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Ñåðãåé Ñòàðîñòèí ñ ãðóïïîé êîëëåã-ìóçûêàíòîâ ïîïûòàëèñü âîçðîäèòü íà ñîâðåìåííîé êîíöåðòíîé ïëîùàäêå òðàäèöèè ñâÿòî÷íûõ êîëÿäîê è ãàäàíèé. Ñòàðèííûå äåðåâåíñêèå îáðÿäû è çàáàâû, ïðåäñòàâëåííûå ïåðåä ãîðîäñêîé ïóáëèêîé â êîíöåðòíîì çàëå â öåíòðå Ìîñêâû, ñîâñåì íå îêàçàëèñü ñòèëèçàöèåé èëè ýòíîãðàôè÷åñêîé ðåêîíñòðóêöèåé.
Âìåñòå ñ Ñåðãååì Ñòàðîñòèíûì (âîêàë, ãóñëè, äóõîâûå) íà ñöåíó Öåíòðàëüíîãî äîìà õóäîæíèêîâ âûøëè Ñåðãåé Êëåâåíñêèé (äóõîâûå, ýëåêòðîíèêà), à òàêæå è Òàèñèÿ (Òàÿ) è Îëüãà Êðàñíîïåâöåâû (âîêàë). Ýòîò êâàðòåò ñîáðàëñÿ ñîâñåì íå ñëó÷àéíî: îí ôàêòè÷åñêè ÿâëÿåòñÿ ÷àñòüþ (áåç óäàðíûõ, áàñà è ãèòàðû) ãðóïïû «Æèëè-áûëè». Åå íàçâàíèå ïîêà ÷òî ìàëî ãîâîðèò äàæå ëþáèòåëÿì ýòíè÷åñêîé ìóçûêè, ïîýòîìó íåîáõîäèìî äîáàâèòü, ÷òî ýòî î÷åðåäíàÿ (óæå òðåòüÿ ïî ñ÷åòó) ôàçà ðàçâèòèÿ ãðóïïû, äî ïðîøëîãî ãîäà õîðîøî èçâåñòíîé ñëóøàòåëÿì êàê Farlanders.
Íàçâàíèå áûëî èçìåíåíî â ñâÿçè ñ óõîäîì èç ãðóïïû îñíîâíîé âîêàëèñòêè — Èííû Æåëàííîé è ñâÿçàííûì ñ ýòèì èçìåíåíèåì ñòèëèñòèêè: òîãäà êàê àâòîðñêèå ïåñíè Æåëàííîé áûëè âûäåðæàíû â äóõå ìèðîâîãî ýòíî-ôüþæíà, íîâàÿ-ñòàðàÿ ãðóïïà áîëüøå âíèìàíèÿ óäåëÿåò àóòåíòè÷íîìó ôîëüêëîðó Êóðñêîé, Áåëãîðîäñêîé è Òâåðñêîé îáëàñòåé, ñïåòîìó ðåçêèìè íàðîäíûìè ãîëîñàìè ñåñòåð Êðàñíîïåâöåâûõ è ðàñêðàøåííîìó ð?êîâûìè êðàñêàìè ìóçûêàíòîâ-ìóëüòèèíñòðóìåíòàëèñòîâ.
