Charlie Slick
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Charlie Slick

Ann Arbor, Michigan, United States | SELF

Ann Arbor, Michigan, United States | SELF
Band Pop Rock

Calendar

Music

Press


"Walter Carlos: An Electronic Pop Record By Charlie Slick"

"While electronic pop is often accused of being flat and emotionally chilly, Slick has managed to create a song cycle of genuine poignancy and wit...Slick's a real songwriter and not someone who only knows how to knock some keyboard lines together" - Allmusic


"GIMME SHELTER: CHARLIE SLICK"

"True musicianship is just one of many tricks up the sleeves of Ann Arbor’s own Charlie Slick. The man’s a killer producer perpetuating basement ass shakin’ like none other with his infectious electro-infused synth hooks, raw rhythms and poppy lyrics. He’s a real showman. Energetic. Unapologetic. And always the first one on the dance floor with moves that often explode in a barrage lights and glitter. But Slick’s also an inventor, a problem solver, a DIY maker to the max and a freaking songwriting machine." - Dig Boston


"Sushi Party"

"There are no words that can adequately describe Charlie's awesomeness..." - Writing With Light


"An evening with Charlie Slick and Thunda Clap"

"Saturday's show at Mark's Carts with Charlie Slick and Thunda Clap was totally awesome--quite possibly the best show I've seen all year. Anyway, they put on a great, high energy show. You should totally see them if you have the chance" - Damn Arbor


Discography

A Farout Indian (unreleased- fall 2011) as a vinyl LP

Elron Hubbard: released 2010 as a vinyl LP, a professional video for track "You've got the job".
Edward Murphy: released 2008 CD and Digital
In My Room: released 2008 CD and Digital
Walter Carlos: released 2007 CD and Digital
Pass The Time Machine: released 2005 CD and Digital

Photos

Bio

Charlie Slick is more of an opinionated basement madman than your usual suspect who makes butt shakin’ electro-pop.

Often outcast by both electronic outfits and the punk rock scene, Slick has worked tirelessly to develop a semi-cult following of teenage girls, DIY nerds, and stay-at-home moms, all of whom seem to relate to his quirky un-cool and yet showy approach to music and performance.

Besides keyboards, Slick and his female accomplices manipulate various effects and instruments that Slick often invents himself. He performs on the floor and engages the audience to dance with him, frequently shirtless, sweaty, and covered in glitter.

His newest album, his first release on vinyl, is entitled ELRON HUBBARD and deals with the age-old concept of hard work and the American Dream. Slick speaks of self worth, conspiracy, and even lifting from your job--and although it sounds serious, Slick keeps the mood light with his mostly tongue-in-cheek lyrics paired with bouncy electro bass lines.

Slick blends the charm and croon of Bowie with the dynamism and agility of Prince. He utilizes deft pop song craftsmanship and an outrageous live show--with genre-leaping appeal to engage open minded rockers and disco romantics alike.