Maxwell D

He’s been shot at, spent time behind bars and was once a member of the popular pay as you go collective. Now Maxwell D is back with a mixtape, appropriately titled: Misunderstood

Despite his success with garage hit Serious and his rise to fame as part of the popular garage collective Pay As You Go, Maxwell D earned more notoriety back in 2004, when he sold a story to a leading newspaper about his steamy affair with Birmingham-born pop princess Jamelia.

The backlash to this story becoming public resulted in his car being shot at following a show he did in Birmingham.

But despite all the drama of recent years, the well-known MC – and son of Choice FM DJ Natty B – returns with new mixtape Misunderstood – but exactly who misunderstands Maxwell D?

“What I’d like to get across is that I’m a nice guy! But people who don’t know me – and make their judgements from the outside looking in – tend to misunderstand me.”

Ah, I see. Well, this mixtape – released through his own independent label Musketear Recordings – aims to set certain records straight and provides the perfect opportunity for Maxwell D to tell it like it is on a variety of issues, from record label dramas to family dramas to the Jamelia drama and much more.

MIXTAPE

“I had some tracks put down already, so it didn’t take long to put the mixtape together. Last year, I didn’t put much music out but I put videos on Channel U and MTV Base, just to get myself back in the rat-race of the music industry. Then, it made sense to put together the mixtape, so I could reconnect with my fans. I’ve just spent the past year or so trying to get myself back together. And things are good now.”

That’s good to know – particularly as his career path seemed to be regularly tainted by drama. Having originally emerged as part of the drum & bass scene – performing at a number of club events and earning a slot on pirate radio station Rinse FM – Maxwell D’s rising career came to a halt when he was sent to prison.

After serving a year-and-a-half behind bars, he came out to find that drum & bass had been replaced by garage. Realising quickly that he could be a part of this new scene, he released the 1999 hit Serious and joined Pay As You Go cartel, who enjoyed success with their hit Champagne Dance. Eventually, the group disbanded.

Maxwell D recalls his memories of being part of the much-loved garage collective…

“There were about nine of us, so that was nine egos all trying to work together. Everybody wanted to do their own thing so we didn’t always work well as a team. To an extent, us being strong-minded individuals made us stronger as a group ‘coz we each had something to bring to the table. But in the end, that kinda caused our downfall ‘coz there were too many of us wanting to do our own thing. But there’s no bad blood between me and any of them ‘coz it was all a long time ago and everyone’s moved on. Wiley’s doing his thing, I’m doing my thing and there’s no-one from the group that I don’t talk to.”

Unsurprisingly, someone who he doesn’t talk to is Jamelia. But he has no problem explaining why he chose to sell his story about his dealings with the singer…

“I was approached by the paper when I was going through a bad time. Financially, I was in a bad way and I needed the money. My back was against the wall. In some ways I regret it, in some ways I don’t. It was a choice I made at the time but I wouldn’t do it again. That situation brought out a lot of haters – people who I’d previously thought were my friends. All I did was tell the truth – and the truth didn’t look nice.”

Has he seen Jamelia since?

“Nah, I haven’t seen her. I don’t have anything to say to her.”

So what’s the future for the budding MC?

“I’m just concentrating on making as much music as possible and building up my fanbase to the best of my ability. If a record company wants to sign me, I wouldn’t say no – depending on the deal – because I know what I’m doing. At the end of the day, they have the power and the tools to promote an artist – if it’s done properly. If I got a deal, I’d invest the money in my record label, which would enhance me as an artist in the long run.”


‘Misunderstood’ is out now through Musketear Recordings
- GV Media Group Ltd - The Voice Newspaper

Blackberry Hype

BY Joel Campbell

With Maxwell D fronting the hit tune Blackberry Hype, we explore why so many people have bought the nifty device.


IT SEEMS apt that one of the hottest tunes on the UK Funky scene at the moment is called BlackBerry Hype, especially when you consider the success the must have gizmo is experiencing at the moment.


