Maurice "Mobetta" Brown
"Brown's next stop was New York City, where he produced, arranged and performed with acts such as The Roots and P. Diddy. He immersed himself in hip-hop and then brought what he learned back to jazz" - NPR, Morning Edition
Maurice “Mobetta” Brown’s talent orbits him simultaneously through three worlds: contemporary jazz, blues-rock and cutting edge hip hop. He’s a mastermind as a trumpeter, composer, arranger, and producer. When Maurice picks up his horn, his soulful melodies soar into a rarefied space that uniquely marries be-bop to hip-hop and rock, producing his own distinctive sound.
Brown displayed an affinity for the trumpet at a young age as he won the national Miles Davis Trumpet Competition and studied under legendary clarinetist Alvin Batiste. His critically acclaimed debut album “HIP TO BOP”, recorded in New Orleans, foreshadowed Brown’s unique talent for creating fresh bop-inflected jazz. Yet, Hurricane Katrina’s devastation didn’t spare Maurice and he took his talent to Brooklyn.
Maurice reformed his own quintet, resurrected his underground hip-hop/funk combo, Soul'd U Out and recorded with Aretha Franklin, Wyclef Jean, De La Soul, Macy Gray, Dr. Lonnie Smith, Lettuce and The Roots.
His follow-up album, THE CYCLE OF LOVE garnered significant praise; Huffington Post and NPR named it one of the best records of the year. Brown further embraced his be-bop roots with hip-hop hooks; it also lays raw his dogged insistence on charting his own musical course, bred by the rare success of his debut album and a life uprooted post-Katrina.
Maurice was invited to join the newly formed Tedeschi-Trucks Band. He created the horn arrangements on TTB’s debut album, “Revelator” which won a 2012 Grammy for Best Blues Album. Brown’s trumpet was a wailing counterpoint to Derek Truck’s searing guitar wizardry.
Brown’s immersion into hip hop as musician/MC/producer culminated in the 2014 release of “MAURICE vs. MOBETTA” (Brown Records). This groundbreaking alter-ego album remixed original horn parts with newly recorded hip hop beats. Brown’s jazz roots are cultivated here through the lens of a hip hop perspective. Talib Kweli, Prodigy and Jean Grae’s spitting rhymes are met by Mobetta’s own, while his trumpet circles muscularly throughout every track.
Constant evolution drives him. His intuitive vision lights a fire under traditional jazz, adds sonic brass to rock n' roll and pushes the production tip in hip-hop. Having recently severed ties with TTB, Maurice “Mobetta” Brown is again charting his own musical path. The years release of album tracks he produced for Talib Kweli, Omar, and Prodigy will make 2017 a long, hot burn. his new album, “THE MOOD” is set to be released March 10, 2017. (Mobetta Music/Ropeadope)
Maurice Brown "The Mood" (Mobetta Music, 2017)
Maurice Brown "Maurice vs Mobetta" (Brown, 2013)
Maurice Brown "The Cycle of Love" (Brown, 2010)
Mobetta & Soul'd U Out Official Mixtape "Soul'd Out" (Brown, 2009)
Maurice Brown "Hip to Bop" (Brown, 2004)
Maurice is featured on:
Omar "Love in Beats" (Freestyle)
Dr. Lonnie Smith "Evolution" (Bluenote)
Revive-Music "Supreme Sonacy Vol.1" (Bluenote)
Tedeschi Trucks Band "Made Up Mind" (Sony BMG Music)
Tedeschi Trucks Band "Everybody's Talking" (Sony BMG Music)
Prodigy of Mobb Deep "H.N.I.C. 3" (Sony)
Marcus Miller "Renaissance" (Koch Records)
Tedeschi Trucks Band "Revelator" (Sony BMG Music)
Maya Azucena "Cry Love" (Half Note Records)
Locksmith "Embedded" (Bluroc Records)
Ski Beatz "24 Hour Karate School, Pt. 2" (Bluroc Records)
The Pimps of Joytime "Janxta Funk!" Wonderwheel Recordings
Santigold "Master of My Make Believe" (Downtown Records)
Talib Kweli "Gutter Rainbows" (Duckdown Records)
Cee-Lo Green "The Lady Killer" (Atlantic Records)
Musiq Soulchild "Musiq In The Magiq" (Atlantic Records)
Diddy "Angels Remix" (Interscope Records)
Laura Izibor "From My Heart to Yours Remix" (Atlantic Records)
Dela Soul "Are you in?" (Nike)
Aretha Franklin "Crown of Jewels" (Arista Records)
Talib Kweli "Ear Drum" (Warner Bros. Records)
DJ Center "Everything In Time" (Push the Fader)
Chelsea Baratz "In Faith" (601 Records)
Roy Hargrove "RH Factor" (Verve)
Lettuce "Rage" (Velour Recordings)
Vieux Farka TourÄ‚Ĺ "Remixed: UFO Over Bamako" (Modiba)
Kendra Ross "New Voice" (P-Vine Records)
Gordon Chambers "Love Stories" (Dome Records)
World Leader Pretend "Punches" (Warner Bros.)
Rick Parker Collective "Finding Space" (WJF Records
Ernest Dawkins "Live at The Orginal Velvet Lounge " (Delmark)
Gordon Chambers "Love Stories" (Dome Records)
Eric Frazier "In Your Own Time" (EFP)
Young Bleed "Carleone's Vintage" (Da'Tention Home)
Ernest Dawkin's New Horizon "Mean Ameen" (Delmark)
Fred Anderson "Back at the Velvet Lounge"(Delmark)
George Freeman "At Long Last George" (Savant)
Michelle Carr "Change" (Salt Box)
The length of a set depends on event and/or venue. In a club setting, two one hour sets is preferred. In concert, an ideal set is 75 - 90 minutes.
A set list for Maurice "Mobetta" Brown includes original material with a couple arrangements of covers, and takes the listener on a journey through different styles and moods.