Gig Seeker Pro


Los Angeles, California, United States | SELF

Los Angeles, California, United States | SELF
Band Folk Rock


This band has not uploaded any videos
This band has not uploaded any videos




"We think by feeling. What is there to know? I hear my being dance from ear to ear."
~ from Theodore Roethke's poem "The Waking"


I have been wrestling with this review. This is a great band making some kind of new music that defies description. They have more art in their music than I've heard half the time at the symphony hall, but they recently entertained happy tripping dance drunk crowds at Burning Man. My initial review is by and large a halliucination while listening to the music. A new music demands a new kind of description. What I would like to do is get every damn reader with a heart to buy this album and put it on a separate shelf where you keep reverent things that make you want to laugh and love and live in a dream. Do that for me, will you?

Everything came together as I wanted with A Look To The West, Billy. When I was making it, I attempted to describe the music but could never explain what it is that we were making. I knew deep down that this was special in the sense that it's hard to explain. I still struggle to describe our sound. And you are right, I've been developing this sound for many years, and it's finally maturing.
~ Russell Chapa

"I haven't understood a bar of music in my life, but I have felt it."
~ Igor Stravinsky


It's been five days since the review of Chapa's "A Look To The West" was posted. I've written a review and heard music live twice since that day. I'm still listening to Chapa.

As a beginning music writer, I'm greedy to be the voice people first hear about the band Chapa and this album. I'm still listening to Chapa. It is as though it were the first time. The first writing I did about music was about 20th Century composition back when 20th Century was contemporary. I listened to Stockhausen, Harry Partch, Steve Reich, Toru Takamitsu, and actually met John Cage, Philip Glass, Lou Harrison, Mort Sutbotnik, Lucky Mosko and other composers, conductors and such musicians. I hear the same innovation and courage in the music of Chapa.

This is a tripping album. You may need your unobstructed mind to take the trip properly. If you imagine the Berlioz "Symphony Fantastique" and it's whacky and brilliant use of percussion and the insanity of the plot detailing an inner vision of the composer, imagine Tom Waits singing over the din. The thought gives me an out of the body experience. Tom Waits is the direct conceptual descendant of eccentric composer Harry Partch. The innovative imagination of America is kept alive by these people. Chapa is a colleague in that stream of new music and a brother to Harry Partch and Tom Waits in a very selective special club.

This may be the new opera I'm listening to. Scott Joplin's major new American artform Treemonisha advanced the form and was forgotten unperformed. Could this be the new operatic expression arising from a pop band?

I love psychedelic music. Dark Side of the Moon is a trusted friend. When I listen to Look to the West, I'm in a deeper dream. There is a 20th Century opera called Valis I could compare it to. Nobody will have heard Valis. That's my favorite 20th Century operatic work, just because it's so much fun. I wonder if they will bundle Valis and Chapa together at the Wherehouse?

Perhaps Chapa is the bridge over Roger Waters and Berlioz? Harry Parch? Tom Waits? My friend and a fine songwriter says he fell into a different world listening to this music. Maybe it should come with a warning label.

I have to make up for my inability to describe this music with enthusiasm. This is my fourth "chapter" to this review. That must show something. This album could pry stoners from the mountain of grunge. People like to trip. Is the world ready for Chapa? This is a test of the Internet personal networking system. Tell a friend.

This music must be supported.

The future isn't written. IT MUST BE HEARD!


"A Look To The West" will take you into the experience of a dream. Words and words and words will pass you by fluttering by like a swarm of snowflake butterflies floating on strings. A gentle woodwind will warm your face as the carnival train rolls on bass drums powered by percussive pistons. Your blood and breath will dance while you glide in thin air with both feet on the beautiful earth. There is no apparent formula for the reorienting, dys-occidental experience. You may find yourself there. Ingest this music. You may find yourself. This album is a poem and by yourself you are a book you read every day as though you were writing it. This is a new creature: old things have passed away; behold, all things have become new.

