HeeSun Lee
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HeeSun Lee

Staten Island, NY | Established. Jan 01, 2002 | SELF | AFM

Staten Island, NY | SELF | AFM
Established on Jan, 2002
Solo Hip Hop Spoken Word

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"HEESUN LEE TALKS ABOUT ANXIETY IN “I’M WITH YOU”"

New York City rapper HeeSun Lee adresses the hardship of dealing with anxiety in “I’m With You,” a song from her brand new album Beauty For Ashes.

“I feel like so many people have this issue with anxiety and panic disorders and its so not talked about to the point where its wrong or weird to have it, which to me is insane.”
HeeSun Lee wants to tell people who struggle with anxiety and panic attacks that it is okay to have this struggle, and that one should not be ashamed of it. The song shares a story of a girl struggling with anxiety and finishes with the individual not getting over it, rather accepting that it is part of her life.

HeeSun Lee says that she has seen a therapist for anxiety, and says that one of the most important things she was told was, “It is okay to have this issue. The second you tell yourself its okay to have anxiety is the moment you will be better. People keep telling themselves that they can’t have this issue, that there’s something terribly wrong with you if you have it. You have to get rid of it, and thats what makes people more anxious.”

Lee says that when you embrace the reality of your anxiety, it is easier to deal with.

“We’re going to be anxious at times and I don’t want people to feel like there’s something wrong with them.”
Stay tuned to our website for a full interview with HeeSun Lee about her new album Beauty For Ashes. - FOUAD ABOU-RIZK


"#SnackTalk with Rapper Heesun Lee"

Heesun’s had a busy couple of weekends. Performing at the K-town Night Market in Los Angeles, then back home to New York for KCON NY the next weekend is a lot of flying.

But a bit of travel doesn’t bother the NYC-based rapper much. Heesun is about to make waves in the mainstream music scene with her upcoming album, “Beauty For Ashes.”

Before her K-town Night Market performance, we met Heesun for the first time when she swung by our office with her family! Check out our interview with Heesun below, and take a listen to some of her tracks!
SnackFever: Where do you draw inspiration for your music?

Heesun: A lot of it is life experiences, things that I’ve been through, things that I see in the world. [I’m] about, as corny as it sounds, trying to make the world a better place, give women some hope.

The music that’s out these days, especially hip hop, is you know, all sex. There’s no self-worth in any of the music these days. I really want ot bring that out, and show women that they should be proud of who they are, and who God made them to be, and not care what society thinks of them.

That’s the message I try to bring, especially for women.
How did your upcoming album, “Beauty For Ashes,” get its title?

There’s a Bible verse, Isaiah 61. We were built out of ashes, we came out of nothing. God transforms us into something beautiful.

That’s what my album is about. It’s a lot of things that happened in my past, showing people what I became, and encouraging others that they can be that, too. You can still be the person God calls you to be, wherever you are in life.
You independently produced “Beauty For Ashes.” How tough was that?

I used to be part of a small Christian label. It was growing, and we had, not a horrible falling out, but a lot of creative differences, and me having children…

We parted ways, and that inspired me to do this album. It took a little longer than I wanted to. I went from being signed to a label to being an independent artist, and that reflects in my album.

It was financially hard — two kids, and only my husband is working. I went from having a label to having nothing, that type of thing. It really feels like beauty for ashes because I started with nothing, and I had to build this album on my own.

https://www.instagram.com/p/BGIJzEfsQ1N/?taken-by=msheesunlee

Have you met fellow adoptees in the music industry?

I’m meeting so many, and in the creative industry, people tell me about all these Korean adoptees. It’s very encouraging for me, because I felt like I was the only one doing this.

For [fellow adoptee] DanAKADan/Dan Matthews, that’s amazing to be able to go there and find your parents, and kind of close that part of your life. That’s an encouragement to me, to see that he raps, and that he’s adopted, you know? He’s doing it.
It’s very interesting to see. I think there’s a lot of Korean adoptees who have a story, and they’re becoming not afraid to express it. They’re not ashamed – it used to be kind of a shameful thing, being adopted and not knowing your culture.

