Jerry Hager

Jerry Hager


Production driven intelli-pholk.


Nominated for Sensored Magazine's 2004 Starving Artist Award and one of America’s most expressive singer/songwriters, Nashville native Jerry Hager’s musical influences date back to his early youth in Detroit. His father was a gospel singer from Charleston, WV in the early 60’s. After relocating to Michigan, Clifford Hager was accompanied by Jerry on the road through most of Jerry’s childhood. After a few failed attempts at learning the guitar under instruction, the young apprentice found that he could learn to play on his own, by listening instead of just exercising. That is how Jerry Hager plays, writes & produces – by listening.

Jerry Hager attended The Recording Institute of Detroit in the late 1980’s. There he learned from old school Motown & Holland, Dozier Holland engineers & producers about audio & music. Soon he was working as an engineer on projects of George Clinton, Martha Reeves, Jad Fair & Half Japanese.

During that time, Hager was able to experiment with his music as well. He created & recorded music that he now admits was so over-produced that he lost control of it. But not long after, Jerry was approached by the music directors of a B-horror film from Troma Entertainment (Toxic Avenger, etc.) titled Frostbiter – Wrath of the Wendigo, which starred Ron Asheton of Iggy & The Stooges. They bought 5 experimental recordings, which he had created years before, & contracted Hager to co-write a promotional song for Ron Asheton & Elvis Hitler. He co-wrote & played Bitchin’ Babes with Detroit producer Steve Quick. Jerry can also be seen in the music video if you don’t blink.

Not very long after, Jerry Hager discovered the power of acoustic music. “I guess that was penance for the Bitchin’ Babes thing.” Jerry assembled an acoustic trio in Detroit & performed in Ann Arbor & Lansing. Just before leaving Michigan, he found himself living on the couch of guitarist, Kevin Killeen, as most great artists do at some point during their career. Finding an old 8 track reel to reel in the basement, Jerry recorded what turned out to be Gentle Man, his first CD. It remains to this day one of Hager’s favorite projects. With its contemporary pop sound, the first track, River Café, was well received on college radio in Lansing & Detroit. Woods has since been covered by Boston folk singer, Carl Cacho. The album’s I’ll Be With You Someday ranked number 3 on the Americana chart on

In 1993 Jerry relocated to Nashville. Concerned that his music didn’t fit in either a Country or Folk genre, he soon discovered that his music had been easily welcomed as Singer/Songwriter, Americana & AAA. Hager was very well received. He found that in Nashville he learned a great deal about playing, performing & most of all, what he wanted out of his own music. So he founded The Union Buffalo, a six-piece band supporting Jerry’s unique pop-oriented Singer/Songwriter style.

The Union Buffalo found themselves busy with a faithful following. The show was dynamic & the songs were emotional. But the vortex of other projects drew Jerry back into the studio as producer & engineer. He had started recording a Union Buffalo project but was unable to spend much time on it due to the massive amount of time dedicated to other artists. Hager worked with many regional artists like Hayseed, The Evinrudes, Joe Nolan, Tom Mason & The Boomgates. Then Jerry found himself playing bass guitar regularly with The Boomgates for a couple of years.

After the split of The Boomgates in 1999, Hager finally decided to finish the recording project that he started in 1994. And it took another two years to do that. After he was able to assemble songs that were recorded over a long span of time, Miles From Brushy was finally released through The album’s Sail, Have You Near & Finally Up each charted in the Americana top 10 on The final song on the album, I Walk Slow, has been covered by Hayseed on his most recent release, Home Grown. Thanks to a suggestion from Lucinda Williams, Hayseed’s version includes Hager’s original bed tracks.

Returning to Nashville from New York in 2003, Jerry Hager has revisited the stage & is scheduled to appear with The Union Buffalo in support of Miles From Brushy & to showcase eleven new songs from the forthcoming album, to be released this Christmas on which pre-production has already begun. The first release, 'Believing,' reached #2 on the Americana charts on & #5 on the its first day out on 2004 presents a long roster of projects on which Hager is working, including Joe Nolan, with whom he recorded Plain Jane & co-produced King. Jerry Hager looks forward to a very productive year supporting Miles from Brushy & the new project.



Written By: Jerry Hager

Of all the damnedest things to say
I let it loose & walked away
Just watch this fool & take your notes
Happy just to be alive
Never stopped to get it right
Not that difficult to know

Here’s everything I need
Here’s everything you left to me

Here the house it groans & aches
With every innocent mistake
Sometimes I wish I’d shake it off
I want to see inside your wall
And if there’s faith in there at all
In why our roads had ever crossed

Here’s everything you left
Here’s everything that we got caught foolishly


You think I’ll ever understand enough to hold on to
Another blessed wind like you?

I want to reach & find your skin
I want to smell that beach again
And never have to say goodbye
It’s funny when I think of you
Whistlin’ through Kentucky Blue
I sometimes hear an angel cry

© 2003 Jerry Hager - All Rights Reserved


Written By: Jerry Hager

Where are you sailing to, how should I react
And if I saw the truth would it bring you back

I know you’re gone, I can see your tracks
But I’ll be the faithful one
I’ll be right here till you get back
I’ll keep holding on
Whatever came, came over you
To pack your bags & go
I’ll just remain forever yours
But still I must know

I’ll trust in God to keep you safe
And keep you far from wrong
And to bring back to me one day
And keep me trying on

And all the time that you’re gone
Spite how deep the pain
No matter how far or how long
You know I’ll remain

I swear that I can see your sail
Just beneath the sun
A silhouette standing by the rail
Don’t you miss someone

© 2003 Jerry Hager - All Rights Reserved


Written By: Jerry Hager

Had I known that was the last time
I’d ever see your face
I’d have looked a little longer
I’d not have stared at the floor

Your eyes just stuck right to me
As I recall
Seeing every little scratch
Seeing every little scar

Had I known that was the last time
I’d ever touch your hand
I’d have held on tighter
I’d have pulled you in close

Cause these days they just drag on by and you’re not around
One after one again they go on and on
Filling time playing back your voice I hear every song
I swear that I will never be the same again
And these days they’ll never end

I remember watching you
And swearing by my soul
Back before I was conscious
I knew you well

And I just let you slip right through
Never said goodbye
Never realizing
Standing there in the dust

Back before these poor old eyes first opened wide
Wasn’t that you there?
Wasn’t that your face… there?

Had I known that was the last time
I’d ever see your face
I’d have held on tighter
I’d have pulled you in close

© 2003 Jerry Hager - All Rights Reserved


Songwriter Sessions - EP - Sept. 2004 - Blue Bourbon Music

Believing - Single - Sept. 2003 (Reached #5 on the Americana chart on the 19th, the day of its release, at!) and was nominated for Sensored Magazine's 2004 Starving Artist Award

Miles From Brushy - LP - 2003 - Blue Bourbon Music

Gentle Man - LP - 1993 - Blue Bourbon Music

Chasing The Sun - LP - Blue Bourbon Music (out of print)

Set List

Fine As Larry
Finally Up
River Café
Hold Tight
Summer Of Days
Keeping This
Read On
Baking For You
Standing Alone
Nobody Home
Lady Lucy
Cardboard Boxes
Cattle Call
When I’m At Your House
There Goes My Heart
Girl Down The Street
Almost Like Being In Love
She's A Lady
Fall At Your Feet

Acoustic sets 90 minutes
Band sets 120 minutes