Mr. Envi'

What Are Your Goals In The Music Industry?
Some of my goals in the music industry is to continue to build my brand and fan base, chart on billboard and create a more of a consistent means of touring. As an independent artist, I feel like these are very important goals to consider, especially building a brand and fan base. Because without the fans, the rest would be pointless.

Tell us about this project?
My latest project “Damage Kontrol” is more or less my view of hip hop today. Not necessarily calling out names, but letting the truth be known about how some of these rappers feel the need to fabricate their lifestyles just to portray this image like they’re “on” or already a mainstream artist. I too use to think like that, until I started learning a little bit more about the industry and watching trends. Seeing how the mainstream forces not so good music in the ears of the general public while artist with substance or a message gets no love. I just felt like it was a topic a lot of us talk about behind closed doors and someone needed to bring that chatter to the light. After my manager listened to the album, he said that I was going to make a lot of artist mad… I replied, truth hurts and if the shoe fits, well… you know the rest.

On another note, since the albums release, “Damage Kontrol” made it on the CMJ Hip Hop Top 40 Charts. Pretty exciting to see it on a national chart, being that “Damage Kontrol” is my first title to make the chart. I had a lot of fun working with two rap pioneers on this project, La Chat and Young Bleed.

Who were your musical inspirations growing up?
Over the years my influences and inspirations have changed, but artist like Snoop Dogg, 2Pac, Dr. Dre’, Daz Dillinger, MJG, Outkast, Red Man, Method Man, Black Rob, Scarface and DMX contributed to the early stages of my hip hop career. But since the dawn of independence, my inspiration has turned to artist like Master P, Tech N9ne, Curren$y, 50 Cent and T.I. just to name a few. These artists have influenced me not only as artist, but business men as well.

Are You Working On Any New Projects?
I’m always working on new music. I’m actually working on a new EP or album scheduled to be released as earlier as this coming spring. Haven’t decided on a title yet, but it’s going to be a lot of truth to it… Without revealing too many details. However, on this release, I’d like to do a collab with a couple of legends like; MJG, DJ Paul, Mr. Pookie and even Daz Dillinger, just to name a few. But for now, we’ll see how “Damage Kontrol” plays out over the next few months before I get too far ahead. I also have plans to shoot more videos of singles off the “Damage Kontrol” album. So stay tuned.

http://twitter.com/MrEnvi1
http://instagram.com/mrenvi09
http://facebook.com/mr.envi1

Purchase On iTunes! - Indie Nation Blog

Over the past 10 weeks Mr. Envi' has appeared on numerous regional radio stations gaining enough momentum to land his new album "Damage Kontrol" on the national Hip Hop Top 40 Charts.

Found in issue 1409 of the CMJ New Music Report, “Damage Kontrol” debuts at No. 40 on the national charts, thanks to the personnel at Mia Mind Music and Southern Stisles Records.

Mr. Envi' is pleased to see that all the hard work and dedication put into his album has paid off, hoping to move up the charts in weeks to come.

If interested in booking Mr. Envi' for an in-store appearance or your next event, please contact Reggie at 318.307.7330 or email reggie@puppetmasterent.com. - Mi2N

Just finished listening to an album my friend had been telling me about by artist Mr. Envi' entitled "Damage Kontrol" and I must say, I was impressed. Track 3, "Keep It Real", has to be my favorite! This song made me immediately think about Snoop Dogg with that west coast sound and the piano rift playing throughout the beat. Cali Swagg indeed, lol. It also carries over to to the next track "Like Me" featuring Young Bleed (formerly of No Limit Records). I love the sound of the piano on both songs. Also, hearing Young Bleed on the song really took me back.

I also liked track 2 "Tha Wrong Thangz". The Bernie Mack and Katt Williams skits are hilarious and blends in well with the rest of the album. Two tracks that really had me bouncing was, "Rubber Checkz" featuring La Chat (formerly of Hypnotized Minds) and "Gettin' Money". Both songs had me instantly dancing in my seat. I really liked how both Mr. Envi' and Lady Cam went back and forth over a killer beat on "Somebody Lied". Last but not least, "Tha Underdog" gave me that old school Texas feel.

Overall, "Damage Kontrol" is a very well rounded album that not only tells a story, but conveys a message in the way real hip hop artist did over the years. You can listen to this album no matter where you're from. Whether it's the South, North, Midwest, East or West coast, you'll love this album. Can't wait to hear more from Mr. Envi'. This album left me wanting to hear more. - Music Emissions

Full speed ahead as Mia Mind Music/Southern Stisles recording artist Mr. Envi’ appears on the national hip hop add charts for the 2nd time.

His album “Damage Kontrol” found its way on the CMJ top 5 last week debuting at #2, finding its way back on the charts at #4. A positive start for the up and coming artist.

Radio stations have also been supportive resulting in “Damage Kontrol” appearing on regional radio charts across the nation. The album moved up on M3 Radio’s album chart to #1 from its debut at #10 last week and also appearing on the Regional Top 30 Radio Airplay Charts at #25, of the same station.

“Mr. Envi”s lyrics are a step in the right direction, giving the fans both the beat and the substance.” said Nicola of Consult Medley Publishing.

Music critic Nick Gibson stated, “Damage Kontrol” is an enjoyable listen that I’m sure new Mr. Envi’ fans will be pleased with.

For more information on Mr. Envi’, visit www.southernstislesrecords.com, like him on Facebook and follow him on Twitter.

If interested in booking Mr. Envi’ for an in-store appearance or your next event, please contact Reggie at 318.307.7330 or email reggie@puppetmasterent.com.

Mr. Envi’ is also available for interviews and other press related media. Please send all media inquiries to info@southernstislesrecords.com - New Music Weekly

Mr. Envi' started this week on a positive note with his new album "Damage Kontrol" on the national hip hop add charts.

