Music
Press
"All swirling guitars and dreamy harmonies, they have a serious Brit-Rock/shoegaze sensibility reminiscent of Doves. Plus, Daniel Nigro can really sing. We expect big things." - Stereogum
"This album has zero filler and the midsection – 'Ghosts of York,' 'Love, Love, Love' and 'Milk & Honey' – are so saturated with joyous piano trills and sublime choruses you'll be gording on REMIND/REPEAT." - Boston Phoenix
They may call Long Island home, but don't lump As Tall As Lions- vocalist/guitarist Daniel Nigro, guitarist Saen Fitzgerald, bassist Julio Tavarez, and drummer Cliff Sarcona- in with Taking Back Sunday and Brand New. "Being a band from Long Island in high school and early college, we were playing shows with bands that were similar to those," explains Nigro, "so we were put into the whole 'emo-band' scene. But it was never something we were really interested in." As Tall As Lions instead craft dreamy, ambient indie-rock built upon layers of subtle grooves and unique instrumentation, seasoned with Fitzgerald's ruminative lyrics displaying a polarized relationship with love itself, topped with Nigro's soaring Jeff Buckley-esque vocals. The prevalent, ethereal harmonies are particularly heady, though not nearly as astounding as the ever-growing success of the album iteself. "I think that too much-too soon for any band is a bad thing, 'cause you don't learn to appreciate anything," Nigro muses. "It's not like As Tall As Lions is a 'cool' band, or the new 'thing.' It's more organic; a natural progression. I'd like to believe that people are listening for the right reasons." - Alternative Press Magazine
Discography
AS TALL AS LIONS
Released August 8, 2006
Triple Crown Records
LAFCADIO
Released May 18, 2004
Triple Crown Records
BLOOD AND APHORISMS EP
Released September 2002
Photos
Bio
After coming off the road in mid-2005, following months of touring in support of their Triple Crown debut, Lafcadio, Long Island-based band As Tall As Lions – vocalist/guitarist Daniel Nigro, guitarist Saen Fitzgerald, bassist Julio Tavarez and drummer Cliff Sarcona – spent more than half a year channeling their energies into crafting an album that would not only realize the lofty ambitions of these four young men but define them as a band, once and for all. The resulting self-titled album, released Sept. 26 on Triple Crown/East West, provides dramatic evidence that they met this self-imposed challenge, and then some.
As Tall As Lions’ journey toward maturation began in casual fashion, the original version of the band forming around Fitzgerald while the members were still in high school. During the next few years, they endured the lineup changes and artistic roadblocks many young bands experience before taking their present, permanent form. But they still had some growing to do.
"When we started doing Lafcadio, we really didn't understand what we were getting ourselves into – we were just kids" says Nigro. "We had made a couple demos, put them on the Internet and, after a couple of days, we had a record labels calling us ready to sign the band. We all thought this whole band thing was going to come too easily after that. We dropped out of college and made As Tall As Lions our priority. At first, it was a tough adjustment. We'd never been on tour before, and getting used to life on the road was draining. I think we've all grown up a lot since then, and our attitude has changed for the better. We put everything we had into this new record and are extremely happy with how it came out."
But it didn’t come easy, as ATAL hit some speed bumps along the way. "Recording this record was not a walk in the park." Nigro admits. "There were a lot of passionate and vibrant discussions [read: arguments] during the creative period, and at one point I had to just leave for a while get away from it all." As it turned out, the hiatus, gave Nigro the inspiration he and the rest of the band needed. "I came back with a clear head and was ready to write, record and be with my band. It all clicked after that.”
What emerged is an album entrenched in moody, soulful rock and roll – at once life-affirming, sensual and technically sophisticated – that seamlessly intertwines the members’ eclectic tastes, encompassing Neil Young, Can, Elbow and the Buena Vista Social Club. Produced by Steven Haigler (Brand New, Quicksand) and Mike Watts, As Tall As Lions is an album of irrepressible songcraft in which shimmering anthems ("Ghost Of York") stand alongside odes to love and resilience ("Milk And Honey").
"There weren't any rules," says Nigro. "We didn't want to be a band that limited ourselves or made rules about writing our music. In the past, we would come up with an idea and say, 'Oh, we can't do that – we're a rock band.' We felt shoved in a box. Two years ago, if we were to toss the idea around of having a dozen kids sing on a song ["Love, Love, Love (Love, Love)"], we would have thought it was absurd. Well, why? It'd be awesome to have little kids singing on our record."
As Tall As Lions vividly demonstrates what can happen when inspiration and dedication intersect at the right moment in a talented band’s evolution. After an intensive 18 months, As Tall As Lions has come of age.
EARLY REVIEW QUOTES
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"Catchy tracks like 'Love, Love, Love (Love Love)' and 'Milk & Honey' show off vocalist Daniel Nigro's unbridled Jeff Buckley-esque range while 'Ghosts Of York' and 'Be Here Now' hit a more mainstream mark with conviction and clarity of an act twice their senior." – Alternative Press, 5 out of 5.
"All swirling guitars and dreamy harmonies, they have a serious Brit-Rock/shoegaze sensibility reminiscent of Doves. Plus, Daniel Nigro can really sing. We expect big things." – Stereogum
"This album has zero filler and the midsection – 'Ghosts of York,' 'Love, Love, Love' and 'Milk & Honey' – are so saturated with joyous piano trills and sublime choruses you'll be gording on REMIND/REPEAT." – Boston Phoenix
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