Luna Blanca - Richard Hecks and His Nouveau Flamenco Band

You can never tell where great music will spring forth from, geographically speaking. The musical world is shrinking all the time due to incredible advances in recording technology. As a result, it shouldn't come as a surprise that one of the hottest nuevo flamenco ensembles currently recording has its roots in Germany. Luna Blanca is poised to ascend to the top tier of that sub genre thanks to their newest release, the energizing and hugely unique El Dorado. Here is an album to play if you need to perk things up, as many of the 14 tracks are infused with enough sizzle and spice to make even tired and cranky music reviewers want to get up and get down! It's not as if nuevo flamenco is a staid, boring style of music (far from it), but what these cats do with it is like taking a recipe for some hot Thai dish and then, just for the lulz, throwing in some ghost chili peppers (the hottest peppers available). As if jalapeno or habanero peppers weren't hot enough, they go and really spice things up a bit.

The brilliance of El Dorado is how Luna Blanca put their individual stamp of fusion on flamenco music. Whether this is due to their German roots or some other factor is irrelevant. However founding members Richard Hecks (lead guitar) and Helmut Graebe (piano, organ, blues harp [harmonica]) happened upon this enjoyable wrinkle to the flamenco subgenre, I, for one, am grateful. Working with band mates Bino Dola (rhythm and second lead guitar) and Clemens Paskert (bass, percussion, additional keyboards), and joined by guest artist Christian Landgraf (additional keyboards on four tracks), the musicians start from a traditional base of Latin guitars and sensuous rhythms and spin out in bold directions, infusing rock, jazz, chill-out, and a few less definable but still noticeable touches. The result is music which combines the usual power, passion, and playfulness of flamenco with an assortment of new and exciting elements.

As I listened to El Dorado (many times, I might add), I started to think that what Luna Blanca is doing to nuevo flamenco bears an analogous resemblance to what the ground-breaking group Cusco (also with roots in Germany) did for South American/Incan music on some of their albums, such as Apurimac. By mixing traditional music styles and instruments with contemporary ones, including electronic keyboards, Cusco's signature sound retained the exotic feel of its ethnic roots but infused lots of cross-genre appeal. Luna Blanca hews much more closely to their influence's roots than Cucso did (the latter almost veering into synth-pop at times), but there are enough rock/jazz/contemporary touches floating around on El Dorado to justify my analogy.

Things start off with the wonderfully gonzo out-of-left-field stuff opening whistle and horn section that kicks off the CD itself on Los Ojos, which segues into a sexy midtempo flamenco number, but with the unique addition of tres jazzy virbraphone on lead melody, as well as contemporary beats, and that kick-ass horn section, not to mention the crazy guy with the whistle or the one who laughs maniacally at times! After that, some superb riffing on electric piano elevates the title track into the jazz-stratosphere, as it plays over a fast tempo flamenco guitar and drum background. Desperado opens with some straight-up electric guitar leads and a rhythm beat that will may have you envisioning yourself riding into a western movie (or perhaps the title is a reference to the Robert Rodriguez film itself that shares the track's title) about to face down the corrupt bad guys who are running the town.

Now, not every tune here shifts into overdrive. Medianoche is suitably dreamy and romantic as the plaintive piano merges with gently strummed guitar, accented by harp-like keyboards, but most of El Dorado is energetic, get-your-blood-pumping stuff, such as Dos Guitarras with a thumpy midtempo bass beat and the "two guitars" taking the lead while even more guitars blend in the background – not to mention the organ riffing at times! And then there's Rio Mamore on which blues harp mashes it up with flamenco guitar over an undercurrent of spicy, peppery beats.

I could go on and on describing the remaining tracks if I had more space, but suffice it to say that if you allow Luna Blanca to take you to this El Dorado, you may not discover gold, but you won't care because you'll be having way too good a time to even notice.


Rating: Very Good - Bill Binkelman (ZoneMusicReporter)

One of the perks of this reviewing game is finding albums that lift the spirits, bring a smile to the face and sound pretty damn great musically. Well, I think I've found one this time! Luna Blanca is a 'nouveau flamenco' band from Germany and they have a huge sound for four or five musicians. You could be forgiven for thinking that you are listening to a James Last party album at times... Led by guitarist Richard Hecks, El Dorado is mostly upbeat throughout with a strong 'feel good' vibe that will enliven any car journey or summer garden party [weather permitting here in the UK]. Mr Hecks was influenced by another German guitarist, Ottmar Liebert, who has been mixing flamenco and latin rhythms for some time now - having several OL albums in the collection I can tell you that Mr Hecks was a fast study and is every bit as good as his predecessor. Luna Blanca consists of four musicians: Richard Hecks - lead guitar, Helmut Graebe - piano/organ/blues harp, Bino Dola - rhythm guitar/2nd lead guitar, Clemens Paskert - bass/percussion/keyboards, plus guest musician Christian Landgraf - keyboards. All four musicians have a hand in composing the music, but Richard Hecks and Helmut Graebe jointly wrote the majority of the tracks. El Dorado contains fourteen tracks, all instrumental but some have vocal embellishments - the titles are: Los Ojos, El Dorado, Desperado, Medianoche, Guapa, Dos Guitarras, Summer Breeze, Hurry Up, Rio Mamore, Dreaming, Kolibre, Conquistador, Puesta Del Sol, Desperado (Radio edit). The more I play El Dorado the more I love it - the music just lifts the spirits and makes the world seem a little better than it is. Highly recommended and one of my albums of the year.

