Whiteboy Slim

Artist Information

Biography

Whiteboy Slim has played music since he was a child, learning trumpet, piano, and sousaphone before he discovered the blues and picked up guitar and harmonica. From his first time on stage in a rock band when he was sixteen, he knew his path in life.

While studying at the Berklee College of Music in Boston, he rubbed shoulders with musicians like Gary Burton, pianist Al Copley (co-founder of Roomful of Blues), and bassist Ron McClure (bassist with Charles Lloyd, Wynton Kelly, Quest, The 4th Way, Joe Henderson, Blood, Sweat & Tears, The Pointer Sisters, Sarah Vaughan, Thelonious Monk).

After years on the road in everything from showbands to top-40 cover bands, he landed in Toronto where he founded the New Wave Band "Dirty Movies" which still has fans today.

Finally returning to his first love, he formed the Blues Band "Automatic Slim", which played most of the blues clubs in the city, including the legendary El Mocambo, The Silver Dollar Saloon, and the Black Swan. Automatic Slim was the house band at four different clubs on different nights of the week, and was noted for having best grossing Wednesday night downstairs at the El Mocambo.

After Automatic Slim broke up, he played solo before moving west and starting fresh as Whiteboy Slim. playing bars and festivals such as the Sasktel Jazz Festival, The Mid-Winter Blues Festival, The Prairie Arts Festival, the Flatland Music Festival, Blues for Peace, and many others. He has since played with international artists such as Henry Correy (AUS), Sam Dufour (Sweetsalt) (CAN), The Bill Hills Blues Band (CAN), and L.O.R.D. Funk (CAN/USA).

In 2011 whiteboy Slim released the single “Come On Daddy. Make it Better featuring Ginas Zavalis”, the first song from a collaborative effort that will culminate in the release of a full CD in March 0f 2012.

In 2010 he released his fourth CD “I'm Still Here”, which debuted on the Canadian Roots, Fold, and Blues College charts at #7 and remained high in the charts for six months.It made more than one Top Ten Blues Release of 2010 lists, and the title song was named “Best B;lues Song of 2010” by Toronto Exclusive Magazine.

In 2008 he released a Christmas CD. “(I'm Dreaming of a) Whiteboy Slim Christmas, featurung many guest artists.

His second cd, the envelope-pushing "aka Whiteboy Slim." which earned him three awards at the 2007 Toronto Exclusive Magazine Music Awards--Best Blues Album, Best Blues Song ("Hey Hold On Stop"), and Best Males Blues Artist.

"It Ain't Art" won Honorable Mention in the first round of the 2007 Singer/Songwriter Awards.

2007- was given the "True Blues Man" award for perpetuating and preserving the Blues by The Black American Blues Historical Society of Canada.

In 2005 he was nominated Best Blues Act --Toronto Independent Music Awards.

Instrumentation

Whiteboy Slim
Michael Libby - Drums
Dustin Bowyer - Bass, Baritone Sax, alto sax
Shaynee Modien 1-306-750-0044 - Booking Agent

Discography

CD--I'm Still Here release May 31, 2010

Since its release, the album has received considerable radio air play across Canada ranking in the top 10 of folk/roots/blues category of Canadian Campus/Community Radio Stations.

The title track of the new CD, "I'm Still Here" was named "Best Blues Song (provincial)" at the 2010 Toronto Exclusive Magazine Music Awards.

“Hey Little Girl” the single from Whiteboy Slim’s new CD “I’m Still Here” has won an honourable mention in Billboard Magazine’s 17th annual Billboard Starmaker WorldWide Song Contest.
Judges are picked from a select group of music industry insiders knowledgeable about songwriting, current music trends and the music business in general.

Since its release, the album has received considerable radio air play across Canada ranking in the top 10 of folk/roots/blues category of Canadian Campus/Community Radio Stations.

CD--(I'm Dreaming of) A Whiteboy Slim Christmas released December 15, 2007.

CD-aka Whiteboy Slim released November 24 2006
three awards at the 2007 Toronto Exclusive Magazine Music Awards--Best Blues Album, Best Blues Song ("Hey Hold On Stop"), and Best Male Blues Artist.
CD--Homemade released April 2003

"Krispy Kreme Woman" ( from "aka Whiteboy Slim") played on 104.7 FM iRADIO LA, Dr Lou Radio Show, Bluesfest Radio.com

"It Ain't Art" (from "aka Whiteboy Slim") Played on On the Horizon Network, BandRadio Streaming Radio Live, three Honorable Mentions 2007 International Singer-Songwriter Awards.

