight, exciting and fresh live outfit, and performances feature beautiful harmonic interpretations of both standards, and original compositions.

Grammy nominated artist 2011
Lancaster Jazz Festival 2011
Manchester Jazz Festival 2011
Morecambe Kite Festival 2011
Great British Rhythm and Blues Festival, Colne. 2011
Regular performer - Matt and Phreds, Manchester and Zeffirellis, Ambleside.
Residency at Tapas y Strays, Strays - Newark.
Featured Download artist Jazztimes.magazine 2011 - 2010 (US.)
Canadian American Records 2010
WOA Records 2010 (India)
Romerias de Mayo Festival 2010, Holguin, Cuba.
Newark Jazz Festival 2010
No.2 in India album charts with WOA Records compilation Goa Chillout Zone Vol.2 2009 (Ind.)
VIP reference from Carlos Juan amplification (Ger.)
Manchester Jazz Festival 2009
UK Jazz Services Promoters' Choice Award Nominee 2008
Tour of Finland 2008
Newark Jazz Festival 2008
London Bossanova Festival 2008
Manchester Summer in the Park 2008
Voted no.1 in June 2006 by visitors to Jazzworldquest.com
Shortlisted for International songwriting competition 2006
Artist at the 2006 Zihuatanejo International Guitar Festival (Mex.)
Honourable Mention, Canary Islands International Songwriting Competiton 2006 (Esp.)
Tours of US in Spring and Summer 2007

'....one of Britain's best-kept jazz secrets.' - Zeffirellis, Ambleside.
'Burgeoning international jazz star' - Lancaster Jazz Festival
‘..brilliantly minded guitarist’ – Carlos Juan (Carlos Juan Guitars, Ger.)
‘..a master..’ – Norman van den Wildenberg (maxanine.nl, Ned.)
‘Excellent feel good instrumental jazz’ - Keith Ames, Musicians Union (U.K.)
‘Awesome’ – Kelly Lancaster (Willy Nelson, The Dixiechicks)
‘You got swing’ – Gary Walker
‘Simply beautiful, such beautiful melodies with all the inner movement that just lets everyone have something to listen to’ - Michael Kent Smith
‘great player…very talented’ – Kathy Curtis WSJT 94.1
‘You play like Charlie Byrd but swing harder!´ - Brook.

Instrumentation

Richard Young - Drum Kit
Alan Whitham - Bass

Discography

El Camino (2011):Singles released by Canadian American Records - 'The Wagon..' (2012) 'Driving to Montenegro' and 'Think on' (2011): Where's yours? (2010): : Goa Chillout Zone Vol.2: Chick(pea) Soup EP (2008); My Crazy Pony EP (2006); Take a seat EP(2005);

Links

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Audio

• Scooter
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• The Wagon (it left without me)
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• Stockton 3
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• Nutter Strut
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• Driving to Montenegro
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Video

Photo Gallery

Press

• Neil C. Young - El Camino [+ Show ]
  

  Punchy but melodic fusion for unadorned guitar, bass and drums. The Neil C. Young Trio “El Cam...Punchy but melodic fusion for unadorned guitar, bass and drums.
  
  The Neil C. Young Trio
  
  “El Camino”
  
  Neil C. Young is a guitarist and composer based in Lancashire who does most of his work in the North of England and the East Midlands. Between 1990 and 1992 Young studied guitar with Gary Boyle (mainstay of the fondly remembered 70’s Brit fusioneers Isotope and subsequently a successful solo artist) before moving on to Birmingham Conservatoire where his tutor was Midlands based guitarist/bassist Fred T. Baker.
  
  On leaving the Conservatoire in 1996 he led the Ofay Jazz Quartet and Ofay Big Band playing jazz standards and has subsequently performed with Boyle, Birmingham based pianist Steve Tromans, trombonist Barnaby Dickinson and with the band The Latin Committee. His two main current projects are the trio featured on this album and the more rock orientated Rokasayers formed in 1999 by Young, bassist Simon Dale and drummer Richard Young, the core trio sound being augmented by the use of turntables, samplers and synths.
  
