Billy Mack and the Juke Joint Johnnies
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Billy Mack and the Juke Joint Johnnies

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"Sierra Club - Michigan Chapter"

Thank you again for the fantastic music that Billy Mack & the Juke Joint Johnnies provided for the Sierra Club Michigan Chapter's 40th Anniversary Celebration in Lansing on October 5, 2007.

We were thrilled by your musical variety and your talented performance. Billy Mack & the Juke Joint Johnnies provided exactly what we needed for this event! You read our audience beautifully - folks were slow to warm up to dance, but your positive energy and good humor got everyone up and dancing in no time. You took requests easily from our audience, playing a good variety of old and new, fast and slow songs that had folks tapping their feet and singing along. Moreover, I really appreciate how flexible you all stayed throughout the night, especially when it was getting late, and you let the crowd talk you out of taking a break, and instead kept everyone dancing while playing the faster rock songs they requested.

(Pictures from the event) clearly illustrate how much fun folks were having dancing, and the fantasic energy of the band. Should you ever need a reference for Billy Mack & the Juke Joint Johnnies, you're welcome to have folks call me or our Director . . . thanks again!

Wendi Tilden
Development Director - Wendi Tilden, Development Director


"Hamburg Festival"

We booked Billy Mack and the Juke Joint Johnnies to sing at our 2007 event. What a fantastic job they did! We enjoyed them so much that we’ve already invited them to perform again in 2008. Billy Mack & The Juke Joint Johnnies was the first band that got the crowd to their feet and on the dance floor. They play covers that everybody knows, and their original music is great, too! Billy will jump right into the middle of the audience and get them all singin’ along!

Sometimes with a large outdoor event like the Fun Fest, there is so much to do and see that people will stop by to listen, but don’t always stay. If the entertainer doesn’t grab their attention in those first few moments, they move on to something else. I can tell you that when people stopped and listened to this band, they sat right down and watched the entire performance.

On behalf of HERO I would highly recommend Billy Mack and the Juke Joint Johnnies. They are exceptionally talented performers and will give you a great show!

Laura Gibson
Entertainment Chair
Hamburg Enhanced Recreation Organization
- Entertainment Chairperson


"Quotes and Quips"

"Red Hot Rockabilly with a touch of Western swing -- red hot and very cool!"
-- Unkle Sherman, KPIG Radio 107.5 FM, Santa Cruz, CA

"Billy Mack and the Juke Joint Johnnies don't just play music, they put on a show, and their energy level is out of control! This band has the innate ability to include the crowd in this entertainment frenzy. Whatever you do, don't miss seeing this group, and don't leave home without your dancing shoes!
--Johnny Johnson, Chelsea Summerfest (former coordinator) and Chelsea Bowlapalooza

"Your Top Dog CD has some great stuff there! I especially love "Top Dog" and "Wish Me Well." Simply superb!!
--Ron Weiser, legendary rockabilly record producer

"Wow, great songs! Terrific playing! Thanks so much for this music . . ."
--Randy McNutt, author of"We Wanna Boogie", and other music industry books

"Billy Mack is in the here and now, but he brings back the day when country was country, and rockabilly was cool. That was a golden era that shall never be again, save when Billy Mack takes the stage and sings with that incredible instrument he calls his voice. Hats off to you, Billy!"
-- Joe Summers, master jazz guitarist/musician/songwriter

- Individual


"Ann Arbor Observer"

The music turns heads and makes necks crane on Main Street. Is this Crazy Wisdom Bookstore? Isn't their usual fare singers/songwriters softly strumming acoustic guitars? What's this rockin' from upstairs? This is Billy Mack & the Juke Joint Johnnies playing -- for them -- toned down, and unplugged.

Not that Billy and the JJJ's seem to have made much of a concession to the cozy confines of the tearoom. Though their PA is probably only set on three, it's still plenty loud enough to drown out the espresso machine, and your neighbors -- unless they shout. Drummer Paul Koch has brought his mini bebop kit; the bass drum is barely bigger than a typical snare, and he plays with the Hot Rod sticks that produce less volume than standard ones, but still allow him to whack with plenty of energy. Lead guitarist Kevin Winters happily picks his way through one sizzling solo after another on his Telecaster, while Rick Lee contributes pounding bass lines on a standard Fender and a futuristic-looking electric bass.

And there's Billy Mack. All in black, with the short sleeves of his shirt turned up like a West Side Story Jet, long, disheveled pompadour, reverbed voice complete with Elvis hiccups and Jerry Lee Lewis screams, he's the picture and soundtrack of the fifties. But his is no slavish impersonation. Billy and the JJJ's don't just play this music - they own it.

It's a shame there's no room to dance. The Tea Room is crammed with chairs and tables and sofas. Only the aisle is free, but Billy frequently commandeers that, strutting and slithering along it with his cordless mike, occasionally jumping on one of the few empty chairs, or melodramatically dropping to his kknees and offering the mike to an audience member, working the crowd with just the right mix of moxie and excess.