Bucking the current trend which is seeing people hold onto their money for longer before parting with it for any of their most desired goods, a BlackBerry seems to be the recession proof must have gadget of 2009.


Reports over the last couple of months have seen a steady increase of BlackBerry users and their presence in the Smartphone market has forced the hand of Microsoft and Nokia to join forces in order to stem the pace of their growth.


Helping to boost sales in the urban demographic is Maxwell D, whose club banger has been the single biggest motivating factor in people obtaining one of the charismatic handsets.


Talking to Here, the former Garage MC explained what compelled him to put pen to paper and come up with the BlackBerry Hype.

“The riddim was on my computer for a while, I’ve got loads of them and every one was jumping on the UK Funky thing so I thought I’d do a couple of tracks as well.


“Then I bought a BlackBerry phone. Before that all my friends were saying I should get one and I wasn’t really caring because to my mind a phone was a phone. But they kept telling me I needed it to do my emails, Facebook and promotions, so I decided to check it out.


“I had bad credit and no idea I was going to get one but when I got one I went home, got emotional and I was on a hype. I’ve got a studio in my house so it was one of those things that just came together.


“I kept saying I’m on a BlackBerry hype and it stuck. I said to one of my mates make sure you email, text me, I’m on a BlackBerry hype and he turned around laughing and said ‘that’s a good line you know, you should use it’.


“A couple of days later I was back in the studio with the hook, completed the tune and put it out there as a free download.”

Maxwell says he knew the tune was going to be a banger when he was inundated with requests from DJ’s asking for a specially recorded track featuring their name.


His experience with former Garage collective Pay As You Go, who had hit tune Serious reach number 41 in the charts, gave Maxwell an indication on just how far and wide the BlackBerry Hype tune was reaching after only a few months. He admits he was blown away by the response.


He said: “The first man I sent it to was Nicky Slim Ting and he said he played it in a dance and people didn’t even know the tune and they were going mad. The whole rave was skanking and I was like ‘whatever, I’ve got a million tunes on my computer, you can’t be telling me that’s a hit’.


“After that it was one report after another. I’ve got a video production company with some of my friends in Leeds called Max and Ramps multimedia and they played it up there and confirmed that it was going to be one that people loved.”


The success of Blackberry’s seems like a no-brainer but just last week Nokia admitted that they had been slow to produce a handset that rivalled the Research In Motion product.


Indeed, Nokia have announced an ‘aggressive’ marketing strategy of their new products which they hope will peg back the dominance of the BlackBerry and they are not alone. Microsoft linking up with Nokia is, in itself, an admission that they have little or no foothold in a market place most would have assumed they would.


The ‘catch up with BlackBerry plan’ which doesn’t exclude the Apple iPhone is understandable when you see Research In Motion sitting pretty at the top of the Fortune Magazine list of fastest growing companies for 2009. The rapid growth of RIM has shaken the foundations of the Smartphone market and caused the kind of hype that helps the layman understand why Maxwell D’s tune blew up in the first place.


In fact even if you’re not into the whole UK Funky scene just walk down the road, use the tube or stand at a bus stop and you will bump into someone sending an email or deeply engrossed in what is on their 2.8 inch colour touch screen.

Having a BlackBerry isn’t all good though as research by Peninsula, an employment law firm, would suggest. A recent study by the UK firm of 600 BlackBerry subscribers recently revealed that they are likely to be working an extra 15 hours longer than their non-BlackBerry counterparts.


There are fears that EU guidelines on working hours are being breached as a result of employers expecting those that work for them to be available on their BlackBerry’s after work.


There is no doubt that the age of the Smartphone will enable a lot more people to engage in the new phenomenon of cyber networking as social network sites become instantly accessible.


Taking advantage of the new ‘CrackBerry’ era Maxwell D has launched his BlackBerry Hype Tee shirt as well as Blackberry Hype energy drink.


