Music
Press
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Discography
Noah Sias
All credited as guitarist, vocalist and programmer.
Tiger Eye Sessions EP - June 2012
Split EP with Skull Incision - February 2012
Split EP with Justin Sparrow - December 2011
The Layman's Guide To Anti-Intellectual Terrorism - October 2011
Self-Titled EP - November 2010
Split EP with Mehrunes Dagon - February 2010
Lunar Highlands
Credited as percussionist, guitarist and vocalist
Self-Titled EP - 2009
A Music Theory Accident
Credited as drummer, guitarist, keyboardist and vocalist
Self-Titled EP - 2009
Demo - 2005
KAKA 9
Credited as composer, guitarist, vocalist and programmer.
Self-Titled EP - 2008
Noah Sias has also done session work for many Muskegon/West Michigan artists/bands.
Photos
Bio
Having been involved with music since the early age of 4, Muskegon multi-instrumentalist Noah Sias has been no stranger to music. Although a formally trained percussionist from 5th grade until graduating from high school, his interest in music has been ever growing and changing. Since 2004, he has been involved in 5 different groups as a performer and has maintained a successful solo career outside and in between of full ensemble endeavors.
There are not too many genres that Noah hasn't been involved with. While most know him for his metal compositions, he has also been involved with jazz, indie, percussive, noise, progressive, rock, blues, orchestral, choral and improvisational outfits as well. "An honest musician does not put limitations or barriers in front of themselves." His compositions have been regarded by most as, "music for musicians" while still retaining a fair amount of accessibility for the non-musical crowd.
Most recently, Noah is known for his 2011 deathcore/metal release The Layman's Guide To Anti-Intellectual Terrorism, which was mixed and mastered by Josh Travis of Glass Cloud and The Tony Danza Tapdance Extravaganza. Along with this, his 2012 indie/fusion release the Tiger Eye Sessions EP is slowly beginning to gain some hype amongst his fan base on SoundCloud and Facebook.
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