Louise Bendall
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Louise Bendall

Band Folk Singer/Songwriter


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"CD REVIEW: Watermelon Sugar - Something to Savor"

I can and do listen to anything and everything, but Watermelon Sugar performs the kind of music I often find myself returning to: acoustic folk, purely and cleanly played. Music that is guitar-based with sweet embellishments from other wood-and-string instruments, songs sung by joyful-yet-aching, harmonizing voices.

We’d had a long weekend of company, so I took the day off work, popped in this CD, and started cleaning up my act and our house. Then I listened to Something to Savor throughout the week to make sure it wasn’t just my Monday morning frame of mind that made me so drawn to it.

Watermelon Sugar is the duo of Hypatia Kingsley and Louise Thompson Bendall. They play almost all the instruments themselves, their voices are a natural extension of each other, and they write spare, compelling lyrics.

Something to Savor opens with the haunting yet uplifting “Knowing Jolene.” Several other songs fall into this paradoxical category: “Happiness for You,” “As Good As I Should Be.”

The lyrics to “Jolene” are beautiful and direct, and I just think it’s so cool to have a one-word line – “Simplicity” – in a song. “Trouble” is also pretty and poetic in its straightforwardness: “I still have you bouncing round in my head/And I know it’s trouble.”

The duo kicks it into fun high gear on “Republican Shocker,” “Seesaw” and “Darwin and the Prostitute.” “Seesaw” in unlike anything else on the disc: electric, pulsing, and percussive, and Bendall steps out with some funky bass work. It also has a groovy sing-along chorus.

The women air their political views on “Republican Shocker” and again on the final three songs. Those last three also show off their finely blended voices, particularly “In Common,” which has a slightly Eastern feel and the added voice of Elizabeth Freeman.

I don’t mind the anti-establishment sentiment a bit, especially since I agree with them. I particularly like the lilting, violin-laced “Republican Shocker.” Lines like “I try to keep and open mind/And I know we can be friends” and “I assumed and never thought twice/I know assuming is not nice” are ironic reminders to liberals like me that intolerance can cut both ways.

Some of Kingsley’s instrumental turns on this album are really worth mentioning: mandolin on “Jolene,” violin throughout on such tracks as “Not Going to Miss You.” And Michael Thompson adds a deft, understated dobro touch to one of my favorites, “This Bliss.”

A week after my initial listen, Something to Savor still touches me. - Muse's Muse by Chip Withrow


Watermelon Sugar: "Sample" (2005)
Watermelon Sugar: "Something to Savor" (2006)
Watermelon Sugar: "Slice" (2007)



Louise grew up in Louisianna singing in the church choir and classically trained on the piano. Many moons later at the University of Oregon, Louise borrowed a guitar from a friend to write her first song and eventually sold her share of a VW Bus to buy her first guitar. She has loved playing ever since.
Nowadays, this folk-jazz songwriter & performer resides on a farm in North Carolina where she enjoys writing songs influenced by the constants and variables in people, family life and her nomadic adventures.
Louise enjoys making music with other musicians.
In 2003, she joined forces with Hypatia Kingsley to create the band Watermelon Sugar. They have performed in coffee shops and bars all over the US and in China. Their third album, "Slice" is due out in December 2007.
In 2007, Louise and Elizabeth Freeman created the band Chocolate Martini Therapy. They enjoy playing in North Carolina and have many interesting stories to tell.