Groove Stain
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Groove Stain

Atlanta, Georgia, United States | INDIE

Atlanta, Georgia, United States | INDIE
Band Rock Reggae

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This band has not uploaded any videos

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"Groove Stain @ Rivalry's Macon GA"

If You Love The Sound Of Ska Matched With
The Appeal Of A Down-To-Buisness Rock,
You Will Surely Enjoy This Band And
Get Your Groove On In The Process.
Fast-Paced, Energy-Driven, Horn-Blowing Music
Bound To Make Your Ass Move. - The 11th Hour


"Groove Stain Show Review 5-23-08"

The Drunken Unicorn is a dirty, hole in the wall kind of bar off of Ponce De Leon… perfect for the local rock scene. Despite its humble appearance and lack of parking, you can usually find a good (and sometimes not so good) show throughout the week. As you walk down the steps to greet the bouncer, pay your cover, and open the door, the pungent aroma of cigarettes and beer drift up your nostrils. The dark rooms are covered in murals and filth. The crowd is ranging from punk to hip hop. This is the kind of place where modest bands create their followings, and have the most intimate kind of show. I love attending shows in settings like this, where your main draw for attending is for the music and the experience, and less of the lights and glamour. This is the setting for the May 23rd Groove Stain show.
Atlanta's Rock Scene
www. atlrockscene. com

The small stage could barely hold all of Groove Stain’s members and equipment. This however did not hinder their performance by any means, as they were still mobile and interactive with their crowd. Opening up with “AOK”, a fast paced, high energy song was certainly the way to go. The drums kick it off, the trumpet enters the scene, and the rest of the band follows suit. Eric Patterson, vocalist, has a raspy, yet soothing voice that when matched with the ska and punk sound invokes the listener to immediately start dancing. Mike Hatton, bassist, seemed enthralled by his own talent maintaining a cool disposition side stage, while thumbing with enthusiasm and flare.

As Brian Daggett, drummer, provides the intro to “Fat Cats”, a jazzy twist on their punk rock sound, you immediately want to start jumping around. The bridge towards the end slows down, and then steadily picks back up hyping their listeners and encouraging squeals from the crowd as the trumpet spins and the guitar kicks. Jon Etheridge, trumpet and vocalist, really shines throughout the performance, particularly in “Friday”, which shows their diversity with a side order of reggae. A very smooth sounding song that made the entire crowd sway as Patterson entranced the crowd. Chris Pope, guitarist, has a very appropriately placed solo, that certainly shows off his skills with the strings.

Possibly my favorite song of the night, “The One”, is both creatively intelligent and beautiful musically. The band’s change ups from one sound to the next are smooth and superior. The crowd was very familiar with the song, and sang right along with Patterson. The trumpet and guitar are harmonious and exquisite, finishing the song with a delicate touch.

Whether you see them at a hole in the wall like The Drunken Unicorn, or a larger venue like The Masquerade, the quality of talent is apparent. If you love the sound of ska matched with the appeal of down to business rock, you will surely enjoy this band and get your groove on in the process. Check them out at an upcoming show near you.
~Kris Melton
- Atlanta's Rock Scene


"Atlantis Music Conference 2008 Six Acts Not To Miss"

It’s always a party when Groove Stain hits the stage. If you’re looking for a good time, this is your band. This rhythmic Atlanta band fires up reggae and ska in a blaze of punk energy. The audience is the real winner when the quintet’s impressive vocal harmonies and big guitar chords tussle with the blast of brass.
- Atlanta Journal Constitution


"Groove Stain"

"Groove Stain: This rhythmic Atlanta combo could give punky ska a good name again. Chunks of guitars and impressive vocal harmonies vie with the blast from the horn section - and everybody wins" - Atlanta Journal Constitution - Access Atlanta


"Watch Out For That Groove Stain"

A week after performing Atlantis Music Festival, Groove Stain celebrated their 10th Anniversary on September 28th with a wild show at Breakers in Jonesboro. With their unique mix of Rock, Reggae, and Punk sounds, Groove Stain's High Energy Performances keep the crowd moving all night. - Target Audience Magazine