"Flesh and Blood" (from"homemade") played on
Dr Lou Radio Show , Bad Dawg Radio, Bluesfest Radio.com


Flesh and Blood-over four weeks on the Buzz Radio Top Twenty
Hey Babe-four weeks on the Buzz Radio Top Twenty

Reasons You Need (to sing the blues) played on the Musicbox 92.8 FM in France (#4 on the Top 75 chart at Music75.com).

His CDs are being broadcast in France, Spain, The Czech Republic, Croatia, Belgium, Great Britain, Poland, The Netherlands, Argentina, France, Australia, The USA, and Germany.

Whiteboy Slim as been featured artist on Musiquenet.com, Artistlaunch.com and many on-line radio shows.

Official Website

http://www.whiteboy-slim.com

Links

• Facebook
• Last.fm
• MySpace
• Twitter
• Whiteboy Slim's Reverbnation Page

Audio

• I Want to Be Rich
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• Blood In The Streets
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• I've Got Whiskey if You Want It
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• 09 Live Wire
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• Hold On, It Must Be Love
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• 05 Hey Little Girl.mp3
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• Brown Skin Woman
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• 13 I'm Still Here (fast version).mp3
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• Hey Hold On Stop
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Lyrics

• Hey Little Girl
• I'm Still Here
• Brown Skin' Woman
• It Ain't Art
• It's Strange
• Krispy Kreme Woman
• Hey, Hold on, Stop
• You're Perfect, I Love You, Now Change
• Live Wire

Video

I Never Lied to You, Baby

Photo Gallery

Press

• Whiteboy Slim- (2006) aka Whiteboy Slim [+ Show ]
  

  Sunday, March 02, 2008 Whiteboy Slim - (2006) Aka Whiteboy Slim Here is the latest release from ...Sunday, March 02, 2008
  Whiteboy Slim - (2006) Aka Whiteboy Slim
  
  Here is the latest release from Moose Jaw, Saskatchewan native Whiteboy Slim titled aka Whiteboy Slim. Slim has produced a set of music that you will either love it or hate it. That is true with much of his music, and the verdict so far has been people love it… If you enjoy lots of original material and a few covers thrown in but performed in a way that makes them his own, you should enjoy this release.
  He opens with It Ain’t Art, a neat song written by slim that pokes at the politically correct and out to impress types. Next is another original titled Hey, Hold On Stop. It features some nice harp from Slim and neat lyrics. This is a nice slow shuffle style song. The first of four cover songs is next and is 20% Alcohol written by J.B. Hutto. This song describes an alcoholic woman and the problems her drinking creates. Next is another cover, Too Many Drivers penned by Dave Bartholomew. This is a classic song and receives a slowed new treatment by Slim as he has slowed the tempo of an already slow tune which tends to make it a whole different sound. Blue Murder follows and is another Whiteboy Slim original. It features some neat lyrics and great slide guitar by Slim. Cards On The Table is another original, this was a favorite of mine for the lyrics and music. He offers some nice guitar on this song. Next is I’ve Been Down So Long and was written by Slim. This is a classic blues subject tune. It has some very nice harpwork and a guitar solo that really fit the song well. It’s Strange Out There is another original and couldn’t be more truthful in light of society today. Next is one that has already been very popular with Radio Dj’s and fans I have shared it with, Krispy Kreme Woman. This shuffle has resulted in many comments when I shared it with radio personalities, all positive. Next up is She’s Into Something written by Carl Wright. This song has been covered many times by a whole host of great artists and each has given it a personal touch, Slim is no exception. He has done a fine job on a truly great song. Be Cool Baby is next and is another Slim penned song. He gives a more funky sound on this with an intro on synthesizer. He has employed some neat sound effects to change things up a bit throughout the song. He follows with another original called Tears On My Pillow. I really enjoy this song as it has a beat that just isn’t meant for sitting still. The funniest track he has included is next in You’re Perfect, I Love You, Now Change. The title says it all… He closes with a great old song penned by Taj Mahal called She Caught The Katy And Left Me A Mule To Ride. He has provided a neat musical arrangement for it with song great harmonica to start it off.
  Like it or hate it, this is a very solid effort from Whiteboy Slim. He is true to his signature style of pushing the limits of the music he plays. He is no cookie cutter blues artist, as he always manages to come up with a sound all his own whether the music is his or a cover he has chosen.
  http://www.whiteboy-slim.com
  Mp3 @320
  ** UPLOADED BY TOXXY, THANKS!!!
  
