Clean & Nasty
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Clean & Nasty

Band Pop Blues

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Press


"Soulful Korean-American singer, Susan Hwang and her threesome, Clean & Nasty get things started with jazzy, piano-driven originals like 'Love Slave' and 'The Yearning of Godless Hussies.'"

7. LOVE Featuring Clean&Nasty and Main Squeeze Orchestra
Mo Pitkin's, 34 Ave. A, nr. 3rd St., 212-777-5660.
A double bill that pairs a sexy soul singer and her sassy blues band with the world's only all-female accordion orchestra. - We made number 7


"To hear Susan sing will probably be one of the things I ask for if I ever find myself on a deathbed, or recovering from surgery, or awaiting execution. Situations like that. Dire situations." - modernarthur.com


"Da shiznit." - www.myspace.com


Discography

The first Clean & Nasty Single (featuring smash hits: Yearning of the Godless Hussies, Sincere Love Song and For Alex (It's not you; it's them))
On sale for $4

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Bio

"To hear Susan sing will probably be one of the things I ask for if I ever find myself on a deathbed, or recovering from surgery, or awaiting execution. Situations like that. Dire situations." - modernarthur.com
SUSAN HWANG, has been singing in blues clubs since her D.C. days and has been the only yellow member of gospel choirs since she was 13. After honing her primal yelling in hard rock band, Murderizer (murderizer.com), and squeezing like hell with The Main Squeeze Orchestra (mainsqueezeorchestra.com), Susan now writes songs with Clean & Nasty about the dumbest things ever and uses this group as a vehicle to explore the role of mundanity in a modern life punctuated by inexplicable moments of terror and an overriding sense of anxiety.

MICHAEL GITTLEMAN has been a bass player for the last 3 decades and has played with everyone from Fred Frith to Dave Newhouse to D.C. rock band, 9353, to Melting Fish with Matt Cameron. He has more basses than he has compassion for humanity. He's also the owner of a new studio in DUMBO, Electroluxe Studios (electroluxestudio.com)

IAN MEREDITH is perhaps the only Welsh banjo player on earth. He studies with banjo legend, Tony Triska, and also serves as the band’s style compass. He gets a new bow tie for almost every show.

CHARLES LAVOIE can pretty much play anything he gets his hands on. Currently, it’s harmonica and spoons, but he wouldn’t refuse a washboard if you threw it at him. Incidentally, he doesn’t listen to music that is written any later than 1979 (he thinks The Cure is called The Cures).

MARIA SONEVYTSKY was handstand champion of the first grade. Her prowess for physically demanding feats of grace made her a natural accordion player. She’s squeezed with the Main Squeeze Orchestra, Anti Social Music and various NYC gypsy-punk groups.