Blick Bassy
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Blick Bassy


Band World Singer/Songwriter


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"Blick Bassy's rich and velvety singing."

"Blick Bassy sings in Bassa, one of Cameroons 200-plus languages. In contrast to the upbeat and joyful feel to the music, songs like 'Africa' and 'Bolo', which deals with having to leave your country to find work, portrays Bassy as a thoughtful and serious songwriter. His musical influences (...) being Marvin Gaye, Stevie Wonder and Nat King Cole, are clearly evident in Bassy's rich and velvety singing."

Jo Frost - Songlines April/May 2009 - Songlines, UK

"Blick Bassy has a soft intoxicating voice"

"The talented singer songwriter Blick Bassy (Cameroon) has a soft intoxicating voice that reminds us of the voice of compatriot Richard Bona. Bassy sings with a lot of soul." Amanda Kuyper - NRC (NL) - NRC Handelsblad, Netherlands

"Blick Bassy troubadour du Cameroun"

Blick Bassy est en 1974, a Yaounde, la capitale du Cameroun, mais a grandi a Mintaba, aupres de ses grands -parents. Il y a pris conscience de la beaute de ses racines et de la langue bassa, celle qu'il preserve aujourd'hui a travers ses chansons.
- Mondomix


CD Léman 2009



Born in 1974, Bassy grew up with 20 siblings in Cameroon’s capital Yaoundé, a city where people from all parts of the country come together, and the first languages are French and English. Bassy says: “People in Yaoundé lose their traditions and culture rapidly because they don’t speak in their mother tongues with each other or their children. My family is part of the Bassa ethnic group, a nomad tribe that originally comes from Egypt and has descendents down in South Africa. But nowadays people stay in one place because they need visas to cross borders. The word ‘bassa’ means ‘from the earth’.”

Aged 10, Bassy was sent to live with his grandparents for two years in Mintaba, a small village situated in the centre of Cameroon. His grandparents initiated Bassy into traditional customs and culture, training him in a variety of tasks, such as hunting, fishing and agriculture. He was also educated in their musical traditions. In Mintaba, daily life is accompanied by music and it was there that Blick discovered the Bolobo (chant for fishing), the Dingoma (chant and percussion for the inauguration of Mbombock chiefs), the Bekele (chant and percussion for weddings), the Hongo (chant for funerals) and the Assiko (guitar percussion, chant and dance). “In Mintaba, people don’t talk much but they sing a lot during their daily tasks. It’s in the singing that they express their emotions and show their souls. My mother used to sing from morning till night. She’s the one who fired my musical aspirations and taught me how to sing. Back at my parents’ home, I started listening to Marvin Gaye, Gilberto Gil and Nat King Cole. I realised I wanted to blend the beauty of my Bassa culture and its musical traditions with other music that inspired me and create my own soulful sound.”

Blick Bassy started his first band, Jazz Crew, when he was 17. Playing a fusion of African melodies, jazz and bossa nova, Jazz Crew quickly became the most sought-after group in the city. In 1996, he formed a new band called Macase. During almost 10 fruitful years Macase released two acclaimed albums, Etam (1999) and Doulou (2003), as well as picking up various regional and international awards, including the RFI Prize for World Music (2001), Best Group by MASA (2001), Best New African Group by the KORA Awards (2003) and the CICIBA Prize (2003).

Then in 2005, Bassy decides to leave Macase and he moves to Paris where he starts working with Manu Dibango, Cheikh Tidiane Seck, Lokua Kanza and Etienne Mbappé. A few years later he signs to the World Connection label and he finally gets to do work on his solo album, Léman.

About the album he says: “I’ve been creating and carrying some of these songs around in my head for the past five years. Every detail is a part of me. It feels great to have been able to record them now and share them on stage. The song ‘Bolo’, for instance, is about having to leave your country and missing it. Lots of Africans have to move away from their hometowns to make a living. I’m the perfect example. But I also enjoy my travels to other places because I’m always looking for musical encounters. One of my trips took me to Mali and other West African countries. The Malian griot music is very present in the instrumentation (kora, ngoni), harmonies and melodies of this album.”