Music
Press
“Spiraling, evocative… Commercial appeal that wouldn’t sound out of place on modern rock radio stations.” - Mike Armitage Music Reviewer, The Globe and Mail
“This song is ideal for modern rock radio… In the right studio environment this song could be a bona fide hit” - Darrin Keene, Music Reviewer, Windsor Star
“Passionately played and sung.” - Chris Iorfida Music Reviewer, Chart Magazine
“The musicians played tightly… Cool guitar, great instrumentation, good vocal performance.” - TAXI A&R Review
“A super-charged performance delivered with passion and integrity.” - Dianne Wilmson, Live Music Reviewer
"One of the best live bands in Los Angeles!" Sue Landolff, Concert promoter (The Viper Room, The Joint, The Space, The El Rey, Good Hurt, Dragonfly, The Roxy) - Sue Landolff
"This 3-piece band creates a sound that at times likens itself to a well orchestrated composition that up to now, could only be found in the classic rock opera. All you A&R out there looking for something commercial and marketable, get off your asses and put The Days In Between to the test." -- - Theresa Yarbrough, Owner Bitchin' Entertainment
The lyrics are great, the power
chords are wonderful and the singing reminded me of Bono meets Jim
Morrison, moody strange, and very interesting. The song goes off in a
cool direction and is very well played. - Rob Kerr
Discography
The Days In Between; Drift Itunes Exclusive
Where The Voice Grows; A Benefit for Medicine for Humanity and the Special Games
The Days In Between; Help on the Way EP
Photos
Bio
Their emotionally charged performances and relentless do it yourself approach have enabled the Days to develop a faithful following and ongoing relationships with a number of popular nationwide venues. The Days recently arrived home from several months of touring colleges and clubs in California, Oregon, Washington, Idaho, Vancouver B.C, Nevada, Texas, New Mexico, and Arizona. After plans for a two week tour in Canada were thwarted due to work visa issues, the Days were welcomed into the legendary London Bridge Studios (Pearl Jam, Alice In Chains, Nickelback) in Seattle by engineer Geoff Ott (3 Doors Down, Melissa Ethridge, Unwritten Law, Candlebox.) and recorded a 6-song EP entitled Sessions on the Bridge due for limited release in 2007.
The Days are now in regular rotation on nationwide college and internet radio stations. They have topped the grunge, classic rock, and alternative charts on myspace.com, purevolume.com - where they were mentioned as one of the top unsigned acts.
Equally inspiring is the Days passion and energy off-stage for a growing list of causes. The Days were selected by Marymount Records to contribute a track to the label's compilation, benefiting Medicine for Humanity and the Special Games. They have performed live at the American Cancer Society's "Relay For Life" for the last two years and previously hosted a benefit show and local artist showcase for the Leukemia and Lymphoma Society in association with Team In Training. The Days have also formed a partnership with Rock the Vote (a bipartisan organization) to register fans online and at shows.
RECENT PRESS:
"This 3-piece band creates a sound that at times likens itself to a well orchestrated composition that up to now, could only be found in the classic rock opera. All you A&R out there looking for something commercial and marketable, get off your asses and put The Days In Between to the test." -- Theresa Yarbrough, Owner Bitchin' Entertainment
"Spiraling, evocative Commercial appeal that wouldnt sound out of place on modern rock radio stations."
-- Mike Armitage Music Reviewer, The Globe and Mail
"This song is ideal for modern rock radio In the right studio environment this song could be a bona fide hit."
-- Darrin Keene, Music Reviewer, Windsor Star (Review of the Days In Between song Find Your Way)
Passionately played and sung.
-- Chris Iorfida Music Reviewer, Chart Magazine
The musicians played tightly Cool guitar, great instrumentation, good vocal performance.
-- TAXI A&R Review
A super-charged performance delivered with passion and integrity.
-- Dianne Wilmson Live Music Reviewer, (Spaceland show, Silverlake CA)
"The Days In Between’s sound is melodic and sometimes has rather intricate guitar-work, such as my favorite track, "Find Your Way" Metal Edge Zine
"Future Classic Rock"
-- Matt LaMotte
THE INDEPENDANT
Review Of The Days In Between:
by Monica Marceli
August 31st 2005,
The Premier, Seattle
There is a Mariners game half a block away and parking is insane. I arrive about half an hour early and climb the three steps that give way to the stage and the floor of the venue and meet the eyes of Eric Lilavois, the voice and guitar of the very band I came to see, The Days In Between. He strums on the un-amplified guitar as he turns his attention to the speakers behind him, check*check� I take a seat not far from the stage and look up to see Matt Herman, "You must be the bass player�? he nods and introduces himself. "Are you from myspace?"? The drummer, Conor Logan comes over to say hi and talks to Matt about setting up. Eric is now across the room working on the set list.
It's 9:30 and people are filtering in, the Mariners game is about to let out and the Premier begins to fill. Conor calls out to the crowd and people gravitate toward the stage. The Days In Between rip into the first song of the set, the mics are being bitches but the strings and the drums sound amazing.
check*check Well Hello...
Eric spends more time airborne or crouched over the guitar than he does standing with two feet on the ground. His body bends around the guitar the way only musicians in this age can; its strings the beating of his heart - its breathing the air from his lungs. If you've ever seen the substance of a human being poured through an instrument, you know what I'm talking about. The lyrics are palpable and strong, Eric has a voice that makes you feel like you're part of the music, it resonates in you. Conor has such mastery over the drums it'll reset the pumping of your blood. Matt is more mellow; lost completely to playing the music until he remembers the crowd. The song changes and he puts the bass on the stand and sits in front of the keyboard. Playing one from their new EP, Help on the Way, Eric leans into the mic "That one's brand new, came out to kick off our tour, it's what? 5 days old?" He turns to give props to Conor and Matt. Everyone screams and ap
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