Bobby Doran
Gig Seeker Pro

Bobby Doran

Band Rock Acoustic

Calendar

This band has not uploaded any videos
This band has not uploaded any videos

Music

Press


"'Best Kept Secrets" CD / Live Show Review"

--If you were to just listen to a CD from Bobby, you would only scratch your head and wonder what all was going on....You have to SEE him live to GET his music...I had to go twice before I was convinced that this guy was no fluke..(Consider this a live and CD review) and he is no fluke, in fact Bobby is Colo Springs "Best Kept Secret" performing solo with a couple of acoustic guitars and a hand full of foot "looping" pedals Bobby can lay down "drum" beats, bass grooves, counter melodies, and vocal harmonies all with a few taps of his feet and the pure guile of his musical sensibilities.
With tracks like Daydreamer, A Walk in the Rain and 95, some will draw a "Dave" parallel and rightly so with the gravely soul voice with which Bobby Drips sexy melodies with honest heartfelt lyrics. I was fortunate enough to get 2 copies of Bobbys work one studio and one live...again the live is so much better for me.
All in all Bobbys songs are bouncy, fun and easy on the ear, except for Sunrise, which is dark, haunting, and congers visions of a Spanish bar the morning after a bull fight... I LOVE this track Great song man!!

---Eric - Colorado Springs Nightlife 411 - 3/21/2004 - CsNightlife411


"Soundcheck | Bobby Doran"

Performer: Guitarist and singer, Bobby Doran

Hear him: 10 p.m. Saturday, April 17 and April 24, Dublin House, 1850 Dominion Way; 8 p.m. May 7, Pikes Perk, 14 S. Tejon St., free. Other appearances are scheduled in Fort Collins, Denver's Lodo, and Golden, CO.

Style: He's a mix of genres: rock, pop, jazz, blues and a touch of folk. He's been described as "a rock band, unplugged performance." His repertoire includes more than 80 original songs. With what Doran describes as some fancy foot work, he says he "turns a solo, live performance into a five-piece rock band, incorporating analog looping pedals into some songs."

Influences: Dave Matthews, Howie Day, Foo Fighters, Pearl Jam, James Hetfield, The Beatles, John Mayer, Oasis, and many others.

What the live show is like:
Doran offers a recent review from a local critic who posts on the web: "He is no fluke. A true performer. Performing solo with a couple of acoustic guitars nd a handful of foot 'looping' pedals, Bobby can lay down 'drum' beats, bass grooves, counter melodies, and vocal harmonies all with a few taps of his feet and the pure guile of his musical sensibilities."

Favorite clubs to play:
32 Bleu and Pikes Perk. "We have been getting an unreal turnout for the all-ages shows in the Springs," Doran says.

Best gig:
"Pikes Perk lets me bring in my whole setup with stage lights galore," Doran says. "There aren't enough seats upstaris there, but people fill the floor and pack in like sardines for two hours. Singing along to every song, it's great."

Spin it: He came here last summer from Warwick, Rhode Island, and recorded 11 songs in his friend, Jeremy Carlson's home studio. Doran is astonished that the demo CD, "Best Kept Secrets," already has sold 800 copies at his shows.

He's on the web:
www.bobbydoran.com. "There are pictures, lyrics, audio clips, I keep a journal and tons of other extras and info."

What "making it" would look like:
"I really love to play music, and my goal is to play on a professional level," he says. "I really want to tour and travel, and play at a different city every night. That would be great, whether it makes me rich, or I just get by on music. When people I don't know are humming the melodies to Bobby Doran songs, I'll feel like I've made it."

His most rock 'n' roll moment:
So far, it was the last show he played at 32 Bleu. "It was with Summer and Stephanie J. I think it was just the respose I got from my set. Everyone was so loud for me. My fans are the best. Loud and crazy.

Take on the Colorado Springs music scene:
"I've found that sometimes people are closed-minded and only want to hear covers. But someone needs to break into the scene and find a way to capture everyone's attention."

How he would improve the scene:
He would give younger people more access to local music. He says he's "only heard of like three venues that are all ages, only one of those doesn't charge $5-15 to get in the door. The younger generation will be the support/word-of-mouth of a good music scene."