Available from Amazon MP3, CD Baby, iTunes and other retailers for download or as a CD. For more information about this artist, album and availability visit: www.lunablancamusic.com - The-Borderland.co.uk

One of the perks of this reviewing game is finding albums that lift the spirits, bring a smile to the face and sound pretty damn great musically. Well, I think I've found one this time! Luna Blanca is a 'nouveau flamenco' band from Germany and they have a huge sound for four or five musicians. You could be forgiven for thinking that you are listening to a James Last party album at times... Led by guitarist Richard Hecks, El Dorado is mostly upbeat throughout with a strong 'feel good' vibe that will enliven any car journey or summer garden party [weather permitting here in the UK]. Mr Hecks was influenced by another German guitarist, Ottmar Liebert, who has been mixing flamenco and latin rhythms for some time now - having several OL albums in the collection I can tell you that Mr Hecks was a fast study and is every bit as good as his predecessor. Luna Blanca consists of four musicians: Richard Hecks - lead guitar, Helmut Graebe - piano/organ/blues harp, Bino Dola - rhythm guitar/2nd lead guitar, Clemens Paskert - bass/percussion/keyboards, plus guest musician Christian Landgraf - keyboards. All four musicians have a hand in composing the music, but Richard Hecks and Helmut Graebe jointly wrote the majority of the tracks. El Dorado contains fourteen tracks, all instrumental but some have vocal embellishments - the titles are: Los Ojos, El Dorado, Desperado, Medianoche, Guapa, Dos Guitarras, Summer Breeze, Hurry Up, Rio Mamore, Dreaming, Kolibre, Conquistador, Puesta Del Sol, Desperado (Radio edit). The more I play El Dorado the more I love it - the music just lifts the spirits and makes the world seem a little better than it is. Highly recommended and one of my albums of the year.

Available from Amazon MP3, CD Baby, iTunes and other retailers for download or as a CD. For more information about this artist, album and availability visit: www.lunablancamusic.com - The-Borderland.co.uk

Luna Blanca Combines Great Rhythms And Strong Melodies

The new Luna Blanca CD is worth a listen. The recording, called EL DORADO, has such a great sound with new-wave-flamenco guitars in the forefront, plus piano, percussion and lots of other instruments and sounds carrying the catchy melodies.

This is one of the fun, feel-good albums of the year, and one of the best world-fusion blends around. Luna Blanca knows that when you combine great rhythms with strongly-melodic compositions, you have a winning combination that people enjoy and respond to. This CD is destined to go Top 10 on the international instrumental chart (just like their last album did).

Highlights include the lovely title track, “Desperado” (which includes an electric guitar part and wild west sound effects), the upbeat “Guapa,” and the slow and bluesy “Medianoche” (which includes harmonica). There is a nice balance of fast-paced, medium-tempo and slow, soft and gentle tunes.

This is perfect Sunday-brunch music that the entire crowd will enjoy along with their tequila sunrises and mimosas and bloody-Marys. - Magle International Music Forums

El Dorado

The boys form Luna Blanca are back again with their fifth album and in their very definite style have delivered the good once again with a punchy, fun based rhythm which makes the toe tap and heart smile: all in the first track, Los Ojos.

This sets the pace for the rest of the album which carries the very grandiose title of El Dorado – the famed City of Lost Gold – a fitting title for the complex mix known as the nouveau- flamenco style.

Los Ojos commences a journey through South America, obviously looking for the Lost Gold, encompassing the many joys, trials and desperados encountered on the way.

Crossing rivers, people well met along the way, good and bad, (Desperado’s), taking their ease at the end of the day,(Summer Breeze) searching, ever searching, to discover whether the fable is a fable or there really is a stash of gold hidden somewhere in the land, is all told without a word spoken but the journey complete. Of course all with a dash of the Latin American rhythm built in.

Enjoyable, fun, different as only Luna Blanca can do with the meld of several different styles, the addition of Honky Tonk piano (good to see this one on the comeback), and blues harp – definitely inspiring.

Once again, a fantastic, fun filled album delivered by the masters of nouveau-flamenco in their own, very definite, extremely flamboyant style.


by Janet Mawdesley, Blue Wolf Reviews


- Blue Wolf Reviews

El Dorado

The boys form Luna Blanca are back again with their fifth album and in their very definite style have delivered the good once again with a punchy, fun based rhythm which makes the toe tap and heart smile: all in the first track, Los Ojos.

This sets the pace for the rest of the album which carries the very grandiose title of El Dorado – the famed City of Lost Gold – a fitting title for the complex mix known as the nouveau- flamenco style.

Los Ojos commences a journey through South America, obviously looking for the Lost Gold, encompassing the many joys, trials and desperados encountered on the way.

Crossing rivers, people well met along the way, good and bad, (Desperado’s), taking their ease at the end of the day,(Summer Breeze) searching, ever searching, to discover whether the fable is a fable or there really is a stash of gold hidden somewhere in the land, is all told without a word spoken but the journey complete. Of course all with a dash of the Latin American rhythm built in.

Enjoyable, fun, different as only Luna Blanca can do with the meld of several different styles, the addition of Honky Tonk piano (good to see this one on the comeback), and blues harp – definitely inspiring.

Once again, a fantastic, fun filled album delivered by the masters of nouveau-flamenco in their own, very definite, extremely flamboyant style.


by Janet Mawdesley, Blue Wolf Reviews


- Blue Wolf Reviews

The latest album by internationally renowned German group Luna Blanca is an exhilarating journey through a variety of global music traditions, resulting in a vibrant mariachi/merengue world-fusion sound unlike any other.

Luna Blanca’s unique style consists of Richard Hecks’s lead guitars, Helmut Graebe’s piano and keyboards, Bino Dola’s rhythm and additional lead guitars, Clemens Paskert’s bass, percussion, and additional keyboards, and Christian Landgraf’s additional keyboards.

Using nouveau flamenco as an anchor, Hecks and company fuse together such diverse elements as classical, Latin, European, Hawaiian, reggae, and new age. The result is continually evolving musical hybrids that are infectious and engaging, pulling the listener in and never letting go. The rhythms are tight and the guitars are enticing and seductive.

Although I have favorite tracks, the entire CD is a joy to listen to. This is not only one of the best guitar-based albums ever, but also one of the best records of music in general.

by Raj Manoharan - RajMan Reviews - RajMan Reviews

LUNA BLANCA/El Dorado: New age meets jazz meets world meets the happy sound of Bert Kaempfert. Wow. Vacation music seasoned with Ottmar Liebert and Strunz and Farah, leavened with a sense of humor that spices the groove. Leave it to a bunch of crafty Germans to act Spanish and search for the city of the lost gold. This cd is a gas. A bunch of gleeful genre benders at play, this is first class summer music you'll be digging all year. The party never stops and that's just the way it should be. Well done. A winner throughout. - Midwest Record Entertainment

International Nouveau Flamenco ensemble Luna Blanca is now leading the way to worldwide prominence by their festive new release entitled El Dorado. The vibrant forerunner to Luna Blanca’s new album was their celebrated flagship album Provence, which in retrospect is, one of the best Nouveau Flamenco releases from coast to coast.

