Laura Minor
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Laura Minor

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"First Review of New Record by Laura Minor,"

Saturday, July 09, 2005

http://www.tallahassee.com/mld/tallahassee/entertainment/12076896.htm

Posted on Fri, Jul. 08, 2005

By Kati Schardl

TALLAHASSEE DEMOCRAT STAFF WRITER

Have you ever had a dream within a dream?

You wake up with the filmy remnants of fantastic visions clinging like cobwebs to your consciousness. Groggy, disoriented and unsure of where you are, you swing your feet over the bed onto the smooth wood floor. It's cool and slightly gritty beneath your bare feet as you tiptoe down the hall over the moaning boards.

You trail your palm lightly over the wall, feeling for a light switch. Your fingers brush the edges of picture frames and bump into the thermostat box. Where the hell is the bathroom? If you could just splash some cool water on your face, maybe you could figure out what happened behind the obfuscating, semi-permeable membrane of sleep.

But when you raise your dripping face from the basin and look in the mirror, you realize the dream that drove you from bed was merely an extension of the one still cupping you in its damp palm. You hear a faint, sweet sound - pulsing and plangent - on the edge of your hearing. And, just like that, you find yourself back under the covers and plunging like a dolphin into the dark, alluring waves of sleep.

That's what it's like to listen to Laura Minor's new CD, "Let Evening Come." This is music you sink into like a down featherbed. It's deliciously dreamy and sometimes a little dark, like the best bedtime stories.

Minor's lyrical gifts are couched in plush musical settings, compliments of co-producers dalek and Oktopus. At first glance, it seems mixing Minor and the experimental hip-hop brainiacs makes for mighty strange bedfellows. But it it works wonderfully well. Minor's lovely, shimmering voice wanders through ambient soundscapes that imbue her trademark twang with throbbing reverb and edgy, unexpected electronic fillips. And though critics have gushed about Minor being the next Lucinda Williams, there are moments on this album when she sounds uncannily like more ethereal singers such as Kate Bush and Jane Siberry.

It makes for some often head-spinning, spine-tingling, orchestral sonic wonder. There's even an instrumental track, the deeply moving "Hennessy & Fireflies."

To listen from beginning straight through to the end is to go on a voyage with Minor and her many collaborators. The latter includes Eric Bachmann of Crooked Fingers, whose baritone is thrilling, somber balance to Minor's voice in "The Beast." Other standout tracks include "Henry & Alicia," "The Castles at My Feet," "Epistolary Unrest" and "I Still Miss Someone."

The dream is made real when Minor joins Mic Harrison, TheRest and Drake Equation for a show Saturday at the Beta Bar. You might not ever want to wake up.

- Tallahassee Democrat


""After Silence: The Outer Orbits of Electronic Music""

Thanks to Martin De Leon II for these kind words in the March 2006 isssue, "After Silence: The Outer Orbits of Electronic Music":



"Laura Minor, on the other hand, is the future. The Florida native's Let Evening Come (N/A) is like My Bloody Valentine meets Lucinda Williams; a pretty blend of shoegazer country. Produced by hip-hop crew dalek, whose dark beats augment Minor's pristine voice, the excellent album is both soulful and haunting." p.92

- xlr8tr Magazine, March 2006


"Press Quotes from 2002 Hightone Release"

“Laura has the gift of a youthful voice that gives way to a bluesy rasp in the blink of an eye. She’s also a natural storyteller whose songwriting talent puts her in the esteemed company of Lucinda Williams, Ryan Adams, and Norah Jones.” -- Rhino Records

"Laura Minor's musical career is the stuff of rock-and-roll fable. ..Minor sings her accessible poetry, set to briskly paced roots-rock rhythms, with a voice that carries to the rafters and yet is soft around the edges. Comparisons can be made to Lucinda Williams on caffeine." --Washington Post.com

“Adrift in this sea of off-tune, often clichéd mediocrity, a siren like Laura Minor can give one new hope. She reminds one a lot of two fellow southern girls; Shannon Wright and Shelby Lynne. She has poetic lyrics that rival Shannon Wright and a pop sensibility with a country flavored voice that echoes Lynne. From her sweet, soulful voice, to her serious yet witty lyrics and a style as endearing as her smile, Laura Minor can't miss.” -- Ink 19