On the CMJ Top Five Hip Hop chart found in issue 1406 (located in the new music report), “Damage Kontrol” debuts at No. 2. Not only did the album chart in the top five, but beat releases from both Public Enemy, as well as Method Man on the charts the same week that his album "Damage Kontrol" went for radio adds.

An impressive start indeed, as "Damage Kontrol" also appeared on the iTunes New Release Hip Hop/Rap charts briefly at No. 32.

Mr. Envi' is hoping to take this momentum and finish strong this year, leaving the doors open for future endevours. With backing and support from his team at Mia Mind Music/Southern Stisles Records, he's sure to become a house hold name across the nation.

If interested in booking Mr. Envi' for an in-store appearance or your next event, please contact Reggie at 318.307.7330 or email reggie@puppetmasterent.com.

Mr. Envi' is also available for interviews and other press related media. Please send all media inquiries to info@southernstislesrecords.com - MI2N

If you’re a fan of 90’s hip hop, then you’ll love “Damage Kontrol”. Mr. Envi’ shows his ability to tell narrate lyrics in the form of a story, while sharing his views on rap today. “Got No Time”, the album’s first song, is an eye opener for some and can be easily taken out of context if listeners fail to grasp his message. In the songs opening lyrics, “Back in the day, it used to be some sort of message to this sh*t, but now a days there seems there really is no effort to this sh*t”, Mr. Envi’ acknowledges how hip hop songs in the past would have a subliminal meanings that would touch you in a manner of speaking, compared to what seems to be a lot of meaningless babble with rap of today.

“Tha Wrong Thangz” is a song I think many today would agree with, as it tackles the everyday struggles of dealing with individuals who seem to be infatuated with the lives of others, rather than focusing on their own. Even though the song was straight to the point, I felt a bit let down seeming to want more, but never the less, a good concept.

Mr. Envi’ demonstrates his rap flow even more on “Keep It Real”. The song has a strong west coast vibe in which his content fits perfectly; shedding some light on how individuals abandon themselves trying to portray an image they feel will help them to become successful. A common trait we’ve seen time and time again.

Getting into one of the albums stand out tracks “Like Me”, Mr. Envi’ collaborates with hip hop legend Young Bleed to let those know that they are not to be taken lightly and that anyone can obtain the same success as them, with hard work and dedication. “I put in work because I... have to, not for you to... try and, take away from me..., It’s not like you can’t... go and, get out on the...grind and, put in work like me”, Mr. Envi’ states in the chorus.
In the album’s first skit, we find a bit of comic relief as comedian Jeremy “UnMasked” Smith mimics the late Bernie Mac flawlessly, as he sets up the pace for the albums next title, “Rubber Checkz”. This song really puts you in the mind of that classic Memphis sound of Three 6 Mafia, and a guest spot from La Chat sells it even more.

“Damage Kontrol” tones it down a bit with “Somebody Lied”, but remains on course where Mr. Envi’ and feature Lady Cam touches back on the topic of how artist promote to these false life styles. In “Getting’ Money”, Mr. Envi’ comes off as a bit boastful; seemingly staying on topic by explaining the difference between him actually having the things he says he has, while other artist may not.

I for one like “Tha Underdog”, because many can relate to how one may feel overlooked and ignored, but in hindsight have it better than those who seem to have it all. “Representing for them underdogs, waiting on their turn, you can’t out smart em’ once them wheels start to turn”, artist JTL adds.

Lastly, “Damage Kontrol” closes with more comic relief with Jeremy “UnMasked” Smith making this an album I know you’ll enjoy. - SputnikMusic

Louisiana artist Mr. Envi' is back with his new album "Damage Kontrol" and in my opinion, is by far one of his best albums to date. Unlike his other projects, Damage Kontrol seem to have a clear message in the album as a whole and I think once everyone listens to that message, you'll definitely agree with what he's conveying.

The albums lead song "Got No Time" wastes no time giving listeners a keen understanding of what his primary focus will be for the album. Supported by the albums second song "Tha Wrong Thangz", Mr. Envi' stresses the importance of learning the music business as well as keeping focused on your own goals, instead of someone elses.

Next you have "Keep It Real". This track has a bit of a west coast feel to it and Mr. Envi' delivers accordingly. He tells a story of how artist of today commonly portray themselves by creating this false persona, rather than being their true selves.

Stand out tracks for "Damage Kontrol" include "Like Me", "Rubber Checkz" and Gettin' Money". "Like Me" scored a guest feature from hip-hop/rap veteran Young Bleed. Along with an addictive bass line and a mesmerizing piano melody, both artists rap style complemented each other equally. "Rubber Checkz" serves as the albums hype track, infused with hard hitting bass, crisp high hats and a horrific piano rift, the track emulates that Memphis sound flawlessly. And a guest feature from Memphis artist La Chat, furthers the feel even more. "Gettin' Money" is more of a status track in which Mr. Envi' points out that he's not to be compared with other independent artist who make false claims of fame and wealth.

Other tracks include "Somebody Lied" and "Tha Underdog". Each track received production as well as a guest feature from the titles respective artist. Lastly, Mr. Envi' provides a bit of comic relief with the assistance of Jeremy "UnMasked" Smith on both of the album skits.

"Damage Kontrol" is the type of album that should receive massive attention, versus what's out there now, in my opinion. Overall, "Damage Kontrol" is an enjoyable listen that I'm sure fans will be pleased with.


I give it: (4.5 out of 5 stars) - Allmusic

Founder of Southern Stisles Records and owner of Hood Critic Magazine, Bossier City, LA based Holland D. Witherspoon (born July 15, 1978), Mr. Envi’, is an American rapper who’s been catching the attention of audiences since he began releasing mixtapes locally in 2001. His first break came when his single “Break His Jaw” aired on local radio and shortly after he moved to Louisiana where he felt he’d have a better opportunity to break out nationally. - Rude Boy Magazine

Over the years, Mr. Envi’ has shared the stage, as well as toured alongside notable acts such as Juvenile, Shawna and Charlie Boy just to name a few. He is currently working on his next album titled Damage Kontrol. The album features guest appearances from Young Bleed, La Chat and more. Damage Kontrol is scheduled to be released on August 14, 2015 and plans of a tour is said to follow shortly after the release. - The Hype Magazine

Louisiana based rap artist Mr. Envi’ is gearing up for the release of his upcoming album “Damage Kontrol”. In addition to this release, a promotional tour has been scheduled and is set to kick-off this Saturday July 25th in Monroe, LA.