Luna Blanca has ascended to the highest summit as a group, nearing the verge of perfection with their elite signature song melodies that have carried them to international acclaim on every continent.

This time around Luna Blanca intensifies their musical fortitude by moving Nouveau Flamenco music to new elevations, where no artists before them have reached. The highest latitude of earlier success may be due in part to a precise focus on producing energetic song melodies. Created with true passion, it’s only natural Luna Blanca’s vibrant flamenco music appeals to a broad multicultural audience.

The Germany based band Luna Blanca, who regularly perform live concerts, have reached international prestige over the past decade and duly earned their reputation as one of the most popular Nouveau Flamenco music ensembles worldwide. The cosmopolitan sound qualities heard in El Dorado express the diverse ethnicity of Nouveau Flamenco with classic sophistication and grace, yet the sunny casual atmosphere is the greatest defining characteristic of Luna Blanca.

El Dorado is a remarkable new flamenco album by the straightforward presentation of Luna Blanca, and the inherent qualities of artisanship that first began their rise to popularity. It is clear to me that Luna Blanca has their fingers placed on the pulse of today’s popular Nouveau Flamenco music style.

Masterful in this new flamenco music release, founding band member and guitarist Richard Hecks, and co-composing pianist Helmut Graebe, select world-class musicians like brilliant rhythm guitarist Bino Dola, and Clemens Paskert, a dazzling performer on bass guitar, percussion and second part keyboards.

Luna Blanca clearly has a new reason to celebrate in 2012 with the release of their new El Dorado album. When taking into consideration the Top 10 radio chart success, glowing reviews and accolades given to Provence the past year, it’s as if their time for festive celebration is never ending with each passing year.

Luna Blanca has produced an exhilarating new wave of excitement with this new project in 2012 which nearly guarantees El Dorado will be one of the best and most talked about Nouveau Flamenco music albums during the year 2012 and beyond.
I can picture another year of honors and tributes, again with all glasses raised in a goodwill toast to Luna Blanca. Cheers! - John P. Olsen, Host of NewAgeMusicWorld

Taken from the just-released Luna Blanca dPulse debut LP Nuevo Flamenco, the new-age / ambient band’s single ‘Cafe” notched 10,132 full streaming listens on the newly-expanded dPulse Soundcloud last week.

Filling an ethereal space between traditional Flamenco and downtempo world music, the sound of Luna Blanca has captivated listeners everywhere, racking up numerous radio hits in their native Germany and worldwide.

Soundcloud plays for the dPulse/Ovrtone release of ‘Cafe’ last week were global, with a special focus on Asian markets, including the Philippines.

Nuevo Flamenco is now available on all major download stores, and is also available at dpulsedigital.com at a special pric
- dPulse

Imagine you are in a sidewalk cafe in Provence, the south-eastern region of France. You are sipping either an espresso or the tasty local rosé wine; you are people-watching; a warm breeze caresses your skin; and the light is so fine you feel you are in a Matisse painting. And on your iPod or Walkman plugged into your ear are the toe-tapping new-flamenco sounds of the group Luna Blanca. To simulate this scenario, just put on this ensemble’s latest CD and close your eyes.

Listening to PROVENCE, the fourth album by Luna Blanca, is like taking a trip to the warm Mediterranean coastal regions of France or Spain. This is relaxing, feel-good music, but with a propelling beat.

The tune titles tell the tale of the trip: areas within the Provence region (“Cote d’Azur” and “Camargue”), the cafes and restaurants (“Café” and “La Maison Bleue”), food and drink from there (“Crème Brûlée” and “Rosé” wine), the special wind that blows (“Mistral”), the people (“Gipsy” and “Francoise”), the activities (“Driving” and “Siesta”), and enjoying the end of every day (“Sunset”). Quite a journey. If you cannot jump on a plane, do the next best thing and plug in this music.

Lead guitarist Richard Hecks plays acoustic, modern-flamenco style and should especially be complimented for his mellow, but perfectly appropriate melodies that he lays on top of a rich, lush, rhythmic texture created by the other players. Highly recommended. Their music can be found at lunablancamusic.com. - Mr007 Miscutopia

Luna Blanca and Their Musical Escape in Provence
Luna Blanca’s Provence is an overwhelmingly instrumental with a couple of songs that showcase the human voice. It has a hint of Spanish sounds sprinkled throughout add a cultural and zesty feel to the album as a whole. Songs like “Crème Brule” satisfy ears while others like “Siesta” helps listeners calm after a hectic day. All the senses are taken care of with Luna Blanca is on hand. Fans of Armik and NovaMenco will gravitate towards Luna Blanca’s Provence.

Track 1: “Driving” will let listeners who’ve never experienced the country roads of Italy, finally have their time. Luna Blanca will take you from the comfort of your car or home and transport you to another place as if you were driving there yourself.

Track 7: “Café” takes the Luna Blanca vibe and modern sounds of ring tones and creates a sound that captures life at a café in the here and now. The fast progression helps to paint a picture of rush hour for that corner café on a weekday afternoon as the coffee flies from the baristas busy hands to the impatient hands of the patrons.

Track 12: “Sunset” is the perfect song to round out Provence. Starting the day with a drive, hitting up a café and then watching the sunset. Whether it was planned that way or not, Luna Blanca have their audience covered no matter what time of day they’re at. - Kendra Rae Beltran

W.O.A Records, India's biggest International Independent Record Label, has partnered with Universal Music Australia to feature Luna Blanca from Germany on Universal Music's latest compilation 'Cafe World Lounge' alongside world famous artists.

Luna Blanca's song 'Rising Sun' is now featured alongside artists like Nelly Furtado, Neneh Cherry and Youssou N'Dour, who are all featured on the compilation CD Cafe World Lounge.

Luna Blanca's Rising Sun single is also one of the featured songs on the world famous compilation Goa Chillout Zone Volume 1 (W.O.A Records) and has also been on the No. 1 spot on various radio charts across the world.