  Tracks
  1. It Ain't Art
  2. Hey Hold On Stop
  3. 20% Alcohol
  4. Too Many Drivers
  5. Blue Murder
  6. Cards on the Table
  7. I've Been Down So Long
  8. It's Strange out There
  9. Krispy Kreme Woman
  10. She's Into Something
  11. Be Cool baby
  12. Tears on My Pillow
  13. You're Perfect, I Love You. Now Change
  14. She Caught the Katy and Left Me a Mule To Ride
  
  

• The 2007 Saskatchewan Jazz Festival [+ Show ]
  

  Curiously enough, Whiteboy Slim appears to be the only white boy in his current band lineup. Whitebo...Curiously enough, Whiteboy Slim appears to be the only white boy in his current band lineup. Whiteboy hails from my old hometown of Moose Jaw. What with all of the hype these days of billing Moose Jaw as Saskatchewan’s little Chicago, maybe it’s about time we started seeing more blues musicians coming out of there (south hill of course). It was obvious that Whiteboy Slim owes much of his incredible stage sound to his current lineup. As he said: “Every time I come out on stage these guys amaze me!” Whiteboy (some people called him Maurice) anchors the band with some solid songwriting and guitar work and it just takes off from there. Charles ‘L.O.R.D. Funk’ Taylor produced one of the most dynamic sounds I’ve ever heard coming from a bass guitar. This cat picks a snappin bass lead, often with thumbed bass counterpoint (where does he stash that pick?). I can’t even begin to describe the overall effect - you really gotta take in this show to appreciate it. On the other side of the stage, Gregory Edmunds on sax really rocked, taking the band into a whole new dimension that an additional guitar or a keyboard could never touch. C.C. McGhee on drums held it together with impeccable rhythm. Highlights: Robert Johnson’s ‘Walkin’ Blues’ and Whiteboy Slim’s own song, ‘You’re Perfect, I love you, Now Change’. I bought Whiteboy Slim’s CD: A.K.A Whiteboy Slim (autographed no less). It was my one CD purchase of the Jazz Festival and after several listens, I really recommend it. You can check out the website at www.whiteboy-slim.com and follow the media link to listen to some of Whiteboy Slim’s tunes (free downloads - wow). If you ever get a chance to take in a live show - I would highly recommend it. This was one of the best shows at the festival when stacked against a lot of great imported and homegrown talent. You rock Whiteboy!
  
  Dale Budd
  http://borealperformer.wordpress.com/tag/sask-jazz-festival/

• Review - WHITEBOY SLIM - AKA Whiteboy Slim [+ Show ]
  

  AKA WHITEBOY SLIM Whiteboy Slim Indie 7.5-out-of-10 Any regular reader will know I am a blues fa...AKA WHITEBOY SLIM
  Whiteboy Slim
  Indie
  7.5-out-of-10
  Any regular reader will know I am a blues fan, and have been for a fair while now. Given that I thought I was pretty well aware of the top blues players in Saskatchewan, the likes of BC Read, Jordan Cook, and Jack Semple. Then the CD AKA Whiteboy Slim comes across the desk, and I learned pretty quickly there are always gems out there still to be found.
  Whiteboy Slim is the blues persona of Maurice Richard Libby who cut his blues teeth in Regina as a teen, then headed to Toronto where he transformed into Whiteboy Slim. Now back in Saskatchewan, this guy has a sound like he should be from Georgia, and southern Georgia at that.
  As I put the CD back on the player today, as background to writing this review – it's just one of those little rituals I do – my wife commented that Slim sounded a bit like the famous 'Wolfman Jack'. She is right in that Slim has a definite growl to his voice, and that makes it just perfect for the blues.
  It does surprise me this guy isn't better known, in-part because of his voice. It really is well-suited for the genre, and to Slim's credit he appears to understand that, and writes material that fits the voice. Songs such as Too Many drivers and 20% Alcohol are perfect fits with the Slim growl.
  It's also to Slim's credit that he has written 10 of the 14-cuts on this extensive CD. I always appreciate when an artist writes his own material, and I tend to believe in the case of the blues one gets a truer 'feeling' from music which comes from within. In particular I like Slim's I've Been Down So Long, and Tears On My Pillow.
  Slim's website www.whiteboy-slim.com suggests his earliest influences were Ray Charles and Louis Armstrong, the second of which he shares a somewhat similar voice. In the world of blues these guys are pretty good performers to desire to follow, and Slim does a creditable job of honouring such roots.
  The voice is the key, but he plays solid guitar, and adds some harp work, and that is always a plus in my books too.
  This is a very enjoyable blues effort, and the fact Slim is now back in Saskatchewan makes it a tad more special too. Now if he would only catch a gig in Yorkton.
  -- CALVIN DANIELS

