MalLabel Music

October 2009: HushHouse.com – HD4000’s “Jekal” Featured EP:

"Jekal" is the latest in a long line of gigantic sounding dubstep stompers produced by HD4000. Well known for their Dubstep FM show "Hits from the Hard Drive," HD4000 have been steadily plotting a course for glory with their undeniably prolific array of orginal tracks. Jekal is no exception to the rulebook, it carries their signature big banging kit work and gritty, in-your-face bassline. For all HD4000 fans, "Jekal" is a welcome addition to their lengthy discography, and will bring anyone not yet familiar with their sound right to the forefront of what they bring to the dance floor. This release is backed with some serious remixes which you can preview and purchase from Mal Label Music.


- HushHouse.com

Mal Label Music is out to spread the Dub! Holding down the west coast of the U.S. with banging parties. They have a small arsenal of Bass Music artist and are constantly hosting new guest artist.

Check out their site for more info, music, videos, and up-coming releases.


Website:
http://mallabelmusic.com - Amina.blogspot.com

One night a few years ago, I was at a drum & bass party in Honolulu. I remember hearing the hyped-up rhythm and refused to dance to it. Back then I frequently saw reggae acts and DJs downtown, but for some reason drum & bass didn’t make the cut. When I asked where the DJ was from a guy turned and said, “San Francisco,” insinuating that I should have obviously known that.

I kept watching, eventually trying to dance halftime. The speed was too much though and I stopped.

I won’t lie. I’m a creature of the night, a fiend for oddities and excessive behavior. On my second week after touching down in San Francisco, I went to a slamming party, and I finally began to understand dubstep. It was slowed down drum & bass with a reggae groove. Flashes of the future, a city beneath the ocean or some violent fucking desert highway, where bandits gather around a burning wagon raced through my mind that evening.

I like the soul of dubstep during a drop. The whomps or ambient pauses flood the negative space.

My ears are ringing and my clothing stinks of foul smoke and sweat. I roll over and look at my cell phone. It’s 10:46 am. I never get any real sleep in this city. I wonder if Geoff of Castle Blackheart is feeling the same way at the moment. He is personally responsible for my disheveled state.

Last night I was passing — slugging, rather — through all recognizable time and space at a hidden location, where several hundred people had gathered for a dubstep party in a funhouse of mythic proportions. Lost between the freaks in the depths of what felt like a post-apocalyptic refuge for a daytime-zombie-killer-platoon, the speakers blared and pulsed a hypnotic rhythm caught somewhere between jungle, drum and bass, break beats and reggae.

Lights, lasers and projectors sprayed off the walls and dark corners. The songs transitioned with massive bass bombs that attempted to re-align my spinal chord.

If I had to describe the sound of dubstep in a word I’d say WHOMP.

As dawn broke and virginal sunrays came through the cracks, a remix of Bobby Caldwell’s song “Do for Love” came on in the mellowest of ways, within the Dubstep tempo of 140/70 BPM (beats per minute). It was on this late night, or early morning, that I first met Geoff Blackheart, dubstep master.



I bike over to his unassuming home studio in the Sunset to meet him and his friend, another DJ known as Rastatronics, to hear some tracks. I’m greeted with a loaded bong as I slide into the studio.

Geoff usually gets up early, puffs herb and then gets into mixing tracks. His multifaceted energy has him working with mostly dubstep but he’s produced an equally fantastic pop rock album I took a peek at and even ambient music. Something like 2,000 or more ideas have been recorded on his computer and never finished. His thoughts are in constant motion. The tracks that get completed and mastered become what Julian and Peter spin to the masses each night.

“Turn down the suck knob and turn up the sick knob,” Rastatronics jokes. Time slows, and I’m drawn into the bass line. As the track continued my mind drifted through thoughts of far off moons, jungles and bursts of parakeets overhead. Then takes a turn down a busy city street in the distant future patrolled by robots. In other words, dubstep morphs the organic with the machine in a swirl of digital Dali visions through persistent rhythms.

“Lets sample that line from that Jamaican movie,” Rasta says. “This old Jamaican woman saying, ‘Just take it and gwan!’”



Born and raised in San Francisco, Geoff has been on the scene producing, writing and DJing since 1997. He lives with his girlfriend Mal Harper, who owns MalLabel Music, a dubstep label. The two of them are driven artists; a visit with them is best explained as harmonious and mellow. Together with the Blackheart guys and others they collaborate on great mixes and epic parties.

He remembers a time when electronic music was more collective, before splitting into many sub-genres. It meant staying up through sunrise, partying at drafty vacant warehouses around the city.

“People were here for the dotcom boom. That’s when the raves scene blew up, period. The raves were massive, just really massive and you had all these 18 to 25 year olds making all this money and partying,” he says, puffing on his smoke.