"This venture with Universal Music Australia is part of our plan to grow larger and increase our network to support Independent artists so that great musicians like Luna Blanca can be featured alongside major artists like Nelly Furtado" says W.O.A International Founder and President, Oliver Sean. - Oliver Sean

Provence is the background score for an idyllic life along the Blue Coast of southeastern France, a place of endless Mediterranean waves, never-ending sunny days and a unique spirit of bonhomie found in very few places on earth. France is, of course, steeped in rich history, but Provence has Nice, Toulon, Marseilles, and Aix-En-Provence. Every city has a story to tell. There is adventure and drama around every corner and romance in the eyes and hearts of everyone you meet. Luna Blanca, the newest wizards of Nuevo Flamenco have put that enduring spirit into 12 tracks of laid back music with a casual aire.

For over a decade Luna Blanca has been primarily powered by the acoustic guitar of founder Richard Hecks and the piano of Helmut Graebe. Several additional musicians are added to the roster as needed whether for studio work or live concerts. Hecks began his vocation in classical music, but after being exposed to the music of Ottmar Liebert, his fate was sealed and Nuevo Flamenco became his inspiration. Graebe began his musical career on bass, but his piano stylings got him a start with the band. Joining the Flamenco duo on the recording are Bino Dola on guitar, Clemens Paskert on bass, and Uwe Gronau on the fabulous Hammond organ.

Start at Aubagne, get on the A50 and head east. It does not take long for the magic to come about as you travel the roads of Provence. "Driving", the opening tune to the album sets the course for adventure and fun. Great guitar stirs up the dust, get the blood flowing and makes promises that the days will be cheerful and light. And just think, Italy is just up the road.

There is a warm, prevalent wind that blows starting from the northeast of France all the way down to Toulon. It is called the mistral and when the wind blows, anything can happen. Luna Blanca's tune "Mistral" is a caper of friendly faces, jaunty attitudes and sunny skies. With the strong lead of Hammond organ, the tune is reminiscent of Hang 'em High, a very popular 60's song by Hugo Montenegro.

All I know about "Cote d'Azur" or the French Riviera I learned watching James Bond movies. From Menton to Cassis, it is the road most traveled on land and by sea it is the favorite docking port of any yacht longer than fifty feet. The crashing of ocean waves and sultry Spanish guitar opens the song and the book of romance. Cote d'Azur is a melting pot of many nationalities that have come from the far corners of the globe to imbibe is the wines, bake in the sun and to find the special someone that the stars has been guiding there all along.

The Cafe. It is the heart of the town. It is the meeting place for business, for friends and for lovers. The guitar sings, the dancers click on hardwood and the air is festive. There is the sound of constant laughter, the clinking of wine-filled glasses and the tapping of toes or fingers. But there is an underlying mood. There is the rage of a jealous lover, the deceit of a vengeful business partner and the subterfuge of deep, dark eyes and ruby red lips. In the tune "Cafe", the heart beats, the wine flows and the music lights the fires.

With all the levity and liveliness on the album, it was finally time to come back to earth and the tune "Gipsy" seemed to do that in a most melancholy way. Perhaps, it is more subdued than it is sad. The slower tempo and quiet chords changed the mood considerably, but we are none the worse. Maybe it is there to reveal one of the many facets of life on the Blue Coast and that we must take the good with the bad, the serious with the somber.

The album and the day close with the tune "Sunset". The sky takes on the colors of pale jewels as only it can on the coast. Amethyst and emerald skies mix with the gold as the day greets the night. Suddenly, the stars wink on and the night transforms the mood into one of quiet bliss. The night cools the skin, but not the heart and the music makes such wonderful and unpredictable promises.

This wonderful album puts Luna Blanca into the same school as Johannes Linstead, Ottmar Liebert and Benise. Their solar powered attitudes and love of music makes the album completely enjoyable over many genres. If anyone ever said, "Put on some lively music, please", this would be the album. Turn it up and enjoy.

"Rating: Very Good" - Zone Music Reporter (by RJ Lannan)

Luna Blanca is a prominent Nouveau Flamenco ensemble from Bocholt Germany that has perhaps become the celebrated toast of the town in another part of the world by naming their latest Contemporary Instrumental album after a beautiful region of Southeastern France, amidst the countries of Italy and Spain, with a seaside boarder along the glistening coastal waters of the Mediterranean Sea.
Provence is the name of this admirable new release by Luna Blanca, along with the region of Southeastern France highly prized by a warmer climate, gourmet cuisine and regional quality vineyards, creating the picture-perfect setting for Luna Blanca’s new release that greatly succeeds at intertwining these luxurious qualities of refinement into their own creation of beauty.
Luna Blanca selected the nearby locality of Provence for a good reason since many famous authors, poets, and painters like Vincent van Gogh & Pablo Picasso had acquired inspiration for their artistic masterpieces. After reading more about this region of Europe it became clear to me why Luna Blanca members regularly travel to Provence for their creative inspiration, and it appears everything was well designed during their masterful adaptation.
Luna Blanca is prevalent on an international level and where founding lead acoustic guitarist Richard Hecks, first trained in classical music initiated his crossover to New Flamenco and began writing the vibrant original compositions we hear today. Helmut Graebe is a principal member with spirited piano and organ rhythms and on Provence, Hecks and Graebe had an equal hand while composing their parts along with the instrumental compositions of talents Bino Dola on rhythm guitar, Clemens Paskert on bass, percussions, and added keyboards. Juan & Carolina provided some vocals and guest musician Uwe Gronau is featured on two songs playing organ and accordion.
First song Driving sets the contemporary surroundings in motion for this pretty as a postcard destination in Nouveau Flamenco music and where everyone will be able to perceive their picturesque connection to the region of Provence in the first few measures. Colorful in every way, Driving like each of the 12 songs are unique by their united but singular identity.
Gipsy & Francoise nicely exemplify this ever changing diversity since each have passionate melodies and charismatic rhythms which vary noticeably but interblend conclusively from song to song, representing one of many progressive attributes of this album in entirety. Mistral has a fascinating groove based melody with accented organ and keyboards parts exhibiting many fine upbeat runs in parallel time with exciting acoustic guitar rhythms.
Café has a tantalizing setting by trumpet and accordion refrains among progressive guitar and piano melodies which introduce an alluring arrangement to the surroundings.
Sunset & La Maison Bleue likewise display some great instrumentals plus the dynamic percussion rhythms heard on every song do more than merely lay the timing foundation for band members to build their melodies upon, so it is noticeable the percussion parts are a lively component in the total note by note Nouveau Flamenco atmosphere.
Crème Brulee is an inviting song given the calm serene impression and one that resembles Siesta, where moderately timed guitar melodies with piano accompaniment establish a comfortable mood of relaxation while also conveying at the very same time, a fine impression akin to white tablecloth elegance while the boldly accented accordion composition in Camargue introduces an elevated amount of European ambience by the intriguing sentiment.
Rosé is a song named after the house wine regularly served with the cuisine at local cafés and proportionate to the regional vineyards and fields of lavender, Rosé is an aromatic song for the senses too and while presented in more moderate time, the guitar and piano melodies fluently bring a fragrant bouquet of light ambience to the table.
Cote d’Azur is a majestic song finely poised by graceful half step guitar chords and piano counter melody which paint a romanticized picture of the French Riviera, concluding this song with the sound of coastal waters moving across the Mediterranean seashore, and with everything considered I wonder if anyone could ask for anything more.
Provence by Luna Blanca is an exciting new release, where admirable guitar and keyboard melodies express an anytime occasion for celebration. Together in unison, every member gives a brilliant performance and the spirited festive theme this new release portrays has the perfect entertainment setting. Casual and inviting by an open air sensibility, the members of Luna Blanca deserve every glass to be raised high in a toast of salutation. Cheers !
- New Age Music World (by John P. Olsen)