• Maurice Richard aka Whiteboy Slim [+ Show ]
  

  Down home blues from the Whiteboy Slim! This guy has a great vocal delivery wrapped in soothing so...
  Down home blues from the Whiteboy Slim! This guy has a great vocal delivery wrapped in soothing southern blues music. Great recordings and blues licks give these tracks a real southern soul flow! Blues hasn't been lost on this boy, indeed! "Krispy Kreme Woman" is a great play on doughnuts coffee cream and beautiful women that could only be found in the south. Whiteboy Slim is onto something here. From the first musical lick to the deep vocal stylings, Whiteboy Slim had me in the deep south enjoying the heat the greasy food and of course the haunting guitar and harp licks. A great listen, check him out folks!!!
  
  Standout Tracks: Krispy Kreme Woman, She's Into Something
  Genre: Blues/Urban R&B
  Artist Site: www.whiteboy-slim.com
  EPK: www.sonicbids.com/whiteboyslim
  Rating: 3.5 out of 4
  

• Review-HOMEMADE [+ Show ]
  

  In a time when so much "big name" music is put into neat little packages that are devoid of all emot...In a time when so much "big name" music is put into neat little packages that are devoid of all emotion, passion and talent where do we turn?
  
  How about to Canadian bluesman "Whiteboy Slim" (Maurice Richard Libby) who on Homemade, has found a way to convincingly combine elements of modern music with a more traditional blues sound, creating an inspiring piece of work that is honest, heartfelt and just a little insane. Produced in a "homemade" fashion, the album although recorded using modern techniques, instantly with the rough blues of Slow Down, reminded of the early Delta recordings. After the more traditional sound of the first track, Hey Babe and I Found A Woman leap into a 50's blast with catchy jump blues. Elvis is in the building with Flesh & Blood, a tongue in cheek look at love and relationships. Great lyrics too:
  
  "We tried to talk it over, never heard a word I said, The only time we got along, Was in my double bed."
  
  Out of the eleven original tracks on this album not one is lacking in raw unadulterated love for the blues. You can hear it in his voice; you can feel it in the music. Libby is simply enjoying what he does so much that you can't help but smile.
  
  Most of the material on Homemade dates back to the band Automatic Slim which Maurice fronted in Toronto. I don't know why it took so long to get this stuff out there but it is long overdue. This CD is blues with an attitude, check out the ferocious gospel of Sing Hallelujah and the harmonica/slide frenzied Waiting For The Sun. Influences that come to mind are Alvin Lee on I found A Woman and Frank Zappa on the wonderfully raw Reasons You Need (To Sing The Blues) and the delightfully weird It's Strange, which features the best guitar work on the album. One thing about "Whiteboy Slim" is that he has no fear of adventure, in fact he seems to relish it. So, if you prefer your blues to follow a more standard format, and can only relate to the music when the sound quality is crystal clear, then there are plenty of other musicians out there who may satisfy your needs. What's important here, and what makes this one special is the way the music is conveyed as much as the material itself.
  
  "Whiteboy Slim" plays all guitars and harmonicas. They are far more than mere instruments, however, they sing and play as if they are actual members of the band. He also programmed the synthesizers which for the most part are kept in the background. As with all fine art there are flaws; on some solos the intensity in which the instrument is played comes across with perhaps too much passion (how often do you hear that?). An example would be Bad Timing, a seven minute plus slow(er) blues. On this number, the guitar layering comes across as a little busy. Some restraint on the fret board, using one or two sustained notes between the vocals would have added more punctuation to the song, which was actually still my favorite track on the album.
  