This is your daddy's -- and maybe your granddaddy's -- rock and roll, and that a good thing. Reliable, sturdy, and as much fun as a '56 Chevy, this is the rockabilly that Grandma and Grandpa dancd o before you were a glint in anybody's eyes: songs so familiar you can't remember when you didn't know them, mostly rockers, some original Billy Mack gems, and the occasional ballad like the ones the walls of the Tea Room are accustomed to reflecting.

They close the night with "What a Wonderful World," complete with Billy's very credible Louis Armstrong imitation on the bridge, and heartfelt and genuine the rest of the way. The whole crowd sings along. We've been smiling for hours. We've temporarily forgotten about the slumping Michigan economy, the war in Iraq, and global warming. Billy and the JJJ's encore with "Please Give Me Something to Remember You By." They already have.

- Sandor Slomovits, Ann Arbor Observer - - Ann Arbor Observer


"Reviews from Boppin' Around Magazine"

"Billy Mack is an outstanding singer, and is blessed with a sublime songwriting talent and voice. If you get his CD (Top Dog), you won't regret it. The only disappointment may be that there are only ten songs!"
--Boppin' Around Magazine (Dutch magazine)

"This CD (Queen of the Idle Hour Inn) is the successor to his first (Top Dog), and is neatly recorded in a clean style . . . Mack does not hide his identity as a percussionist, as noted in the song "Bring My Baby Back," a funny rock and roll number. The fact that Mack is a fine songwriter is also apparent; for example, we thought the song "How Low Can You Go" must be a cover, but it turned out to be an original! This is an excellent CD."
--Boppin' Around Magazine (Dutch magazine) - Dutch Rockabilly/Rock Magazine


"Top Dog Review - Ann Arbor Current"

This album kicks into action with Billy Mack's theme song, "Top Dog," which ends with a tough guy/hepcat spoken word. "I got nothin' to lose . . . I'm a "Top Dog" with a baaaaad attitude! Ha ha ha haaaaah!" Sounds like Wolfman Jack meets the Big Bopper!

Mack has a great voice, and a talent for the techniques of hillbilly singing (the voice yelpin' higher at the end of a vocal line), and the songs he both writes and covers shows it off well. Mack is also on drums here, and is backed by a large cast of cats 'n kittens on various instruments and backing vocals.

There's alot of variety within Mack's rockabilly. "Wish Me Well" is the kind of lonesome ballad that Ricky Nelson sang in the movie "Rio Bravo," while "Tricky Business" is more like something Elvis would have broken into in "Blue Hawaii." Another crooner entry is the obligatory cover of "Blue Moon," where he strains quite effectively for some tormented Roy Orbison whines.

Two more tunes that showcase Mack and company's wide range of influences include their version of "Honey Hush," which is only a little too smooth for a drunken radio minister to play on his program; same for "Hold On," where the piano falls just short of Jerry Lee's hammering.

This album has no shortage of rockin', though, especially when sounding like veteran rockabilly man Ray Campi on "Long Gonner," "Smooth Step" and "Come Back." "Long Gonner" particularly has Campi's nervous (nervous!!) energy, quick stuttering rhythmns, wild man "Whew!" shouts and the ultra-twanged guitar break that showcases several playing techniques all in one brief solo.

In "Smooth Step," Mack sums up the album with some more great words of wisdom: "Rockabilly baby with a smooth step/C'mon rockabilly baby with your cool daddy, rockabilly baby with your cool dad!" - Sir Kevin May


"Reviews from Boppin' Around Magazine"

"Billy Mack is an outstanding singer, and is blessed with a sublime songwriting talent and voice. If you get his CD (Top Dog), you won't regret it. The only disappointment may be that there are only ten songs!"
--Boppin' Around Magazine (Dutch magazine)

"This CD (Queen of the Idle Hour Inn) is the successor to his first (Top Dog), and is neatly recorded in a clean style . . . Mack does not hide his identity as a percussionist, as noted in the song "Bring My Baby Back," a funny rock and roll number. The fact that Mack is a fine songwriter is also apparent; for example, we thought the song "How Low Can You Go" must be a cover, but it turned out to be an original! This is an excellent CD."
--Boppin' Around Magazine (Dutch magazine) - Dutch Rockabilly/Rock Magazine


"Ann Arbor News"

"Billy Mack, leader of Billy Mack & the Juke Joint Johnnies, calls the band's music 'atomic roots rock', and when you give it a listen, you know he's not kidding! The quartet plays high-energy Americana with a funkabilly twist."

"A show of roots originals and covers that draws from rockabilly, vintage rock 'n' roll, country swing and hillbilly bop. . . The group's originals include crowd favorites like 'Top Dog' and 'Queen of the Idle Hour Inn' . . . a highlight of their set is 'Grease Ball Free For All.' "

"Prior to performing with the Juke Joint Johnnies, (Billy Mack) toured nationally with The Starlight Drifters The band's fame has spread well beyond our area." - portion of writeup by Roger LeLievre


"Ann Arbor News"

"Billy Mack, leader of Billy Mack & the Juke Joint Johnnies, calls the band's music 'atomic roots rock', and when you give it a listen, you know he's not kidding! The quartet plays high-energy Americana with a funkabilly twist."