If you try to understand a Chapa, you can rob it of it's meaning. Dreams, oceans, sound, emotions and realities come in waves to be experienced deeper than description beneath the bean counting conscious brain where the mind describes feelings only in songs. This "Look - Billy Shepard

"EP Review"

Chapa and his group offer eccentric and against-the-grain music, deploying oboe, cello, and flute in an overall acoustic sound that takes chances and sometimes echoes the work of Jeff Buckley, Badly Drawn Boy and even the Incredible String Band. Chapa’s voice, recorded raw and unadorned, is fine in an alternative context and his lyrics are literate. The tunes seem “live in studio,” yet conjure rich atmospheres, especially the tranquil, Asian-influenced “This World Around.”
- MUSIC CONNECTION REVIEW -- Sun, November 25, 2007

"A Buyers Ride Review"

Apart from the greatness in the musicianship that dwells beside the lyrical cleverness, this album is a very worthy addition to the prog-rock and fretboard explorer’s classics table. Chapa is not Roger Water's cousin or Frank Zappa's ex guitarist.. he's Chapa.. and he's brilliant!

Rising up Between is the first track on the album. It is the first introduction to Chapa‘s world of the interpretative rendition of every great sound that ever came out of the listening equipment used throughout his life (thus far). It is also a wonderful glimpse into the astonishing musicianship conveyed in every aspect of each and every strand of the track’s multitracked collective. Only Me on the other hand, is the only track on the album that takes a sway toward the likes of the Bob Dylan backgrounds, scratching the back of The Goo Goo Dolls that are sitting on the vocal chords of Geddy Lee-like sound.

Edna’s Thrill. I’ve honestly never heard hints from the soundtrack to Crouching Tiger Hidden Dragon in amalgamation with a track of this run-amok-like character before. It is the very reason that psychedelic drugs became such a necessity to have around when enjoying the music that the 60s and 70s had to bring us.

Honestly, eclecticism is a wonderful attribute to a track’s portfolio of sound. I can honestly say that I have not had a great deal of exposure to the cello in my day and, as of right now, that level of celloistic ignorance is completely unsatisfactory and must be dealt with as soon as possible.

Masqueraders Downfall is a balancing act that involves smashing guitar playing, broad lyrical expression, and ethnic inflections walking the tight rope that is representative of the flow of the track. Well you wish thee! Pertains to great percussional abilities and, once again, the allure of an excellent handelment of guitar-playing-craftsmanship that binds the track’s separate entities together in an effort to form it’s glossy finish.

From Your Cloud (to mine) may just seem like a short trip to some but it’s not because the ride is so smooth you wish for it to last an eternity so that you can soak it all in. All 3 Faces has a very groovy-like rhythm with harmonies that arise from the dark clouds that adorn the tracks ‘Planet Caravan’ reminiscent guitar riffs.

A Pause in Life is the last track on this album’s send off. It is a representation of how personally expressive Chapa’s lyric style is. He does not hold back in what he means to say but he does seem to care quite deeply about how others perceive and receive it. I guess that’s why they call it “Freedom of Speech” when in this album's case.. it’s freedom of sound.

Elley Wilson - May 29 2006
International Online Magazine - International Online Magazine

"Decoy Review ABR"

My first thoughts upon exploring A Buyer's Ride was, "What the hell kind of hicked-out shit is this?" Two tracks in, I was fixated on this. Why does an album from the former bassist of Ojo sound so country?

However, with the opening of "Edna's Thrill," it became apparent that there was much more to this album than twang (even Russ Chapa's voice twangs with the best of them). Soon, it was a folk album with country leanings. It grew stranger and stranger with each track. As it came to a close, I didn't even know what to call it. Folk with touches of Incubus, the Red Hot Chili Peppers, and Nuclear Rabbit, only without sounding like any of those bands or their vocalists? It goes beyond categorization while avoiding the cliché "undescribable" tag most bands would get when they "go beyond categorization." It's a bluesy rock album with twang and a kick to the pants. That's what Chapa is. From country twang to tripped-out psychedelia, Chapa shows off an impressive array of vocal styles, at times sounding like a mix of his old band Ojo and Primus ("A Pause in Life").