  The Youngs (it’s not clear whether or not they’re brothers) are common to both groups with this trio being completed by electric bassist Alan Whitham. The music is still basically located in the fusion area with Gary Boyle’s influence readily apparent. Young also cites John Scofield, George Benson, Pat Metheny and pianist Keith Jarrett as inspirations and elements of all these are discernible in the trio’s blend of punchy but melodic fusion for unadorned guitar, drums and bass.
  
  The self released “El Camino” represents the group’s second album and follows the earlier “Where’s Yours?”, a recording that elicited praise from the celebrated American writer and critic Bill Mikowski (writing for “Jazz Times”), biographer of the late, great Jaco Pastorius, almost certainly another source of inspiration. The all original programme of “El Camino” features seven pieces by Neil C. Young and one by Richard Young.
  
  It’s Richard’s marvellously named “Nutter Strut” that kicks off the album (the trio have a definite way with titles) a breezy, high energy strut with Neil’s choppy guitar chording meshing well with Whitham’s springy, propulsive bass and Richard’s crisp rock/funk drumming. It’s unpretentious and fun with the hard hitting grooves laced with a sense of humour.
  
  Neil’s “The Wagon (it left without me)” opens with a roll of Richard’s drums before settling into a pattern of alternating rock/jazz passages with Neil’s sparkling single note soloing (definitely a touch of Wes Montgomery here) underpinned by Richard’s busy rock influenced drumming and Whitham’s cushioning bass grooves.
  
  “Slashville” (another great title) features a killer hook and groove (not unlike Isotope in their hey day) which forms the jumping off point for Neil’s chord based guitar explorations. Chuggingly insistent the piece has a way of getting under your skin and staying there.
  
  “Anonaggen” represents a pause for reflection with its extended solo guitar intro. Whitham and Richard Young enter slowly on a piece that is initially more atmospheric than its jokey title might suggest. Whitham’s lyrical, liquid bass playing is a particular highlight before the tune moves up a gear to encompass something more funky and hard hitting. Definitely a performance of two halves but one that still finds room for a delicate coda.
  
  “Ballaed” boasts another whimsical title but is a genuine ballad with Neil on delicately picked semi acoustic duetting with Whitham on resonant but lyrical electric bass. A total contrast to much of that which surrounds it the piece possesses real beauty and provides something of a palette cleanser before the slinky funk of the following “Bear Claw” with its insistent grooves and very different guitar and bass solos.
  
  The energy levels are maintained with “Scooter” where Richard’s crisp, restless drumming underpins Neil’s nimble jazz guitar chording and Whitham’s Pastorius like bass. The latter solos in singing Jaco style above above Richard’s military like drumming before Neil returns to up the ante even more prior to a long groove based fade interspersed by further statements of the theme. Closing track “Slaphead” (surely he’s not referring to me) is a good final encapsulation of the trio’s jazz, rock and funk credentials with it’s catchy, hooky high energy riffs and grooves that bind all three elements together.
  
  Although there’s nothing radical about “El Camino” the album is nonetheless a strong statement from a regular working trio who must be great fun to see live. Neil’s jazz subtlety and sophistication combines well with Richard’s powerful rock and funk influenced drumming and Whitham’s agile, Jaco inspired bass. The three interact very well to produce a group sound that is greater than the sum of its parts and which works very well. There’s more sophistication here than might be immediately apparent with the writing absorbing the listener’s attention throughout. This is not a type of jazz I listen to very often these days and I was pleasantly surprised by how much I enjoyed this album.
  
  The trio occupy a niche that extremists at either end of the jazz spectrum are likely to dismiss but open minded listeners and particularly fusion and funk fans should find much to enjoy here. I’d like to think that the trio’s music might appeal to adventurous rock audiences too.