Mr. Envi’ will also be on tour with La Chat (affiliated with Three 6 Mafia) in conjunction with the promotion of her recent release “Murder She Spoke II”. The combined tours will cover both the mid-west and southern regions.

Tour dates follow:

* Sat Jul 25
Club Freak Niq's
West Monroe, LA | 9:00PM

* Wed Aug 5
Club Timbuktu
Milwaukee, WI | 9:00PM

* Thu Aug 6
The Wisco
Madison, WI | 9:00PM

* Fri Aug 7
Outtakes Bar + Grill
Minneapolis, MN | 9:00PM

* Sun Aug 9
PLAYMAKERS BAR AND GRILL
Eau Claire, WI | 9:00PM

* Fri Aug 14
Deedy's Lounge
Shreveport, LA | 9:00PM

* Fri Aug 21
Dardanelle Community Center
Dardanelle, AR | 9:00PM

* Sat Aug 22
Club 50/50 Sports Den
Little Rock, AR | 9:00PM

* Sat Aug 29
Starks Pasture
Uniontown, AL | 5:00PM

* Fri Oct 30
La Fiesta Brava
Hattiesburg, MS | 9:00PM

* Sat Oct 31
Mediterranean Fish & Grill
Ridgeland, MS | 9:00PM

For more information and tour updates, follow Mo Styles Entertainment Management and PuppetMaster Entertainment on Facebook.

https://www.facebook.com/mostylesentmgmt
https://www.facebook.com/puppetmaterent - Mi2N

“Rubber Checkz” is kind of song that has become necessary in hip hop in my opinion. Necessary because when you look at the landscape, the majority of what you see is glorification of being something you’re not while claiming to ‘keep it real’. Mr. Envi obviously understands the confusion that listeners face every time they turn on their preferred music device or service and has created a statement illustrating exactly why rappers need to be nothing more than themselves.

“Rubber Checkz” follows the theme of a true dirty South banger from the early 2000s—arpeggiated piano, syncopated hats and hard hitting drums—and Mr. Envi’s message fits perfectly here. I dug the feel of the production and how Mr. Envi and featured artist La’Chat bothdrop heavy-handed bars on different subjects that both fit into the tone of the track. While Mr. Envi’ represents Bossier City, Louisiana, the atmosphere is grimy and hard enough to have come from Memphis, Tennessee and including La’Chat only furthers the cause for realism here.

“Rubber Checkz” is satisfyingly simple: a man, minimal production and his story. I liked the bar from Mr. Envi’s first verse, “I know you’re scared to leave the city, hit the road, get on the grind/ Sending me links to your music cause you see I’m handling mine/”, because it tells a lot of truth about how up-and-coming rappers tend to think that sending a more established artist their music, especially via social media, is the ticket necessary to get attention when it’s not and more likely than not the artist hasn’t explored all of the options left to them. The same can be said of the record labels promising big things to artists and then never pan out as Mr. Envi’ puts it: “For them labels that be fronting like they can put you in the game/ With no budget and no structure all you are is just a name/” Overall, “Rubber Checkz” is a great choice for a leadoff single for Damage Kontrol and if this song is any indication of what we’re about to hear when the album drops on August 14th, we’re in for a top notch record.

Review by: Charles Sweet
Rating: 4 (out of 5 stars) - UM2N

I2G chilled with Mr. Envi’ for an exclusive interview. We discuss his start in hip hop, upcoming projects and much more so check it out.

I2G is here with Mr. Envi’, how’s it going?

Mr. Envi’: What’s happening world, just cooling, trying to maintain as always keeping myself busy.

Tell me a little bit about how you got your start in Hip Hop and who are some of your musical influences.

Mr. Envi’: For me, it’s an average story… I got my start in hip hop back in high school where I use to freestyle in the hallways and in class, beating on the tables and such, the whole 9. I use to freestyle over instrumentals and create real mixtapes, with those old TDK cassette tapes, memorize them and eventually rap them at school. Did a few talent shows here and there, but didn’t really get into it until I joined the military.

While at my first duty station I met up with some other talented individuals who also had a thing for hip hop. The good thing about it was, we were all from different parts of the US, so I was exposed to all different styles and perspectives of hip hop. That made it even more interesting, because we all had strong views on music based on where we were from and often debated on which styles were the best. But in the end, it made me a better lyricist, because I was from the south and during that time, East and West coast was the face of hip hop and southern artist were slowly emerging. I really had to step my game up to even be relevant in cyphers we use to have. After leaving the military, I really started pursuing hip hop.

Over the years my influences have changed, but artist like Snoop Dogg, Dr. Dre’, Daz Dillinger, MJG, Outkast, Red Man, Method Man, Black Rob contributed to the early stages of hip hop. But since the dawn of independence, my inspiration has turned to artist like Master P, Tech N9ne, Curren$y, 50 Cent and T.I. just to name a few. These artists have influenced me not only as artist, but business men as well.

Tell us a little bit about your latest project

Mr. Envi’: My latest project “Damage Kontrol EP” is more or less my view of hip hop today. Not necessarily calling out names, but letting the truth be known about how some of these rappers feel the need to fabricate their lifestyles just to portray this image like they’re “on” or already mainstream artist. I too use to think that way, until I started learning the industry and watching trends, seeing how mainstream forces not so good music in the ears of the general public. I just felt like it was a topic a lot of us talk about behind closed doors and someone needed bring that chatter to the light. After my manager listened to the EP, he said that I was going to make a lot of artist mad… I replied, truth hurts and if the shoe fits, well… you know the rest.