I used to get made fun of a lot in high school. These Korean people were like, “You should speak Korean. You don’t know your parents!”

You know, nothing too serious. But it got to me. At that time, you’re really young, and I was like, “You know, there is something really wrong with me.”

That’s how I got into music. I was like, “This is where I feel accepted.” Now, it’s getting better. I feel better about myself now.
How has your stay in Los Angeles been, especially Koreatown?

I was telling my husband — we haven’t even explored it all yet.

I would love to just walk around here and really embrace the culture, get to see everything that’s going on here.

There’s a lot of Koreans in New York, so I got used to that already. But I think it’s a lot bigger here. I always hear that Koreans in LA, this is the place where things happen. It’s not like that in New York. I’m trying to digest it all.

Hopefully I can come back and learn more. We’ll see what happens! - James Bbang


"The Fearless Call of Asian Americans in Christian Hip-Hop"

That dope Chinese rapper.

MC Jin remembers immediately being labeled by his ethnicity when he got his big break over a decade ago. He recalls the experience in Bad Rap, a documentary about Asian Americans in hip-hop that recently premiered at the Tribeca Film Festival.
or Jin, perhaps it made sense: he was the first Asian American rapper to score a major record deal, so in many circles, he was the Chinese rapper—the only one.

But just as TV shows like Fresh Off the Boat and Master of None have challenged the industry standard that one Asian American cast member is enough, things are also changing in Christian hip-hop.

Now more than ever, Asian Americans in that arena reach both domestic and international audiences with their music. At the same time, they wrestle with the kinds of complex questions that gospel rappers and others who straddle two identities—whether ethnic or cultural—must navigate. How do I present myself? What brand is most effective for both marketing and ministry?

“I would like to just be known as a rapper, but I guess that’s really not up to me,” said Heesun Lee, a 32-year-old Korean American artist whose latest album is titled Stereotypes. “It’s more for the audience to decide. Do they see me first as a female, an Asian, or a Christian?”

As a minority in the US and in hip-hop culture, Asian Americans can feel the pressure to represent their entire ethnicity. In an interview with YouTube hosts The Fung Bros, MC Jin admitted when he became famous, he felt “an uncountable amount of people … looking at me [and saying] ‘Yo, everything you do better make us look good!’”

Together and fearless
But Asian American identity also serves as a rallying point for fellow artists and fans; there’s no longer “only one” to follow. MC Jin—who came to faith a few years into his career—now performs with several others who share his background and beliefs. That’s what he did as part of the historic Fearless Tour, which traveled to four cities on both coasts of the United States in 2014.

“This many Asian American Christian hip-hop artists have never—never ever in time—shared the same stage together,” said Sam Ock, one of the tour’s featured acts. Ock’s record label, Good Fruit Co., has become a home for Asian American artists.
In addition to Ock’s group, AMP—a melodic hip-hop trio he formed with fellow rappers J. Han and CL—the Fearless lineup included MC Jin; HeeSun Lee; Seattle-based storytelling rapper Gowe; freestyling wordsmith Mickey Cho; and jazz rapper NAK.

For HeeSun Lee, who typically tours with black and Hispanic artists, Fearless represented the largest Asian crowds she’d ever seen at her shows. “It was just a bunch of yellow people everywhere,” she joked. “I was proud to see there were others like me that had the same goals and visions, and they weren’t scared to live out their dreams and be unashamed [of the gospel].”

HeeSun noted that she and her tourmates felt pressure from their parents to pursue higher education and careers in fields like medicine or engineering instead of the arts. “Even my own mom gave me a hard time about it,” she said.

