Chick Willis
Gig Seeker Pro

Chick Willis


Band Blues Jazz


This band has not uploaded any videos
This band has not uploaded any videos



"Living Blues issue #179"

Long live Chick Willis and don't expect to here a better CD this year. September-October - Living Blues

"Blues Revue July-August"

Talking about making a first impression:

- Blues Revue

"Soul and Blues Report"

If you've lost touch with the "Stoop Down Man" this is the disc to get you back:

- Soul and Blues Report

"Honorary Membership"

The Blues Foundation of Memphis, TN. lifetime Honorary Membership of the Blues award.
- Memphis Blues Foundation

"Award of appreciation."

Blues in School Rhythm and Blues Foundation of Washington, DC Award of appreciation.
- Washington, DC Schools

"State of Georgia"

A Resolution presented by The House Of Representatives of the State of Georgia to Mr. Chick Willis. - State of Georgia

"T-Bone Walker Award"

Recipient of the Jus' Blues "T-Bone Walker" Award. This Award is given in recognition to the great Blues legend Aaron "T-Bone Walker". He was a great Singer, Writer and Guitar player of the 1930's, so it's only fitting that Chick Willis was presented with the first "Jus-Blues T-Bone Walker" award - Jus-Blues


Cooking The Blues/a tribute To Albert King
I Did It All
I Won't Give Up
Nasty Chick
I got a Big Fat Woman
From The Heart And Soul
Stoop Down Baby let your daddy see
American Roots
Footprints In My Bed
Holding Hands With The Blues
Back To The Blues
Y2K Recorded Live
Blues Class Blues
The Don Of The Blues



“The Stoop Down Man”
"The Don Of The Blues"
It is no exaggeration to state that the blues is one of the most flexible of musical forms. While most people associate this music with despair, the down and out, and the overcoming of adversity, it is also a sanctuary for much humor about the human condition. While the majority of performers only hint at this and even fewer utilize it effectively, hilarity and good times permeate the music of Blues Recording Artist “Chick Willis”. He can, and often does lay down some serious Blues. But his good nature and concern for his audience almost demand that he keep it on the light side. Chick, who currently resides in Forsyth, Georgia, was born in 1934 in Cabiness, Georgia. His dad was a railroad man and the Willis family moved to Atlanta when he was about 6 years of age. He was surrounded by music as a youngster and displayed an early affinity by teaching himself guitar while already having experience with vocals, learned by singing with a gospel group he and his brother and cousins sang with at their family church, and other church gatherings. His early influences included Sam “Lighting” Hopkins, Guitar Slim, T-Bone Walker, and Little Milton in the later years. He became good enough in his late teens to begin working professionally in Atlanta at the old Royal Peacock Club, where he backed or played with a wide variety of talent such as Jackie Wilson, The Five Royals, Ray Charles, Big Joe Turner, Nappy Brown, Sam Cooke, Jimmy Reed, and many others at venues ranging from the Apollo Theater to the Magnolia Ballroom. He made his recording debut around this time for the small Ebb record label out of Los Angeles, California.

Chick began working with his cousin, Chuck Willis, a rollicking R&B showman who was later known as the “King of the Stroll”. Throughout the middle 50’s and up until Chuck’s death in 1958, Chick toured incessantly with Chuck’s review all over the country. It was with this band that Chick solidified his concept of a satisfying stage show and emerged from this period with a wealth of valuable experience. Chick has since fronted his own units and has become one of the most in-demand performers on the Blues and R&B circuit. His penchant for raucous humor was undoubtedly primed when he gigged in the 60’s with Rudy Ray Moore of “Petie Wheatstraw” fame. He even snagged a small part in the movie. He also had a small part in the Buddy Holly story. In addition to being a first rate guitarist and vocalist, Chick plays drums, keyboard, harmonica, and bass. Sometimes he plays the guitar with tongue and under his legs. Anything is possible in his pursuit to electrify an audience with his dynamic stage presence.