Lee Simmons
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Lee Simmons

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Music

The best kept secret in music

Press


"Performing Songwriter"

The easygoing, literate songwriter rock on Antebellum should serve well to establish Lee Simmons as an up-and-coming force on the folk rock circuit. Calling to mind the breezy, smart pop of both the Finn brothers (he has the worldly-wise eye of Tim and the melodic breadth of Neil), Michael Penn and Glenn Phillips, these songs are enjoyable and eminently listenable.
Be it the Daniel Lanois-style guitar clattering in the background of “Caroline’s a Clown” or the throaty acoustic on “Green,” the playing and instrumentation here is both driving and unintrusive—always keeping the focus on Simmons’ well-crafted melodies and lyrics.

- Clay Steakley


"IndieMusic.Com"

Come here, Mr. Simmons. Siddown. Listen to me very carefully.

Sending me a CD this beautiful with hardly any press materials is really, really cruel. Halfway through the first track, I was tearing apart the envelope it came in, scanning the measly 4-paragraph artist bio and muttering “Who IS this guy?”

Yes, I talk to myself. Stop changing the subject.

I listen to many indie CDs a year. In the three years I’ve been writing reviews, I’ve heard maybe three or four that I think are perfect from beginning to end. Every note is perfect. I wouldn’t change a thing. I can’t understand why the artist is not already famous. Well, now you fall into that category. So who the heck ARE you?

Why do I like the CD so much, you ask? You’re changing the subject again. Okay, fine. As a writer, I fall easily for intelligent lyrics. You just say what’s on your mind, writing from your soul, not trying to make it sound cute. I love the part in “Mona’s Ocean” where you ask a hyperachieving woman, “Are you ever lonely underwater?” I’m also impressed with how you took an old idea of a sad clown with a happy face and gave it a fresh presentation in “Caroline’s a Clown”: “Maybe this is suicide, maybe I’ve got no place to hide, except behind the colors on my face.”

Hey, stop rooting through my refrigerator and get back here. Yes, I still eat Lucky Charms – put those back. Explain to me how you make those minor chords jump out the way they do. “Room Above” and “Green,” both quiet, echoing, thoughtful pop/rock ballads, have those minor chords that hit without warning. They grab at the heart.

You could have at least thrown one more paragraph in your bio about the experience of recording this CD. I would have loved to be there when you recorded “Falling From The Sky” so I could see you make all those playful additions to the music. Hands clapping, birds chirping. Sounds that spontaneously appear and disappear while the guitar jangles on. I could have helped out – I play a mean set of spoons.

You do realize that my friends have come to know me as someone who really knows her indie stuff, right? So what am I going to tell them when I’m driving around with some friends in my car and “Falling From the Sky” comes up on the mix tape and they start asking me who you are? Huh? Are you TRYING to ruin my reputation? Thanks to the often-rambling bios I get from other artists, I can say things about them like, “This band recorded the world’s only known death metal version of Bridge Over Troubled Water,” or “This woman paints her teeth with fluorescent White-Out.” But what can I say about Lee Simmons from San Francisco?

It would serve you right if I just made stuff up. “Oh, this guy? Great artist. Now that he’s finally out on parole after that whole Carrottop-stalking incident, maybe he’ll go on tour.” - Jennifer Layton


"Indie Music Paper - Toronto"

Lee Simmons seems to be part of a growing legion, that of the pop musician artist which actually has some depth, with intelligent lyrics and non-melodramatic melodies. Listeners rejoice! The songs here are melodic, dreamy, wistful, sometimes sad and sometimes pert. But they are all well balanced, with a 'less is more' approach. For example, take the lyrics from "Flare": "We are talking round in circles, knowing we've been here before... If I had my wits about me, I would never play pretend." Maybe if the record label bigwigs get smart and their whole "girls with blonde hair and blue eyes who can't sing" schtick falls apart, they'll actually sign on a guy with some musical and lyrical talent like Lee here. Then the people who've been despairing over the state of the music industry will have something to get genuinely excited about. - NA


Discography

Forecast EP (2003)
Antebellum EP (2000)
Depot Park (1999)
"Sweet Nothings" played on KRSH-Santa Rosa, CA

Photos

Feeling a bit camera shy

Bio

MEMO TO A&R
FROM: THE ASSOCIATE
OBJECTIVE: SELLING LEE SIMMONS

Everyone knows what a fabulously talented songwriter Lee Simmons is. Since living hither and thither across America, Lee's recent return to Austin has been chock full of mesmerizing performances that leave even the most cynical music aficionado scratching his head in wonderment. But even someone like Lee needs a hook. Thus, the following talking points comprise an outline that we hope will eventually become an official Lee Simmons marketing strategy. I look forward to your thoughts...

I. REINVENT LEE AS ANGRY WHITE RAPPER. This could be problematic, considering Lee's one less-than-successful attempt at breakdancing. Contact Adidas for possible wardrobe makeover. Must convince Lee to swear more often.

II. SECURE LEE A GUEST SPOT ON NEXT J-LO RECORD. Or Avril Lavigne's, for key rebel street cred.

III. START FEUD WITH OTHER MALE SONGWRITERS. David Gray? Duncan Sheik? Ryan Adams? Gallagher brothers at once?

IV. BREAK INTO JAM BAND MOVEMENT. We all know Lee takes guilty pleasure in extended bongo solos. Contact Matt McConaughey for fashion direction.

V. TELL THE TRUTH. That this literate songwriter and multi-instrumentalist hails from the classic mold that produced the likes of Neil Finn, Michael Penn and Aimee Mann. That he has returned to Austin with a sound that benefits from the diversity of places he's lived over the last three years. That he is in a league beyond the majority of records that saturate the general public.

Retraction. That would never work.

LEE SIMMONS: A TIMELINE

>>Born 1974 in El Paso, Texas. Since resided in New Mexico, California, South Carolina and Austin.

>>Raised in family of music appreciators. Mother begrudgingly took piano lessons. Father played trumpet in high school. Siblings gave up orchestra for more profitable enterprises.

>>Began playing the violin in fifth grade. Performed with middle school orchestra at Carnegie Hall in 1989.

>>Began writing songs in 1990. The country-hearted passion of R.E.M. through Brit-tinged lenses.

>>Recorded two professional demos in Austin in 1998 and 2000. Performed at New York's Living Room and garnered invitation to prestigious Cutting Edge of the Campfire series in Cambridge, Massachusetts.

>>Moved to California in 2001, opening shows for Catie Curtis and William Topley, among others.

>>Returned to Austin in 2002. Currently performing and recording debut LP with Brian Davis (David Garza). Spending free time perfecting Thom Yorke falsetto.