Many of today’s Asian hip-hop acts also share a kinship as second or third-generation Americans. Some, like CL, grew up with immigrant parents who did not speak English until years after their arrival on US soil. Others, like HeeSun, were adopted by parents whose heritage differed from their birthplace. Yet in both cases, these artists were raised on one of America’s most popular exports: The culture and music of hip-hop. - Jason Bellini


"Heesun Lee on Nicki Minaj as a Role Model"

Rapper HeeSun Lee released her album "Stereotypes" on the recently launched In My City Records label earlier this year and is buzzing in the hip-hop community.

The female MC already has an impressive resume that boasts songs with infamous battle rapper Jin and respect from well-known peers such as Andy Mineo. She's currently working on some new music and recently took the time out to speak with The Christian Post where she shared her views on the "Christian rapper" label and female rappers as role models.

image: http://images.christianpost.com/full/74706/heesun-lee.jpg

HeeSun Lee
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PICTURE: IN MY CITY RECORDS
Rapper HeeSun Lee.

Christian Post: How long have you been involved in hip-hop, and how long has your faith been a part of your music?

HeeSun Lee: That's a funny question because [an old collaborator] sent me the first song I ever recorded [recently]. That was actually in 2002. It's been about 12 years. I always wrote poetry and loved writing. I guess you could label it Christian, [but it was more] about everything I was going through. [Eventually I started talking about God more. But my faith was a part of my music from] the beginning.

CP: How did your collaboration with MC Jin come about?

HL: I did a song called "I'm a Christian" that had various artists on it and the producer on there is a good friend of mine. I don't know how Jin heard the song, but he actually [ended up] loving it. This is when he first became a Christian and he didn't really hear [too much] Christian hip-hop. He contacted the producer of the song and gave him props. He even shouted me out. I was in total shock. The producer told me about that and I was like wow, maybe I should try and get him on a song. The producer gave me Jin's email so I emailed him. He actually did write back to me and told me he was more than willing to do a song. Everything that I thought he could have been, he wasn't. He was so humble!

We actually did a song that I didn't use and we recorded "I Break Stereotypes" a few years later. He's probably one of the nicest guys I've ever met in my life. I was so supportive of him [when he was huge on the battle rap scene] and to know that we're friends now doing songs together is crazy!

CP: How did you get signed to the new In My City Records label?

HL: I've been working with this independent label called JahRockn productions since 2006. And what happened was the whole God Belongs in My City movement were in talks about wanting to start a label in New York. They contacted JahRockn's Chris Belmont about it and they wanted him to be a part of it. The [In My City people] knew I was connected with Chris so they contacted him and said they wanted to sign me.

CP: How has the reception for your "Stereotypes" album been so far?

HL: Well beyond my expectations. The day it dropped we didn't know what to expect of it. It has been 4 or 5 years since I put out an album. I didn't know if my fans were still around. It actually went a lot better than I thought it would. Everyone has said nothing but good things. You [always] get a few sour people in the bunch [who speak negatively]. Sometimes those comments help you grow and can make you into a better artist.

CP: Do you embrace the "Christian rapper" label?

HL: I don't like being called a Christian rapper because it limits [an artist]. People won't listen to what you have to say or they think you are corny. Thoughts people have towards Christian hip-hop will go with you if you [embrace] that label.

It's also a good thing because you're trying to represent God and let people know that this is what you're about. [Artists] go back and forth and say I'm not a Christian rapper, I'm a rapper that raps about God. I just want to [call myself] a rapper and if you listen to my music then you'll hear what I have to say.

CP: Do you see your music more as a ministry or a career?

HL: Both. It is a ministry in that obviously when it's for God you're trying to reach souls and save lives ... it's a career also. The business aspect of it, you have to provide for your family. When you're rapping and you're not a huge superstar [most people] won't think it's a career. I think now that I'm actually going places and starting to get a buzz [friends and family] are realizing that this is a career for me. I don't have another job anymore. But you don't want to just make it a career where it's about money and you don't care about [touching] people.