"You'll spin into a romantic swoon." -- Santa Monica Mirror

“...in line to be the next Lucinda Williams” -- The Weekly Planet

“...someone with Shania Twain's bright and charismatic voice and twice her lyrical smarts.” -- San Fransisco Weekly

“Sheryl Crow without the commercials...Minor can crank up the rockabilly sass of Wanda Jackson...or settle into a bluesy power ballad, edging towards Janis Joplin, while retaining the fragility of Kelly Willis” -- Amazon.com UK

“Unlike the songs of alt-country colleague Neko Case, Minor's stuff is more about having fun than achieving moody atmospherics or pulling off vocal gymnastics” -- San Fransisco Weekly

“She has the voice of a seasoned pro, and the storytelling and song writing ability of an old soul. These songs sound like the deep personal telling of her innermost thoughts...Although the songs sometimes carry heartache and sadness - her hopeful voice creates unique blending of emotions.” --girlpossee.com

“Anyone who is a fan of Kasey Chambers’ best work ought to check this one out, and for the rest, I’d advise you to at least keep an eye on Minor. As she matures in her songwriting, she’ll become something special.” -- The Music Box

“Caution: Laura Minor may have you dancing in your underwear, singing into a hairbrush. A little bit country, and a little bit rock & roll, the Florida native unleashes youthful energy with her...songs about -- what else? -- love and loss. Lyrically, it might seem as if Minor's on a one-way road to Melancholyville, but no matter how her heart aches, her optimism transcends. Deep down, she still believes in all the good stuff...Minor displays the torch and twang of a young Patty Griffin."--Lessons Magazine

“The songwriting has all of the storytelling style and skill of the classics like Buck, Merle, Lynn et all but with a definite modern twist and outlook. The songs on this CD are not about how sad this girl is when she loses her man. These are songs of love, passion, overcoming heartbreak and resilient defiance, sung by a woman who's smart, strong and confident with what she has to offer.” -- Freight Train Boogie Reviews

“Primarily culled from Minor's poetry, the songs are smart, but not aloof, and her voice has a bluesy, backwoods rasp that speaks of vulnerability yet reveals uncompromising honesty.” --Country Standard Time

“Acclaimed singer-songwriter Laura Minor's Salesman's Girl is gathering her comparisons to Lucinda Williams and Ryan Adams...Laura Minor was a sensation.” -- The Reader

“She is no Lucinda Williams or a Norah Jones, despite claims to the contrary, but she doesn’t need to be- being Laura Minor at this point in time should be a happy thing indeed...Her voice is like a mix of Molly Conley (from Porter Hall, TN), Kim Richey and Caitlin Cary- full of expression…she covers the ranges and does it with style and volume- always delivering the emotional core of the story” -- Americana UK

“Laura is a talented poet and songwriter - a natural storyteller with a merciless pitch, imagination, and vulnerability uncommon in most lyricists. The music is a mix of rock, soul, country, and blues. Many of her songs are about growing up in Florida: the Spanish moss, the Bible Belt, the water. Work, grief, and faded love are also dominant elements in her work.” -- CoolForever

“Minor has the same earnest, childlike tone that Miller and Victoria Williams are known for, although Minor is more restrained, subdued and accessible than either of them.” -- Plan 9

“Her imagery... is perfect for her quavering, heartfelt Julie Miller-like voice. Her best is yet to come.” --Sacramento News & Review

“Her voice is very nice and I hear Sheryl Crow meets Ricky Lee Jones. I think Laura is one of those who find her way to the top...I think she is staying with us for the rest of our lives if you like it or not. I have to say that I have no problems with that.” -- Jan the LazyMan

Minor’s characters are largely do - various


"Review of first show debuting new material!"

"For me, one of the most impressive sights I’ve seen out of a local act came fourth, as Laura Minor took the stage. Laura’s voice was crystalline and soulful with an unmatched level of technical proficiency. Furthermore, the level of creativity and originality of the music was striking. Remarkably, she was backed by all three of the previous acts. The size of the band coupled with the unique instrumentation further drew me into the performance. With two laptops, three guitars, trumpet, bass, and turntables, the group offered a visual sideshow to the musical performance. Maybe I’m just a sucker for ambient, experimental sounds, but these coupled with the solid grooves and driving bass lines really impressed me. " - Gainesville Bands.com


"Jaded Insider"

CMJ Day 2: The Heartbreak
Sure, you got to see the Knife. And Steve Earle and Cold War Kids. But we got to see Laura Minor.