Do you have any other new projects that you currently have in the works and when will they be released?

Mr. Envi’: “Damage Kontrol EP” is scheduled to be released this year around the end of the summer, early fall. The first official single off the EP is titled “Rubber Checkz featuring La Chat” (Hypnotize Minds) and is scheduled to be released next month in May followed by the music video. The next single to follow will be “Like Me featuring Young Bleed” (formerly No Limit, Strange Music) set to be released late June early July.

What are your thoughts on Hip Hop in 2015?

Mr. Envi’: As of now, it seems that hip hop is headed in a good direction. There were a lot of notable independents and unsigned artists out there with good music who are overlooked, but I think the tide is starting to turn.

What’s some singles or albums that you are currently playing that you are feeling at the moment?

Mr. Envi’: Right now I’m jammin’ that new album by La Chat, “Murder She Spoke II” and really diggin’ Kendrick Lamar’s new album “How To Pimp A Butterfly”. Waiting to check out Tech N9ne’s “Special Effects” album.

Do you have any upcoming shows or tour dates?

Mr. Envi’: As of now I’ve got a show on
29 May in Hattiesburg, MS
30 May in Ridgeland, MS
More dates are coming in for shows throughout the summer and will be announced as soon as they’re confirmed.

What is your website information?

Mr. Envi’: My website information is www.mrenvissr.com . There you can find links to my social media, updated tour information, videos and other related material.

Appreciate your time, any last words?

Mr. Envi’: Thank you for having me and just a quick message to all the young aspiring artist out there, find your niche in the game and make it your own. The easy way of doing things isn’t always the best way to do them. And most importantly, knowledge is power and people tend to fear what they don’t understand… So teach them! Thanks again, God bless and be easy. - Illuminati 2G

Mr. Envi’

Point of No Return

Over the years, rappers have addressed a lot of heavy, hard-hitting subject matter: drugs, poverty, gang violence, war, terrorism, environmental concerns, the death penalty, you name it. But hip-hop has its humorous side as well, going back to the late 1970s and early 1980s. And in some cases, rappers will combine the serious and the humorous. For example, Holland Dai’mon Witherspoon, a.k.a. Mr. Envi’, is a southern rapper who incorporates some sketch comedy on his seven-track EP Point of No Return.

This March 2013 release is not an exercise in total madcap comedy the way that the Fat Boys and Biz Markie, just to give two examples, specialized in madcap comedy during their 1980s heyday. Point of No Return, on the whole, is an edgy hardcore rap outing with a serious and aggressive tone. But Mr. Envi’ knows how to balance the comic and the serious, featuring his colleague UnMasked on two comic sketches (both of which draw on the type of edgy comedy made famous by Richard Pryor, Rudy Ray Moore and Redd Foxx, among others). And while those sketches aren’t representative of the EP on the whole, they lighten the load a bit and serve as a likable counterbalance to the serious tone that prevails on tracks like “Point of No Return,” “Back It Off,” “Where U From” and “Laura.” The latter should not be confused with the old David Raksin ballad/standard from 1944, which has been recorded by numerous jazz and traditional pop artists over the years and was the theme from the film noir favorite Laura (with Gene Tierney, Dana Andrews, Vincent Price and Clifton Webb). Raksin’s “Laura” and Mr. Envi’s sexually candid “Laura” are two very different songs.

Mr. Envi’ was born in Greensboro, Alabama on July 15, 1978, and Point of No Return reflects his southern background. Hip-hop has quite a few regional variations these days. MCs from New York City and Philadelphia often have an identifiably northeastern flow, while MCs from Los Angeles, Oakland, San Francisco or San Diego often favor rapping styles (as well as beats) that are easy to identify as West Coast hip-hop. And on Point of No Return, it is quite easy to tell that Mr. Envi’ comes from the Dirty South school of hip-hop. Mr. Envi’s rapping on “Back It Off,” “Where U From,” “Re Up” and the title track is very much of the Dirty South variety, and adding to that Deep South appeal are the tracks that Mr. Envi’ raps over. The Alabama native’s beats are clearly southern beats. Further, the guest MCs that Mr. Envi’ features (who include Jeramie on “Back It Off” and J.B. on “Where U From”) also add to the EP’s Dirty South appeal. So between Mr. Envi’s rapping, the production, the guest MCs and the two comic sketches with UnMasked, this is a very southern-sounding release. On top of that, Mr. Envi’ calls his independent label Southern Stisles Records (southernstislesrecords.com); even if his rapping, beats and guest MCs didn’t draw attention to his southern background, the name of his record company would.

And from a marketing and promotional standpoint, that’s something Mr. Envi’ should be drawing attention to. The Dirty South school of hip-hop has been popular for a long time; from Master P’s No Limit empire in New Orleans to the crunk artists in Atlanta to all the successful MCs who have come from Florida, Alabama and the Carolinas in the 1990s, 2000s and early 2010s, southern hip-hop has been every bit as viable commercially as hip-hop from the Northeastern Corridor or the West Coast.

Granted, the popularity of the Dirty South field has made it more and more competitive (Alabama alone has a ton of competition). But Point of No Return is a decent effort, showing what Mr. Envi’ has to offer not only as a rapper, but also, as a producer and label owner.

Review by Alex Henderson

3 stars out of 5 - Wordpress.com

Holland Witherspoon, AKA Mr. Envi’, is a Louisiana based rapper, producer and label owner. His Southern Stisle Records has become the home base for Mr. Envi’s recordings, and his last two albums have met with significant success. Rydaz Redemption (2011) debuted at #3 on the CMJ Hip Hop add charts, and Kollaborationz (2012) helped Mr. Envi’ maintain that momentum. Mr. Envi’s last, Point Of No Return, is a statement album, meant to catapult Mr. Envi’ into the national scene.