  Homemade is a very enjoyable work that left me with a good feeling. No doubt about it, "Whiteboy Slim" has left it all on the studio floor with this record and what is left is the real deal. There are still musicians out there that can feel the blues. Maurice Richard Libby is one of them.
  
  Steve Landy
  
  
  

• maurice richard libby aka WHITEBOY SLIM [+ Show ]
  

  Maurice Richard Libby, [aka]Whiteboy Slim, creates a gutsy, throwback version of the blues by incorp...Maurice Richard Libby, [aka]Whiteboy Slim, creates a gutsy, throwback version of the blues by incorporating pieces of jazz, hip-hop and DIY recording techniques that feel wholly original. His unique take on the American institution of the blues is memorable. --Music-Tech.com
  
  

• Maurice Richard Libby, aka Whiteboy Slim - HOMEMADE: [+ Show ]
  

  Another kick-butt submission from one of my internet scans (on www.soundclick.com ). I fired off...
  Another kick-butt submission from one of my internet scans (on www.soundclick.com ). I fired off an e-mail as soon as I heard this guys' .mp3's... yeah, th' energy sounded that good. & now, listening to his CD, it's just as impressive. some wicked harp playin', & high-energy blues (in many different styles) that will rock yer' sockzoff!
  
  All th' way from delta to uptown "jump". "I Found A Woman", track 3, is heavy & hot.. my favorite track on th' CD. . . . if you like blues that gets yer' blood pumpin', your ears deserve it... this album is a KEEPER.
  
  He's been giggin' all around Canada, but you might be able to catch him on th' site at www.whiteboyslim.com/ This is one of th' best blues albums I've heard this year, & gets a MOST HIGHLY RECOMMENDED from our ears! Mighty fine blues, good sound & definitely HOMEMADE! Rotcod zzaj

• Maurice Richard Libby [+ Show ]
  

  This canadian musician is also known among his friends as ‘Whiteboy Slim’. His musical influences ca...This canadian musician is also known among his friends as ‘Whiteboy Slim’. His musical influences can be found on Robert Johnson and Muddy Waters tradition. What I have immediately realized is he is a passionate blues lover and he enthousiastically gives the best of himself on what he plays. He sings lyrics with an ironical sense of humor and he gives a powerful straight swinging slide guitar playing. The cd gathers eleven songs Maurice recorded about two years ago as a tribute to the ‘Year Of The Blues’ and he tied to cover the most wide range of blues styles from Delta blues to ‘grunge-rockin’-blues’. This cd opens a new door to explore different roads of this kind of music. VERY GOOD.

• Music in Toronto, June 2, 2005 [+ Show ]
  

  WHITEBOY SLIM - Reach-down-into-the-pit-of-all-the-crap-you've-ever-had-to-deal-with blues, infused...WHITEBOY SLIM - Reach-down-into-the-pit-of-all-the-crap-you've-ever-had-to-deal-with blues, infused with a little jazz and anti-war rhetoric.

• Whiteboy Slim [+ Show ]
  

  Whiteboy Slim knows the Blues. With a voice that channels the spirit of outsized legend, Howlin’ Wol...Whiteboy Slim knows the Blues. With a voice that channels the spirit of outsized legend, Howlin’ Wolf, the harp skills (and tone) to rival Little Walter, the confidence to stretch the blues lexicon without betraying its artistic center, and a crack band that could’ve cut its teeth on the west side of Chicago, his CD, “aka Whiteboy Slim,” is a living testament to the enduring legacy of the Chicago blues style. “It Ain’t Art,” opens the album with a defiant declaration of the bluesman’s credo, funkifying the blues with roots-deep soul. Other standouts include “Cards on the Table,” a terrific minor-key jam with fine Santana-like guitar work; “20% Alcohol,” which impeccably mines an Howlin’ Wolf-style groove; the jazz-inflected “It’s Strange out There;” and the updated Muddy Waters nugget, “She’s Into Something.” Loud, gritty, raucus and down-&-dirty, “aka Whiteboy Slim” is a flat-out 14-track blues gem. And like fellow Canadian blues trailblazer, King Biscuit Boy, Whiteboy Slim’s CD proves the blues ain’t about where you’re from, it’s about who you are. -Rice B. and the RadioIndy.com Reviewer TeamCheck out Whiteboy Slim's music on RadioIndy.com with link to purchase and links to popular sites

Setlist

The core of my sets are from my four cds and a trunkload of blues and jazz standards.