CP: How do you balance your faith and your feelings when writing songs?

HL: I'm not really the preachy type. Even the "Stereotypes" album, a lot of the songs on there, [non-Christians] can relate to them. There are a lot of songs on there where I'm real honest about what I'm going through. And sometimes you don't want to be Christian, you just want to throw [your beliefs] out the window.

There are limitations. Sometimes when I see female rappers like Nicki Minaj and what they are talking about, what they're wearing, or when they are calling themselves role models, I just want to get on the mic sometimes and just curse them out - just [to] put them in their place. Let them know what they are doing is [foolish]. But putting a message out in that way [won't] do anything. At the same time, I am Christian and I can't be doing that. Sometimes it's just the human in me [that makes me feel that way]. I try and get my worst feelings and try and say them in the nicest way possible. There are songs on my album like "Plastic" and "Role Models" where I'm mimicking the female rappers out there, but I'm not doing it in a way where it's cursing them out. I'm letting people know that they are not role models, but in a nice way.

HeeSun Lee's "Stereotypes' album is now available through Amazon and iTunes.


Read more at http://www.christianpost.com/news/heesun-lee-on-nicki-minaj-as-a-role-model-songs-with-jin-and-disliking-the-christian-rapper-label-124293/#ctrj8PuGGrlDsbhe.99 - Christian Post


"Christian Korean American Rapper HEE SUN LEE Aims To Break “STEROTYPES” On New CD January 21st - See more at: http://pathmegazine.com/news/gospel-rap/christian-korean-american-rapper-hee-sun-lee-aims-to-break-sterotypes-on-new-cd-january-21st/#sthash.Apkn"

HeeSun Lee isn’t your average Hip Hop emcee. Put up for adoption in her native Korea at the age of four months, she was brought to America and raised by Chinese parents in a Christian home on Staten Island. As a teenager, she became a fan of Hip Hop acts ranging from Lauryn Hill and Will Smith to Tupac Shakur. All of Lee’s diverse experiences have fused to create the illuminating backdrop for her sophomore CD “Stereotypes” (In My City Records) that releases on iTunes and other retail outlets on January 21, 2014. Lee’s story is unique in that she credits not only her faith but also Hip Hop for saving her life. “Hip Hop saved me from a lot of things,” she confesses. “My biggest struggle growing up was with my identity and it all correlates with being stereotyped and not knowing where I belonged because I was adopted.” Lee envisions the 16-track CD as a tool to evangelize while also examining society’s stereotypes like the one that suggests that someone of Korean heritage lacks the spit skills to make it in Hip Hop. “I have had to constantly remind myself that I am legit,” Lee says of the battle to win cred as an emcee. “Sometimes the stereotypes in this world are so big that they can even get to my own confidence. I may think I’m good, but I can just be playing myself if society is telling me this is not what I should be doing.”
Any doubts about Lee’s gifts vanish on the CD’s opening track in which she fires off the verse, “Every day I’m on a mission now trying to save the lost. I’m never by myself, someone see me take the Cross, devil on my backside, watch me how I shake him off” with machine-gun rapidity. It’s just a taste of Lee’s deep commitment to the Hip Hop genre and her faith. That same zeal dominates her concert sets that she’ll showcase at the Canyon Music Festival on Friday, January 24th and Saturday, January 26th on the campus of Canyon State University in Phoenix, AZ. With a brilliant CD dropping and a career on the upswing, ponders her life a decade from now. “Hopefully, I’ve won a Grammy,” she laughs. “Not just to have a Grammy but because it helps my fan base grow so that more people have an alternative to rappers with a negative message and to let girls and guys know there’s another route.” - Path Megazine


"Heesun Lee- Testimony: A Musician's Story"