The opening strains of Point Of No Return sounds like it were drawn from a horror movie soundtrack. Paranoid listeners might be looking for Jason to jump out around the next corner. It’s an appropriate motif for the EP, although the fear faced by Mr. Envi’ is more about getting caught up in the street life and never escaping. That’s the suggestion of the album intro, yet Mr. Envi’ spends much of the EP celebrating his presumed past.

“Where You From” is right out of establishing street cred central. Territorial considerations, gang violence and misogynistic or otherwise anachronistic racial epithets are used to create substance where storytelling is absent. “Re Up” has a bit more thought behind it, as Mr. Envi’ tries to underline his more human qualities. The passive vocal/rap style leaks some of the potential power of his words, and the attempts at a sung chorus turn unfortunate.

Mr. Envi’ shows a more poetic aspect on “Skit”, displaying a real sense of lyrical rhythm. It’s an entertaining side bar that serves as a transition to a more coherent style as evidenced on “Back It Off.” Here Mr. Envi’ shows a real pop sensibility hand in hand with a stylistic lyrical flow that is his own. “Laura” is an in your face promise to steal another man’s woman, such as it is. There’s a taunting, adolescent quality to this that’s mildly amusing in and of itself and Mr. Envi’ plays it to the hilt. Point Of No Return closes with a spoken word “Outro” that’s more trash talking rant than anything else. Mr. Envi’ shows off his sense of humor here while effectively book ends his songs with a promise to bring music back to the way it once was.

After a slow start, Mr. Envi’ warms up nicely on Point Of No Return. It’s hard at times to parse the humor from the ridiculous, as Mr. Envi’ seems to like exploiting stereotypes in his songs. The result is entertaining but at times uneven listening experience.

www.mrenvi.bandcamp.com

Artist: Mr. Envi’
Title: Point Of No Return
Review by: Wildy Haskell
Rating: 2.5 Stars (Out of 5) - All Access Magazine

Mr. Envi’ has been able to roll with the punches for over a decade now as the CEO of Southern Stisles Records, seeing a number of prior releases fall to the wayside. Such lessons in trial and error have helped him to retool and reassess his strategy, resulting in the release of the Kollaborationz album. Sticking with the belief that regional success must come before national recognition, Southern Stisles continues to hold it down for Louisiana, featuring a handful of hometown rappers on this release. As the label boss steps into the booth to spit a few bars and produce some tracks, it’s clear that he wears many hats.

Mr. Envi’ shares the production duties with JTL, one of several guest rappers on the album. The beats are sparse in structure throughout the release, featuring bass pad punches and ice cold snares. Synthesized melodies tend to drive the instrumentals with low tones underneath that mimic the main harmony, as on the album’s opening track “Pretendas.” JTL and Mr. Envi’ drop lines that call out the fakers amongst those who can not only talk big, but walk the walk as well. More bars regarding stacking papers and the daily grind can be heard on “What They Want” as pompous horns land hard on the rhythm. The collective lyrical flow has less to do with double meanings and metaphors and everything to do with hard posturing and bragging writes. It’s a one-trick pony that gallops its way through most of the tracks, but Mr. Envi’ never promised anyone a life-changing manifesto.

However, Kollaborationz is not without its tender moments. “Don’t Wait” offers poignant reflections over mournful strings and digitized hand claps, pondering the fleeting nature of life. One line suggests that “we ain’t promised tomorrow, not even promised tonight,” a sobering reminder of the fragility of everyday living. This song along with “Just Chill” are easily the album’s strongest tracks, tapping into common situations and creating selections with staying power. “Just Chill” deals with relationship struggles over solemn piano riffs, isolated rim shots and cascading chimes. Each rapper’s verse conveys their respective frustration and Mr. Envi’s dark production fits their narratives like a tailor-made suit.

The rest of the album plays into the usual trappings of pimp philosophies and ghetto commandments. "Sho' Ya Money" endorses the age old practice of ladies turning tricks for cash flow over orchestra hits and artificial horns while "Keep It Poppin'" represents for the thug life with gun talk and open threats. A basic piano riff rides a minimal locked groove that's littered with guttural screams and keyboard generated brass, all of it designed to play loud at the clubs. "Close Ya Mouth" delivers some interesting contrast between the obscenity-laced lyrics and the tender instrumentation. While Mr. Envi' and Mr. Bush talk about guys that drive nice cars while living in run-down apartments, the backing track pops with plucked strings and rubbery funk chords that fade into nothingness. "Let It Be Known" plays the same card, working with gentle harp notes and muted organ parts while JTL briefly reminisces about catching gridiron glory before picking up the microphone to rap.

As "What They Want" is revisited with more local talent at the album's conclusion, it would appear that Kollaborationz runs out of stream about halfway through. Although there are more stories to tell than are presented here, Mr. Envi' and company seem content to toe the line. While songs like "Don't Wait" and "Just Chill" hint that they are capable of so much more, this release is overrun with the same old street stories, but no different way to express them. Every album doesn't need to be a deep concept album, but Kollaborationz barely delivers on the few beats and rhymes that were committed to tape.
- UM2N

Whatever your feelings about Southern rap music may be, you have to admire the work ethic, especially when taking the tireless grind of their independent artists into consideration. There seems to be a keen understanding of how important it is to have regional success and how that must be achieved before national recognition or even viral video breakthroughs on the Internet. After a few false starts, it sounds like Mr. Envi' is on his way. Serving as CEO of Southern Stisles Records, this rapper/producer may have created a slow burner for the summertime with "Just Chill," the first in a series of singles to promote his Kollaborationz album.

A lonely piano riff introduces the song, held up by muted string accompaniment right before the beat kicks in. The production is simple and subtle: a low register bass riff with strings walking in its shadows, finger snaps acting as a metronome, and chimes sprinkled across the top to add a sensitive accent. The vocal hook is a memorable one ("How come we just can't chill?"), setting the stage for Mr. Envi', JTL, and Cornbread to drop lyrics about a troubled relationship. Each vocalist deals with a different aspect, debating whether they should stay or go, pleading their case for why the struggle is worth it, and going on the defensive when their woman suspects them of cheating. The instrumental is held back in volume just enough to allow the lyrical sentiment to shine through.

