Lyall Moloney

"Sydney never boring in the country" and who are seen daily, and The End. I began this column I want to feel that unsolicited local scene in Sydney in the skin of the Japanese who are more current Takeshi. Introducing the lively local music scene far from the major underground. And this one has the technique and the stage presence and think about Lyall Moloney has been invited to meet friends. You can work in Ethiopia own album, and even around Europe in a choir, a variety of episodes like the labels you see you too, his band began to show a lot lately in the streets and "Black Paintings" came to hear the story of Mashita. - CHEERS

Lyall Moloney fronts the band, driving all his passion for story telling and prose into the performance. The crazed emotion with which Lyall sings his stories is a real credit to him as a front man; this is not to mention his fantastic vocal skills.

His lyrical tales range from Harley-riding, blues playing cocaine addled lovers in Milk and Honey to twisted-youth and harsh lessons learnt on Oxford Street.

Through the entire performance in Brass Monkey’s dine-in basement, the band had this fantastically volatile presence; they let loose on the stage as any impassioned band should!

Lyall can turn the place upside-down with his innovative use of a vocal looping device.
Not to mention the point in the show where he found it necessary to remove a microphone to use as a guitar-slide.

When finished with the new-found slide it was time to insert the mic into his mouth for a good bout of screaming.
But do not get me wrong, this was nothing short of amazing.

So as they say in pretty-much everything (difference is I actually mean it)… expect the unexpected when you witness Lyall Moloney perform. - The Gun Lab