Artist Information

Biography

    Helen and Jane first joined forces as members of a larger Celtic folk group - Oran. "When Jane took up the harp and started being part of my Gaelic songs, I thought I had died and gone to heaven". That was 21 years ago and while they both continued to teach school and raise families they also found themselves accepting invitations to give recitals, present workshops and collaborate with other musians to create the tapestry that is the  New Brunswick Celtic folk music scene. Eventually the invitations came from neighbouring provinces as well as the state of Maine. In 1996 they performed at the International Folk Harp Festival in Olympia, Washington.
    Now that both are retired from their day jobs and their children have flown the proverbial coop, Celtique Air has new creative freedom. Helen, who has been teaching Gaelic language for many years, is developing a Gaelic course recorded on CD, including  songs which reinforce pronunciation and cultural understanding. Her latest workshops have been in New Brunswick and Michigan.
    Jane is composing songs and instrumentals and learning to use digital music production software so that virtual orchestras are now available to her. This new repertoire has been the motivation to add other musicians in some of their performances. Depending upon the venue, Celtique Air may also include violin, cello, mandolin, guitar and or percussion.
    Helen is a native Gaelic speaker, born in Grand mère, Quebec, of a Scottish mother (Isle of Lewis) and a New Brunswick father who took to Gaelic like a fish to water. The kids spoke only Gaelic until grade one and it was Dad who taught them the old Gaelic songs, legends and poetry, while Mom instilled dance and customs. (The lyrics of Celtique Air's "Call of the Glens" were written by Helen's father). As she grew, Helen was involved in all things Scottish - dance, pipeband and, of course, singing. Her voice is a gentle, clear soprano with a warm vibrato. This natural vibrato has made its way into her performance of tin whistle as well. Helen's facility with languages resulted in a teaching career in the New Brunswick  French Immersion programme. This experience contributed to Celtique Air's interest in Acadian traditional music. Helen is also very involved with directing five levels of choirs ages five to senior citizen age.
    Jane Ogilvie began her musical life as a pianist, participating in music festivals and recitals throughout her early years. Her relationship with the accordion began by accident when the family was storm-stayed on the island of St. Pierre, off the coast of Newfoundland. To keep his daughters occupied, Dad bought them instruments and Jane was handed a small squeeze box.  Jane went on to study music at Université de Moncton with piano as her major , but when she began teaching music in the schools, it was the portable accordion that she found most useful in the classroom. "Then one day, when I was listening to The Chieftains, I heard this instrument come in - it completely changed the feel of the piece. It became haunting and far away. Someone told me it was a harp and I knew I had to learn to play it." Harp is now her primary performance instrument. Jane's formal training has proven to be an asset to the duo in many ways, none the least of which is the ability to write arrangements and compositions which include the orchestral world.
    Jane and Helen have each contributed to the CDs of several local groups, including Oran, Gary Silliker, Solstice and Eric LeBlanc. Their first Celtique Air CD, "Voice of the Leal", includes Gaelic repertoire as well as the music of Turlough O'Carolan and Robbie Burns. "Call of the Glens", to be launched October, 2008, will be their first full-length album and spans a wide range of styles, from acapella Gaelic songs to a medley of jigs and reels to  original contemporary compositions. Fellow musicians, who often play with Celtique Air in concert, have generously contributed their talents to this project.
    Celtique Air now looks forward to expanding their boundaries, artistically and geographically. Their hope is that they are able to pass along the delight they experience in performing and teaching this beautiful and infinitely diverse music.
Celtique Air is very pleased to be an integral part of Gaelstrumm. When a larger group is required for certain functions, then Gaelstrumm is usually the one they perform in.


Instrumentation
Helen Morag McKinnon: vocal, tin whistle, bodhran,
                                      native Gaelic speaker
Jane Ogilvie: harp, accordion, keyboard, vocals

Discography
"Voice of the Leal" - a demo of 8 selections featuring harp, voice and tin whistle.
"Call of the Glens"  to be launched this October.