Liz Greeson
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Liz Greeson

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Music

The best kept secret in music

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Discography

- Aron Burton Live (from Buddy Guy’s Legends) Aron Burton, Earwig Music Co. 1996
- Look At Me, Liz Mandville Greeson, Earwig Music Co. 1996
- Pass The Hat, Steve Arvey & Kraig Kenning, Arvey/Kenning. 1997
- Red Hot Mama’s Various Artists, Blue Chicago Records, 1997
- Every Woman’s Blues ( Best of the New Generation) Various Artists, Shanachie Records, 1998
- Ready To Cheat, Liz Mandville Greeson, Earwig Music Co. 1999
- Shootin The Blues, Mike Gibb, Homewrecords, 2000
- Unleaded Blues, Johnny Drummer, Earwig Music Co. 2001
- Back In Love Again, Liz Mandville Greeson, Earwig Music Co. 2002

Photos

Feeling a bit camera shy

Bio

Liz Mandville Greeson has played thousands of gigs, from smoky biker bars to swanky theatres, casinos to yacht clubs, honing her musical chops and crowd-pleasing skills.

A chance meeting with bassist Aron Burton led to Liz performing with him at the 1994 Chicago Blues fest, and contributing two tracks to his 1996 Earwig release, "Live", and a long-standing performing relationship. "Live" also marked Liz?s recording debut & the beginning of her professional association with Earwig Music Company, for whom she has recorded three CD's to international acclaim.

Liz holds the distinction of being the only white vocalist to perform regularly at the internationally known Blue Chicago nightclubs, where she held court from 1994 to 1999. Backed by former Junior Wells band leader George Baze, Liz contributed two tracks to the 1998 Blue Chicago release, "The Red Hot Mamas". While at Blue Chicago, Liz had the opportunity to work with a veritable who's who of contemporary blues men; Willie Kent, Michael Coleman & Maurice John Vaughn, among others. Albert Collins alums, Aron Burton (Bass), Allen Batts (keys), and Dave Jefferson, (longtime Albert King drummer), made up Liz rhythm section for the latter part of the 90's, and played on her first two CDs.

On stage it's magic! Hip shakin' Liz gets the crowd dancing with the first blast of her powerful, four octave, soul-drenched voice. She is a high voltage performer and a red hot mama. She is also solid as an acoustic and electric guitar player and her rub board playing adds a spicy back-porch feel. Equally at home in an intimate club setting or on a festival stage, she is a total professional, on time and in control, she has never missed a show!