"A show of roots originals and covers that draws from rockabilly, vintage rock 'n' roll, country swing and hillbilly bop. . . The group's originals include crowd favorites like 'Top Dog' and 'Queen of the Idle Hour Inn' . . . a highlight of their set is 'Grease Ball Free For All.' "

"Prior to performing with the Juke Joint Johnnies, (Billy Mack) toured nationally with The Starlight Drifters The band's fame has spread well beyond our area." - portion of writeup by Roger LeLievre


Discography

Queen of the Idle Hour Inn - 2006
Top Dog - 2004

NEW CD COMING SOON!

Photos

Bio

"And there's Billy Mack. All in black, with the short sleeves of his shirt turned up like a West Side Story Jet, long, disheveled pompadour, reverbed voice complete with Elvis hiccups and Jerry Lee Lewis screams, he's the picture and soundtrack of the fifties. But his is no slavish impersonation. Billy and the JJJ's don't just play this music - they own it." - Sandor Slomovits, Ann Arbor Observer

BILLY MACK: LEAD VOCALS AND GUITAR
Front man Billy Mack is a great entertainer and one of the best voices on the music scene today. His strong, smooth voice, combined with his incredible vocal range and dynamic stage presence, have been compared to such greats as Elvis Presley, Bobby Darin and Chris Isaaks. Having developed his musical foundation in the metro Detroit, MI area, he added a few years in Hollywood and a few national tours to his years of experience, and has performed for fans across the country. Billy Mack and the Juke Joint Johnnies can be seen at many regional festivals and special events, as well as at many venues throughout the Metro Detroit area.

In addition to leading the Juke Joint Johnnies, Billy is a songwriter and drummer, and has CD's to his credit available both stateside and overseas. His first CD, "Top Dog", was ranked number three in the Dutch magazine "Boppin' Around" as one of the best new rockabilly recordings; 2006 saw "Queen of the Idle Hour Inn" debut at number 7. Billy took a hiatus from the metro Detroit music scene for a time to tour nationally with the Starlight Drifters. While on the road with the Drifters, they stopped in Las Vegas to cut an album now out on the Rolling Rock label (Thirteen to Go), produced by famous rockabilly producer Ron Weiser. Billy played percussion for the Drifters and wrote/co-wrote several songs; he even served as their lead singer for awhile. While with the Starlight Drifters locally, Billy played at such venues as Top of the Park and many of the larger casinos in the Detroit area.

Billy finally returned home full-time to his Michigan roots to form the Juke Joint Johnnies, and the rest is history!

KEVIN WINTERS: GUITAR, VOCALS
With the formation of the Juke Joint Johnnies, Kevin has come full circle, and has returned to where his musical endeavors began years ago – performing with Billy Mack! Over the past 25 years, Kevin has performed on lead guitar with a number of Ann Arbor/Detroit-area bands.

Prior to signing on with the Juke Joint Johnnies, Kevin was fronting 4 F.I., a classic rock band which performed regionally. Known to be one of the fastest and most diverse guitar players in the area, Kevin also sings harmony vocals throughout the show, plus takes on the lead vocals of several signature songs. Kevin’s lead guitar work is featured on several studio tracks of the Billy Mack CD “Top Dog”, as well as on "Queen of the Idle Hour Innl" His amazing range of musical interests include jazz, bluegrass, country, and every kind of rock-n-roll on the planet! While there's never a shortage of gear options in Kevin’s guitar arsenal, his favorites for the Juke Joint Johnnies include a Fender Telecaster and vintage Gibson hollow body.

PAUL KOCH: DRUMS, VOCALS
Paul enjoys all styles of music, so it’s no surprise that with over twenty years of experience he has played with groups that perform everything from classic covers to progressive originals, Motown to rockabilly, classic rock to alternative rock, oldies to new wave, and punk to jump blues!

Prior to joining up with Billy Mack and the Juke Joint Johnnies, Paul performed around Ohio and Michigan with the Toledo-based band, Bonkers, during which time he had the privilege of opening for classic rock groups such as The Monkees and Rare Earth. Before making his move to the Great Lakes region, Paul lived in Louisville, KY where he was a member of Stranger Than Fiction, who released a CD on Hit-A-Note records. During that time, he recorded with several local song writers, in addition to being a member of one of Louisville’s most in demand top-40/classic rock bands; he also racked up performance time with an 8-pc swing band! Drumming with Billy Mack and the Juke Joint Johnnies truly allows him to put his wide range of musical influences, knowledge and experiences to work with each and every performance.

RICK LEE: ELECTRIC BASS AND UPRIGHT BASS
Rick has been holding down the low end with his infectious groove and energy that draws on twenty years of working experience in styles ranging from hard rock originals to classic rock covers, plus R&B, rockabilly and swing. Rick began his musical interest on the tenor saxophone but decided the sound he made on it was too obnoxious, so he made the switch to bass! Since then he has performed for thousands of people all over the Midwest. Prior to joining up with the Juke Joint Johnnies, Rick’s experience included studio sessions at Studio 55 in Inkster, Michigan, where he was able to pick up a few tricks from Reggie Cant