"Just Chill" is very effective as a first single, one that should have instant appeal not only with Mr. Envi's home crowd in Louisiana, but in all surrounding states that consider Southern Stisles a place for quality music. It's the best kind of introduction, speaking instead of screaming to get the point across, touching on a universal theme that all can relate to. There will be plenty of time to get rowdy in the club later; "Just Chill" is a reminder of the conversation that has to take place between a man and a woman behind closed doors at home. - Top40-Charts.com

Alabama native Holland Dai’mon Witherspoon went through the ringer a few times. The rapper, who records under the name Mr. Envi’, began recording on his own in 2003 but suffered a few false starts. Now older and wiser, Mr. Envi’ is back at it – this time with momentum on his side. Rydaz Redemption the EP is one of eight projects released in the past three years. With five smooth tracks clocking in at under 20 minutes, it’s a solid introduction from a true rap grinder.

Rydaz Redemption the EP, released on the Southern Stisles label (of which Witherspoon is the CEO), kicks off with “I’mma Boss,” a deep bass and synth-heavy track that announces the persona of Mr. Envi’: He’s a boss. The track is a standard hype track in many ways – a confident signifier song to serve as both a statement and a challenge to listeners and competitors. Rather than seeming confrontational, though, Mr. Envi’ seems comfortable and relaxed. Obvious Rick Ross references abound, and Envi’ evokes that Florida rapper both in delivery and in vocabulary. The topic isn’t exactly profound or earth shattering, but it’s a well-delivered status track that sets the mood for the Rydaz Redemption the EP off the bat.

“Spotlight,” the EP’s second track, has a beat that resembles a chopped and reorganized version of Warren G’s “Regulators.” Though the beat seems strangely familiar, however, the track doesn’t seem derivative. It pulses forward, telling the story of a woman dealing with the pitfalls of celebrity. It’s an interesting contrast of light beat and heavy subject material, but Mr. Envi’ balances those factors well and spins them into an enjoyable track. Some of the rhymes on “Spotlight” seem forced, but in general, it’s a solid tune to follow “I’mma Boss,” giving a different perspective from that initial track.

The EP’s third track again taps into the Miami hip hop feel, with synthesized strings creating the background for a track that exalts the grind and the bills that come with it. It’s closer to the EP’s opening track – a boasting blast that invites all comers. “I make music for hustlers/I make music for thugs/I make music for the older crowd that likes to cut a rug,” raps Envi’, and he’s dead on – these songs have broad appeal.

On the fourth and fifth tracks of Rydaz Redemption the EP, Mr. Envi’ recruits some help in the form of guest spots from Truehillz, S.G., and Bigg Redd. The EP’s first real misstep comes in the form of heavy-handed application of autotune on the intro of “I Just Wanna.” Rather than making minor tweaks via vocoder, the track employs a clunkier retuning, eliminating the smoothness that this track calls for and leaving it only a shade of what it could potentially be. The verses from Mr. Envi’ are solid and the song has the potential to be a late night slow burner, but it’s not easy to get through the first forty-five seconds. “Do It Big” closes the album on a weaker note as well, featuring a fast beat and a couple guest verses that sound a bit hectic.

Rydaz Redemption the EP is a solid collection that starts out on a strong foot and unfortunately falters as it runs its course. That said, it is an enjoyable listen, and well worth the time it takes to spin its five brief tracks. Mr. Envi’ is at his best when he raps on his own; his voice and vocals are good enough to carry tracks on their own without guest spots. The EP seems to be meant as a teaser for an upcoming album, in which case it absolutely does its purpose. There are questions left unanswered and gaps to be addressed, but Rydas Redemption the EP will whet the appetite of hip hop fans and leave them hoping for more. - All Access Magazine

Exclusive Interview

Tell us about where you are from and how you got to this position today.
I am originally from a small town in Alabama called Uniontown, but later moved to Bossier City, Louisiana, next to Shreveport. I’ve been on the grind for about 10 years now and a lot of pitfalls along the way. There were a few times I wanted to give up along the way, but I think I’m a bit too stubborn to let it go, you feel me. I’ve helped push a lot of people over the years, trying to get their careers started in the music business, but decided to start pushing myself for once. That’s how I got here. Most artist don’t understand how much work you have to put in to accomplish your goals and how much you have to stay on your grind to maintain that accomplishment.

What are you currently working on and what can we expect to see?
Currently I’ll be on tour with E1/Royal Bloodlines recording artist “Digit”, starting July 21st through August 13th, while preparing for the physical release of my street album “Rydaz Redemption” scheduled August 23rd. You can expect to see more of Mr. Envi’ and Southern Stisles Records in the near future. That’s a promise I don’t intend to back down on!

Tell us about one of the hardest challenges you had to face in the industry?
The hardest challenge I had to face in the industry is getting noticed. Like any other artist trying to make it, getting air play and most of all shows would be it. I did a lot of research until I found a way, took advantage of the opportunity and stuck with it. Haven’t quite made it to where I want to be in the industry, but I feel it’s near.

What was one of the biggest setbacks in your career and how did you bounce back?
One of the biggest setbacks in my career I think was not pushing me as an artist first. Like I mentioned earlier, I invested a lot of time, money and patience in other artist trying to establish my brand. Especially time! How I bounced back was putting that same time and effort into me.

What are some things artists need to be careful of?
One of the most important things I think artists need to be careful of is, being so dependent on others to promote you or your music. You are your best promotion tool. I mean, who knows your music and your potential better than you. And another thing is to be careful not to waste the time of others. Especially when you have someone that’s willing to invest in you.