LUNA BLANCA - Nuevo flamenco guitar is huge all over the world, especially in Europe where the guitar has been romanticized for centuries. Case in point is a German group called Luna Blanca, a group of guitar practitioners who have just released a 2010 CD called Provence. The music of Luna Blanca is as appealing as the album’s cover art, which features pastel type colors adorning a scenic ocean type beach scape. Key to the Luna Blanca sound are the group’s two composers Richard Hecks (lead guitar) and Helmut Graebe (piano, organ). The two receive excellent support form a number of players including Bino Dola (rhythm, second lead guitar). I guess in part, thanks to the lush scenic soundscapes, Luna Blana describe their instrumental nuevo flamenco as new meditative flamenco, which should hold much appeal for New Age music fans. Although Hecks grew up listening to The Shadows and The Spotnicks, in recent years his focus has been further influenced by the guitar-centric sound of New Age guitar pioneer Ottmar Liebert as well the guitar based sound of The Gypsy Kings. A fine choice for nuevo flamenco and New Age guitar fans, Luna Blanca breath new life in the sound of 21st century guitar instrumental music. - Music Web Express 3000

While the music is sophisticated, it is not used as an excuse for excessive noodling or improvisational skills. Richard Hecks is a very tasteful guitarist which is incredibly important for music of this nature. He uses Flamenco, Classical, Jazz, Folk and World Music in his style of playing.

It is also worth noting that this is no one man show as pianist Helmut Graebe offers some additional color and class. While it would be easy for the casual listener to dismiss this music as New Age, there is much more than the painful strains of Yanni or John Tesh. One track entitled "Mistral" even adds something of an Electronic feel bringing to mind the hugely popular Enigma.

The music is beautifully recorded and mixed, as each nuance can be heard and taken in by the listener. Such clarity only enhances pieces such as "Rising Sun", "Crème Brulee", "Villa Azur", "La Maison Bleue" and in particular "Siesta" and the gorgeous "Rose" (the opening piano on "Rose" is quite memorable). A variety of different moods are achieved through various styles, but there is cohesion lending each track to flow almost as though it was conceptual in creation. Although it sounds a bit corny, the titles make perfect sense and one really can see a rising sun, a sunset or smell a rose.

Some intriguing sounds are used as well, such as a starting car on "Driving" and a mixture of dialed cell phones and people engaged in conversation on "Cafe". Most of the tracks are instrumental, but there are some foreign language vocal parts here and there as well.

Luna Blanca is to use in the background or the foreground depending on one's mood and it is wonderfully crafted music by performers who are dedicated to their art. After a horrible day at work, or enduring screaming kids, or watching your favorite sports team lose horribly again, put on Luna Blanca and get away from it all. When the chain of events begins again go back to the CD and use it as therapy! - Indie-Music.com by Peter Braidis

To feel the joy and celebrate the life,
To be in love and bliss
Is essence of this world.

This sparkling flamenco music touches the soul immediately and plunges the listener into the endless sea of deepest emotions. It is the album “Guitar Island” by the inimitable German group Luna Blanca.

The musicians well know how to play real Nuevo Flamenco. Their music follows traditions and at the same time it is very innovative and modern.

Weightless and inspired compositions of Luna Blanca are true art. They bring joy and uplift the spirit. And yet this music is skillfully played.

Almost all music is composed by the founder of Luna Blanca – guitarist Richard Hecks and pianist Helmut Graebe. Some wonderful musicians joined them in order to record the album “Guitar Island”. They are famous flamenco guitarist Bino Dola, percussion award winner Sascha Popping, producer Clemens Paskert – Bass, additional Keyboards and Axel Rohrbach – Orchestration on the composition “Robinson Crusoe”.

One can find circumstantial information about the history of the group Luna Blanca, its discography and some interesting details about the compositions of the album “Guitar Island” on the album sleeve.

Classical guitar school is felt in the virtuoso playing of Richard Hecks. And his performing is filled with a poetry and unlimited creation. In general all compositions of the album “Guitar Island” are played in one breath.

Celebrate the life, enjoy and feel the bliss with the bright and healing music of Luna Blanca!

Serge Kozlovsky
http://sergekozlovsky.com - Serge Kozlovsky

Their music comes from eternity

Luna Blanca returns with their new album “Provence”. And this comeback is stunning!

Luna Blanca invites the listeners into a World Café where people feel comfortably relaxed regardless of nationalities and social origins.

The band plays fine new flamenco. Luna Blanca's music is very lush and vivid. It is like a carpet full of bright colors. It will not leave the listener unaffected. You will be swept up by the virtuoso music of Luna Blanca. It will without fail plunge you into a whirlpool of refined emotions.

