Kiirstin Marilyn
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Kiirstin Marilyn

New York City, New York, United States | Established. Jan 01, 2012 | INDIE | AFTRA

New York City, New York, United States | INDIE | AFTRA
Established on Jan, 2012
Solo Pop Electronic

Calendar

Music

Press


"Maria Mar's Local Radar: The Black Jesuses & Kiirstin Marilyn"

Kiirstin has an unearthly sound, in the most non-insulting way I can imagine. Her sound and style are about to change the course of music. It’s rhythmically expressive and experimental with musical structures that fuse the styles from way back when and present day sounds into gloomy, moody, atmospheric experiences. And after all of that, it somehow becomes enveloped in a package of contemporary hip beats that take her songwriting and lyrics to fascinating art altitudes. Let’s just say she is distinctive and addicting. Not that this matters by any means, but she also has the look. A lovely young woman with exceptional style who can sing? What else could you ask for? I thoroughly enjoy her music to its entirety. Every song is strikingly dissimilar from the last, and each feels like an experiment gone incredibly right. It’s refreshing to hear a genre-breaking artist, for she has a little bit of everything. Two of my favorite tracks are “Radioactive” and “For Peace.” However, do not let those two tracks distract you from all of her other great music. Music lovers of any and all genres do yourself a favor and check her out, for you will not regret it. - Maria Mar, The Aquarian Weekly


"EF Music Interview: Kiirstin Marilyn"

Kiirstin wears her musical versatility on her sleeve, or rather, her head. With long, wavy locks parted above a shaved portion of her head, she’s part classic beauty, part nonconformist punk rocker. It’s a look that can’t be ignored on stage, as Kiirstin doesn’t just sing, she performs. It’s a performance that’s teeming with energy and balanced with sensuality. Kiirstin oftens walks off stage to look directly into the eyes of an audience in the middle of a song, as if she’s written the song specifically for them. The show and the music are intimate, big and captivating. It’s the kind of performance that one could watch on mute and still be enthralled with, but I wouldn’t recommend it. - Michael McClory


""Spotlight Your Talent" Industry Mixer Brings Together Emerging Artists"

While all of the acts had their strengths, the one that stood out the most for me was the performance by Kiirstin Marilyn. Marilyn, an edgy musician unafraid of a little audience interaction, accomplished a lot with merely a drummer, a bass, and her own special magnetism. With songs like "The Struggle," and "Grim," her hard, dark rock could speak directly to any brooding heart. She was mesmerizing to watch, with a theatrical intensity and stage presence that evoked Gwen Stefani, Izzy Hale, and other notable female rock musicians. - Heather K. with Tammy Shaloum


"Single Review: The Struggle by Kiirstin Marilyn"

"The Struggle" is true to its name in that it centers around a huge one in an individual's, but it's more about overcoming and not letting others bog you down, providing a huge lyric scape for an anthemic pop vocal to rise from which Kiirstin isn't afraid of tackling head-on. The build-up on the interlude leading from the first verse into the chorus is catchy in itself, but once it turns the dial up to 10 on the bass scale, "The Struggle" reaches innovative, commercially apt, and radio-ready heights. Kiirstin Marilyn proves [with] this debut that she is befitting of the type of socially conscious, diversely talented, level-headed artist that we need fronting the female pop revolution. - Jonathan Frahm


"Kiirstin Marilyn"

She definitely and defiantly took it to the next level. This is a transitional project that assures the public will have no choice but to indulge in her melodies and harmonic voice as it flows through this maze of emotional lyrics and heart gripping highs and lows… - Noah Huyler


Discography

"Please Don't Kiss Me" - unreleased Single (copyright 2015)

Ghosts - unreleased (copyright 2014)

Something to Die For - March 22, 2012

Photos

Bio

In October of 2012, Kiirstin Kuhi found herself at a crossroads.

She had served as the dynamic front person and co-songwriter for several different bands since 2005, from progressive post-hardcore band Ground to Machine to genre-bending piano rock band Verity In Stereo. Inspired and motivated by the successes of each act but seeking to grow as an artist, Kiirstin Marilyn was born. 

For her debut EP, Something to Die For, Kiirstin enlisted the producing talents of Brian DeNeeve (From Autumn To Ashes, touring guitarist for The Wanted) and Todd Weinstock (Glassjaw; Men, Women, and Children). Something to Die For became an intensely personal venture that nonetheless defies the notion of genre boundaries. Mixing big-band orchestration, hip-hop percussion, R&B melodies, and vocals that soar from Jazz Age crooning to heartbreaking intimacy and everything between, Kiirstin crafted a sound as eclectic and remarkable as the woman herself - deeply grounded in musical history yet endlessly inventive. After debuting her EP at the legendary Bitter End in March of 2012, she went on to win her second RAW: Musician of the Year award, toured regionally in the US as well as internationally with shows in London, England, Toronto, Canada, and the YouBloom festival in Dublin, Ireland. 

In the summer of 2014, Kiirstin began working with producer Benny Reiner on a sophomore EP effort that would eventually be entitled Ghosts. Once again with lyrics that are intensely personal, sometimes confrontational, and music that reflects her artistic growth, Kiirstin Marilyn will release Ghosts with Spectra Music Group in early 2016. 

Keep up with Kiirstin at KiirstinMarilyn.com and facebook.com/KiirstinMarilyn.

 “While all of the acts had their strengths, the one that stood out the most for me was the performance by Kiirstin Marilyn. Marilyn, an edgy musician unafraid of a little audience interaction, accomplished a lot with merely a drummer, a base, and her own special magnetism. With songs like "The Struggle," and "Grim," her hard, dark rock could speak directly to any brooding heart. She was mesmerizing to watch, with a theatrical intensity and stage presence that evoked Gwen Stefani, Izzy Hale, and other notable female rock musicians.”

-       Heather K. with Tammy Shaloum, What's Good In NY (Mar 03, 2014)

 

 

“Kiirstin wears her musical versatility on her sleeve, or rather, her head. With long, wavy locks parted above a shaved portion of her head, she’s part classic beauty, part nonconformist punk rocker. It’s a look that can’t be ignored on stage, as Kiirstin doesn’t just sing, she performs. It’s a performance that’s teeming with energy and balanced with sensuality. Kiirstin oftens walks off stage to look directly into the eyes of an audience in the middle of a song, as if she’s written the song specifically for them. The show and the music are intimate, big and captivating. It’s the kind of performance that one could watch on mute and still be enthralled with, but I wouldn’t recommend it.”

-       Michael McClory, Electric Feast (Sep 23, 2013)

Band Members