 ìàëîì ñîñòàâå ãðóïïà çâó÷àëà âåñüìà ñâîåîáû÷íî. Îáùèé òîí ñðàçó çàäàë îïûòíûé Ñåðãåé Ñòàðîñòèí (íå òîëüêî êëàðíåòèñò è âîêàëèñò, íî è íåóòîìèìûé ñîáèðàòåëü ôîëüêëîðà, íîìèíàíò íàãðàäû World Music 2003), èñïîëíèâ â ñîïðîâîæäåíèè âîëûíêè Êëåâåíñêîãî ïåñíþ «Ïåðåïåëóøêà», ñî÷èíåííóþ èì ïî ìîòèâàì ôîëüêëîðíûõ ýêñïåäèöèé.  òå÷åíèå âñåé äâóõ÷àñîâîé ïðîãðàììû ïîäëèííûå äåðåâåíñêèå ïåñíè ïëàâíî ñìûêàëèñü ñ ÿðêèì ïåðñîíàëüíûì òâîð÷åñòâîì ó÷àñòíèêîâ êîíöåðòà — ëþäåé ñîâðåìåííûõ è ãîðîäñêèõ. Ñåðãåé Êëåâåíñêèé èãðàë íà êëàðíåòå, ôëåéòå, êàëþêå (âàðèàíò ðóññêîé äóäêè), èñïîëüçóÿ ïîðîé îêòàâíûé äåëèòåëü è ïðî÷óþ ýëåêòðîíèêó, îò÷åãî ýòè èíñòðóìåíòû çâó÷àëè òî êàê ôëåéòà ßíà Àíäåðñåíà (Êëåâåíñêèé ïðèçíàâàëñÿ â èíòåðâüþ, ÷òî âçÿëñÿ çà äóõîâûå èìåííî ïîä âëèÿíèåì Jethro Tull), òî âîîáùå êàê ýëåêòðîãèòàðà (îäíà êîìïîçèöèÿ òàê è íàçûâàëàñü — «Ïîñâÿùåíèå Äæåôôó Áåêó»), à åãî ïüåñû ñìûêàëèñü ÷óòü ëè íå ñ ôðè-äæàçîì. Ñòàðîñòèí óñòðàèâàë ñ Êëåâåíñêèì ìóçûêàëüíûå äóýëè íà êàëþêàõ, ñàì èãðàë íà ãóñëÿõ — è îêàçàëîñü, ÷òî â óìåëûõ ðóêàõ, äà åùå è â ñîïðîâîæäåíèè õîðîøî èíòîíèðîâàííûõ æåíñêèõ ãîëîñîâ, ýòîò ïî÷òè ÷òî ñêàçî÷íûé íûí÷å èíñòðóìåíò èäåàëüíî ãîäèòñÿ äëÿ ìóçûêè, êîòîðóþ ñåé÷àñ íàçûâàþò êðàñèâûì ñëîâîì «ïñèõîôîëê» (âðîäå áû ôîëüêëîð, íî ñ ïñèõîäåëè÷åñêèì, øàìàíñêèì ïðèâêóñîì).
Êóëüìèíàöèåé ïðîãðàììû îêàçàëñÿ òîò ìîìåíò, êîãäà êîíöåðò, ñîáñòâåííî, êîíöåðòîì áûòü ïåðåñòàë: Ñòàðîñòèí îáúÿâèë, ÷òî ñåé÷àñ íà÷íóòñÿ ñâÿòî÷íûå ãàäàíèÿ, ñíÿë ñ ãîëîâû øàïî÷êó è ïðåäëîæèë âñåì æåëàþùèì êëàñòü â íåå êîëüöà, êëþ÷è è ïðî÷. Ïîñëå ÷åãî ïîä èñïîëíÿåìûå èì è ñåñòðàìè Êðàñíîïåâöåâûìè «ïåñåíêè ïîäáëþäíû» è ïîä äîáðûé ñìåõ çðèòåëåé êîìó-òî íàãàäàëè ïðèáàâëåíèå â ñåìåéñòâå, êîìó-òî — ïðèáàâêó ê çàðïëàòå, à êîìó-òî äàæå ïîñîâåòîâàëè «íå ïîçâîëÿòü ñâîåìó ïåòóõó ÷àñòî ñàäèòüñÿ íà çàáîð, ÷òîáû íå çàãëÿäûâàëñÿ íà ÷óæîé äâîð».
