Oliver Jones
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Oliver Jones


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The best kept secret in music


"Montreal Gazette"

In spite of having achieved iconic status, there was never a chance Montreal's Oliver Jones would retire. Here, on his 17th recording (One More Time), Jones displays the joy and swing that have been his trademark for a quarter of a century. - Irwin Block

"Montreal Gazette"

A chance to close the Montreal International Jazz Festival's 25th anniversary with a gala concert that pairs him (Oliver Jones) with his hero (Oscar Peterson) was a powerful incentive for Jones to put the golf clubs aside and get back in the game... - Bernard Perusse


Few people embody the history of jazz in Montreal and its acclaimed international festival more than Little Burgundy's own Oliver Jones... - Josh Dolgin


After a break announced in 2000, Jones has been back performing and recordingfor the last year, with stunning results. This new collection (One More Time) offers some inspired playing, and marvellous songs. The disc features his small trio plus guest horn players, but the real joy is Jones' continued excellent compositions. - Bob Mercereau

"Toronto Star"

Anyone who's heard Jones at his Montreal Bistro dates will have no anxiety about hearing him live. He performs with grace, inventiveness, warmth and superb technique. He has a lightning right hand, a punchy left and a style that synthesizes bebop and swing... - Geoff Chapman


Jones is the quintessential gentleman, in person, on stage and in the studio. He lays down some fine solos, but steps aside allowing plenty of time for his guest horn players as well as his bass player and drummer...
This is the first album and first tour that Jones has done since his much publicized “retirement” a few years ago... And from the way Jones is playing, he still has much to give, and more new roads to explore. All Canadians should be proud of this jazz legend, and inspired by his attitude and graciousness as a human being. My hats off to you, Oliver!
- Lyle Rebbeck

"La Scena Musicale"

Audiences the world over are aware of the pianist's rich voicings, percussive attacks, scintillating melodicism and infectious joy... - Paul Serralheiro

"2005 Governor General's Award for Lifetime Artistic Achievement"

Jazz pianist Oliver Jones is one of Canada's most beloved and admired musicians and most distinguished cultural ambassadors. Over the past 25 years he has achieved legendary status in the international jazz community, toured tirelessly in Canada and around the world, and devoted much of his time to encouraging young Canadian musicians as they begin their careers. In addition to his performances in concert, in clubs, at prestigious international festivals, and with major orchestras across Canada, he has released 17 recordings. He was profiled in a National Film Board documentary, and his biography will be published this fall. - Governor General's Performing Arts Awards


One More Time - 2006
Serenade (DVD) - 2006
Then and Now - 2002
Just In Time - 1998
Have Fingers, Will Travel - 1997
From Lush To Lively - 1995
Yuletide Swing - 1994
Just 88 - 1993
A Class Act - 1991
Northern Summit - 1990
Just Friends - 1989
Cookin' at Sweet Basil - 1988
Requestfully Yours - 1986
Lights of Burgundy - 1985
Live at the Festival International de Jazz de Montréal - 1985
Speak Low, Swing Hard - 1985
The Many Moods Of Oliver Jones - 1984
Live at Biddles Jazz & Ribs - 1983


Feeling a bit camera shy


Pianist Oliver Jones is one of Canada’s finest musicians. His career also intertwines with the proud history of jazz in his native Montreal, the thriving city that in its heyday also produced Oscar Peterson, Oliver’s lifelong friend and continuing inspiration.

Oliver was born and raised in Saint Henri, a predominantly working class area of Montreal, several blocks from Peterson, and young Oliver would sit on the Peterson porch, listening to the older boy practice. Oscar’s sister, Daisy Peterson Sweeney, became his first piano teacher, with lessons continuing for the next twelve years. These lessons solidified young Jones’ skills, which were already considerable; Oliver was performing publicly at age five, and by the time he had his first nightclub appearance, he was nine.

Oliver Jones’ six-decade musical career has been rich and varied. His classical music education was followed by stints at Montreal’s Café St-Michel, enthralling patrons with his acrobatic piano stunts. From his teens to his early twenties, Jones could play anything from swing to rock-n-roll; in those days playing jazz was not considered a viable career.

This diverse training proved invaluable when, in 1964, the opportunity to become musical director and pianist for Jamaican singer Kenny Hamilton presented itself. Jones, with his wife and young son in tow, moved to Puerto Rico and continued with the Hamilton band for the next sixteen years. While popular music may have taken care of his practical needs, it did not satisfy his artistic cravings. While touring with Hamilton, Jones would take every opportunity to check out local jazz clubs and to participate with other like-minded musicians.

In 1980, Oliver Jones returned to Montreal, determined to pursue jazz professionally. He started by working regularly at Biddle’s, the now-closed downtown jazz club run by bassist Charlie Biddle. Three years later, after a fortuitous meeting with Justin Time Records founder Jim West, Jones’ dream came true. “There was a lot of hullabaloo surrounding Charlie and myself. Anything pertaining to jazz, we were asked to do. I’d made my first recording. Truthfully, I was in a state of shock, because when you dream something for 30 years…” Justin Time Records' very first recording would be Oliver Jones with Charlie Biddles, called Live At Biddles, and it was also Jones' first ever recording as leader.

Oliver Jones’ association with Justin Time has produced an impressive catalogue of recordings whose sidemen are among the very finest in jazz. Have Fingers, Will Travel (1997) featured bass legend Ray Brown and drummer Jeff Hamilton. Recorded at Capitol Studios, Los Angeles, this great trio session features such songs as "Street Of Dreams", "If I Were A Bell" and "My Romance". From Lush to Lively (1995) demonstrated Jones' unrivalled position as one of Canada's greatest gifts to the piano, in a big band setting. The recording showcased Oliver's unmistakable finesse: lightning-fast technique, solid articulation, powerful lyricism and rollicking rhythms. Then And Now is a charming session, with the late bassist Skip Bey, consisting of recordings made in 1986 and 2002, and Just In Time captured Oliver in a live setting, with Dave Young and Norm Villeneuve, at the Montreal Bistro.

Yuletide Swing (1994) was an excellent seasonal recording, winning Oliver a Félix (Québec's "Grammy" awards) for best jazz recording. Familiar favorites are revitalized with Jones' usual flair. Oliver's second solo recording, Just 88, was recorded in New Orleans in 1993, and features sparkling versions of such gems as "I'm Getting Sentimental Over You" and "Willow Weep For Me," as well as Jones originals "Blues For Laurentian U" and "Dizzy-Nest;" it too was awarded a Félix. A Class Act (1991) featured longtime Oscar Peterson alumnus Ed Thigpen on drums and bassist Steve Wallace, and boasted a classic jazz trio sound. The recording also features memorable versions of "Very Early" and "Hymn To Freedom." Trumpet legend Clark Terry added his magic to Just Friends, a 1990 session later awarded a Juno Award ("Jazz Recording of the Year").

Oliver Jones’ inspiration is not confined to the artistic community. He’s also the proud recipient of the Martin Luther King Jr. award, celebrating his contributions to the Black Community in Canada and in his native Montreal. In 1993 he received the Order of Québec, the province’s highest honour, and the next year he was awarded the Order of Canada, for "outstanding achievement in the arts." That same year, at the invitation of the Government of Canada, Jones toured several cities in China with bassist Dave Young and drummer Barry Elmes.

A regular performer at the Festival International de Jazz de Montréal, Oliver has frequently been asked to officially open the festival and has on more than one occasion been part of the closing gala. “I think the exposure I had at the Montreal Jazz Festival was really the key to the world hearing Ol