Talking about the surprise surrounding the success of the two concepts, Maxwell D’s business partner Michael from D Star Promotions said the requests for the drink and the merchandise had gone crazy.


He enthused: “It started as a great concept and we were really excited. I think the main reason it has done so well is because no one has done this before. People thought it was just a joke then they saw the drink was on sale and wanted to taste it.


“We done a taste test at the Slough Ice Rink recently with people from the age of 13 to 30 taking part and most thought the BlackBerry Hype drink tasted better and less harsh than Red Bull, so were really pleased with how the product has been received. Were currently waiting for another batch to be delivered from Russia and we are looking for a UK distributor but were happy with how things have gone so far.


“The tee shirts have also sold out, but we’ll be ordering them by the thousand from now on so everyone should be able to get one soon.


“Maxwell has a lot of support out there from back in the day and I think people have a lot of love for the fact that we are trying to bend the rules a bit and bring another dimension to this whole music game.”


Here! has teamed up with Maxwell D and D Star Promotions to offer five readers the chance to be in the new BlackBerry Hype video, which is scheduled to be filmed at the end of September. If you’d like the chance to be involved answer the question below:


What group was Maxwell D a part of before his solo career?


A, May as you go

B, Pay as you go

C, If you like you go


Answers should be sent to competitions@gvmedia.co.uk by midday on September 28. All entries must include a name and daytime telephone number. Editor’s decision is final.

- GV Media Group Ltd / The Voice Newspaper

Front page feature - Creative Vanity Magazine

From the tower blocks of east London comes the thrilling sound of grime. By Chris Campion

Chris Campion
Sunday 23 May 2004
The Observer


Friday night at Pals Bar & Brasserie in Croydon. A battle cry curdles through the venue. 'You doan wanna war wid whoo? War wid mweee!' MC D Double E lurches towards the crowd as he hits the mic. Bodies surge back towards him, smashing a low glass border in front of the DJ booth. Only minutes before office workers performed boozy slow dances around this suburban pub to chart hits. Now the energy in the room has turned. It's getting grime-y.
The crowd, now overwhelmingly young, black and male, is clued in and keyed up by the maddening noise blasting out of the PA - a mash of shuddering sub-bass, clattering beats and queasy synth-lines. D Double's microphone is feeding back like crazy. The shards of glass that have fallen inside the booth rattle in sympathy with the grinding percussive rhythm. This relentless assault and battery only serves to inflame the audience further. Hands primed like guns are thrust in the air to bust off imaginary shots in appreciation. Cigarette lighters and illuminated mobile phones are brandished like beacons. A mosh pit forms towards the edge of the dancefloor and several alarmed security guards wade in to break it up. But before they can the DJ, Danny Weed, spins back the track and kills the sound.

This is 'grime', a hybrid of American rap and Jamaican dancehall filtered through Britain's rave scene and powered by a raw punk energy all its own. Grime's first big star is Dizzee Rascal, whose Mercury Award-nominated album Boy in da Corner described a jagged, disenfranchised world alien to the experience of most Britons. Last month, Dizzee's mentor Wiley - the undisputed king of this new scene - followed him into the limelight.

But behind these two there's a large ragged army of hungry MCs spitting blood and fire about the grim reality of everyday life. Banded together in crews (with names such as Nasty, Boyz in da Hood, Roll Deep and Black Ops) they engage in their own brand of warfare in which reputations can be won or lost in 16 bars. These are the bastard sons of Blair's Britain, trapped in long abandoned pockets of the country where violent crime is rife and the street economy holds sway. Music is their only way out of the grime.

Estranged from its mother culture, British rap has always suffered from something of an identity problem. Grime draws from 15 years of dance music - from house through to jungle and the two-step garage sound popularised by So Solid Crew. It has its own culture, one that is almost entirely self-sufficient and bypasses traditional avenues of distribution and promotion. As well as specialist magazines such as RWD - born three years ago with a £2,000 grant from the Prince's Trust and now the second largest dance music magazine in the UK - the scene also has its own version of MTV in cable station Channel U, which broadcasts roughly hewn homegrown promos for grime tracks alongside ultra-slick American rap videos. The pirate radio network is paramount in promoting and popularising the scene. In this culture, an appearance on 1Extra, Radio 1's digital urban music station, is about as overground it gets.