×òî â ïåñíÿõ, ÷òî â ãàäàíèÿõ àðòèñòû äâèãàëèñü ê îäíîìó è òîìó æå. Ê èñïîâåäóåìîìó Ñòàðîñòèíûì ñî òîâàðèùè ìóçûêàëüíîìó íàïðàâëåíèþ ïîìèìî «ïñèõîôîëêà» ïðèìåíÿþò åùå áîëåå êðàñèâûé ìóçûêàëüíûé òåðìèí: «ìåìîðàäåëèÿ» — ìóçûêà, íå òîëüêî âîçäåéñòâóþùàÿ íà ñëóõ, à îáðàùàþùàÿñÿ íåïîñðåäñòâåííî ê ïàìÿòè ñëóøàòåëåé.  òîì ÷èñëå è ê ïàìÿòè î òîì, ÷åãî ñ íèìè íèêîãäà íå áûëî.
http://www.vedomosti.ru/newspaper/article.shtml?2007/01/16/119003
- Âåäîìîñòè
Àíñàìáëü «Æèëè-Áûëè» - ýòî ñîþç ÷åòûðåõ ìóçûêàíòîâ: Ñåðãåÿ Ñòàðîñòèíà, Ñåðãåÿ Êëåâåíñêîãî è Òàèñèè è Îëüãè Êðàñíîïåâöåâûõ. Âûñòóïàþò îíè, ïðÿìî ñêàæåì, ðåäêî, äà è àëüáîìîâ ñîâìåñòíûõ ïîêà íè îäíîãî íåò. Íî òåì, êòî êàæäûå ïîëãîäà çàáðàñûâàåò ñâîè äåëà è èäåò íà èõ êîíöåðò, âïå÷àòëåíèé õâàòàåò íàäîëãî. Äî ñëåäóþùåãî ðàçà. Êàæäûé èç ó÷àñòíèêîâ «Æèëè-Áûëè» - ñàì ïî ñåáå äîâîëüíî èçâåñòíûé ìóçûêàíò. Ñåðãåé Ñòàðîñòèí – îäíà èç êëþ÷åâûõ ôèãóð â ñôåðå íàøåé ýòíî-ñöåíû - ïåâåö, äóõîâèê, ñîáèðàòåëü ðóññêîãî ôîëüêëîðà. Ñåðãåé Êëåâåíñêèé – èçâåñòíûé äóõîâèê, âëàäåþùèé íåâåðîÿòíî øèðîêèì íàáîðîì èíñòðóìåíòîâ, è èãðàâøèé ñ Èâàíîì Ñìèðíîâûì, Àíæåëîé Ìàíóêÿí, Äìèòðèåì ×åòâåðãîâûì è äð. Ѹñòðû Êðàñíîïåâöåâû - òîæå äåâóøêè â ìèðå ýòíî-ìóçûêè äîâîëüíî óçíàâàåìûå. Âñåãäà ïðèÿòíî ñëóøàòü èõ ÿðêèå è ÷èñòûå ãîëîñà, íåâàæíî, ïîþò ëè îíè âåñåëûå ðóññêèå íàðîäíûå ïðèïåâêè èëè ëèðè÷åñêèå êîëûáåëüíûå. Ñîþç ýòèõ ìóçûêàíòîâ ðàäóåò ìîñêâè÷åé âîò óæå íå ïåðâûé ãîä. Èãðàëè îíè è â êóëüòóðíîé ìåêêå - çàëå ÖÄÕ, è â ìàëåíüêîì óþòíîì «Æèâîì óãîëêå». Òåïåðü âîò «Æèëè-Áûëè» îñâàèâàåò è ÄÎÌàøíèå ïðîñòîðû.