The pleasure was all ours at Mo Pitkin's to catch this Georgia-native singer/songwriter. With elements of country, electronica, blues, soul and kick-ass, Minor's buttery voice, packed with range and character, stole the show. Fans of Neko Case, Shivaree and Uncle Tupelo would find much satisfaction in keeping an eye on this talented lady, who has lyrics to break hearts.

After, super-geek Hartley Goldstein, who we feared might be a Dan Bern or Mountain Goats knock-off, had us rolling with his brand of anti-folk, clever-scenester humor. His lyrics honest and contemporary, he was endearingly self-conscious/deprecating/referential. Stellar guy.

We tailed it to NorthSix downstairs for an old college buddy in Mittens On Strings, but missed about 95% of it. Tried to bear Numbers upstairs, but couldn't garner the strength or enthusiasm. The Battle of the CMJ Badge flared up back at the entry to downstairs. NO MORE BADGES? AT? NORTH? SIX? DOWNSTAIRS? A sad and silly sight indeed.
- Billboard


"Now Hear This"

Singer/songwriter Laura Minor got a bit physical recording her new effort, "Let Evening Come." "I'd be rubbing my butt on a wooden door going, 'Mic this,' " she says.

The New York-based bard clearly isn't your typical artist. Her latest album boasts collaborations from a host of respected indie artists, and her lawyer, Craig Averill, also backs talents like Sparklehorse, Fischerspooner, Clap Your Hands Say Yeah and the New York Dolls.

Minor was originally signed to roots music indie HighTone, which released her debut, "Salesman's Girl," in 2002. Produced by Cracker/Camper Van Beethoven's David Lowery, the set has sold 1,600 copies in the United States, according to Nielsen SoundScan, but was composed of songs Minor did not write.

"I was just some woman who had to do her job and sing these songs and look a certain way," she says. "It was no fun."

Now self-releasing, Minor is more satisfied with her new blues-, country- and folk-inflected tunes. She sought out production assistance from an old school friend, Alap Momin, better-known as Oktopus and one-half of alternative hip-hop outfit Dalek. Both Momin and his partner Will Brooks (Dalek) were floored with the demos they heard.

Brooks says, "Her voice, there's such a realness to it. For somebody who didn't have that much experience at the time, I felt there was a freshness and honesty to her songs . . . Producing it, at the core, it's pure hip-hop. We could do whatever we wanted with it. But at the end of the day, it's country music."

Archers of Loaf/Crooked Fingers' Eric Bachmann felt strong enough about the track "The Beast" that he agreed to duet on it. Composer/producer Ben Lovett, who has had his hands in efforts by Gnarls Barkley, Gorillaz and MF Doom, also helped collaborate on the final product. Pedal steel was added by John Mayer staple Clay Cook.

The result is a soul record that connects old Americana music elements with new American traditions. Minor's heaven-sent voice cuts through buzzing basslines and the rhythms are patched together with acoustic and electronic elements.

"I was lucky to have the start I did, and I'm not unthankful for having the opportunity on HighTone," Minor says. "But I'm ready to make a difference by giving myself this challenge. I hope to find a [label] home that likes the challenge as much as I do."

Contact: Laura Minor, lauraminor@hotmail.com

—Katie Hasty, New York
- Billboard.biz


Discography

"Let Evening Come," 2007 Ocean of Sound Records
Produced by dälek (Jets to Brazil, Rye Coalition, Oddatee, Zu, Brothers for Life, If When, Destructo Swarmbots, Mike Patton, and many more) and Laura Minor, all songs by Laura Minor.

"Salesman's Girl," Hightone Records, 2002.
"Salesman's Girl" was produced by David Lowery (Cracker, Camper Van Beethoven) and recorded and mixed by Brian Paulson (Beck, Uncle Tupelo, Replacements, Jayhawks, Soul Asylum, Husker Du).