'This is an underground thing but its roots are in unadulterated capitalism,' says Matt Mason, editor of RWD . 'If you go to any young crew just coming up in the scene they'll have a whole business plan to help build up a reputation and product. There's more hype in garage than any other kind of music; whether it's two MCs having a clash on a pirate or just the lyrics and the way they say them. It's just pure hype.'

The desire of each crew to carve out its own territory in a crowded market has led some of them to tag their sound with its own particular brand name. The generic 'grime' or 'UK garage' just won't do. Wiley and the other 10 members of his Roll Deep Crew describe their sound as Eski (or Eskimo). Jon E Cash's Black Ops have Sub Low. Others define their music in metrical terms: 8 Bar, 2 Step or 44.

MCs have to play the same game to make themselves heard above the tinny gaggle of voices that crowd pirate transmissions. D Double E's idiosyncratic vocal style has made him one of the most recognisable and popular MCs on the scene. He only has to let out his call sign, a deliberate corruption of 'It's me!' sustained into a noise somewhere between a whoop and a grunt, for the audience to cotton on to his presence. 'At raves, sometimes I don't even have to MC, bruv,' he grins. 'I just go on stage and hear the echoes coming out the crowd. It's a deep signal.'

When D Double handles the mic his whole face tenses up with concentration and his teeth are bared to deliver lyrical threats of extreme physical violence designed to riddle the confidence of other MCs. But despite his merciless street persona, it's hard to see him as a bad sort underneath it all. The voicemail message on his mobile phone is a touching home recording of him coaching his two-year-old daughter to mimic his vocal style. He lives for the music and has done for 10 years, since he started out MCing at jungle raves at the age of 14. Up until the beginning of this year, D Double was the lead spitter in Nasty Crew. Now he's going solo. He spends much of his time rolling around his manor in a second-hand Rover, playing his own tracks on the car stereo over and over again as he bounces between the studio, pirate stations and raves. D Double's reputation in his local area is so well established that he can get away with referring to himself as the 'Newham General' with absolutely no sense irony.

Newham, Tower Hamlets and Hackney in east London - the last two rank in the top five most deprived boroughs in Britain - are to grime what the South Bronx is to hip hop. Rhythm Division records has been a fixture of Roman Road in E3 for nearly 10 years. Owner Mark Prutton recalls many of today's names patronising the establishment as youngsters. 'They didn't have any money in those days so they'd come in, crowd around the decks and ask to listen to loads of records.'

Many producers bring white labels of their latest tunes fresh from the pressing plant and sell them exclusively at Rhythm Division before distributing them elsewhere. A hot tune will have been a staple on the pirates and at raves for months before its official release and may shift a few hundred copies in just a week. Wiley claims to have sold up to 50,000 last year out of the back of his car.

Ten minutes from here is the estate where Dizzee Rascal grew up. Built in the Seventies and, by the looks of it, left to decay ever since, Crossways is one of the most impoverished council estates in London; an unforgiving residential wasteland dominated by three 25-storey highrises known locally as 'Three Flats'. The long-deserted concrete playground outside has become a graveyard for discarded crack vials.

Pirate station Rinse FM, on which Dizzee cut his chops alongside many of the scene's leading figures, used to broadcast from high up in one of the blocks. Sitting there, it must have felt as if they were transmitting their angst across the whole of London.

Three Flats is also home to Wiley's new protege, Ruff Squad's Tinchy Stryder, so called because although small in stature he takes big strides. Dizzee calls him 'Tantrum', however, because that's what he sounds like: a flurry of lyrical menace. A charismatic child soldier who looks far younger than his 17 years, Stryder carries himself with a natural confidence and composure that outshines his Ruff Squad peers.