What suggestions do you have for other artists like yourself?
My suggestion to other artists like me is to try investing in you more often. You’ll find more opportunities from other investors the more they see you invest in yourself. Especially when they see you’re making progress.

What are the best ways to sell your products as an artist?
Personally, I think the best way to sell your products as an artist is to create awareness that your product is available. Some artist thinks that since they’re signed, they don’t have to promote themselves. I mean, it’s a no brainer. Who is going to buy your album if they don’t know it’s there?

What is one of your favorite ways to promote yourself and your music?
One of my favorite ways to promote myself and my music is live and in person. Some people tend to respect the artist more depending on his grind. I mean it’s cool to have a street team on your side but, how do you expect to grab more fans when they never see you personally putting in work? I’m just saying.

Where can people visit you?
You can google search Mr. Envi’ or check me out on the following websites:
http://www.myspace.com/mrenvi1
http://www.reverbnation.com/mrenvi
http://twitter.com/#!/mrenvi1
http://www.facebook.com/Mr.Envi1 - WWS Magazine

It is no mistake that the second track on the new release from Mr. Envi is titled "I'm Ma Boss" in that he actually is the CEO of Louisiana's Southern Stisles Records label. But it was perhaps that role that placed his personal creative endeavors on the back burner while Envi poured his efforts and time into others. "One of my biggest setbacks was not pushing myself as an artist first," he said in an interview with WWS Magazine. "I invested a lot of time, money and patience in other artists trying to establish my brand. How I bounced back was putting that same time and effort into me." At first, that effort ushered up the five-track teaser EP of the same name. Now the full-length of Rydaz is available and boasts 13-tracks of heavy beats and clever lyrical content.

Album standout, the aforementioned "I'm Ma Boss" is a synth-heavy intro track that sounds reminiscent of the rap delivery of 50 Cent. The lyrical matter is boastful, but clever and serves as that self-promotion track that has become ubiquitous among virtually all Hip-Hop albums. "Boss" is appropriately placed in that is certainly sets a precedence for the album contents. "Cold Outside" is a cautionary tale track again, all too ubiquitous for Hip-Hop albums with "gangsta" lyrical matter of rolling blunts and toting chrome, but the track shines in that it isn't bogged down by heavy effects; allowing Envi's rap delivery to stand at the foreground of the track. The autotuned "I Just Wanna" is a down-tempo rap track version of a love song, I suppose. The vocal effects seem misplaced and frankly are distracting. Not that autotune can't have its place, but this instance seems like the decision to use it was made and its placement was the afterthought to the detriment of the track as a whole. "Do Tha Thang" is the opposite in terms of effects with an opening vocal sample that sends the listener in one direction only to give to piano notes while the track slowly builds to crescendo. With a myriad of time changes throughout the verses and chorus and the constant of backing piano makes this arguably the catchiest track on the album.

"Boss" is your full rap album for sure and for every drawback within, there are equal moments of clever, thoughtful facets that make it very likeable. Envi has a good rap delivery but throughout I get a bit lost and find myself wanting him to return to the mic and eschew the myriad of guest appearances on the album. All in all, the album has a very diggable amateurness to it but is not beyond a bit of old fashioned spit shine and polish. - Skope Magazine

Artist: Mr. Envi’
Album: Rydaz Redemption
Review by: Chris Barth

Alabama native Holland Dai’mon Witherspoon went through the ringer a few times. The rapper, who records under the name Mr. Envi’, began recording on his own in 2003 but suffered a few false starts. Now older and wiser, Mr. Envi’ is back at it – this time with momentum on his side. Rydaz Redemption the EP is one of eight projects released in the past three years. With five smooth tracks clocking in at under 20 minutes, it’s a solid introduction from a true rap grinder.

Rydaz Redemption the EP, released on the Southern Stisles label (of which Witherspoon is the CEO), kicks off with “I’mma Boss,” a deep bass and synth-heavy track that announces the persona of Mr. Envi’: He’s a boss. The track is a standard hype track in many ways – a confident signifier song to serve as both a statement and a challenge to listeners and competitors. Rather than seeming confrontational, though, Mr. Envi’ seems comfortable and relaxed. Obvious Rick Ross references abound, and Envi’ evokes that Florida rapper both in delivery and in vocabulary. The topic isn’t exactly profound or earth shattering, but it’s a well-delivered status track that sets the mood for the Rydaz Redemption the EP off the bat.

“Spotlight,” the EP’s second track, has a beat that resembles a chopped and reorganized version of Warren G’s “Regulators.” Though the beat seems strangely familiar, however, the track doesn’t seem derivative. It pulses forward, telling the story of a woman dealing with the pitfalls of celebrity. It’s an interesting contrast of light beat and heavy subject material, but Mr. Envi’ balances those factors well and spins them into an enjoyable track. Some of the rhymes on “Spotlight” seem forced, but in general, it’s a solid tune to follow “I’mma Boss,” giving a different perspective from that initial track.

The EP’s third track again taps into the Miami hip hop feel, with synthesized strings creating the background for a track that exalts the grind and the bills that come with it. It’s closer to the EP’s opening track – a boasting blast that invites all comers. “I make music for hustlers/I make music for thugs/I make music for the older crowd that likes to cut a rug,” raps Envi’, and he’s dead on – these songs have broad appeal.

On the fourth and fifth tracks of Rydaz Redemption the EP, Mr. Envi’ recruits some help in the form of guest spots from Truehillz, S.G., and Bigg Redd. The EP’s first real misstep comes in the form of heavy-handed application of autotune on the intro of “I Just Wanna.” Rather than making minor tweaks via vocoder, the track employs a clunkier retuning, eliminating the smoothness that this track calls for and leaving it only a shade of what it could potentially be. The verses from Mr. Envi’ are solid and the song has the potential to be a late night slow burner, but it’s not easy to get through the first forty-five seconds. “Do It Big” closes the album on a weaker note as well, featuring a fast beat and a couple guest verses that sound a bit hectic.