Photos

Feeling a bit camera shy

Bio

Laura Minor's "Let Evening Come"

"Who says you can't play torchy cabaret country songs with maracas and turntables?" Laura Minor asks. Her voice may summon Yoko Ono's primal scream, Bjork's space fairy, and the dark hymns of Fiona Apple, Lucinda Williams, and Hope Sandoval, but "Let Evening Come" isn't all about Minor's mesmerizing vocals. This solo debut, Let Evening Come (forthcoming on Stickfigure Records, Jan 2008) record combines fiery women's songwriting with laidback, drugged-out, and sexed-up psychedelia. It's an unlikely combo, but it's coming from a gal with a checkered past.

Before she ever sang a note, Laura Minor was a poetry teacher in the prison system, an office jockey, a P.A. on commercial sets, a grad student, a Kindergarten teacher, the host of an metal radio show, a server at a fine dining restaurant, a cook at a vegetarian co-op, a teacher of a course on the history of sexuality, a bartender, and a real estate stylist, dressing million-dollar Manhattan apartments. Nowadays, she adjuncts as a writing professor at various arty colleges in between finishing her first collection of poems, singing, and writing a new record. She has also volleyed between Florida, Atlanta, New York and Los Angeles. It's no surprise that when she found her voice, she had a lot to say.

Minor hails from the north Florida triumvirate of Tallahassee, Jacksonville and Gainesville, which carry a rich tradition in country music, and these local sounds heavily influenced her early songwriting. When she left her hometown for Atlanta, a friend found a guitar in the garbage and gave it to Minor as a going-away present. "It was a Hondo, but I called it my 'garbage guitar,'" Minor says. "It would go out of tune every 10 minutes. These songs became a record about transcending the everyday pains of life, and they were all written on something somebody threw away."

Minor’s first record, “Salesman’s Girl, garnered significant attention for its lyrical prowess and back story. Demo’d in Gainesville and sent to the Oakland record label, HighTone, they immediately flew out to meet her and she was signed within 3 months of singing her first note. "I was going to get a PhD. in English," Minor recalls, "but then I got signed to an alt-country label." Within six months, she was in the studio, recording her 2002 solo debut, Salesman's Girl, with David Lowery of Camper Van Beethoven and Cracker.

But that was just the beginning. Laura Minor's latest recording, "Let Evening Come," was co-produced with hip hop artists Oktopus and dälek (better known as the group, dälek) and Minor. "When I realized dälek’s overall vision for music was atypical, revolutionary really, I wanted to work with them. And finally, years later I got to make this record with them, which has become a labor of love. Instead of slow-food, it was kind of a slow-music movement. We took our time on picking the right sounds for these songs,” Minor explained.

Metal, however, is one of the few genres that doesn't make its way into the layered and elusive sound of "Let Evening Come." The record has a bossanova fluidity and a dub-reggae vibe, and Minor's strong love of country shines through, as does her affection of heavy, shoegazery walls of sound.

Let Evening Come features guest appearances by Eric Bachmann and members of dälek, Soldiers of Fortune, Clay Cook & the Torches, Jett Brando, and the Mercury Program.
"The Beast" is a melancholy duet featuring Eric Bachmann (Crooked Fingers, Archers of Loaf) and will most certainly crush you into tiny points of light. The consistent buzz surrounding the impending release of this record is ongoing. Remarkably, before its anticipated and pushed-back release, Let Evening Come, has been publicized online in Pitchfork, Xlr8r and Billboard. "Lonely Heart," an innovative instrumental track that is reminiscent of Jon Brion's latest cinematic scores, was licensed by the Canadian documentary on Greenpeace.

"Finally, I was able to make a record with all the things I love and create a unique sound that was my own." Minor says. "After the first listen to the finished record, we turned to each other at the last note and laughed. We said, 'What kind of music did we just make?'" Well, to answer that question, you'll just have to listen for yourself.
...by Kara Zuaro, author of "I Like Food, Food Tastes Good: In the Kitchen with Your Favorite Bands"

PRE-RELEASE PRESS FOR "LET EVENING COME"

"Laura Minor is the future. The Florida native's Let Evening Come is like My Bloody Valentine meets Lucinda Williams; a pretty blend of shoegazer country. Produced by hip-hop crew dälek, whose dark beats augment Minor's pristine voice, the excellent album is both soulful and haunting." – xlr8r

CMJ Day 2: The Heartbreak
Billboard.com
Sure, you got to see the Knife. And Steve Earle and Cold War Kids. But we got to see Laura Minor.
The pleasure was all ours at Mo Pitkin's to catch this Georgia-native singer/song