• Neil C. Young - Where's Yours? [+ Show ]
  

  “Where’s yours?” is Neil C. Young’s current release. This CD is full of life and soul. It opens with...“Where’s yours?” is Neil C. Young’s current release. This CD is full of life and soul. It opens with a bright original called “The Stockton 3.” Young blends both electric and acoustic guitar very nicely. The use of acoustic and electric guitars with the fat “Jaco” sounding bass reminds me of a Pat Metheny-influenced sound. But these tunes are new and original. Compositions are rich, harmonically. “Your watering eyes” is a beautiful ballad that is presented in a chord-melody style. Young draws the listener in with his dynamics and lush chordal work here. He plays the strings in the back-ground too, which add nicely to the sweet sense in this song. There is a little Latin influence with “Vuelta a Espana.” Which features vocal lines harmonized with the guitar. “Anon” is a beautiful ballad played on solo guitar.
  While there are some nice compositions and chordal work on Where’s yours? This disc also gives Young a chance to show off some jazz and fusion chops. I really enjoy the emotion that Young displays in his originals. His compositions are wonderful. The melodies are harmonically sophisticated and very interesting. The arrangements are beautiful. Throughout the disc, the band grooves tightly and responds to one another nicely. I’m sure we’ll hear from Neil C.Young in the future. I’m looking forward to it. Where’s yours? is worth checking out.
  

• Neil C. Young is an instrumentalist with a vision. [+ Show ]
  

  Neil C. Young is an instrumentalist with a vision. His vision is original and unique, not like any o...Neil C. Young is an instrumentalist with a vision. His vision is original and unique, not like any other artist we have ever heard. His melodies are memorable. This magnificent album contains his 2 break trough singles on Canadian American: “Think On” and ‘Driving To Montenegro”, being shipped to worldwide radio for airplay in Januray 2011. They are also shopping his album at Midem in Cannes, France, January,2011 for licensing deals with foreign labels from all over the world.
  
  We are spreading the word about this gifted artist, because he is world class and will become world class in every listeners mind on Canadian American Records. What’s Yours is already on sale at CDBaby.

• 'World class uniquely skilled instrumentalist' [+ Show ]
  

  NEIL C.YOUNG hails from the U.K. And is developing an international fan base through our CANADIAN AM...NEIL C.YOUNG hails from the U.K. And is developing an international fan base through our CANADIAN AMERICAN WORLDWIDE distribution program. We are releasing 2 new singles on our MIDEM World Wide Radio CD sampler early in January. Listen for “DRIVING TO MONTENEGRO”b/w“THINK ON” to attract attention to his new album entitled “WHERE'S YOURS”. We are also shopping his album for licensing deals at MIDEM to labels around the world to spread the word of this world class uniquely original instrumentalist.

• Neil C. Young - 'Where's yours?' [+ Show ]
  

  Brit guitarist Neil C. Young incorporates aspects of two of his obvious guitar heroes—Pat Metheny an...Brit guitarist Neil C. Young incorporates aspects of two of his obvious guitar heroes—Pat Metheny and Wes Montgomery—on this bright, appealing outing. On “The Stockton 3” he underscores his Wes-like octaves with Metheny-esque strumming on acoustic guitar. “Driving to Montenegro” is a breezy, harmonically sophisticated ditty that utilizes ringing harmonics and open-string effects, while “Waltz” is a reflective number performed on acoustic guitar, highlighted by Alan Whitham’s bass, Richard Young’s brushes and lush string arrangements. On “Parisienne Charlie,” Young plays with the subtle, walking-on-eggshells aesthetic of Jim Hall, and his solo nylon-string number “Your Watering Eyes” recalls Charlie Byrd. The trio swings out on “Think On” and digs into a festive samba groove on “Vuelta a España,” buoyed by Whitham’s Jaco-esque fretless electric bass work.

• Neil C Young [+ Show ]
  

  AFTER wowing crowds at the Romeria de Mayo Festival in Cuba and the Newark Jazz Festival, the Neil ... AFTER wowing crowds at the Romeria de Mayo Festival in Cuba and the Newark Jazz Festival, the Neil C Young Trio return to more familiar surroundings with gigs in Lancaster, Poulton-le-Fylde, Burnley and Manchester between August 6 and 31.
  
  With a new album — Where’s Yours? — showcasing his trio’s undoubted talent and a growing worldwide following, thanks to a well-placed track on a popular Indian compilation, the next 12 months look set to become very hectic for the affable Lancastrian.
  
  The Neil C Young Trio, which also features Richard Young on drums and Alan Whitham on bass, are a sight to behold as they move swiftly and seamlessly through their set of original compositions and bossa nova, bebop and blues numbers.

