Music
The best kept secret in music
Press
The electronic experimental synthesis of Angel Dust 216 speaks the language of life in the late 20th century, a time during which bandmates Mox and Marsh were growing up listening to electronic legends like Autechre and Kraftwerk. Melding an industrial-robotic punk lyricism with heavy synth-pop tendencies, they pay homage to the mothers and fathers of IDM and electronic music. - Editor for C/Net's Download.com
schöner Electro, so müssten Kraftwerk heute klingen! - X-Ray from Radio-Z
Discography
ANGEL DUST 216
Copyright 216 Productions
#0021601 cassette 1991
01. Risque De Choc!
02. Monolith
03. Malasia
04. Maschine Brut
05. Media
06. Tanz Macabre
07. Dada Processing
08. Two One Six
09. Nighttrain
LIVE
Copyright 216 Productions
#0021602 cassette 1993
01. Risque De Choc!
02. Monolith II
03. Malasia
04. Maschine Brut
05. Tanz Macabre
06. Dada Processing
07. Two One Six
08. Nighttrain
09. Monolith I
10. Dead Leagues
(Recorded live 8/11/93 except tracks 9 and 10
recorded live 1991)
MUSIQUE NON SUCK e.p.
Copyright 216 Productions
#0021603 CD 2002
01. Spacelab I
02. Spacelab II
03. Shear Resistance
04. Tschak!
05. Nervosität
06. Life
07. Flat On The Autobahn
The rights to cover Space Lab ( I ) by Huetter/Bartos were aquired from SONY/ATV MUSIC PUBLISHING
AMBIA
Copyright 216 Productions
#0021604 CD 2003
01. Ambia 00
02. Ambia 01
03. Ambia 02
04. Ambia 03
05. Ambia 04
06. Ambia 05
FUTURE TENSE e.p.
Copyright 216 Productions
#0021605 CD 2004
01. Future Tense
02. Alpha Rhythm
03. Life
04. Telecom
05. Spacelab I And II
(Limited Edition e.p. of 50 copies)
The rights to cover Space Lab ( I ) by Huetter/Bartos were aquired from SONY/ATV MUSIC PUBLISHING
Photos
Feeling a bit camera shy
Bio
216 began as an experiment in non-musical musics. Electronic sound sculpture, frequently skirting the boundaries of pure noise.
1987. Mox and Marsh form Industrial Grinding, a precursor to Angel Dust 216, constructing electronic music via analog synthesizers and synthetic voice architectures in conjunction with tape based collages. The control aspects of their productions were based around CV , gate, sync
technology.
2002. Mox and Marsh continue to expand in their musical experiments. Embracing any and all forms of synthesis and recording techniques, they offer you their vision of the electronic future...................
The sound itself is quite experimental and is designed to appeal to those infatuated with electronic sounds. At times a rhythm... At times a click... A noise burst... Distorted sub-bass frequencies... A subtle ambient drone. Soft, embedded voices surround you like itching paranoia.
Ladies and gentlemen.... Angel Dust 216...
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