When jungle and drum & bass fanned out in popularity, the dubstep scene hit big in 2005. “There was also a shift in drug use. Molly (MDMA) wasn’t at jungle back in the 90s. When dubstep hit, everyone was doing Molly and rolling their faces off!”

I look outside and notice a light fog is passing through towards the park.

“We’re closing out a party tonight at 222 Hyde if you want to come.” I ride my bike home to the Haight to take a pre-party nap.



I catch a cab sometime around midnight and head off to 222 Hyde. At the door I tell someone I’m waiting for Geoff. “Yeah, us too! Where the fuck is he?” the girl jokes.

I walk in, I see Peter and Julien, Geoff’s partners in Blackheart. We joke about the “unofficial” dubstep scarf, the keffiyeh, which I had told Geoff I would wear to look more like him.

“What do you think?” They laugh and Julian says, “Yeah that’s the look these days.” Peter is wearing a keffiyeh too. The three of them used to live in a castle-like building in Oakland in apartment B, the birthplace of Castle Blackheart.

Geoff arrives a few minutes later, and we head underground to the decks.

What makes dubstep so much fun to dance to are the breaks and pauses where everyone, sweaty and stony, can freak it at their own pace. You can dance double time, half time or sort of float around in a trance-like state – it doesn’t matter. Blackheart is at the helm.

The party slowly rises to climax and Geoff starts going off – bobbing and moving and clapping his hands. He climbs up onto a large speaker to hype up an already riled gathering. The set is booming. Peter, Geoff and Julian all take turns on the decks, cueing up tracks, tweaking knobs and pushing buttons on an archaic mixer.

I love the sweaty, dirty energy dubstep gives off. There is something a little more tribal and maybe even prehistoric about the general presence of bass exploding out of massive speakers in some sort of dusty cavern on Hyde Street.



Having played music and messed around with entry level recording programs for several years I decide to try my own hand at making dubstep, or something like it. Every Mac computer comes with a basic program called Garage Band. I opened it and selected some drum loops and began building a track based on my taste for lounge and hip-hop. It took hours of methodically arranging each track, but I finally got something to stick.

Geoff has me over a week later. We’re sitting at the kitchen table, because I had been falling asleep in mid-sentence slouched on Geoff’s bean bag chair. At that point I decided to show him an ambient down-tempo track I had made.

We listened.

“Well, you have some good melodies in there.”

I watched him pause and think for a moment. He was about to get critical. “…But the transitions need work. They should be an expression of you. You’re the storyteller. It should be an extension of you, brother.”

His philosophy made sense, and who better to ask than a guy who’s been on a long, late night ride for over a decade working with some seriously funky and wonky sounds.

Fading out of other scenes and genres, continually pushing himself beyond even physical barriers, Geoff will continue to morph with music, the extension of his soul. As Darwin said, “It is not the strongest of the species that survives, nor the most intelligent that survives. It is the one that is the most adaptable to change.”



Without roaming the streets ripping stained promo-flyers off dashboards, your ticket to the wonky land of dub can be found on the MalLabel Music and the Castle Blackheart websites. Some venues are off the radar for various reasons, but noteworthy ear-busters can be heard often at 222 Hyde. - TheBoldItalic.com

New Skulltrane E.P. This One Called DUB!!
Freshly back in the Bay from performing, camping, rave-, and all of the above -ing's, at Burning Man 09, SKULLTRANE (Carolyn Smith aka oWn, and Doug Keaney..) have just dropped their latest E.P., This One Called Dub, featuring a track by Blackheart, remix by HD4000 and a collaboration with Eyevan El & The Genie.
Tracks: This One Called Dub, Mission Skulltrane (by Blackheart); This One Called Dub (HD4000 Remix), Mirror Elements (feat. Eyevan El & The Genie).
And now that the playa-dust has settled, get prepped for LovEvolution this weekend in SF, where 100K + folks shall congregate in a city-square amid 30+ booming sounds systems - clothing/glow-wear optional!
For more info on where to find SKULLTRANE this weekend and in the future, check out MaLLabeLMusic.com as well as Skulltrane's record label's site: CuttyDubs.com an'eerssum vids: - Club80d.blogspot.com/

US Dubstep Imprint MalLabel Announces 6-City US Tour

San Francisco- US Dubstep imprint, MalLabel, recently announced a 6-city US tour to bring their sound to a town near you.

With a heavy line up of artists including DZ, Zeno, Rastatronics, Blackheart, Dr. Knobs, Carly D, El Diablo and more, these shows are going to be sure to be packed and walls will be shaking with the sounds of sub-rocking basslines and remixes galore! So be sure to support your local scene & get your pre-sales early! - BassLineRumble.com