Rydaz Redemption the EP is a solid collection that starts out on a strong foot and unfortunately falters as it runs its course. That said, it is an enjoyable listen, and well worth the time it takes to spin its five brief tracks. Mr. Envi’ is at his best when he raps on his own; his voice and vocals are good enough to carry tracks on their own without guest spots. The EP seems to be meant as a teaser for an upcoming album, in which case it absolutely does its purpose. There are questions left unanswered and gaps to be addressed, but Rydas Redemption the EP will whet the appetite of hip hop fans and leave them hoping for more. - Mi2N

Just months after the release of his latest album "Damage Kontrol", Southern Stisles recording artist Mr. Envi' announced that he will be releasing two new projects in 2016.

Mr. Envi' hinted about these releases via social media earlier this week referencing the releases and as of today, the titles of each project, as well as projected release dates have been determined.

The EP's will be a two part series which he plans to release them a few months apart of each other. The first of the two EP titles, "Evryday Hustle", is set to be released sometime in the later part of May. The EP is planned to feature guest appearances by former No Limit & Strange Music artist Young Bleed, Chucky Workclothes and more. The second EP, "All Nite Grind", is set to be released later in the year around mid September.

For more details and announcements, stay tuned to Mr. Envi''s facebook page.

Mr. Envi' is also available for interviews and other press related media. Please send all media inquiries to info@southernstislesrecords.com - Mi2N

Early this week Mr. Envi' announced the official release date for his upcoming EP "Evryday Hustle" via social media. It is set to be released May 27, 2016 on his own independent label "Southern Stisles Records". The EP will consist of 7 songs featuring guest appearances by up and coming indie rap artist Chucky Workclothes, JTL, Syke Pachino and Mr. Hympdok.

As mentioned earlier this year, "Evryday Hustle" will be one of a two part EP series in which Mr. Envi' plans to release each project a few months apart from one another. He also stated that, with these next two EP's and projects to come, he hopes to focus more on the hip hop aspect of music even more than his previous releases. The EP's first single "Where We Goin'" feat. Chucky Workclothes is scheduled to be released April 8th, followed by a second single a few weeks after its release.

Mr. Envi' will also be hitting the road starting April 1st on southern hip hop legend Young Bleed's 'South Midwest Rydaz Tour', along with Chucky Workclothes, performing songs from his current release "Damage Kontrol", as well as promoting his "Evryday Hustle" EP.


Confirmed track listing for 'Evryday Hustle'EP:

1. Intro
2. Where We Goin' feat. Chucky Workclothes
3. Bad Dream
4. A Lot On My Mind
5. Gold Diggaz feat. JTL
6. Evryday Hustle feat. Chucky Workclothes & Syke Pachino
7. Like Pro's feat. Mr. Hympdok


For more information and announcements, visit Mr. Envi''s website: http://www.mrenvissr.com/ or on Facebook: https://www.facebook.com/Mr.Envi1 - UM2N

Check out the interview with Mr. Envi’ exclusively on Skilly Magazine Online.­­­­

Skilly: Where did this all start? Tell us about your journey in the entertainment business.
Mr. Envi’: Back in high school I was in a rap group called Triad and performed throughout the area. After graduating I joined the military and was drawn back to it while in Germany. 1999 was the year it got serious and linked up with a label called Ruff Dogg, Inc (now known as Ruff Dogg Entertainment) who released a compilation album titled The Outfit. That was the first official project I was a part of and from then on, I was more intrigued with the music industry.

What would be your biggest piece of advice for the young kids out there trying to do what you do?
The biggest piece of advice I have for the youth would be to remain consistent. I look at it like this. If you slack off for a week, it’s like being off for a month. And if you slack off for a month, it’s like being off for 3 months. You feel me? So, if you’re in the studio constantly recording, don’t sit on your music – put it out.

What are some of the hardest challenges and tasks in your position?
One of the hardest challenges would be being my own booking agent/manager. Since my manager passed away last year (RIP Reggie), I’ve had to take on the role. Another challenge is finding a solid marketing campaign for the indie artist/label budget. I’ve used many marketing services in the past and they all seem to be full of hot air.

We all know the entertainment business is very tough, but what do you find is the best way to promote and advertise your music?
I came up in the 90’s era of music. With that being said, the old guerrilla in your face marketing and promotional tactics are still effective to this day. Social media has proven to be quick and somewhat effective, but you have to do more than that. If you don’t have a budget for radio or magazine ads, then flyers and street teams (Snipes) is the next best thing.

Tell us about your city. How are the artists and the fans?
I’m originally from Alabama, but I’ve been living in Louisiana for the past 15 years now. In the Shreveport/Bossier City metro area, the fans tend to follow artists that sound like their style of music. As far as the artists, there a lot of talent but a lot of them follow trends and those who are exceptional tend to get over looked in my opinion.

Where do you see yourself a year from today?
A year from today I see myself expanding my fan base, selling more records, and having bigger tours. Also, I have a few business opportunities on the table. I hope those go well and come into fruition prior to next year.

Who and what were your biggest inspirations? Who do you look up to in today’s world?
In today’s industry, it seems like it has gravitated to being independent or as I like to call it “The Age of Independence.” With that being said, I tend to keep a watchful eye on artists who make an impact in the game without a major. Artists like Tech N9ne, Devin The Dude, Curren$y, and Chance the Rapper.

How do you feel about the music coming out today? Do you like it?
Honestly, I’m not a big fan of the mainstream music of today, but there are some underground and independent artists out there that have made significant progress over the past few years.

Where can we contact you and find you online?
Official website: www.mrenvi1.com
YouTube: www.youtube.com/channel/UCPYeDHzfXE06C5LbkZcTHUQ
Facebook: www.facebook.com/Mr.Envi1
Twitter: www.twitter.com/MrEnvi1
Instagram: www.instagram.com/mrenvi09 - Skilly Magazine