• Neil C. Young Live Solo gig. [+ Show ]
  

  Last night’s solo guitar event was a debut for Tapas y Stray’s and what a debut it was! After managi...Last night’s solo guitar event was a debut for Tapas y Stray’s and what a debut it was! After managing to re-route from the A1 after a multi-vehicle collision, Neil started a little later than usual. What was to follow was something very special.
  
  Neil sat on his high stool in front of a packed courtyard and played two sets of standards, with a few of his own compositions thrown in to mix things up a bit. The way Neil just sits and plays flat out sums up his enthusiasm for what he does – that enthusiasm passed on to the audience who gave much applause after each tune was finished.
  
  During the break we reverted to one of our ‘Tapas playlists’ on the iPod and a track from Neil’s album ‘Solo Standards’ was playing. “Tell me Neil, is that overdubbed for the album using two guitars?” – I was promptly shown that the track was indeed, Neil playing all by his lonesome. He played it, there and then after which, there was no doubt! Chega de Saudade is the piece I was referring to and I promise you, it sounds even better when you’re watching it being plucked deftly by a funky northerner on a high stool!
  
  Neil is with us for a few more dates this year playing solo guitar and if you want to experience a really personal, intimate gig, this would be the one to watch. Yes, his duo is in different ways, equally impressive but for me, there is no place to hide when you’re playing solo to a listening audience and in that environment, Neil C. Young excels.
  
  Watching Neil play is like watching someone who is fluent in second language. After initially being impressed by the sounds, you then start looking at the technical ability and fluidity and finally feel slightly envious that so much talent is within one person!
  
  I’m really looking forward to seeing Neil play solo again and if I’m not working, that might be the gig I’ll book to come and watch as a customer…

• Chick(pea) Soup - 'ready for the bigger festivals' [+ Show ]
  

  Not to be confused with the Canadian singer songwriter who already started producing hits in the 60...Not to be confused with the Canadian singer songwriter who already
  started producing hits in the 60s, English jazz guitarist Neil C Young
  brings his first CD. Not often do you hear a CD recorded so purely that
  it feels as if you're in the English pub yourself, looking and listening
  to a "breed" musician. Still, Young did it, perhaps with less means
  than most already established would do. You immediately hear the
  feeling that Young puts with his fingers on a Gibson and Fender,
  repeatedly you look around to see if he isn't actually playing in a
  corner of your living room. Opening with "the New Schmoo" Neil's sound
  shows he's not only a master in playing the guitar, but also
  perfectionist enough to write and play his own bass.
  
  Sometimes it gets close to Dominic Miller, mixed with bossa nova, bebop
  and blues, Young's sound clearly shows a classical conservatoire
  education. Richard Young immediately shows that he's brilliantly
  mastered the techniques of jazz drummer, then again he already showed
  that earlier as a drummer in John Mayer's Indo-Jazz Fusions. With 5
  alternating instrumental jazz tracks on "Chick(pea) soup" Neil C Young
  makes it obvious he's ready for bigger festivals.
  

• Nice work! [+ Show ]
  

  I've been listening to My Crazy Pony EP and it's great. Really excellent and unique arrangements. I'...I've been listening to My Crazy Pony EP and it's great. Really excellent and unique arrangements. I've never heard a jazz album like it. Neil C Young is on to something...blending in the strings and synthy sound effects, it reminded me a bit of Jon Brion's production of Brad Mehldau's "Largo" album. Not that it sounded like it, but because there are elements from pop and rock production being applied to jazz, which is what Brion brought to the Largo record. And that's what jazz needs these days...a fresh approach. Nice work!

• My Crazy Pony Ep - 'Crazy not to ride!' [+ Show ]
  

  It is possible to find intelligent, accessible music if you know where to look. I looked on www.intr...It is possible to find intelligent, accessible music if you know where to look. I looked on www.introducingtheincredible.com and found the EP ‘My Crazy Pony’ by Neil. C. Young. The level of playing on this recording makes the music sound effortless, some tunes sounding like standards you just never heard before. The performances are assured and delivered with great feel so that from the Latin rhythm of ‘Time Will Sing’ to the lyricism of ‘Ballade’ or the relaxed swing of ‘ I Think Her Name’ something on this EP will shake or move you.
  Apart from drums and percussion which are provided by his brother Richard (erstwhile drummer for The Earlies), all tracks on the CD are composed, arranged and recorded by the gifted Mr. Young. On ‘Time Will Sing’ the rhythm section is augmented by a string section also arranged and performed by this multi talented chap who, although known as a guitar player also makes the bass move along with an irresistible, un fussy groove.
  