Êóëüòóðíûé öåíòð «ÄÎÌ» - êëóá ïî ïëîùàäè, â ïðèíöèïå, íåìàëåíüêèé (âñå-òàêè èçâåñòíîå ìåñòî, êàê-íèêàê). Îôèöèàëüíîñòè åìó äîáàâëÿþò ðÿäû ñòóëüåâ è âûñîêàÿ ñöåíà (ñîâñåì íå òî, êàê êîãäà-òî ëåòîì â ÄÎÌå áûëà ðàçáðîñàíà ñâåæåñêîøåííàÿ òðàâà, ëþäè ñèäåëè ïðÿìî íà íåé, à ñöåíà âîçâûøàëàñü íàä ïîëîì âñåãî íà 20 ñì). Âñå ýòî íàñòðàèâàåò íà «êîíöåðò» â òîðæåñòâåííîì ñìûñëå ýòîãî ñëîâà, à íå íà ñåéøí, â êîòîðîì çðèòåëè òîæå ïðèíèìàþò àêòèâíîå ó÷àñòèå. Íî âûøåäøèå íà ñöåíó Ñòàðîñòèí ñ Êëåâåíñêèì, ýòîò íàñòðîé òóò æå ðàñòîïèëè òåïëîì è äóøåâíîñòüþ ñâîåé ìóçûêè. À ïîòîì ïîÿâèëèñü è Îëüãà ñ Òàèñèåé. Îíè ïåëè, ñìåÿëèñü, âåñåëèëèñü, à çðèòåëè ñìîòðåëè íà íèõ âîñòîðæåííûìè ãëàçàìè, ïðèòîïûâàëè íîãàìè â òàêò ìóçûêå è íå óñòàâàëè õëîïàòü â ëàäîøè. Èãðàÿ ñâîþ ïðîãðàììó, ìóçûêàíòû ïîñòîÿííî ìåíÿþò ñîñòàâ: òî óõîäÿò ñî ñöåíû, òî ïîäíèìàþòñÿ âíîâü. È êàæäûé èç íèõ õîòü ðàç, íî èñïîëíÿåò ñîëî. Òîìó, êòî áûë íà èõ êîíöåðòå íå âïåðâûå, íåñëîæíî áûëî âûäåëèòü ïåðåõîäÿùèå îò âûñòóïëåíèÿ ê âûñòóïëåíèþ ïåñíè, âñåãäà ïðèíèìàåìûå ïóáëèêîé íà «óðà». Ýòî, íàïðèìåð, ëèðè÷åñêàÿ «ïðîñâåòëÿþùàÿ» ïåñíÿ «Äàëåêî, äàëåêî…» (Ñ. Êëåâåíñêèé, Ñ. Ñòàðîñòèí), âåñåëûå êóïëåòû ïðî ñòðàäàíèÿ (Ñ. Ñòàðîñòèí), íåæíàÿ «Êîëûáåëüíàÿ» (Ñ. Êëåâåíñêèé, Ñ. Ñòàðîñòèí, Î. Êðàñíîïåâöåâà), ðàçóäàëàÿ «Çàïëåòèñÿ, ïëåòè…» (ïîëíûé ñîñòàâ). Àïîôåîçîì äóøåâíîãî åäèíåíèÿ ëþäåé ïî îáå ñòîðîíû àâàíñöåíû ñòàëà êîìïîçèöèÿ Ñåðãåÿ Êëåâåíñêîãî, èñïîëíÿåìàÿ íà èíñòðóìåíòå õóëóñå. Äëÿ ñîçäàíèÿ ôîíà, Ñåðãåé íå ñòàë âêëþ÷àòü «âñÿêèå òóò äåâàéñû», à ïîïðîñèë çðèòåëåé ïðîñòî íàáðàòü ïîáîëüøå âîçäóõà â ëåãêèå è ïåòü «îì» íà ïðîòÿæåíèè âñåãî ñîëî. Ýôôåêò ïîëó÷èëñÿ íåîáû÷íûì: ñëóøàòü (à òåì áîëåå ñîçäàâàòü ñàìîìó) òàêóþ ìóçûêó è äëÿ êàðìû ïîëåçíî è êàê-òî ñèþìèíóòíî, äëÿ äóøè, ïðèÿòíî.