Set list or seat of your pants?
He starts with a set list, then flies by the seat of his pants. - by Linda Navarro - The Gazette Newspaper


"Cool Stuff"

FEATURED ARTIST | WWW.CYQO.COM

KBCO RADIO | ROCKBOTTOM
2007 - 'BATTLE OF THE BANDS' WINNER

"95" FEATURED on ASH-RADIO

"WINNER OF 2004 | ROAD TO RED ROCKS"

'GIRL IN A BLACK DRESS' PERFORMANCE FEATURED ON PBS KBDI CHANNEL 12 - 'INNERVISION' TV SHOW

2005 | PERFORMER OF THE YEAR NOMINATION
PIKES PEAK ARTS COUNCIL - -


"COLORADO COLLEGE NEWS - Singer / Songwriter - Bobby Doran"

Surrounded by a tangled mess of electrical wires, candles, amps, large colorful spotlights, and a motley audience was a small Persian carpet. The carpet acted as a stage, set up in a small coffee shop in downtown Colorado Springs. Bobby Doran was on the carpet last Friday night. There was an orange light in the coffee shop that he had set up himself, leaving purple shadows against the usually white walls. The orange lighting was fitting for the unusually warm February night. The audience was a loud and jittered crowd, jacked on espresso shots, pocket flasks, and lack of sitting room. Bobby Doran was playing his guitar all alone in the corner with his set-up and his secret surrounding him. There were a few candles spread out around the room, giving it a warm feel, something comfortable for the audience and Doran, the performer. That is not to say that he isn't a singer, a guitarist, or a songwriter, but the secret to his music is the performance.



People have dreams, paths they would like to lead, and paths they do lead. Some people choose to follow the path leading to their dream, whatever the hardships are. Some people make it halfway and others never really try. But regardless of the final result, there is something within everyone to find what they truly want out of life. Those who actually follow the path of dreams are perhaps taking a greater risk, but sometimes that risk is the only choice. Bobby Doran is now a man following his dreams. He may be young, he may be on a lost cause, or he may be right on, but he's taking the chance of his life to do what he loves.



Bobby Doran started as a hockey player, born and raised just outside of Providence, Rhode Island. He lived and breathed hockey, and eventually was recruited just outside of high school for a junior league New England team. Doran dreamed of playing professional hockey; college and school weren't really interests or even options. But Doran ultimately hurt his knee and had to leave the league for good. Dreams of professional hockey were shot, and he began school at Johnson and Wales University in Providence the next year. The year that Doran took off hockey, nursing his knee, was the year that he really began to play the guitar and begin writing songs. "All of the free time from not playing hockey anymore had to go somewhere," Doran said about his fateful injury. During his sophomore year of college Doran had his first performance. At a small bar called Tommy's Place Doran had a couple stiff cocktails and just started playing during an open-mic one night. "I remember it really vividly," he said. "I think there were only 5 people there, and I just sat down and played for like 3 hours. Nervous? The first song I played I couldn't get words out, and then I had 3 Long Island iced teas."



Doran is very driven by what he loves in life. Hockey began as a passion of his, music is his next passion, and although he's only been in the business for a year, or so, Doran believes very strongly in himself; there is no sign of quitting. Now 22, he has hopes of one day touring the states and "performing for people, you know, making them feel good," he said. Doran came out to Colorado with a friend for two weeks to record an album; he had intentions of going back home after he put all of his songs on the CD. After finding a nice place to live and a really good audience he found it too hard to leave. He played at a lot of open-mic nights- "doing a lot of hard work," Doran explained. "When no one knows you, they like hearing a lot of covers."



Doran eventually started to see some regulars, through both friends and strangers. Starting in Colorado Springs and eventually making his way up to Denver, Boulder, and Fort Collins, Doran found an audience among adolescent music fans. "There's a bigger demand for me," he laughed "in the younger crowds, like college and definitely high school kids." The tune of the music is the guitar, his voice plays the melody, and he slaps his hand on the guitar for drum beats. The actual musical style has a lot of variety; from Led Zeppelin to his own concoctions like 'the girl in the black dress'. He uses a pedal to record different bars of the song as he goes along. Doran with a simple guitar and recording system turns a one man band into a 5 piece set. Many of his musical ideas are inspired by famous artists and professionals including John Mayer, Jack Johnson, Metallica, and Dave Matthews Band.



Like many musicians, he hopes of one day going to California and possibly making it big, Doran is not alone in the very competitive music world today. But the unique thing that he does have is a captivating performance. "I would rather people have a really good time at my shows, and go crazy, rather than sell a bunch of CD's," Doran, "It's about the music; it's what I love."



