Garland of Hours
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Garland of Hours

Arlington, Virginia, United States | INDIE

Arlington, Virginia, United States | INDIE
Band Alternative Americana

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This band has not uploaded any videos
This band has not uploaded any videos

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"Garland of Hours-The Soundest Serum"

Amy Domingues has played cello on albums by many of D.C.'s biggest names -- Fugazi, Ted Leo and Bob Mould, just to name a few. On "The Soundest Serum," she proves she's no mere sidewoman, though, as she leads her band through a strong set nine-song set. The tracks range from the torchy, spooky murder ballad "Dear Henry" -- highlighted by the cutting guitar work of frequent collaborator Mary Timony -- to the bouncy, piano-driven "Brick Eyes" to the solo-cello showcase of album closer "Difficult Run." There's certainly a medieval feel to the proceedings, but this isn't Renaissance Faire fare. It's hip, seductive chamber pop done right. - Washington Post


"Garland of Hours show preview pick"

As far as retro-rock is concerned, contemporary bands have pretty much mined the past four decades to exhaustion. However, musicians with an affection for yore have found that there's a surprising amount of merit in reaching further back for your influences-even into a time beyond memory. As the leader of Garland of Hours, Amy Domingues doesn't quite reach as far back as bands like OM, whose work suggests the 13th century--Garland of Hours looks back only as far as the Renaissance. The group's modal melodies are equally haunting and hooky, using piano, cello, and Domingues' melancholy voice to evoke an eerie timelessness - Washington City Paper


Discography

The Soundest Serum CD 2007
Garland of Hours CD 2003

Photos

Bio

Amy Domingues has played cello on albums by many of D.C.'s biggest names -- Fugazi, Ted Leo and Bob Mould, just to name a few. On "The Soundest Serum," she proves she's no mere sidewoman, though, as she leads her band through a strong set nine-song set. The tracks range from the torchy, spooky murder ballad "Dear Henry" -- highlighted by the cutting guitar work of frequent collaborator Mary Timony -- to the bouncy, piano-driven "Brick Eyes" to the solo-cello showcase of album closer "Difficult Run." There's certainly a medieval feel to the proceedings, but this isn't Renaissance Faire fare. It's hip, seductive chamber pop done right