Noiser

Since 90s such an interesting time in Quito rock is not alive. Sure, there are several differences with the present, especially in all that relates to the logistics of having a band that sounds good.

Innecesary to remember advanced technology and the ways of access to it today.

The truth is that if an explosion of bands compositional and sound quality, live accompaniment is not balanced from the public and media. Therefore, it has been seen as Noiser bands play in small bars and uncrowded.

Unfortunate reality if you think about the solvent sound investment performance in their first plate 'Bad Habits'; work of 10 rock songs in its most analog state. The recomendation is to listen with headphones. Thus the ear is more sensitive to the subtleties of the arrangements of both guitars and rhythm section.

Despite being a cluster-based riffs, there are moments where guitar effects ('stomp boxes') are the stars without leaving the musicality of the performance.

One of those moments of sound construction is given in the instrumental break of 'Seeking Nowhere', where each note of the melody of the guitars is more relevant to the effect pedal tuned. La gravel voice is another highlight point in production.

Although today there are many trained vocalists, we rarely found in this city a recognizable raspy tone capable of retaining the melody. Here is one of the exceptions. All this set of details, together with a production that reflects the actions of the group live, closed padlock with various themes that capture attention immediately as Brake, They Know, and the emotional Laying Over

Editor: Luis Fernando Orquera.
Quito, Ecuador - El Comercio