There is a life inside Bobby Doran that not a lot of solo performers have. He stands on his homemade stage and does something to t - Sita McInally


Discography

MUSIC | DISCOGRAPHY The late months of 2007 into 2008 have been spent recording new studio material, including the songs "Believe", and "Santa Fe". Bobby has teamed up with William J. Smith, nationally known for producing tracks by Sheryl Crow, and Taylor Hicks, recording in Nashville's, Sound Emporium Studios, which has been recognized for past production of Bob Dylan, Garth Brooks, Waylon Jennings, Trisha Yearwood, and REM. A date has been set for Spring of 2008, for the new release, titled: "The Great Unknown E.P." featuring the new Nashville recordings, along with other studio tracks and unreleased material. The new release will be up soon in the 'Listening Booth" page, plus, album details, including track list, artwork, credits, lyrics, etc., available soon. Look for it on Itunes!

Bobby Doran's debut, indie studio album, "Best Kept Secrets" (2003), proves to be a foundation for fan favorites, in "Secret", "95", "All She Wrote", "Everything I've Ever Wanted", "Wait for You". BKS is the first glimpse of his writing style s: a taste of jazz chords, leading to powerful choruses, rock-oriented guitar solos, tied together with catchy vocal-melody lines. Produced by Jeremy Carlson, formerly of Colorado Springs, CO, now residing in Knoxville, TN, and the help of Ben Kersey (Drums), the album showcases Bobby’s songwriting/arranging capabilities. “It’s was my first recording experience”, he explained, “I spent hours trapped in a hot closet, for the better part of the summer, laying down tracks. It was well worth it, and I’m proud of the way everything came out, for recording in a room, about the size of an elevator! I learned a lot from the experience” The album looks into more progressive, John Mayer/Dave Matthews-inspired guitar riffs, in "Sunrise", "Girl In A Black Dress", and "No Escape". The eleven-track album was inspired by Bobby's college experiences, touching subjects of love, angst, and pure anger, where nothing is taboo.

Best Kept Secrets was soon followed up by a collection of live and unreleased tracks."Live & Acoustic: 2004-2005", introduces BKS-like tracks: "You're So Innocent", "The Long Day Is Over", "Cross Your Heart", "4th of July". Also, expanding his musical voice, and range of influences in the songs: "Second Time Around", "Lucky", "A Perfect Sky", "Can't Stop (It Feels So Right)", and "Waiting for the Sky To Fall". “Most of the tunes on the LA disc were recorded with one or two microphones, plugged into a CD burner. Though I think the quality is really lacking on a few tracks, it’s still one of the favorites. The tracks were mostly live cuts I had thrown together. On a dynamic level, I wanted it to be the complete opposite of my first collection of work, show more of my diversity, but remain true to where I want to go with my music. Hopefully, the possibilities remain endless, as far as the art of everything goes”

Most original, abstract work, subject matter, and some of the best lyrics to date, "Live: In Syndication" (2006) was produced as a stripped, acoustic/electric conduit, for songs like: a fast and heavy, pumping acoustic-driven, "Punch-Drunk Love", "Line Up", "In the Eyes of A Hurricane", "Seventeen", the Beatles/Queen-influenced, "Clever Girl", "The Last Empty Page", "Winter Rain", an upbeat Lifehouse/Goo Goo Dolls/ Matchbox 20 sounding, "Believe", and "Boogeyman", a dark, cold, eerie, near-seven minute, down-tuned vision of lost hope, addictions, skeletons, and complete paranoia. “It was never my intention to put together so much ‘stripped’ material, it just seemed to be convenient to sit down and just do some live tracks, then lay the other parts down to add some color. Though it’s safe to say that about ninety-nine percent of the universe has never heard any of my music, but the people that do enjoy what I have to offer are extremely important to me, so I pay them back with playing my butt off, having new material, and keep the whole movement of things going strong, and full speed ahead. I just write so much music that I feel great about from a songwriting/listening perspective, it’s all stuff that I want to see, hear, and enjoy. I trust that my feelings about the music connect with the audience on some really weird level. I don’t think about it all that much; I’m just flattered that everything seems to have worked out, thus far anyway”.

