Aloha Screwdriver
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Aloha Screwdriver

Alameda, California, United States | Established. Jan 01, 2012 | SELF

Alameda, California, United States | SELF
Established on Jan, 2012
Band Rock Alternative

Calendar

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Feb
13
Aloha Screwdriver @ Bottom of the Hill

San Francisco, California, United States

San Francisco, California, United States

Jan
28
Aloha Screwdriver @ Surf Dog's Sports Grill

Huntington Beach, California, United States

Huntington Beach, California, United States

Jan
28
Aloha Screwdriver @ Purple Orchid Inc

El Segundo, California, United States

El Segundo, California, United States

Music

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Discography

No Way Out (EP, 2011)

Photos

Bio

The trio formed in 2009, and arguably have no business playing surf music. Drummer Steve Slater comes to the group having played in the industrial rock group Trip Device. Grant Shellen, Aloha Screwdriver's bassist, is best known for fronting the San Francisco Bay Area indie rock band Farewell Typewriter. And lead guitarist Donald Bell has never actually taken a guitar lesson, coming to the group after 8 years composing abstract electronic music under the name Chachi Jones. The result of this unlikely collaboration is a rough, raw approach to a traditional sound that borders on naive but never fails to stir things up. It builds on the overdriven, aggressive surf revival of the '90s, ties it back to the orphaned branches of '60s spaghetti western soundtracks and instrumental garage rock, and wraps a big freakshow bow around it with their high-energy, costumed performances.

Aloha Screwdriver appeals mainly to an underground rock audience, but they've paired well with bands from diverse genres such as ska, punk, and rockabilly. Whether its opening for the boogie swamp pop of Southern Culture on the Skids, or the sci-fi punk of The Phenomenauts, Aloha Screwdriver always seems to go well with groups who have a knack for theatrics and audiences looking for something off the beaten path.

In 2011, Aloha Screwdriver released their first CD, titled No Way Out. Recored to tape entirely on vintage gear, the 8-song EP has a uniquely saturated, old school sound that sonically sits right alongside '60s recordings of Dick Dale, but calls itself out with its punk-tempo pacing and rock-inspired drumming.