John Wicks and Paul Collins
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John Wicks and Paul Collins

Summerfield, North Carolina, United States | INDIE

Summerfield, North Carolina, United States | INDIE
Band Pop Acoustic


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"Live Review: John Wicks And Paul Collins"

Live Review: John Wicks And Paul Collins, Campbell, CA, June 6, 2009
June 9, 2009

John Wicks, lead singer of almost-famous British post-punk, power-pop combo the Records, and Paul Collins, who tilled similar fields with the Beat, joined forces in an exemplary living-room show in the friendly confines of Casa Padilla, a modest condo hidden deep in the suburban San Jose outback.

Wielding nothing but acoustic guitars and their well-traveled voices (Wicks’ raspy tenor and Collins’ booming baritone), they didn’t forget to bring the most important element: the small steamer trunk of terrific songs each has penned over the past 30 years. When the pair, who first met five years ago in Spain, kicked things off with a stirring rendition of “You Tore Me Down,” the Flamin’ Groovies’ 1975 comeback gem for Greg Shaw’s Bomp! label, the bar was set for a fine evening of jangling, melodic rock. Wicks and Collins didn’t disappoint.

Wicks, who now resides in Los Angeles, and Collins, based in New York, are in the middle of a nationwide tour of people’s homes. As a flock of northbound Canadian geese honked overhead, both chatted amiably in the back yard before the gig, while guests filled up on tacos, wine punch and mini-bar bottles of booze. Wicks explained the back-story of the Records’ best number, “Starry Eyes,” a delightful 1979 impaling of former manager Frank Silva, lounging about in the south of France while the band cooled its heels in London, waiting for its career to take off. “He thought we were off the boil, so he was busy with his new signing, the Yachts,” says Wicks. “Starry Eyes” concludes with the killer couplet: “We had no time for cocktails or working up a tan/The boys have all been spoken to, the writ has hit the fan.” Wicks has talked recently with the song’s co-composer, drummer Will Birch, as well as bassist Phil Brown about a full-scale Records reunion. Nothing shaking yet.

Collins, too, says he tried recently to reform the Nerves, the fabled L.A. pop/punk trio that featured Collins on drums, guitarist Jack Lee and bassist Peter Case. In 1976, the Nerves rented a Hollywood basement at the corner of Gower and Sunset at the onset of the punk revolution to showcase themselves, dressed in sharp, three-piece suits, alongside Smogtown crash ‘n’ burn aggregations the Dils, the Weirdos, the Zeros and the Screamers. Case would be happy to resurrect the Nerves, says Collins, but not with Lee, the man who wrote “Hanging On The Telephone,” later a worldwide smash for Blondie. Since Lee penned most of the Nerves’ material, that effectively derails a reunion.

Wicks and Collins got everyone’s attention tonight with a startling one-two punch: the Records’ harmony-infused delight “Hearts In Her Eyes” (also cut in ‘79 by Merseyside folk-rockers the Searchers), followed by a nifty cover of the Hollies’ “King Midas In Reverse.” Collins explained to the crowd of three dozen how the Internet had awakened him to the possibility of making a profitable cottage-industry of his music. “I found out I had thousands of fans in Australia, in New Zealand and all over the world. So, John and I have become wandering minstrels.” Collins then showed why he he’s retained such a loyal fan base with a ripping version of his “I Wanna Be With A Rock ‘n’ Roll Girl.” Wicks laughed at a night out in New York for the Records 30 years ago when they thought they were big pop stars. “We went to the Palladium to see Rockpile, the Nick Lowe and Dave Edmunds band, and people mistook us for Rockpile. It was very embarrassing.”

The tandem wound things up with of a sharp medley of the Hollies’ “Bus Stop” and “Things We Said Today,” by “the other John and Paul.” A couple of Nerves songs, “Paper Doll” and, naturally, “Hanging On The Telephone,” led to a stirring finale of “Starry Eyes,” an anthem that still gets the blood racing. “Tell all your friends to hire these guys,” said Collins as the pair knocked back self-congratulatory shots of whiskey.

“I’ve done about 15 of these shows since 2000, and I think this was the best one yet,” said starry-eyed host Padilla afterward, as the crowd began to depart. Having attended one show with John Doe and Jill Sobule and a pair by Ken Stringfellow and Jon Auer of the Posies, I’m inclined to agree. With a set list this good, how could it not be?

—Jud Cost - Magnet Magazine


John Wicks:
The Records - Virgin 1979
Crashes - Virgin 1980
Music On Both Sides - Virgin 1982
Rotate - Kool Kat Musik 2007

Paul Collins:
The Beat - CBS Records 1979
The Kids Are The Same - CBS Records 1980
One Night - Twins/Closer 1989
Paul Collins - Sony 1992
From Town To Town - Wagon Wheel 1993
Flying High - Get Hip 2007
Ribbon of Gold - Rock Indiana 2008



The classic powerpop band The Beat was founded by
Paul Collins, who spent his pre-teens living in Greece,
Vietnam and Europe before returning to his native New York.
He studied at the prestigious Juilliard School of Music and
eventually moved to San Francisco where he joined songwriter
Jack Lee and bassist Peter Case to form The Nerves in 1974.
The Nerves proved to be one of the pioneers of the burgeoning
US punk rock scene, independentnly releasing their own 4
song EP which included the classic “Hanging On The
Telephone”, later to become a hit for Blondie.
After The Nerves disbanded in 1977, Collins moved to L.A.
and formed The Beat with basist Steve Huff, drummer Mike Ruiz,
and lead guitarist Larry Whitman. Their friend Eddie Money
recommended The Beat for management by legendary concert
promotor Bill Graham. Under new management, The Beat toured
with The Police, The Jam and Joe Jackson. They also made
numerous TV appearances and recorded their debut self-titled
album with producer Bruce Botnick (who had produced The
Doors). The album featured Beatles and Byrds influenced
guitars and catchy choruses, defining the skinny-tied power
pop which The Knack took to the charts. In the 90’s, The Beat
re-formed as Paul Collins’ Beat and continue to write and tour.

John Wicks is a singer/songwriter and producer, working
with numerous artists worldwide. Wicks is best known as the
lead singer and songwriter from U.K. powerpop band
The Records, who formed in London in 1978 having risen from
the ashes of the Kursaal Flyers during the 1977 punk rock
As a British powerpop/classic rock band, The Records
recorded three albums for Virgin Records: “Shades In Bed”/
“The Records” (1979), “Crashes”” (1980), and “Music On Both
Sides” (1982). Their first album, produced by Mutt Lange and
Tim Friese-Greene reached #41 on the Billboard chart in the
U.S. - spawning the classic hit single, “Starry Eyes”.
The Records lasted through the punk era and into the new
wave scene, headlining tours and opening for a wide variety of
acts including The Cars, Robert Palmer, Elvis Costello, The Jam,
and Joe Jackson - before finally disbanding in 1982.
The songs of John Wicks have been recorded by 1960’s
British invasion band The Searchers, Mary Chapin Carpenter,
Too Much Joy, Michael Monroe of Hanoi Rocks, and numerous
other artists.
Today, John Wicks and The Records continue to record
new albums and tour worldwide.