Armchair Cynics
Victoria, British Columbia, Canada | INDIE
Music
Press
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Discography
Coffeeshop Confessions EP
1. Surprise Ending
2. Capitalize
3. My Life
4. You
5. Unsophisticated
6. Drones
7. Haircut
8. David
9. Forgive, Forget
Produced by Adam Sutherland & Armchair Cynics
Recorded at Infinity Studios, Victoria BC
Recorded by Adam Sutherland 2002 - 2003
Killing The Romance
1, Lost Control
2, Bang
3, Coalmine
4, Surprise Ending
5, Swallow
6, Sharks
7, Smile
Produced by Dave Genn, Chad Kroeger & Joey Moi
Recorded at Mountains View Studios, Abbotsford, BC Infinity Studios, Victoria, BC
2005
Starting Today (to be release Oct 6, 2009)
1, Ablaze
2, Remain
3, Starting Today
4, The World is Mine
5, Can't Sleep
6, Never Gave it a Chance
7, Kelly
8, All The Way To You
9, What Happened To You
10, Believe
Produced by Dave Genn
Recorded at The Warehouse Studio, Hipposonic Studios,
604 Records Studio, Armoury Studios, Vancouver, B.C.
and Infinity Studios, Victoria, B.C. 2009
Photos
Bio
A band is like a person - the more you get to know it, the deeper it becomes.
When Armchair Cynics released the Killing the Romance EP in 2005, the Victoria-based four piece established itself as a sturdy modern rock outfit in a market already crowded with sturdy modern rock outfits.
And the Cynics might have disappeared forever inside that too-often dreary throng if it hadnt been for the nuances rattling around inside numbers like Bang and Surprise Ending - an almost covert pop sensibility behind the arrangements and atypical chord changes that lifted Killing the Romance out of its stubbornly earthbound genre.
With its 2009 full-length Starting Today, Armchair Cynics is finally revealing how deep those nuances run, allowing that pop sensibility to bloom fully, and lifting the veil at last on a big, boisterous, expressive personality.
Or, as guitarist-vocalist Kenn Coutu shrugs, We didnt feel like we got what we wanted with Killing the Romance. We were a little too hard rock on it, and its just not who we are.
What weve done this time is closer to what we think of ourselves as a band, bassist Aran Puritch adds.
Perhaps the purest dose of the Cynics fresh sense of self-awareness is in the title track.
Starting Today is a shot of radiant sunshine pop, a soaring feast of hooks big and small, and an anthemic throwdown for any and all optimists. Coutu says he likes its airiness. And when Puritch pleads that his band likes danciness and a bit of fun - in contrast one assumes to the agenda offered on the more minatory Killing the Romance - its almost as if Starting Today should start playing somewhere in the background.
Or Kelly for that matter - a delirious, hit-seeking bubblegum missile that lands somewhere between the Killers, Fountains of Wayne, and Rick Springfields Jessies Girl given a post-ironic vitamin shot. It could have fallen off a John Hughes soundtrack. Coutu describes it as this almost euro-pop thing, while Puritch notes, There was a fair amount of mucking around with the synthesizer during jams, so you throw that in and wow! Thats 80s radio rock.
Ablaze opens the album on a bedrock of synth, keening guitar, drummer Ryan Raes ever-beefy rhythms, and maximum melody. Remain follows with Coutu oscillating between sugary and full-throated vocals, before an enormous, cascading chorus of wailing background voices sweeps into view. Its like Coldplay with all the self-importance (mercifully) removed.
I love British music, Coutu says. I always have. I just think they have a great sense of melody. Like Oasis, or Kasabian - they have that rock vibe, but its not cheesy. That was my angle.
All over Starting Today, the Cynics gleefully indulge any and every opportunity to colour outside the lines. All the Way initially recalls the band in 2005, and then swerves into Panic! At the Disco territory.
Arena-sized rock is tackled in If You Cant Sleep, The World Is Mine, and Something To Believe In, but in all cases saturated in melody and voices.
On You Never Really Gave It a Chance, horns and choppy guitars ala Franz Ferdinand and a whipsmart ska-punk beat from Rae are used to animate Coutus tragicomic tale of a Walmart employee gone postal. The vocalist is quick to credit the nerd-fi relationship between guitarist-keyboardist Adam Sutherland and producer Dave Genn for some of the more outré effects that embellish Starting Today, and this track in particular.
Hes got a funny brain that boy, says Coutu of Sutherland. He comes in with weird things. He and Dave had some fun with the octave guitars and the crazy solo, which sounds like a creepy circus to me. Its really just Adam and Dave being crazy.
Naturally, Genns presence is felt throughout Starting Today - the highly regarded producer is generally inclined to leave his mark, as Puritch puts it.
Dave is just stupid good at music, he says. You just dont feel worthy. His own abilities are so great that I can only imagine its like working with a bunch of little kids for him. On the other hand, he gets that the band is gonna come in with its own bent way of doing things, and its own passions, and a lot of what we brought in was unorthodox, but it worked.
Genn put the band through boot camp once he got his hands on them. Daves tough, continues the bassist. I liked it, but he wants to makes sure that youre doing it as good as you possibly can. Tough beans, youre gonna have to sit down and forget what you used to play.
That the Cynics emerged from the immersive Genn experience as a better, truer, and happier outfit justifies the faith shown by its label 604, and the faith the band had in itself.
We said lets make the music that we want to, Puritch states, before concluding - with a laugh - that artistic integrity does exist!
Which leaves Coutu to come up with the snappy tagline. The album is just a whole bunch of diff
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