Stereotypes would have this young Korean woman doing manicures and pedicures in her local nail shop, or because she is a wife and mother have her at home doing dishes and reading 50 Shades of Grey, or even high on a corner somewhere turning tricks because she grew up not knowing her biological parents. But Heesun Lee is breaking all those stereotypes and reppin’ hard for her God. Check out her testimony and hear snippets from her upcoming album 'Stereotypes' out January 21, 2014. Testimony: A Musician's Story is an audio-biography series that features various Christian artist, and is narrated by Gaelika “BrownTheory” Brown. It tells their story through their music and interviews. Follow Gaelika Brown on Twitter at @brown_theory - Rapzilla


"People We Like"

http://www.themorningnews.org/archives/pwl/cynthia_heesun_lee.php - The Morning News


"Acknowledgement or Respect?"

The struggle for women hip-hop artist to rise to the front-lines has been an ever-present challenge, causing many to present their bodies first instead of skills. - SERENITY, DA SOUTH


"Introducing HeeSun Lee"

The album is in a class of its own. There is a track for everyone on it. From the smooth R&B vocals on some tracks, to the upbeat hip hop dance or even a little bit of an alternative rock. The diversity on the album should keep you intrigued and entertained. - ANONYMOUS ADMIN, ILLSPOT.NET


"Editor's Picks"

This Staten Island, NY diamond spits bars for the king that make you say with a "how she learn to spit like that?!" She mixes her love for poetry with hip hop too. So respect her game fo'sho! Her first full-length album Re-Defined released at at the end of this past Summer. - Da South


Discography

A Part Of Me - Single - 2008

RE:Defined. - Debut Album - Nov 14 2008

The Lost LP - Mixtape- 2010

I'm a Christian - Single - 2011

I'm a Christian - Mixtape- 2011

Stereotypes - Sophomore Album- January 2014

Beauty for Ashes- 3rd Album Release, October 14th, 2016

Photos

Bio

HeeSun Lee isn’t your average Hip Hop MC. Put up for adoption in her native Korea at the age of four months, she was brought to America and raised by Chinese parents on Staten Island, NY. As a teenager, she became a fan of hip-hop acts ranging from Lauryn Hill and Will Smith to Tupac Shakur. All of Lee’s diverse experiences have fused to create the illuminating backdrop for her sophomore CD “Stereotypes” that released on iTunes and other retail outlets on January 21, 2014. It placed #7 on iTunes Christian/Gospel Charts and #24 on Billboard Christian Gospel. Lee’s story is unique in that she credits not only her faith but also hip-hop for saving her life. “Hip-Hop saved me from a lot of things,” she confesses.



“My biggest struggle growing up was with my identity and it all correlates with being stereotyped and not knowing where I belonged because I was adopted.” Lee envisioned the 16-track CD as a tool to evangelize, while also examining society’s stereotypes like the one that suggests that someone of Korean heritage lacks the spit skills to make it in hip-hop. “I have had to constantly remind myself that I am legit,” Lee says of the battle to win cred as an emcee. Through it all, HeeSun has managed to break through every barrier and challenge set before her, as she continues to grow and develop as an artist.


In her third album release, HeeSun Lee makes her epic comeback to music with a bombastic wall of sound. “Beauty For Ashes” starts out on full force of precise rap skills, hard-hitting beats & flawless collaborations. With pumping tracks like “All Out”, “Underdog”, and “Losing Faith”, any audience will gravitate to dance and lay back on the hype of the music. The title track lets Heesun and her harmonious vocalists “Alia Akilli” & “Dana Jo” experiment a refreshing direction that appeals to both rap and dance-pop audiences. From bumping to the album’s anthem tracks, she then, unapologetically reveals her emotional lyricism in tear-shedding songs like “I Love You, Daddy” within her ambient and groovy beats. Beauty For Ashes concludes on the passionate theme of hope and finding the light in the darkness. The album is the first of being released independently but its progressive energy and hype will change the game of hip-hop for many years to come.

Band Members