Letters To Elise

Letters To Elise have music that is a good mix of power pop, punk rock, synths and guitar driven songs which have infectious and catchy hooks. They also have a radio-friendly feel to their songs in general. This five song EP has good time changes (the song “Fake”), a soulful ballad that Brandon nails vocally (the song “Seven”) and is generally well mixed and mastered.



The band members are as follows: Brandon Pomerleau (lead guitarist/ vocals), Chris Marchlinski (rhythm guitar/vocals), Mike Iwanyshyn (keyboards), Patrick Moniz (bass) and Tyler Mensenchuk (drums). Patrick was kind enough to take some time out to answer some questions about the band and the music.



Jade: What personal goals has the band as a whole achieved in the last year?



Patrick: As a band, the goals that we have achieved would be the writing and releasing of our EP When It Meant Something. All the songs tell a separate story of something that has happened in our lives that was good and the bad times. The song "Seven" for example is probably our deepest and most meaningful song to our guitarist Brandon cause of the story behind the lyrics. "Fake" is an example of someone who is not always truthful to your face and is the kind of friend that might have stabbed you in the back or lied to your face. We made these songs hoping that maybe one of our fans or someone that happens to over hear it can listen to these songs or this whole EP and relate to the music on a personal level.



J: What personal goals has the band as a whole achieved in the last year and what goals in relation to the band are you setting now to work towards over the next year?



P: Our goals for the future is to further promote our latest EP " When it Meant Something" which is currently available on iTunes and through the band at our shows. We don't want to limit people so they feel forced to come to our shows just to buy a shirt or a CD. We have set up an online store, were you can buy the CD's, posters and T-shirts. Other plans that we have is to hopefully tour in BC and get our single "Fake" on the Radio for some further promotion . The more publicity and interviews we get the more achieved we feel as a band.



J: As a band, what has been the best thing that has happened, and the worst thing?



P: The best thing that has happened to us as a band that we can all agree on was opening for Stereos in Calgary. The day we got the call we were so happy and stoked! Stereos was this unsigned band we used to do shows with when they were just a local Edmonton band. So we headed out to our jam space and made the plan. I don't think any of us slept that night because we realized that it was a huge opportunity to play with them.. The next day, we all rushed around to prepare for the show. We packed up all of the equipment and headed out. Sadly our keyboardist Mike wasn't able to join us on this date due to school.





J: How do you see the current state of the Corporate Music Industry? Do you think it has changed since the “old” days before the internet? And, how do you feel about the DIY bands that are becoming mainstream? (arcade fire for example).



P: The Music Industry today has evolved in many ways. It definitely is not how it used to be when I was a kid. The Industry itself helps bands by telling them what the fans and people wanna hear, kind of like a guideline. But, a DIYB (do it yourself band) has the control and will eventually figure out the right way for the band.



J: Do you feel that the band has control over how your music reaches the fans? And if yes why do you feel this way and what factors into that?



P: I feel that it's the bands' responsibility to reach out to the fans by sending out a "Hey, what's up? We are Letters To Elise, this is our music, have a t-shirt...Cheers!". If we weren't doing half the work we do to get our music out there we wouldn't make it and most local bands wouldn't make it. And we feel this way because we are a DIYB. We have full power over how the songs are heard . It's all that good stuff.



J: How would you describe your music to someone who has never heard your music before?



P: Our music has more of a rock feel to it but also has a pop twist in there too. I tell people when they ask what we sound like and that is the band Yellowcard. It seems like the only band we as a band have come close to. Not on purpose, it was just something that we found fit our genre pretty well. We go for a sound that when people hear it, they go to their friends and say that they've never heard anything like it before. Or they might hear a hook that makes them listen to it over and over. It might be a lyric line that they can listen relate to and want to hear over. On one of our T-shirts has the phrase " I Wanna Scream Fake at the Top Of My Lungs" which is a line in the single “Fake”. All of us know and remember the chants at our shows. We want people to hear the music and know that's that what we represent and what we stand for.



J: Who are the primary songwriters in the band?