Luna Blanca weaves a delicate lacework of sparkling melodies. Their music has one very rare peculiarity. There are moments of silence positioned in the midst of the full of energy and passion of Luna Blanca’s music. In general I’d like to characterize the music as new meditative flamenco. The motion and the silence go together perfectly in the bright compositions of Luna Blanca. Their music comes from eternity, and at the same time it is very modern.

When you listen to the album “Provence” you realize that our world and every person in it are very rich and we all are born to be happy and joyful. The music of Luna Blanca brings the sensation of a celebration and therefore you will want to listen to it time and again.

Serge Kozlovsky
www.sergekozlovsky.com - Serge Kozlovsky

Luna Blanca's Guitar Island provides listeners with the unforgettable delight of new sounds and creations, conveying an extraordinary and pleasant sound of harmony. Delivered in the New Flamenco style, German guitarist Richard Hecks impresses with beautiful sounds and environments, occasionally trading melodies with pianist Helmut Graebe. European flamenco guitarist Bino Dola also contributes on rhythm guitar, while Sascha Pöpping adds his award winning percussion stylings. If your one of the hundreds of thousands of Ottmar Liebert fans out there, you might want to check out someone truly inspired by his music - Richard Hecks - and his recordings with Luna Blanca.

In 1999, Richard had his first performance together with a friend from Bocholt in the concert hall of the same city near the Dutch border. Both musicians were pleased, almost amazed, with the reception enjoyed by their classical guitar music. At the time, Richard couldn't know what the musical future would bring him. The ocean of music that engulfed him and his guitar - built by the famous guitar builder Hermann Hauser - years earlier was to sweep him away from classical music and wash him ashore on a new musical island. Inspired also by Ottmar Liebert's "Nouveau Flamenco", Richard quickly found his new guitar style.

Awards recently received include a recommendation on Happyday New Age Radio as Best New Flamenco Guitar Group. As a result of some very enthusiastic reviews from GarageBand.com members, "Island Reggae" was Track of the Day on Thursday, the 18th of January and reviewer's pick as "Best guitars in Latin" for the week of 29th January 2007. - Guitar Nine

Luna Blanca's Guitar Island provides listeners with the unforgettable delight of new sounds and creations, conveying an extraordinary and pleasant sound of harmony. Delivered in the New Flamenco style, German guitarist Richard Hecks impresses with beautiful sounds and environments, occasionally trading melodies with pianist Helmut Graebe. European flamenco guitarist Bino Dola also contributes on rhythm guitar, while Sascha Pöpping adds his award winning percussion stylings. If your one of the hundreds of thousands of Ottmar Liebert fans out there, you might want to check out someone truly inspired by his music - Richard Hecks - and his recordings with Luna Blanca.

In 1999, Richard had his first performance together with a friend from Bocholt in the concert hall of the same city near the Dutch border. Both musicians were pleased, almost amazed, with the reception enjoyed by their classical guitar music. At the time, Richard couldn't know what the musical future would bring him. The ocean of music that engulfed him and his guitar - built by the famous guitar builder Hermann Hauser - years earlier was to sweep him away from classical music and wash him ashore on a new musical island. Inspired also by Ottmar Liebert's "Nouveau Flamenco", Richard quickly found his new guitar style.

Awards recently received include a recommendation on Happyday New Age Radio as Best New Flamenco Guitar Group. As a result of some very enthusiastic reviews from GarageBand.com members, "Island Reggae" was Track of the Day on Thursday, the 18th of January and reviewer's pick as "Best guitars in Latin" for the week of 29th January 2007. - Guitar Nine

Founded in 2000 by lead guitarist Richard Hecks, Luna Blanca hails from Germany and is named in homage to world-renown Nuevo Flamenco guitarist Ottmar Liebert. The 3rd release for Luna Blanca, GUITAR ISLAND is a delightfully uplifting musical journey featuring eleven irresistible, original compositions by Hecks and the band’s pianist Helmut Graebe. The critically-acclaimed ensemble performs throughout Europe from larger festivals such as Germany’s sold out Bocholt concert “Just4Fun” to more intimate gatherings involving food and music pairing; the press has dubbed these smaller events “Flamenco Culinario.” In addition to Hecks and Graebe, Luna Blanca enjoys collaborative efforts on GUITAR ISLAND from famous European Flamenco guitarist Bino Dola on rhythm guitar, award-winning percussionist Sascha Popping and bassist/keyboardist Clemens Paskert who also assisted with recording and mixing. Richard Hecks plays an incredibly articulate classical (“Spanish”) guitar with soulful, sunny exuberance. His guitar is a custom-made nylon-string masterpiece from distinguished guitar maker Hermann Hauser (you know what they say about German engineering… stunning!). GUITAR ISLAND is certain to take you away to a place where your hips sway and the sunshine moves your spirit. With songs like the captivating “Pastis,” the Caribbean-splashed “Island Reggae,” the absorbing “Villa Azur” and the uplifting “Orion,” you’re sure to gravitate towards the nearest umbrella drink and float away in your mind. Lilting, alluring and passionate… listening to Luna Blanca’s GUITAR ISLAND is like taking a vacation without having to pack. Bon Voyage! - Smoothjazz.com (by Sandy Shore)

Founded in 2000 by lead guitarist Richard Hecks, Luna Blanca hails from Germany and is named in homage to world-renown Nuevo Flamenco guitarist Ottmar Liebert. The 3rd release for Luna Blanca, GUITAR ISLAND is a delightfully uplifting musical journey featuring eleven irresistible, original compositions by Hecks and the band’s pianist Helmut Graebe. The critically-acclaimed ensemble performs throughout Europe from larger festivals such as Germany’s sold out Bocholt concert “Just4Fun” to more intimate gatherings involving food and music pairing; the press has dubbed these smaller events “Flamenco Culinario.” In addition to Hecks and Graebe, Luna Blanca enjoys collaborative efforts on GUITAR ISLAND from famous European Flamenco guitarist Bino Dola on rhythm guitar, award-winning percussionist Sascha Popping and bassist/keyboardist Clemens Paskert who also assisted with recording and mixing. Richard Hecks plays an incredibly articulate classical (“Spanish”) guitar with soulful, sunny exuberance. His guitar is a custom-made nylon-string masterpiece from distinguished guitar maker Hermann Hauser (you know what they say about German engineering… stunning!). GUITAR ISLAND is certain to take you away to a place where your hips sway and the sunshine moves your spirit. With songs like the captivating “Pastis,” the Caribbean-splashed “Island Reggae,” the absorbing “Villa Azur” and the uplifting “Orion,” you’re sure to gravitate towards the nearest umbrella drink and float away in your mind. Lilting, alluring and passionate… listening to Luna Blanca’s GUITAR ISLAND is like taking a vacation without having to pack. Bon Voyage! - Smoothjazz.com (by Sandy Shore)