Discography

-Open up a can - 1998

-Over The Moon In Extacy - 2000

-Other 9 to 5 - 2002

*Empty Handed
*Better Left Unsaid
*Lookin' Sorta Down
*Things I Never Knew
*Shot Out
*Until You've Seen The Sun
*NoBody Likes You

-Groove Stain (self titled) - 2007

*A.O.K.
*Fat Cats
*With You
*Apathy
*Friday
*Something For You
*Ode To Karen And Danny
*I Hate Me
*Cold Twin Bed
*Lay Down
*The One
*Free To Speak
*Hint Of Urgency
*Half Past Last Call

-Out All Night - 2010

*All In Your Head
*End Of Days ft. SOJA
*Take Your Life
*Out All Night
*Keep Us Blind
*Get Back
*Roll One ft. 4-IZE
*Hard To Get
*Stay
*I'm Gonna Take You Home Tonight
*Light It Up (Burn It Down)
*No More Lines
*Best I Can
*Like We've Always Done ft. Clayton Hiers

Photos

Bio

Groove Stain emerged from the hayseed town of Newnan, GA as a band determined to amplify the nucleus of the rock/reggae genre. It was among the halls of East Coweta High School where schoolmates Erok Patterson, Mike Hatton and Jonny Etheridge allied their musical talent and harebrained humor.

Their first EP demonstrated keen musical talent humbled by the trio’s adolescent buffoonery. It spawned the 1999 release of their first full length album, Open up a Can, which caught the ears of budding Atlanta hip-hop DJs Chris Luva Luva (a.k.a. Ludacris) and Poon Daddy. This opened the door for the band to perform with Ludacris in Statesboro, GA, and contribute to “Midnight Train” on Luda’s debut album, Incognegro.

In 2000, Patterson and Hatton sharpened their skills at the Atlanta Institute of Music, while Jonny Etheridge studied music education at the University of West Georgia. It was at AIM where Patterson and Hatton met drummer Brian Dagget, who had previous experience working with SOJA. Dagget brought diversity to the band by adding the reggae influence that is the backbone of their music today. Dagget’s exceptional drumming inspired Groove Stain to finish their second album, The Other 9 to 5, which they recorded at Full Sail University. During this time the band expanded their fan base throughout the southeast, touring from Texas to the Carolinas.

2007 saw the release of their self-titled album, Groove Stain. After years devoted to regional touring the band took on the rest of the States alongside SOJA, Ballyhoo, and Jimmie’s Chicken Shack. For the next three years, the band leapt at opportunities to share the stage with artists like Snoop Dogg, Nappy Roots, Rehab, Reel Big Fish, The English Beat, Less Than Jake, and Weezer.

May 2010 introduced Brian Dagget with the opportunity to sit in as drummer on SOJA’s European tour. The Groove Stain stalwart triumphantly arrived back in Atlanta in time to complete the band’s fourth and most recent album, Out All Night, which was produced and engineered by Grammy winner Juan Covas. The album was ranked as one of the top twenty reggae albums of 2010 on iTunes, and is featured on iTunes UK, Europe, Japan and South America.

In 2011 the band welcomed keyboard player Eric Cohen-Greenburg and trombone player Sam Szpendyk. Amidst a packed touring schedule, the band is now anticipating the 2012 premier of their album produced by Atlanta’s own Rico Wade and Organized Noize, followed by a tour with legendary Toots and the Maytals.

Groove Stain has shared the stage with such National acts as:

*Snoop Dogg
*Toots and the Maytals
*Reel Big Fish
*English Beat
*Jimmie's Chicken Shack
*S.O.J.A.
*Ballyhoo!
*Ludacris
*The Supervillains
*The Toasters
*The Kottonmouth Kings
*Phunk Junkies
*Authority Zero
*Passafire
*The Movement
*The Expendables
*Less Than Jake
*Long Beach Short Bus
*Eek-A-Mouse
*Rehab
*Nappy Roots
*4-IZE
*Whole Wheat Bread
*B-Foundation
*Fayuca
*Josh Heinrichs
*Mike Pinto
*Mambo Sause
*Tribal Seeds