Unlike Dizzee and Wiley's music, there is neither hope nor humour to leaven Ruff Squad's sound, just an oppressive dread. 'Tings in Boots' is a stone-cold ghetto anthem which (in case you're wondering) has nothing at all to do with hotties in knee-high boots. 'It means things in car boots,' says Stryder, 'nothing to do with girls. The lyrics relate to a few people in the underground scene who carry this and that. It's not meant to mean just guns, but weapons generally.'

The suggestion that those in the scene are not immune to violence is borne out by a series of events that occurred in February two months before Wiley's album was due to drop. Rumours started to fly around that Wiley had been rushed by an up-and-coming crew and stabbed several times in the melee.

The next day, he cancelled all further press interviews and proved increasingly difficult to nail down. A few weeks later, he was stuck again by the same crew while out shopping. All of this went entirely unreported in the media but was alluded to by several of the people interviewed for this piece. Even his record company, XL, seem to have been kept in the dark as to what happened.

Flyers for many UK garage events specifically advertise 'No Grime!'. Crews such as Ruff Squad are forced to perform in out-of-the-way suburban clubs in places such as Bedford, Croydon, Luton and Sheffield. 'Most of those things that happen on the scene exist without garage [music] and without the MC,' says Stryder. 'But sometimes people get too carried away with the vibe at the rave. The tempo is fast so everything is up, not really laid-back. Sometimes people get bottled or rushed.'

In general, however, grime works to ritualise and contain aggression between crews through battles and clashes in which the aim is to 'merk' rival MCs on the set - kill them lyrically in the most inventive way possible. To the outsider, even the vernacular used by the grime MC seems impenetrable. 'Every time you go on the radio it's like you're warring with someone,' says Stryder, 'so everyone's trying to be on their best form.'

One Saturday afternoon, word has got around that Nasty Crew are doing a set at Heat FM , a pirate that operates from a back room on a north London council estate. More than 25 people are crammed into a space barely 12 foot square. Only nine belong to Nasty. The others are members of up-and-coming crews Meridian and Venom. The atmosphere is thick with weed smoke and charged with anticipation. Electricity is patched in from next door to power a set of decks played back through a cheap boombox - the only actual equipment in the station.

Nasty's most formidable MCs - Kano, Sharkey Major, Ghetto, Hyper and Stormin - form a huddle around the mic and pass it back and forth between themselves to keep the other crews from muscling in. As he rhymes, Ghetto bucks his wiry body spas modically back and forth like a boxer sparring jabs. His hoodie is pulled down so low over his head that the only visible parts of his face are the gold teeth that glint in the light of the bare bulb hanging from the ceiling.

When a member of Venom finally wrestles control of the mic, the rest of his crew shout out a bizarre, tooled-up version of Madness's 'Our House'. The chorus runs: 'Arms house in the middle of the street!'

Afterwards Marcus Nasty, Nasty Crew's shaven-headed capo, is not impressed. 'The problem is there's no class in the game,' he spits. 'Years ago you wouldn't find people jumping up on stage with Nasty or coming to the stations for our show. People knew you couldn't do that. We are the top boys.'

Nasty Crew used to operate under the patronage of top producer Jammer. But in November 2003 Marcus Nasty emerged from prison after a two-year stretch for unspecified offences to resume his position in charge of the crew he co-founded in 1999.

'If it wasn't for this music, I'd be in a lot of trouble,' he says. 'Grime keeps me on-road. It's keeping a lot of other kids out of jail, too. Rather than shooting each other, they all come down here and war lyrically.' When Marcus Nasty got a new lease on life, Jammer ducked out. Depending on to whom you talk, the crew's reputation was either built on Jammer's production or vice versa. But either way, there wasn't room for two heads in one crew. D Double E left soon afterwards, also citing differences with Marcus Nasty.