Originals: Slow Down, Baby, I've Found a Woman, Flesh and Blood, Hey Babe, Into the Wind, Waiting for the Sun, Reasons You Need (to sing the blues), It's Strange, Bad Timing, Blue Murder, Hold on, It Must be Love, Hey, Hold on, Stop, It Ain't Art, Cards on the Table, I've Been Down So Long, Krispy Kreme Woman, Tears on my Pillow, Be Cool, I'm Still Here, Live Wire, Brown Skin Woman, Hey Little Girl, Hold On,It Must Be Love, I Got The Blues, My Baby Took the Train, Do you Want Me To Stay, Insomnia, Behind the Green Door, Dirty Movies,

In clubs I USUALLY do three 45-60 minute sets , in concert up to 2 hour sets.

Cover tunes are drawn from the following repertoire:

FATS WALLER
Ain't Misbehavin'
Stormy Weather
Down Home Blues
Squeeze Me

SMILEY LEWIS
Too Many Drivers

J.B.HUTTO AND THE HAWKS
20% Alcohol

ROBERT CRAY, ALBERT COLLINS, AND JOHNNY COPELAND
Lion's Den
She's into Something

ALBERT KING
Pretty Woman
The Hunter
Born Under A Bad Sign

MUDDY WATERS
Goin Down To Florida
Hoochie Coochie Man
Same Thing
I Can't Be Satisfied
Seventh Son
I Got My Mojo Working
I want To Be Loved
Bus Driver
I'm Ready

HOWLIN' WOLF
Killing Floor
Wang Dang Doodle
I Ain't Superstitious
Evil
Spoonful
Sitting on Top Of The World

TAJ MAHAL
She Caught the Katy
Corrinna
Good Morning Miss Brown
Six Days on the Road
Fishin Blues

JIMMY REED
Take Out Some Insurance
You Got Me Running

SONNY BOY WILLIAMSON(RICE MILLER)
Eyesight to the Blind
One Way Out
Help Me
Peach Tree
Santa Claus

BIG BILL BROONZY
Key to the Highway
Mean Old World
Sun Gonna Shine In My Door Someday

FREDDY KING
Hideaway

ROBERT JOHNSON
Walking Blues
Judgement Day
Preaching Blues
From Four Until Late

LITTLE WALTER
Boom, Boom, Out go the Lights
My Babe

ELMORE JAMES
Yonder's Wall
The Sky is Crying
Dust My Broom
It Hurts Me Too


B.B.KING
Rock Me Baby
My Baby Was Gone
Sweet Little Angel
Night Life
When Love Comes To Town

STEVIE RAY VAUGHAN
Pride and Joy

LARRY DAVIS
Funny Stuff
Cross Eyed Cat

ELECTRIC FLAG
Wine

BILLIE HOLLIDAY
God Blessed the Child
'Taint Nobody's Business if I Do

LOUIS ARMSTRONG
Hear Me Talking To ya
Trouble In Mind

CURTIS JONES
Highway 51 Blues

HUDDIE LEDBETTER
Midnight Special
Bottle it Up and Go
Nobody Knows You, When You're Down and Out

SPENCER WILLIAMS
Farewell To Storyville

CATS AND THE FIDDLE
I'd Rather Drink Muddy Water

RICHARD HUEY
Hurry Sundown

BESSIE SMITH
Outside of That

BIG JOE TURNER
Roll 'em Pete

ALBERTA HUNTER
Down Hearted Blues

MEMPHIS SLIM
How Long Blues

RAY CHARLES
Hallelujah I Love Her So
Unchain My Heart
Georgia
I Don't need No Doctor
Busted
Let's Go Get Stoned

DOOLEY WILSON
As Time Goes By

CHARLIE MINGUS
Good Bye Pork Pie Hat
Nostalgia In Times Square

CANNONBALL ADDERLEY
Work Song

OTIS RUSH
Violent Love
All the Love

HUEY "PIANO" SMITH
Rockin' Pneumonia and the Boogie Woogie Flu

FRANK SINATRA
One More For the Road
That's Life

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