Ashton Allen
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Ashton Allen

| INDIE

| INDIE
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This band has not uploaded any videos

Music

The best kept secret in music

Press


"Press Quotes"

“Swimming in the same indie-pop pool as Elliott Smith, Badly Drawn Boy and Nick Drake, Jacksonville native Ashton Allen is making a big splash with his rainy-day songs “Center of the Universe” and “Better Than I Know” while on tour promoting his debut album, “Dewdrops.” – Miami New Times

“…songs from the forthcoming disc reveal a feel for melody and a way with words that recalls such fellow bards as Sam Beam of Iron & Wine, Elliott Smith and Nick Drake. It's catchy, heartfelt stuff of alluring and deceptive simplicity.” – Tallahassee Democrat

“Sad-core troubadour Ashton Allen is trying to break your heart…the singer delivers his woeful tales with a soft voice and a heavy heart. Hooray for a little bit of hope in the mope.” – Spin.com

“…it’s Jacksonville transplant Ashton Allen who’s poised to make the first big impression.” – Performer Magazine

“The title track, with its finger-plucked guitar and double tracked vocals, sounds like a [Elliott] Smith outtake. It also features Allen's most adventurous melody and chord use. Only backed by a tapping shoe and gorgeous harmonies, this is Allen achieving the lofty heights of the masters referenced in advertisements.” – Popmatters

“…in the midst of a heat wave, the early-morning indie folk from Jacksonville troubadour Ashton Allen is a welcome cool-down. I'm gonna reference Simon & Garfunkel, Syd Barrett, and Elliot Smith here, and though it's a stretch of serious experience points, there are similarities in Allen's longing melodies, quiet confidence, and barstool philosophizing. So settle down…There will be a chance to rock another day…sit down, listen, and feel something different from your music.” – New Times (Palm Beach)

“If you enjoy the music of Simon & Garfunkel, consider catching Ashton Allen…”
– Sun-Sentinel

“Ashton Allen waltzes through the ‘Dewdrops’.” – Milwaukee Journal Sentinel

“The cliché among musicians is that it’s never about fame or fortune or record deals. It’s always about the music, the process, the art. It’s all about the music for Allen too. Only for him, the music is different. For him, the music is therapy. A therapy that helped steer him from the brink of depression toward a career as a nationally touring singer-songwriter, set to debut a new album.” – Falls Church News Press

- - Ashton Allen


Discography

DEWDROPS - 2005 (Livewire Recordings)

Photos

Feeling a bit camera shy

Bio

Ashton Allen’s debut album “Dewdrops” was recorded in three months through intense hours of working in the studio. Built around foundational instruments, both Ashton Allen and producer Colin Cobb wanted to maintain the feel of the original, raw demo recordings. The duo unconventionally started with the acoustic guitar, or they started with a piano. “We painted each song and treated them individually,” said Ashton. “We only added the layers we felt were necessary. Whether that meant just vocals and a backbeat, or whether it called for bass, drums, electric guitars, violins, french horns, trumpets, banjo or a mandolin.”

Upon completing the record, Ashton left immediately the following day to hit the road for the first time by himself for over 4 months, traveling 27 thousand miles through 31 states and performing more than 100 shows. When pressed for interesting anecdotes from his experience Ashton explained “I played an in-store show recently and there was a lady who watched the entire performance. She had a condition that caused her to visibly tremble which made it difficult for her to speak clearly. She purchased 3 CDs and asked if I would mind signing them. As I signed, she went to quite some effort to tell me that she hoped I get the recognition and success I deserved, and that God bless me. Those are the moments I remember most, the ones that remind me exactly why I am doing this.”

Ashton began his music career playing bass with the Gainesville, FL based band Big Sky. For nearly 12 years the band did what most independents could and could not do. They toured. They toured relentlessly opening shows for artists such as Sheryl Crow, Paul Simon, Matchbox 20 and the Wallflowers. But, it wasn’t up until the end of that era that Ashton would begin writing and recording his own music as merely a way to get some personal thoughts out of his mind. There were never any intentions of anyone else hearing the music, let alone his own band.

One night, during a Big Sky show, Ashton let his attorney listen to one of his demos. She was a great friend and he trusted her. He told her to keep the music to herself, but wanted to share what he had created. “I know it sounds dramatic, but I really about had a panic attack leaving her with a CD,” said Ashton. “I was so vulnerable to the idea of someone else knowing a lot of these thoughts, which in hindsight I have found to be quite a self-absorbed notion.” His attorney, and friend, liked it. Actually, she liked it a lot.

That same week, the bands’ attorney was speaking with Colin Cobb who was creating a new independent label in Atlanta called Livewire Recordings. The two spoke briefly about Big Sky and Livewire decided they just weren’t interested in what the band were doing style-wise. Colin suggested they continue to discuss her other clients, but beyond a female oriented pop group, there was not much to offer. At the end of the conversation, Colin made a comment about what type of artist he was looking to work with - Ashton was exactly what Livewire was looking for. The attorney had no intention of mentioning the demos, but a phone call later Ashton reluctantly agreed to let her submit some tracks for review. The label listened and loved it, but they just had to see him perform live.

There was only one tiny problem with this scenario. “I had only played once. One time in Gainesville about a month prior,” said Ashton. “I told no one. I just had to try it. Just for the experience. Just to say I had done it.” Sure, Ashton had been in a band for years performing in front of hundreds to thousands of people, but “I was used to rock shows, loud people, drinking and louder music that didn’t allow for your mistakes to be heard. But, by myself, on stage alone with a guitar and no one to turn to but an audience…no way.”

One month later Ashton set a date and was showcasing for Livewire Recordings. He prayed just to be able to perform, not to get a record deal, not to become a rock star, just to be able to perform. After Ashton’s performance Colin shook his hand and said “Let’s make records.”