Peloton
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Peloton

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This band has not uploaded any videos

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Press


"Saturday Morning CD Spotlight"

This spot will usually be reserved for more recent releases, but since this is our very first Saturday Morning CD Spotlight, the precedent hasn't been set and I wanted to give some credit to a cd I've been listening to a lot lately. Strangely schizophrenic, yet somehow equally cohesive, the debut EP from Peloton combines elements of shoegazey space rock, twee and power-pop for a lush 6 song journey that ends way too soon. Vocalists Miyako Ueki and Brian Jackson trade songs throughout the EP with Ueki singing in Japanese and Jackson in English before the two sing together on the final track. Both singers' lazy, hushed voices ride within the music, never doing too much or too little, Jackson's voice falls somewhere between Elliot Smith and the Apples In Stereo's Robert Schneider. The first five songs on the cd are soft, atmospheric, keyboard driven pop but the final song, the mp3 linked above, "We Could Be", sounds remarkably like Rocketship, combining big gutars with cute boy/girl vocals. It's easily the standout track, and hopefully points the way for Peloton's future output. According to their myspace page, the band is currently in the studio recording their first full-length, but you can see them November 30th at the Bagel Radio Presents show at Club 6.

- Deli Magazine SF


"San Francisco Bay Guardian"

Peloton's self-titled EP is a classy, sassy, and altogether addictive affair of hook-laden atmospheric pop rock. Miyako Ueki's catchy keyboard melodies and Brian Jackson's soft, sensitive vocal style are like spoonfuls of sugar that allow the subtly sarcastic lyrics to go down with ease. Standout tracks include "Out of Mind" and "Static Line." - Jenny Miyasaki


"Performer Magazine - West Coast"

The final line of the opening song on Peloton’s new self-titled disc is “Fuck all the little birds.” That’s just how cool this band is. Their brand of laid-back indie rock is so tightly wound and sweetly orchestrated that it works in the background or at the forefront. Atmospheric guitars and special effects romp atop a swiftly driving drumbeat that makes you feel like driving down a long dark road at night.
Miyako Ueki’s vocals on “Blue Field” bring to mind the more whimsical moments of Bjork’s early career, as her band backs her up like the Byrds circa 1965. By the time the synthesizer solo comes in at the end, the song has fluttered through just about every possible genre except for death metal.
The sweetest song on the disc is no doubt the ethereal “For Anyone Who’ll Listen,” as Peloton moves from the hypnotic pop and rock sounds of its other songs into a more experimental psychedelic realm. Just when it feels like it’ll be a great instrumental, Miyako comes in again. It doesn’t matter that she’s not singing in English, because the song makes enough sense as it is. Besides, the vocals are so much in the background that they’re hard to hear anyway, and the main focus hear is clearly how well Peloton gels as a band.
Peloton literally means “ball” in English, but the full definition deals with bicycle riders who accommodate one another in the perfect formation for a road race. It’s a fabulous name for this innovative band that blends so many competing sounds into one workable, lovely unit. Peloton is a fabulous debut for a band that sounds like a meeting of Cibo Matto, Death Cab for Cutie, and Jefferson Airplane. The album is nostalgic and experimental at the same time, integrating all things that make pop music fun and rock music ... well, rock. (Self-released)
www.peloton-sounds.com
-Kim Ruehl
- Kim Ruehl


"Waterloo Records - Austin, TX"

Madchester by way of Texas, Detroit and even Japan, this San Francisco quartet's first EP outing is intelligent indie-pop in its best form. A beautiful experiment in multi-layered, fuzzed-out breezy summer indie-pop, this is timeless music that will never sound old or dated. Each member brings their own tastes and experiences to the music but all share a fondness for the finest in 60s, 70s, 80s and 90s Pop, rock, Folk & Psych, Madchester, Shoegazer and everything else that hit their ears and eyes and stuck. Do you like the Boo Radleys, Stereolab, James, Ride, Origin, My Bloody Valentine, Stone Roses, Charlatans UK, Mercury Rev, Verve?....cool...me too...oh, and I also like Peloton...I like it alot.
- Noelle Corcoran


"San Francisco Chronicle"

A few weeks ago, Miyako Ueki, vocalist-keyboardist for Peloton, sent me a link to the band's new Web site, and I've been hooked ever since. Peloton makes precious indie-pop to dance around your apartment to in your underwear. - Bill Picutres


Discography

Peloton EP - October 2005 (Self released)

Tracks Out of Mind, Blue Field, We Could Be and For Anyone Who'll Listen have been in rotation on Insomnia Radio, SOMA FM and BAGel Radio.

available at:
Rasputin Records, Berkeley, CA
Waterloo Records, Austin, TX
Openmind Records, San Francisco, CA
Aquarius Records, San Francisco, CA
Sonic Boom Records, Seattle, WA
Arch Records, Nagoya, Japan
www.cdbaby.com

mp3 downloads are available at:
iTunes
MusicNet
Daiki (Music Online Corp)
DigiPie
Emusic
Chondo
Destra
DigitalKiosk
Inprodicon
Iriver Media Online
Liquid Digital Media
Fake Science
GreatIndieMusic
Interia
MOD Systems
MP3tunes
MP3-Extension

Peloton featured podcasts:

The Bay Bridged: Episode #13
http://www.thebaybridged.com/

Insomnia Radio: San Francisco #2 - On the Tiny Telephone
http://sf.insomniaradio.net

Fake Science Lab Report #24 - "The Grammy Spectacular"
http://us1.fakescience.com/labreport.php
Pacificnosie Interview #183 - Noise Pop Happy Hour
http://www.pacificnoise.com

Photos

Bio

Peloton is an indie pop/rock band based in San Francisco, California. Its members come from diverse backgrounds with roots in Japan, Texas, and Detroit. Their unique blend of influences and origin is instantaneously evident in the music they create.

Songwriting and singing duties are split between keyboardist Miyako Ueki and guitarist Brian Jackson. They began working on music together in the spring of 2003. After completing a home demo, they set out to form a proper band. Dustin Robinson, a childhood friend of Brian’s from Texas was recruited on drums. William Taylor was brought in on bass and Peloton was ready to take their first steps.

The band spent the better part of 2005 writing, rehearsing, and recording their self-titled EP. The group’s debut release is bursting with well-written melodic songs ranging from lush space rock to traditional upbeat pop, to more plaintive, head-on-the-bar numbers.

In October of 2005, Peloton played their first ever live show at the historic Fillmore West. It was then that they were joined by long time friend, musician and sound engineer, David Cuetter, on guitar. Since then, the band has been playing shows in San Francisco as well as promoting their EP online, in record shops, and at their infectious live performances.

On songs like Blue Field, the band creates visions of luscious Japanese hillsides as viewed from a bullet train. Their fuzz-washed, sun-scorched track “We Could Be” best sums up the bands intent in its opening line, “We could be melancholy or we could be the Right Stuff.” Peloton moves forward and the music world will want to follow close behind.

Peloton was recently selected for CMJ 2006 and performed Noise Pop 2007 Happy Hour show. They begin recording their first full-length album in April 2007 and will be actively pursuing recording and distribution deals. They will embark on a tour of the northwest in May 2007.