Teliof
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Teliof

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"Debut album review"

What started as a whim for finding an available URL, earned in a relatively short period of time the status of a discovery praised by those who can tell you a thing (or two) about music. Teliof aren't just a bizarre name choice wrapping a progressive-rock act with pop-ish edges, they're actually a slowly growing phenomena.
Why phenomena? Well, just ask anyone who's heard 'em or seen their packed live shows. These locals (Israelis, mostly) are not gonna stay local for long.

"Is It?", as a pretty balanced debut, serves as a tribute to all the great progressive rock artists that have been long gone from the world we live in. If any of these names ring a big divine bell, please do yourself a favor and grab the album; Yes, Genesis, Jethro Tull, Camel, Gentle Giant…you name it, it's there right from the graceful bass-lead British finesse of opener "They Believe We Exist", which displays interesting melodies right from this baby's first steps, to the harmonious "Die For Us" where the vocalist Kristine Sykes does well (although she's not trained as one) while a choir haunts in the back.

Most of Teliof's work is a sort of work-in-the-shadow-of, causing a great deal of name dropping. Even the likes of Magma come to mind, only without the madness and gibberish, so there is altogether much respect to the past quite unavoidably in such a genre. This manifests also with the guest appearances (Shir Deutch from Solstice Coil, Gil Idan from Eggroll, various members from Atomic etc.) enriching the experience and making it feel even more epic.

As in any progressive album, "Is It?" has a center piece answering the question with "It Is". Starting as on off-beat jam session, it is certainly varied and the band doesn't just shoot around a musical machine-gun with genres for bullets waiting for a hit but rather miraculously incorporated them well coherently.
"It Is" has it all – some drama heaviness, needed humor lightness, fairy dusted fantasy, helpful sex appeal, straight on realism, but mostly importantly – it's a fun listen; just like in the old days it has a beginning, middle and end. My only bone to pick with it is the Funky bit (part 7) which is off place, and goes into progressive-metal territory armed with castrated distortion alone. However, immaculate sound, reprises and melodies revised all create a rather well-spun web by the five-headed spider Teliof.

The bicycle trip of is it doesn’t end it the centerpiece, but rather take a flowery turn in "Piece Of Cake", another to a friendly ally in "Flirting With Hope", a slow one to the mellow "Five To Dusk" and finished with notes of classical in "Candy Rehab" leading to no other than a jazzy finish. "Pull up the chairs and sweep the floor, honey, it's closing time".

All in all, "Is it?" is very colorful, but like anything colorful this wouldn't necessarily meet every taste. Too much color can sometimes be overwhelming.
My only concern is that Teliof would somehow fall between the ranks, and not meet prog-rock lovers' taste for they aren't complex, technical or polished enough nor would meet the more pop/rock loving' tastes for they come off as too unfocused, too "happy" and festive and are rarely catchy enough to provide a hit here.
If there is a middle ground, Teliof not only walk on it, but do flips & somersaults from side to side on it. Whoever's up for that is welcome. - alternative-zine.com - Ofer Vayner


"Yes it is!"

…and their debut album, in my opinion, is the best one that has shown here in years…
Because, for this overwhelming force of creating monumental, colorful ,vibrant and bigger than life kind of music, there is no category, no headline and no date. Even after Teliof will left pealed off of all the different classifications and name dropping, they will still have the creative force, the enormous artistic appetite and the primal desire to simply create music.
… The instrumental “It is” is a conquering rock master piece, rich and diverse, terribly ambitious yet exciting with how ambitious it gets because it creates big moments and the talent and skill scattered throughout the piece so frequently are irresistible and I simply can not remain indifferent to the courage taken for creating music of this kind…
…They have this humor of the kind that makes you ask yourself weather the joke was actually about you.
…Finally a group that isn’t afraid of getting their hand dirty with some drama and big music, that doesn’t narrow itself and it’s listeners to “small” and “intimate” as life is anyway, a group that has the nerves to think it can create worlds with it’s music, and succeed!

Netta Huebscher
October 2008
- qube.co.il


"One of the best prog albums..."

…This album should be approached as if it was a classical piece…Some parts sound as if they are lost tracks from “atom heart mother” or “at the court of the crimson king”…I don’t wish to write so much because it takes a listening to grasp this album’s measures.

Itay Frayz
September 2008
- Mtalist.co.il


"ProGGnosis new release"

I must admit from the start that I was pleasantly surprised by the album Is It? by the group Teliof. They offer us a fine mix of pop, rock and at times prog. The music is a little retro sounding (early prog), but agreeable generally. It is also a rather easy listen. The musicianship is fine on all the pieces, even excellent. The variety of musical instruments and the manner in which they are used is a very strong argument for the progressive nature of their music.
The vocals of Kristine Sykes are holding our attention (a little Abba feel) as are all the vocals arrangements on this project. BTW, those arrangements are the most interesting elements on this CD. This album made me think of Queen (for the intricate lyrics and choir), Supertramp, Yes (the piece Five to dusk) or even UK in certain passages. I was however not thrilled by the black and white design of the jacket cover. I found it rather bland and uninteresting.

Most pieces on the album are short except for the instrumental suite Is it? (even if there are vocals parts on that tune, the voices are used more as musical instruments) who clocks at almost 24 minutes. This piece is by far the best on the CD and the most progressive sounding. It delivers a good complexity with a feel good ambiance. Ive experience almost a time warp listening to it. It is definitely not cutting edges progressive music, but more a nostalgic voyage down memory lane. It even contains folk sounding music (on part 6). And the last part (7) is excellent in my opinion.
- MichelF


Discography

Albums:
"Is it?" (Self elease, 2008)

Singles:
"They believe we exist" (self release, 2008)

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Bio

It started with a search for a vacant .com domain
and ended up with a group of multiple composers
who wish to do about any type of music they can come up with,
using the Google-unique name: Teliof.

The band was formed in Tel Aviv in 2006. Yuval,
a software engineer who was looking for a drummer
wild enough to experiment with some unusual musical ideas.
Lior's cousin who worked with Yuval in the same office,
arranged a meeting and surprisingly, their musical preferences
(and the profession) matched.
Avsha, an active guitarist in several groups at that time
was introduced by a mutual friend
and agreed to join as a bass player.
The three immediately set out on the task of
recording the debut album and simultaneously,
worked on special musical arrangements for live shows.

Many musicians and vocalists contributed their talents
during the recording of the album. Lior, the drummer,
wouldn't stop talking about his Canadian girlfriend (today his wife),
who was about to come for a visit in Tel-Aviv.
Kristine joined the three for a practice
and it was obvious that she was not about to leave anytime soon.

After a few warm up gigs, Roei & Yuval accidentally met
during an exhibition of music videos.
They were both drawn to the same video and once Yuval realized
he was facing a keyboard player, the "job" was offered.

The stage lineup took its current shape with Roei on keyboards
and Kristine taking on the position of lead singer.
Since its inception, the band has performed in many Tel Aviv venues
playing both new songs and tracks from the debut album
in special live arrangements for a full rock band
enforced by a flute and a violin.