 öåëîì, ýòîò êîíöåðò (äà è ëþáîé äðóãîé àíñàìáëÿ «Æèëè-Áûëè») ìîæíî îòíåñòè ê ðàçðÿäó ñðåäñòâ äîñòèæåíèÿ ïðîñâåòëåíèÿ è ãàðìîíèè. Ñóäÿ ïî ñ÷àñòëèâûì ëèöàì ëþäåé, âûõîäÿùèõ èç çàëà, ïî èõ ñâåòÿùèìñÿ ãëàçàì è ëó÷åçàðíûì óëûáêàì, ìóçûêàíòû ïîïàëè â òî÷êó, ðåøèâ çàêëþ÷èòü òâîð÷åñêèé ñîþç. Ðàññòðàèâàåò ëèøü îäíî, ÷òî êîíöåðòû èõ ðåäêè, à ïîâòîðèòü âïå÷àòëåíèÿ, íàæàâ â ëþáîå âðåìÿ êíîïêó play, âîçìîæíîñòè íåò. Ïî ñëîâàì Ñåðãåÿ Êëåâåíñêîãî, òàê ïîëó÷àåòñÿ èç-çà ïîñòîÿííîé çàíÿòîñòè è ïëîòíûõ ãàñòðîëüíûõ ãðàôèêîâ ó÷àñòíèêîâ àíñàìáëÿ. Áóäåì íàäåÿòüñÿ, ÷òî âûõîä èõ ïåðâîãî àëüáîìà êîãäà-íèáóäü âñå-òàêè ñîñòîèòñÿ, è òîãäà ó êàæäîãî èç íàñ áóäåò äîìà ñâîé ñîáñòâåííûé ìàëåíüêèé ìàãàçèí÷èê «Òèôôàíè» - çàùèòà îò "ÿðêî-êðàñíûõ çàùèòà äíåé".
- http://www.jamsession.ru/
Discography
Krov s molokom - 2006
Live in DOM - 2008
Photos
Bio
ETHNOLAB
Sergey Starostin (vocals, gusli, woodwinds)
Sergey Klevenskiy (woodwinds)
Olga Krasnopevtseva (vocals)
Taisia Krasnopevtseva (vocals)
A professional folklorist, Sergey Starostin is much more famous as a talented singer and musician. He plays a variety of traditional russian and classical instruments. Sergei is famous for his experiments with musical styles, wich finally him to playing an interestingmix of jazz, traditional folk and rocknroll. Furthermore, being an outstanding musician made Sergey Starostin a forerunner of the modern Russian folk scene. He has widely cooperated with Moscow Art Trio, Farlanders, M. Alperin, A. Shilkloper and D. Gasparyan. In October 2002 Sergei became a nominee for the BBC Radio 3 World Music-2003 award.
Sergey Klevenskiy a multiinstrumentalist. Sergey has mastered more than a dozen of musical instruments. He has been experimenting widely, shifting from acoustic fusion to idm and hardcore. During his career Sergey has been working with such prominent russian musicians as Ivan Smirnovs quartet, Farlanders, Myullaryt, Volga, Moscow Grooves Institute, MaleriYA, Art Ceilidh. Today Sergey Klevenskiy is considered to be one of the leading musicians of the modern Russian ethno music scene.
Olga and Taisia Krasnopevtseva have been traveling the width and breadth of rural Russia since early childhood first with their parents and later on their own. During their expeditions the sisters have amassed a large material of traditional Russian songs and chants. Both Olga and Taisia have mastered the traditional Russian singing techniques. They are widely known as professional folklorists and folk singers. The duo is already massively popular. The Krasnopevtsev sisters have been cooperating with such famous musicians as A. Shilkloper, V. Volkov, A. Kotov and I. Butman.
The goal of the project was to give all of the unique musicians a chance to collaborate and mold their talents into one outstanding performance. The music is a mix of folklore from all around the world and modern jazz and is sure to give the audience a touch of magic, a moving sensation of happiness and warmth.
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