Live, either solo/acoustic, with the acoustic band, or the full band, the energetic concerts are something to be seen, developing a following on the road, making new friends from New England to Los Angeles, and opening for national acts, such as Blues Traveler, Teitur, Taylor Hollingsworth, Mason Jennings, Micheal Franti & Spearhead, and Matthew Moon. The music keeps on coming in a steady rollercoaster ride, with brand new song ideas, jams, improv, audience participation, bringing out the best of the music. The unique, solo/acoustic show is not only limited to the everyday, stripped acoustic/electric solo performer, he

Photos

Bio

MUSIC | DISCOGRAPHY The late months of 2007 into 2008 have been spent recording new studio material, including the songs "Believe", and "Santa Fe". Bobby has teamed up with William J. Smith, nationally known for producing tracks by Sheryl Crow, and Taylor Hicks, recording in Nashville's, Sound Emporium Studios, which has been recognized for past production of Bob Dylan, Garth Brooks, Waylon Jennings, Trisha Yearwood, and REM. A date has been set for Spring of 2008, for the new release, titled: "The Great Unknown E.P." featuring the new Nashville recordings, along with other studio tracks and unreleased material. The new release will be up soon in the 'Listening Booth" page, plus, album details, including track list, artwork, credits, lyrics, etc., available soon. Look for it on Itunes!

Bobby Doran's debut, indie studio album, "Best Kept Secrets" (2003), proves to be a foundation for fan favorites, in "Secret", "95", "All She Wrote", "Everything I've Ever Wanted", "Wait for You". BKS is the first glimpse of his writing style s: a taste of jazz chords, leading to powerful choruses, rock-oriented guitar solos, tied together with catchy vocal-melody lines. Produced by Jeremy Carlson, formerly of Colorado Springs, CO, now residing in Knoxville, TN, and the help of Ben Kersey (Drums), the album showcases Bobby’s songwriting/arranging capabilities. “It’s was my first recording experience”, he explained, “I spent hours trapped in a hot closet, for the better part of the summer, laying down tracks. It was well worth it, and I’m proud of the way everything came out, for recording in a room, about the size of an elevator! I learned a lot from the experience” The album looks into more progressive, John Mayer/Dave Matthews-inspired guitar riffs, in "Sunrise", "Girl In A Black Dress", and "No Escape". The eleven-track album was inspired by Bobby's college experiences, touching subjects of love, angst, and pure anger, where nothing is taboo.

Best Kept Secrets was soon followed up by a collection of live and unreleased tracks."Live & Acoustic: 2004-2005", introduces BKS-like tracks: "You're So Innocent", "The Long Day Is Over", "Cross Your Heart", "4th of July". Also, expanding his musical voice, and range of influences in the songs: "Second Time Around", "Lucky", "A Perfect Sky", "Can't Stop (It Feels So Right)", and "Waiting for the Sky To Fall". “Most of the tunes on the LA disc were recorded with one or two microphones, plugged into a CD burner. Though I think the quality is really lacking on a few tracks, it’s still one of the favorites. The tracks were mostly live cuts I had thrown together. On a dynamic level, I wanted it to be the complete opposite of my first collection of work, show more of my diversity, but remain true to where I want to go with my music. Hopefully, the possibilities remain endless, as far as the art of everything goes”

Most original, abstract work, subject matter, and some of the best lyrics to date, "Live: In Syndication" (2006) was produced as a stripped, acoustic/electric conduit, for songs like: a fast and heavy, pumping acoustic-driven, "Punch-Drunk Love", "Line Up", "In the Eyes of A Hurricane", "Seventeen", the Beatles/Queen-influenced, "Clever Girl", "The Last Empty Page", "Winter Rain", an upbeat Lifehouse/Goo Goo Dolls/ Matchbox 20 sounding, "Believe", and "Boogeyman", a dark, cold, eerie, near-seven minute, down-tuned vision of lost hope, addictions, skeletons, and complete paranoia. “It was never my intention to put together so much ‘stripped’ material, it just seemed to be convenient to sit down and just do some live tracks, then lay the other parts down to add some color. Though it’s safe to say that about ninety-nine percent of the universe has never heard any of my music, but the people that do enjoy what I have to offer are extremely important to me, so I pay them back with playing my butt off, having new material, and keep the whole movement of things going strong, and full speed ahead. I just write so much music that I feel great about from a songwriting/listening perspective, it’s all stuff that I want to see, hear, and enjoy. I trust that my feelings about the music connect with the audience on some really weird level. I don’t think about it all that much; I’m just flattered that everything seems to have worked out, thus far anyway”.

Live, either solo/acoustic, with the acoustic band, or the full band, the energetic concerts are something to be seen, developing a following on the road, making new friends from New England to Los Angeles, and opening for national acts, such as Blues Traveler, Teitur, Taylor Hollingsworth, Mason Jennings, Micheal Franti & Spearhead, and Matthew Moon. The music keeps on coming in a steady rollercoaster ride, with brand new song ideas, jams, improv, audience participation, bringing out the best of the music. The unique, solo/acoustic show is not only limited to the everyday, stripped acoustic/electric solo performer, he