ONEIRA
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ONEIRA

Marseille, Provence-Alpes-Côte d'Azur, France | INDIE

Marseille, Provence-Alpes-Côte d'Azur, France | INDIE
Band World Acoustic

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L’e´coute de ce disque entre amis peut donner lieu a` un de´fi amusant : tenter d’en situer la provenance. Aiguille´e par le bourdon de la vielle a` roues, l’un songera a` des terres celtes ; les me´lope´es planantes de la flu^te e´voqueront a` un autre des rives moyen-orientales, ce que pourront corroborer les percussions... jusqu’a` ce que des paysages me´diterrane´ens se fassent jour, dessine´s par un chant occitan ou grec. Aucun n’aura tout a` fait tort - Oneira, c’est tout cela a` la fois. Le groupe a e´te´ fonde´ par le percussionniste iranien Bijan Chemirani, membre du Trio Chemirani ; sa soeur Maryam officie au chant, de me^me que la grecque Maria Simoglou. Les tentures sonores sont l’oeuvre du guitariste franc¸ais Kevin Seddiki (Dino Saluzzi, Al Di Meola), du joueur de vielle marseillais Pierlo Bertolino (Dupain, Ahamada Smis), tandis que le flutiste ney grec Harris Lambrakis, forme´ au jazz, constitue l’e´le´ment voltigeur. D’autres invite´s prennent part a` la ronde : le guitariste Pierrick Hardy, le joueur de lyra Stratis Psaradellis ou le chanteur sarde Gavino Murcia.
Il serait cependant malencontreux de conside´rer Oneira comme un ensemble de fusion - c’est l’exact contraire. L’homoge´ne´ite´ de leurs morceaux est telle que ceux-ci semblent e´maner d’un continent imaginaire et parfaitement probable. Un continent qui aurait des airs de Gre`ce, de Turquie, du sud-est franc¸ais (le poe`te occitan Roland Pecoud fournit les mots de Dins Leis Auras, le Gascon Andre´ Minvielle ceux de La
?Bourdique), de la Perse du mystique soufi Rumi (XIIIe) sur Sanama^, et celle de l’he´doniste Omar Khayyam (XIe), astrologue et poe`te qui avait de´ja` inspire´ cette anne´e l’album Ivresse de Alireza Ghorbani et Dorsaf Hamdani. Sur leur premier disque, Si la Mar, les musiciens esquissaient les contours d’une mer secre`te en Me´diterrane´e ; sur Ta^le Ya^de, Me´moire d’e´toiles, ils suivent les indications d’une carte des astres connue de nul astrologue. Oneira, en grec, renvoie au monde du songe et la fin de l’album e´quivaut bien a` celle d’un re^ve merveilleux, dans les horizons mouvants duquel on n’aspire qu’a` se replonger, de mers e´tales en impe´tueuses tempe^tes.
Bertrand Bouard (janvier-fevrier)
- MONDOMIX


??LE MONDE
"La pochette du deuxie`me album d'Oneira (onirique, en grec), a l'avantage d'accrocher l'oeil par son e´le´gance sobre et sensuelle. Elle donne une re´sonance visuelle ide´ale a` l'univers de ce sextet forme´ autour du percussionniste et joueur de saz (luth a` long manche) franco-iranien Bijan Chemirani. Avec cordes, flu^te ney, vielle a` roue, voix et percussions, Oneira tresse un monde de´licat et vagabond, cousu de re^ves poe´tiques. A co^te´ de ses propres compositions, il porte son regard sur des airs traditionnels de Gre`ce, d'Iran ou de Finlande, cite les poe`tes persans Omar Khayyam et Ru^mi^, met en lumie`re l'Occitan Roland Pecoud et le "rappeur" gascon Andre´ Minvielle, un des invite´s de ce fe´cond voyage."
Patrick Labesse
- Le Monde


Discography

Si la mar - HELICO/l'Autre Distribution 2010
Tâle Yâd - HELICO/l'Autre Distribution 2012

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Bio

Oneira
Tâle Yâd, Memories of Stars

When planets in the universe die, we continue to see their light for a considerable number of years; their brightness is the emanation of something that has ceased to exist: Memories of Stars.

Tâle Yâd combines dream with the past, and history. That is Oneira’s chosen path. Taking a past that has been learned as much as imagined, taking lost civilisations, the group create a bridge between reality and imagination. With elegance, they connect remote worlds. Thus, the brightness of ancient Greece or Persia reaches us like the light from extinct stars.

Two years after their first collection of musical dreams, Si la Mar, in which they sounded the poetic depths of the sea, Oneira look this time to the heavens with Tâle Yâd (Persian: Memories of Stars); they continue to exchange, compare and combine the poetry and traditions of Greece, Persia and Occitania. With great freedom and ease, they invent a world that lies at the confluence of several different cultures.

Formed on the initiative of Iranian percussionist Bijan Chemirani, Oneira is a dream (the meaning of “oneira”), a dream enriched by the experiences and emotions of each of its members, the result of their respective backgrounds, travels, traditions… The group is composed of hurdy-gurdy player Pierlo Bertolino (Dupain, Ahamada Smis), guitarist Kevin Sedikki (Dino Saluzzi, Al Di Meola), Harris Lambrakis (Savinata Yanatou), who plays the ney (end-blown flute), and the two singers, Maria Simoglou (Stelios Petrakis, Sokratis Malamas), who hails from Thessaloniki, and Maryam Chemirani (Trio Deilizioso Compagnie Zelwer), Bijan’s sister. A close-knit, yet very open group, Oneira welcome here some delightful guests: guitarist Pierrick Hardy, lyra player Stratis Psaradellis, the Sardinian singer Gavino Murcia, and that wizard with words from Gascony, André Minvielle. Together these artists turn their individual dreams into scintillating pieces of music.

Four of the pieces are re-creations of tradition: Apòpse ta mesànyhta, which comes from Thrace, To fileman (aki so peran) from the Black Sea, Hassan Chabi, belonging to the Alevi community of Turkey, and Sorcière, from Finland. Leis Auras is a setting of a text by the Occitan poet Roland Pecoud; in La Bourdique, to words by André Minvielle, Oneira present their own version of Richard Hertel’s setting. Ferdows Dami and Mou'pe mia magissa are composed to verses (sung in Persian and Greek) by the eleventh-century Persian poet Omar Khayyam, while Sanama is a lively setting of lines by the thirteenth-century Persian poet and mystic Rumi (popularly known as Mevlana). Sometimes, as in Sorcière or Râh, the language is very original, and sometimes the music speaks for itself, as in the two interludes, Ambianz and Ambianz II, in which electric or electro phantoms express their secrets.

On Tâle Yâd, Oneira make unknown stars seem familiar. They take us on an unusual voyage of discovery, in which past and future merge, and the present becomes an intense and unforgettable moment.

Benjamin MiNiMuM