This kind of internecine dispute is all too common, the result of a constant tension between the drive for success and loyalty to the street, between satisfying the desires of the individual and the demands of the crew. One by one, the major labels are picking off the MCs whom they deem capable of holding the attention of a mainstream audience. Boyz in da Hood's Durrty Doogz has been signed to Sony for over a year. Nasty's Kano is set to ink a deal with 679 Recordings, who also put out the Streets. In some cases, the connections between the underground and mainstream are even closer. Details of MC Maxwell D's steamy affair with R&B pop sensation Jamelia were splashed across the News of the World. The canny 24-year-old (who used to be part of Pay As You Go Cartel with Wiley) exploited the kiss-and-tell He's put together a group which bears the same name as his label, Musketear, to bring through the next generation of MCs, which he likes to call the 'black S Club 7'.

The youngest member of the Musketears, Ashman, is a 12-year-old from the 'posh bit of Peckham'. Ashman gives a shout-out to 'my mum, Miss Lee' on his debut single, 'How It Is', and proceeds to relate how his street fame brought him the attention - 'She didn't want to know me... now she wants to blow me.' Ashman represents the future of grime.

Two generations down the line, D Double E's priorities have changed since leaving Nasty. He says he's tired of listening to 14-year-old kids chatting about guns - 'That's just noise, not music' - and wants to spit about things that are dear to him. He wants to rhyme about his daughter.

'All that stuff just seems like for little kids to me. And I'm not a little kid any more. I don't want to be spitting like that. I want to be doing things that they can look up to. I wanna be an artist, man.'










- The Guardian / The Observer

Jamelia got her own back on ex-boyfriend Maxwell D during a TV pop quiz.

The singer was a guest on Never Mind The Buzzcocks when the rapper came on stage among a group of men in the identity parade round.

R&B star Jamelia, 28, screamed: “I recognise him. He screwed me over.”

Then host Claudia Winkelman and Jamelia’s team captain Phill Jupitus mocked Maxwell before he left.

A TV source said: “If anyone laughed, it was at Maxwell. He looked a bit of an idiot.”

An edited version of the incident is expected to go out on BBC2 next month.

The rapper said: “Talking to papers was what caused this. I love Jamelia and she’s cool.”

Jamelia and Maxwell dated in 2004 before he sold stories about their relationship.
- The Mirror

In case you didn’t know, Maxwell D appeared on an episode of ‘Never Mind The Buzzcocks’ the other day which happened to have Jamelia on one of the teams. This is interesting because Jamelia reveals that Max tried to sell a sex story to a newspaper about her and then goes off taking side shots about his financial status and other reasons why he may of done that. Shouts to dude apologising now though and he tries to justify explain why he did sell the story but I don’t think Jamelia is going to be so quick to forgive according to her tweets.

Now I didn’t know about any of this before so if you want to watch the strong par, catch it after the jump and get familiar like I did…
- London to MK

NME.com feature on Maxwell D including news, reviews, biography, youtube video, audio, concerts, tour dates, photos, pictures, commentary, album reviews and live reviews and cool facts - NME

Our fave brummie, the MOBO & Brit award winning Jamelia appeared on the BBC show ‘Never Mind The Buzzcocks‘ last night and had a very odd encounter. The show has a ‘lineup’ section, where an obscure artist or band member appears along side four other lookalikes, and the challenge is to guess who the real artist is.

In last nights show ‘Maxwell D’, a London based MC, was star of the line up. It turns out he attempted to sell a story on Jamelia back in t’day. Jamelia called him out during the show, and pointed out she was happy he was in a lineup while she was the panel guest.

Today, the story goes a step further, with youtube and twitter abuzz with interesting viewpoints. Some focus on Maxwell D apologising, while calling the show ‘abit of a setup‘.


Read more about music news by null

- http://www.music.co.uk/music-news/jamelia-buzzcocks-maxwell-ds-apology.html - Music.co.uk