  The quality of the production is excellent and it’s hard to believe it was recorded and mixed on a laptop. This CD is an example of a kind of cottage industry and this trend, well established in pop and rock music, where musicians take control of the means of production, cut out the record company and market their work directly to the public, is relatively new to jazz and should be welcomed. I suggest you take this pony for a ride, you would be crazy not to.
  

• Trio make wonderful music. [+ Show ]
  

  'Trio produced wonderful music' Guitarist Neil C. Young comes from a family of musicians. H...'Trio produced wonderful music'
  
  Guitarist Neil C. Young comes from a family of musicians. He was a student of Viola at Birmingham Conservatoire before changing his first instrument to Guitar.
  At the Bridge, Burnley, he was joined by his brother, Richard, on Drums and Alex Berry on Bass Guitar. They provide the rhythm for The Earlies band.
  Neil began on his Guitar, acoustic in build, incorporating pick-ups for the sound system, dense chords flowing quite aggresively in funky rhythms.
  The second number was quiet, perhaps in the style of Tal Farlow, developing an Afro-Cuban beat with the drummer on the rim. A swinging blues followed with the two guitars in close attention to each other. A tune on single notes became chordal against a choppy rhythm with sophisticated drumming.
  The pace was stepped up to a bossa-nova beat with a thrilling conclusion. In the next number, the bass player established the line, the lead guitar added phrases and the drummer drove matters on like a railway engine. This was most complex. A change of mood became melodic with a rowdy coda.
  A fractured introduction exploded with all players energetic and engaged. Bass guitar was allowed a solo. Richard began the next on a jet-stream beat. The guitars got the message, developing thick driving chords, which led into an item in which the rhythms were contrapropulsive. The music thinned out and thickened up again.
  Drums began the next, with the guitars coming in nice and level. It became another bossa-nova, with the drumming really intense.
  A ruminative bass solo brought in item 12. The guitars were more than ever together. To conclude, Cole Porter's "Night and Day", very elaborate, led into Ellington's " Caravan", with an extended drum solo.
  Over two hours of music, I picked up no signs of disharmony. The three players are all technically assured and make wonderful music together.
  
  David Kilpatrick (Burnley Express - 09/03/07)

• Neil C. Young [+ Show ]
  

  Three track EP of excellent feel-good instrumental jazz from Colne Guitarist Neil in partnership wit...Three track EP of excellent feel-good instrumental jazz from Colne Guitarist Neil in partnership with drummer Richard Young. The original The Green Man of Granada is an uplifting and entertaining melodic ride. More please.

• Neil C Young - Take a seat ep [+ Show ]
  

  In this high-speed world of quick fix downloads and digital information there it is sometimes little...In this high-speed world of quick fix downloads and digital information there it is sometimes little opportunity to relish some of music’s more delicate offerings.
  In Neil C Young’s Take a seat e.p. We are invited to savour his trio of self-penned compositions, which blends an assorted mix of styles with his own unique and playful harmonizing. From the immediate fast bop of ‘That Darned’ through the gentle drifting, ‘The Green Man of Granada’, and ending with another Latin flavoured piece ‘Agua Calientes’; which always brings to my mind perfect accompaniment for an exotic coastal night drive. We are given insight into not only the artist tastes in guitar led jazz but also his gift of arranging simple themes with often-complex harmonies.
  So why not take the time to kick off your shoes, sit back, relax and take a seat ~ and listen in to Neil C. Young.
  
  Rob Marshall. March 2006
  

Setlist

Usual sets are 2 x 45 minutes. Mainly original material from the discography plus arrangements of tracks by Cannonball Adderley, Billy Cobham, John Scofield, Marvin Gaye etc. Also standards such as Caravan, My Funny Valentine and When I grow too old to dream.

Basic Requirements

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