After two projects, which were well accepted by the fans of the Flamenco, Richard Hecks is back with a new album, “Guitar Island“, in which rhythms with a Spanish touch and a yearning atmosphere describe situations of total relaxation.

It was in 1990 when a certain Ottmar Liebert celebrated his debut with “Nouveau Flamenco”. This album is dedicated to re-capturing the acoustic dimension through the simultaneous combination of rhythm and melody. Richard Hecks, who founded the ensemble Luna Blanca – with variable members – in 2000, allowed himself to be inspired by exactly this memorable production.

The debut album “New Flamenco Odyssee”, a clear homage to Liebert, or rather to the person, who allowed the typical sound of the Flamenco to be revived, was popular with those who appreciate the areas of the hot music. This also applies to the second work “Magic”. Above all thanks to the rousing live shows full of Mediterranean suggestions this German band has a large following of fans. The band gave rousing live performances such as that in Bocholt on the occasion of the “La Guitarra” in 2004 and in the following year at the event “Noche de Guitarra”.
Following on from the success they had achieved Richard Hecks realized the work “Guitar Island “ together with Helmut Graebe (piano), Bino Dola (rhythmical guitarist) and Sascha Pöpping (percussions), a CD with strong pathos, characterized by rhythmical suggestions and typical scenarios of Southern Europe.

“I love the Mediterranean panoramas, above all those of the South of France. The different landscapes of the Toscana also repeatedly manage to enchant me. It is exactly the images of these areas of land, which accompany me when I am composing and playing my music. If I take a step back into the past then I would like to go back to the year 1995. In that year I ordered my guitar from the well-known guitar maker Hermann Hauser. I had explicitly asked him to produce a guitar which should produce a soft sound. This is why for example the guitar top has been made of cedar wood. Going beyond these purely technical characteristics it was always my intention to play emotional music, capable of reaching the hearts of those who “listen”.

When was the cooperation with the other musicians, who accompany you in the production of Guitar Island, founded?

“Helmut is an old and dear friend of mine. We have known each other since the time at university. At that time we played together for pure fun, above all the Beatles’ songs. Bino was introduced to me by another friend, Reinhold Sprinz. I have known him for years, however it is the first time that we have worked together, the same as with Sascha. As soon as entered the recording studio there was immediately a great musical harmony.

One of the many sunny musical pieces of the CD is “Villa Azur”, which we have selected for our sampler. Where did the idea for this song come from?

“I often spend my holidays in the South of France, in a beautiful residence with the name Villa Azur. On a quiet day while I was sitting in the garden and looking at the horizon of the sea, the rhythms of a Rumba began to flare up in my head. When I returned to Germany these feelings flourished again and we developed the melody together with Helmut, whereas Clemens Paskert, our producer, subsequently added the trumpets in the studio. Every time I play this song, it appears as if I am returning to this beautiful place.”

Was the guitar always the instrument you preferred most?

“It is my first big love…. I began to play the electric guitar when I was a youth. In a band called The Condors. After this I discovered my passion for the classical guitar. I always loved discovering new directions of style, other techniques, various amplitudes of sound, however I never thought that I would turn my attention to the typical melodies of the Flamenco.”

And how did this passion develop?

“Everything began when I started to listen to guitaradio.com in the Internet. However, I truly became hooked with the production of Ottmar Liebert, particularly through “Santa Fe”. It was like a stroke of lightening. The Flamenco music became second nature and is now a part of me.”

Speaking of Ottmar Liebert…You have never denied being inspired by this artist: What fascinates you most about the style which distinguishes him?

“He knows how to unite beautiful melodies with the intensity of the Flamenco. An alchemy which always aroused my enthusiasm. Many classical Flamenco guitarists prefer to aim at the virtuosity, we on the other hand prefer the romantic and melodious aspect. Under this aspect Liebert is an important reference point“.

(New Age and New Sounds Magazine, Italy, Nr. 194, March 2009) - New Age and New Sounds Magazine (by Cinzia Blanket)

Provence lies in the south eastern corner of France right on the Mediterranean and is beloved by painters who rave about the “soft light” it offers. Renoir, Matisse and Pablo Picasso have all spent time and painted here. Apart from the title, another interesting thing about Luna Blanca is that they actually screen original artwork during their stage performances. The quintessential kings of Nuevo Flamenco, Luna Blanca (founded in 2000) is the brainchild of Germany’s Richard Hecks and Helmut Graebe and features driving guitars, lush arrangements and highly memorable tunes. Their latest work PROVENCE is a delightful 12-track ‘amuse-bouche’ with tunes titled in French and Spanish. Favorites include “Driving,“ a fast paced road tune featuring guitars and flute, “Côte d’Azur” with brilliant vocals and Mediterranean warmth and the sweet sound of “Crème Brûlée .” PROVENCE is a really evocative glimpse into the world of European New Age. - SmoothJazz.com (by Stewart Coxhead)

Luna Blanca may start with flamenco music, but this eclectic instrumental group certainly doesn’t end there. These twelve songs are mainly driven by Richard Hecks and his fleet-fingered guitar work. However, there is more than enough variety filling out "Provence" to keep the average listener’s attention.

For instance, "Mistral" hops to an upbeat reggae beat and funky percussion. And in addition to its acoustic guitar part, one also gets the added bonus of soulful organ, provided by guest musician Uwe Gronau, as well as the piano of regular member, Helmut Graebe. If you can picture it, "Crème Brûlée" sounds a little like Mexican folk music one moment, and Anne Murray’s "Snowbird" the next. "Gipsy" features horn-sounding keyboard effects, which give the track an especially full sound.

