Jesse Palter
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Jesse Palter

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"Jesse Palter Beginning To See The Light"

“1. Jesse Palter
Beginning to See the Light — Self-released
I listened to this jazz album more than any other this year. What a wonderful jazz vocalist, with a voice that's as delicate as a bee making love to a flower.”
-Charles L Latimer
- Metro Times, January 2007

"Real Detroit Weekly, July 2006"

For many, the days of jazz being part of mainstream music seems to be in the distant past. Hometown songbird Jesse Palter may just change that perception. The youthful Palter sings with the skill of an old soul on her forthcoming album Beginning to See the Light, but she’s not stuck in the past.
-Keith N. Dusenberry

- Real Detroit Weekly

"Detroit Free Press, August 2006"

The exuberantly swinging title track, complete with tricky meter changes and a confident scat chorus, suggests Palter’s exceptional promise. So does the drama she finds in Kermit the Frog’s “It’s Not Easy Being Green.” The slinky, postmodern take on the Turtles’ “So Happy Together” rides the coattails of similar ‘60s covers by Cassandra Wilson and Patricia Barber.
-Mark Stryker

- Detroit Free Press

"The Daily Tribune, July 2006"

Jazz snobs, please note: Dismiss Jesse Palter at your peril. Certainly, her youth and sultry good looks could lead one to write her off as yet another pop tart. But the West Bloomfield singer, pianist and songwriter removes all reservations the moment she opens her mouth to sing. Her debut CD, “Beginning to See the Light,” will be released in the near future, revealing the 20-year-old Palter’s surprisingly mature jazz sensibilities.
-Bruce Edward Walker
- The Daily Tribune


"Beginning to See the Light" - 2006



At 21 years old, through both training and pure instinct, Jesse has grown into one of the most accomplished and dynamic singers (and songwriters) in the Detroit jazz and overall music scenes. Her voice is a flexible, facile instrument wielded by an ambitious and visionary player; it can be sweet or salty, polished or raw, wide in range and broad in stylistic scope, channeling and combining influences such as Miles Davis, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Joni Mitchell, Stevie Wonder and Kurt Elling. It's the voice of someone who has a voracious appetite for growth and is fearless in that pursuit -- the perfect equation for a promising future. "I've grown so much -- musically, harmonically, as a thinker in general," says Jesse, who took Outstanding Jazz Vocalist honors at the 2006 Detroit Music Awards and is nominated for four awards at the 2007 Detroit Music Awards. "Instead of just getting on the bandstand and playing off-the-cuff standards, we have our own unique interpretations of the classic songs as well as my original compositions. Working with such accomplished musicians, we are constantly pushing each other to expand outside of the box. This has taken our group to the next level".

It's fair to say that singing is in Jesse's blood. Her grandmother, Dorothea Ranier, was an opera prodigy in New York who continued singing throughout her life. Jesse's father, who harbored his own ambitions to be a DJ, was raised in a musical household, which he passed along to his family, keeping plenty of Motown, show tunes, Beatles, Michael Jackson, Prince, Carole King, Stevie Wonder and Tony Bennett on the home stereo. The precocious Jesse started singing publicly at age five and learning piano at six. She subsequently studied oboe and trumpet and attended a middle school that specialized in the performing arts, where she starred in a number of theatrical productions. In fact, the first public indication that jazz lay in her future came during rehearsals for "Joseph and the Amazing Technicolor Dreamcoat," when Jesse, playing the narrator, began "embellishing" the melodies; although the director admonished her, she also told Jesse's mother that Jesse had a natural inclination towards improvisational singing. "That's when I started listening to a whole bunch of jazz records," Jesse recalls, "and really immersing myself in the language of improvisation." However, she was also conscious of the parade of adolescent and teen stars soaring up the pop charts and decided that maybe she could do that, too. She began contacting producers such as Detroit's Jeff and Marky Bass (Eminem, 50 Cent) as well as Andrew Gold (Linda Ronstadt, Celine Dion). But despite some interesting sessions, Jesse's path was already taking her in different directions. "I never felt quite at home," she says, "until I finally started performing jazz." Her persistence paid off in getting the University of Michigan School of Music to allow her to be part of its jazz program as a vocalist -- a course of study the school didn't offer at the time. But after hearing Jesse audition, they struck a compromise in which she agreed to take classical voice classes ("Working on my vocal hygiene," she says) while studying jazz theory and improvisation with legendary artist/instructors such as Donald Walden and Dennis Wilson.

During the past two years, Jesse has forged her reputation as a live performer throughout the Detroit area, racking up credentials by sharing stages with Marcus Belgrave, Sean Jones, James Carter, Dr. Teddy Harris, Keith Hall, Paul Keller and others. Now on leave from school, she's been studying at "Mike Jellick University," working tirelessly with the music director and pianist of her Jesse Palter Quartet to develop arrangements and stylistic touches. The group (which also includes Nate Winn on drums and Ben Williams on bass) are regulars at the world renowned Baker's Keyboard Lounge, have performed extensively around the Detroit Metropolitan area, and performed in February, 2007 at the famous Blue Note Jazz Club in New York and then in Chicago during March and April at Andy's Jazz Club. In May she will be making her California debut at Dizzy's in San Diego.

Jesse and company recently released her first album, Beginning to See the Light, which includes originals such as "Change of Heart", a song inspired from a personal experience with misplaced love, along with standards like "One For My Baby (And One More For the Road)","Zing! Went the Strings of My Heart" as well as the Kermit The Frog classic "Bein' Green". "Sometimes I'm like, 'Oh my God, this is happening so quickly," Jesse says. "I'm real lucky to be playing these clubs and these festivals, especially with musicians I respect so much. On the other hand, I've been doing this for quite some time. People don't realize I "have" paid many of my dues. When you think about how long I've been trying to go for this, it's been a huge learning experience -- and I'm still learning