Chapa is by no means the next Velvet Underground or anything (slightly-off vocals...Neil Young...Close, but no cigar), or the next anything, really. It's just a very eclectic and surprisingly good solo album from the bassist of a band that had about two hundred fans. If you liked Ojo, you'll like this. If you hated Ojo, don't let that stop you from searching this out. If you have no idea who Ojo is, but you like eclectic alt-folk or whatever you crazy kids call it, spin Chapa a few times. See if it dizzies you up.

--Ben Rice, Decoy Music - --Ben Rice, Decoy Music

"French Review"

Thanks to the magic of the internet, the unknown band OJO, were revealed to me mixing a lot of different styles with success of their debut album, Minutia. The group themselves split up 4 years ago. A very sad day for OJO, which had some special music with the potential to conquer many eager ears. With the fall of OJO, the different members went in different directions (Spore333 -, Principle, Brian Wright and the Waco Tragedies -, and the one that interests us: Chapa - The former bassist, Russ Chapa, found his way into the studio and returns to take over our ears with 9 titles, A Buyer's Ride, less crazy, but still very interesting and out of the Norm.

It's difficult to find the affiliation between these two formations. Chapa plays in a completely different register, where as OJO mixed metal, funk, and jazz to a more quiet calm. In his album, A Buyer's Ride, Chapa delivers us a Music very well put together and completely Zen. In these 9 titles, Chapa is playing everything from folk music, to country with some Tahitian or Gypsy music, and in a lot of different styles. It is nearly impossible to describe the music with precision, mixing percussion, cello, organ and guitar to carefully crafted stories. Chapa's sound is reminiscent of the experimental Vinyl's of the 70's, such as Silver Mt. Zion, with his aerial quotations that are falsely minimalist. Calming could be the adequate adjective to describe A Buyer's Ride. Chapa's soft voice and the lightness of certain pieces is to appease even the crazy Americans. Chapa's level of words soar with tunes like, From Your Cloud (A dedicated piece to his Father), and the delirious Edna's Thrill (A Ouija Board Ghost Story). A Buyer's Ride finishes up with A Pause In Life. A piece grouping together all the elements of the CD as a conclusion of this album. And despite some lengths and repetitions, A Buyer's Ride allows the discovery of a sincere Artist, touching people liking music without apparent flourishment but internally rich, or those who just simply like musical experiments."

--Eric Cambray June 06, 2005
French E-Zine: - Eric Cambray June 06, 2005 -

"Fan Review"

Poignant and Wistful
A Buyer's Ride is very entertaining musically what with so many instruments thrown into the mix and the assorted samples of things like a typewriter that were used. It's kind of cliched to say but you really do pick so much more out of the album after repeated listens. Lyrically i found everything honest and engaging. There's an immediacy to Chapa's vocals that makes all the songs seem so genuine. Overall I found the album to be poignant and wistful and well worth my money. Personal highlights are Masquerader's Downfall, Honestly, From Your Cloud, and All Three faces. Highly recommended.
Reviewer: Luke AUS - Reviewer: Luke AUS


A Look To The West - 2008
Believing EP - 2007
A Buyers Ride - 2005



Chapa's music has been called a "beautifully blended mixture of classical instrumentation, modern grooves, and timeless stories" and is, according to Russell Chapa, most succinctly summed up as "orchestral folk."

"Music is something that makes you feel jovial, warm, sad, hopeful, vibrant, understood and loved all at once," Chapa says, describing his passion for creating evocative, fresh sounds that defy convention. In regard to the group's experimentation, he offers this thought: "Play the music that you love to play." It's a simple secret, he believes, to creating music that sets itself apart and offers something exciting for a jaded listening community. And to keep things fun, he shares this advice: "Treat life with a smile."

At the end of 2008, Chapa released its second full-length effort, A Look to the West. Previous releases include the Believing EP from 2006 and 2004’s debut full-length, A Buyer's Ride. Chapa sounds include a multitude of instruments, such as cello, oboe, english horn, guitar, vibes, bass clarinet, melodica, flutes, saxes, piano, talking drum, glasses, sulings, and more.