This creative act also incorporates sound effects now and again, where appropriate. Listen closely to the beginning of "Driving" and you can pick up a car engine. And naturally, "Côte d'Azur" features the calming sound of rolling ocean waves. Although this is primarily instrumental music, Juan & Carolina add vocals to "Sunset", while "Côte d'Azur" sports a spoken introduction as well as vocals.

Luna Blanca succeeds on two levels with Provence. On the one hand, this is wonderful music to accompany hot summer weather activities. It’s relaxing, natural chill music. Yet at the same time, it’s also challenging music. This is nothing like Kenny G. "jazz" music, which doesn’t take a whole lot of improvisational skill. No, friends, there’s some quality musicianship invested in these songs; the style may be relaxed, but the skill level is extremely high.

Although these musicians play their instruments well, they never sacrifice melody for the sake of just showing off. "Rosé" and "Crème Brûlée" contain two of the prettiest melodies you'll ever hear, for instance.

It’s also worth noting what an important role Helmut Graebe plays in this group. Richard Hecks may take the lead when it comes to providing each track’s melody, but Graebe’s piano work opens both "Rosé" and "Siesta". It’s as though Hecks lays the essential groundwork to properly frame Graebe’s playing.

"Provence" is a listening pleasure from start to finish. It’s the sort of CD to take along on that trip to the beach. And when you play it back at the house, it’s a little like bringing the beach back home with you. Even if Luna Blanca isn’t your cup of tea, maybe it will be your tall, cool glass of sweetened iced tea, instead. - Indie-Music.com (by Dan MacIntosh)

Luna Blanca's "Guitar Island" is a musical endeavor that really takes you there. The guitar work on this CD is very impressive musically and has a very beautiful sound. The song "Midnight" is steady and mesmerizing like a night sky. You can picture yourself walking along a moonlit beach when, in the distance, you see a campfire. Coming from its direction you begin to make out the transcendental vibrations of Luna Blanca. Spirited acoustic guitars invite you to relax while the language of latin rhythm urges you to sway and dance. Then as you continue your walk pleasant memories fade in as Luna Blanca's soothing sounds surrounds you. If you enjoy latin guitar music, you will love this CD. - RadioIndy

Luna Blanca's "Guitar Island" is a musical endeavor that really takes you there. The guitar work on this CD is very impressive musically and has a very beautiful sound. The song "Midnight" is steady and mesmerizing like a night sky. You can picture yourself walking along a moonlit beach when, in the distance, you see a campfire. Coming from its direction you begin to make out the transcendental vibrations of Luna Blanca. Spirited acoustic guitars invite you to relax while the language of latin rhythm urges you to sway and dance. Then as you continue your walk pleasant memories fade in as Luna Blanca's soothing sounds surrounds you. If you enjoy latin guitar music, you will love this CD. - RadioIndy

This lovely instrumental CD is easy listening but with a flamenco heart. I hesitate to use “easy listening” because it evokes stacks of smooth synthesized strings devoid of all emotion. This release is smooth, yes, but with a lot of passion. Guitarist Richard Hecks and pianist Helmut Graebe composed all but one of the songs so it’s only natural that each instrument play an integral part, all on top of a thick bed of percussion played expertly by Sascha Popping. They’re joined by Bino Dola on rhythm guitar and Clemens Paskert on bass and keyboard.

“Pastis” is a spirited song with a guitar solo at the center backed by a rhythmic flamenco beat. There’s a cool island rhythm in “Island Reggae.” The pounding of the surf in the background is a little corny but heck, if you close your eyes it completes the picture – the sand, the beach and some good music. “Rising Sun” starts with a contemplative solo guitar with some pretty tremolo and builds with percussion and keyboard. “Villa Azur” is a delightful rumba while “Midnight” has a salsa feel. There’s a folky accordion in “Freedom in Your Soul.” “I-AI-DO” is inspired by a Japanese martial art and contains a “duel” between percussion and guitar. The liner notes say the guitar wins but I don’t know, it sounds like a tie to me. The standout cut is “Flowing,” with its fluid piano melody. Later, a gorgeous cello weaves in and out. The guitar adds tasteful accents.

I’ll bet these guys are great in concert. They’re based in Germany so they may only play in Europe. The liner notes mention TV and radio appearances so maybe those of us who don’t live over there can catch them that way.

If you don’t care for the roughness of folky flamenco but love the rhythm, get this disc.
- Indie-Music.com (by Jamie Anderson)

This lovely instrumental CD is easy listening but with a flamenco heart. I hesitate to use “easy listening” because it evokes stacks of smooth synthesized strings devoid of all emotion. This release is smooth, yes, but with a lot of passion. Guitarist Richard Hecks and pianist Helmut Graebe composed all but one of the songs so it’s only natural that each instrument play an integral part, all on top of a thick bed of percussion played expertly by Sascha Popping. They’re joined by Bino Dola on rhythm guitar and Clemens Paskert on bass and keyboard.

“Pastis” is a spirited song with a guitar solo at the center backed by a rhythmic flamenco beat. There’s a cool island rhythm in “Island Reggae.” The pounding of the surf in the background is a little corny but heck, if you close your eyes it completes the picture – the sand, the beach and some good music. “Rising Sun” starts with a contemplative solo guitar with some pretty tremolo and builds with percussion and keyboard. “Villa Azur” is a delightful rumba while “Midnight” has a salsa feel. There’s a folky accordion in “Freedom in Your Soul.” “I-AI-DO” is inspired by a Japanese martial art and contains a “duel” between percussion and guitar. The liner notes say the guitar wins but I don’t know, it sounds like a tie to me. The standout cut is “Flowing,” with its fluid piano melody. Later, a gorgeous cello weaves in and out. The guitar adds tasteful accents.

I’ll bet these guys are great in concert. They’re based in Germany so they may only play in Europe. The liner notes mention TV and radio appearances so maybe those of us who don’t live over there can catch them that way.

If you don’t care for the roughness of folky flamenco but love the rhythm, get this disc.
- Indie-Music.com (by Jamie Anderson)