P: Chris and Brandon are the primary song writers in the band and they are the ones who bring in a guitar riff. Then we build that guitar riff into another part, and from there, we have a verse and a chorus of one song. Tyler will then get a beat over it and I come in and put a bass line down and Mike puts another masterpiece down on his keyboards. The song is then musically complete from start to finish and that's when Chris and Brandon work on lyrics.



J: How did you come up with the band name?



P: The band name actually came from a Cure song called “Letter to Elise”.



J: What is your opinion on the music scene in Vancouver? Do you feel that there are enough venues for bands to book shows? And is there a lot of competition as well?



P: The Vancouver music scene to my eyes is blowing up slowly each day in a good way. I myself know a couple artists down there and they've got their song out there on Virgin Radio and Hot 107. A friend of mine is one of the members of a group out there called Dirty Radio. Their song is “My <3”. That song plays on Hot 107 every second day! I've flown down there and checked the venues out. There's more venues in Vancouver than in Edmonton. The same problem exists in both cities – the venues are always booked up everyday of the week. If you walk down Granville Street in downtown Vancouver, they have street performers everywhere. On this corner someone's rapping, and then on that corner you got a guy with an acoustic and a bongo and it just keeps going.



Thanks very much to Brandon and Patrick in answering these questions. Cheers guys!



The EP is a solid piece of work and the track listing is as follows:



Addicted To Your Name
Fake
Seven
Not Without A Fight
Mannequin Down


Every song is personal to the band in some ways as Patrick said. One band that came to mind when I was listening to the first song on the EP called “Addicted To Your Name” is the band Neon Trees. This song is vocally delivered well by Brandon in that he gets the emotions across to the listener. A steady beat, good mix of guitars and keyboards and a catchy melody. “Fake” has good time changes especially when going into the chorus and coming back to the verse. I like the vocals and the effects over the vocals as they are subtle. The song “Seven” is a ballad with heart and soul. Brandon's vocal work is done extremely well. The music is mellow, slow and languid and the song has depth as far as lyrics go. “Not Without A Fight” starts out with pounding drums and guitars whaling. The verses are stripped down, the time changes are good and the song flows. The last song “Mannequin Down” starts out with keyboards followed by a steady beat of the drum. The guitars are subtle. And the song just gels and all five members play as one unit.



Overall, this is a very solid band that has the drive and the talent to hit the next level. If you're into bands like Neon Trees or Yellowcard, you need to check out the music and judge for yourself. - Jade Sperry (VANMUSIC, NXEW)

Fresh off a gig opening for their pals Stereos, local emo group Letters to Elise will be releasing its new EP, When It Meant Something, this weekend at Avenue Theatre.
Since the band's 2008 debut, Secret Lines, the band—taking its name from the Cure's song—has added a fifth member while making great strides to stretch its sound and mature beyond the members' average age of just 20 years old.

"We released our last one two years ago, and looking back on it, a lot of the songs were sounding the same," explains guitarist Brandon Pomerleau. "Over the years we've listened to other music and writing other stuff, going about it differently—different styles, trying to fit it all so that not every song sounded similar. We feel like we've accomplished that, and everyone seems to be liking what we've done."

Recorded with Randor Lyn at Turnkey Studios (Ten Second Epic, Stereos), When It Meant Something sees the band moving upwards from Secret Lines' solid foundation to a diversified set of songs that reflect the members' collaborative influences and a more mature sound. Rounded out by vocalist/guitarist Chris Marchlinski, keyboardist Mike Iwanyshyn, bassist Patrick Moniz and drummer Tylor Mesenchuk, the five-piece brings a smart, powerful sound that's catchy without being simple, complex without being complicated. The key, Pomerleau notes, lies in the band's songwriting process.

"Usually Chris and I will write on our own time, bringing parts to the band and start working it together," he explains. "We go about the music first. Once that's done, then we start to think about the feel of the song, what the lyrics should be.
"Lyrically and songwriting-wise, we feel like we've taken a step forward and made it more personal." - Mike Angus (VUE WEEKLY)