Poperratic
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Poperratic

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Band Alternative Rock

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This band has not uploaded any videos

Music

Press


"HorrorBrain.com - Masters of Horror: Sick Girl Review"

“As usual, all the technical people do a killer job with the behind-the-scenes stuff, especially the music of Poperratic, the creation of frequent McKee collaborator Jaye Luckett. - HorrorBrain


"NON-existence/Red Ink Design: Live! From The Roller Derby! Review"

"Again, not to place labels... but she kinda hits around PJ Harvey meets the Pixies... with some Beatles (lyrically, not musically) thrown in the mix... But shit... The music is really great. I'm not just saying that. I was listening to these albums last night, and was dumbstruck with the sheer brilliance of the music... Shit allmighty. Amazing shit. I am humbled." - Jordan Crane, Pro Illustrator/Comic Book Artist


"The Los Angeles Times: MAY Film Review"

"Like McKee, Yedlin and Keel are USC film school alums; so are the film's co-producer,Marius Balchunas, and composer, Jaye BarnesLuckett, whose mood-enhancing score is plaintive and unsettling." - Kevin Thomas


"Ain't It Cool News: MAY Film Review"

"Still, McKee and his cast and crew were obviously inspired while they put this together, and big things should be expected from cinematographer Steve Yedlin, composer Jaye Barnes Luckett, Mariano Diaz (the costume designer here, but the production designer on RULES OF ATTRACTION, and definitely a talent to pay attention to), and, obviously, writer/director McKee himself." - Moriarty


"Perrero.com - 'Vagus (the wandering nerve.)' Review"

"Also been listening to Vagus and I am loving the track "Zero Hero.” It's one of those songs that gets stuck in my head and I catch myself humming later. The album overall has a really bluesy old school rock feel, by way of the grrl band movement of the early 90s. Here and there the tracks often reminded me of some of my favorite songs by L7 or early Hole..., but overall the biggest comparison became Concrete Blonde. The general tone and style is very similar, to give you an idea of what the album sounds like. The throaty, soulful vocals are awesome, but not overdone. Which is always seems hard for bands to pull off, so I was impressed with that. So, I give the album my stamp of recommendation to anyone who likes well done, bluesy rock with throaty, soulful singing, and a touch of riot grrl sensibility." - BurgandySkies


"Hollywood-Elsewhere - THE WOODS Film Review"

"The film's greatest virtue is its soundtrack, which includes Lesley Gore `60s pop standards like "Young and Foolish" and "You Don't Own Me," (note: which was re-envisioned with Poperratic music) which set a nice period vibe and serve as subtext to the characters' actions. There's also May composer Jaye Barnes Luckett's choral track that's first sung by the student choir and later persistently repeated to more wicked effect. - Colin Miller


"Arrow In The Head (JoBlo.com) - MAY Film Review"

"Toss in there a score/soundtrack that will make you punch the guy next to you out of joy and you know what you get...a horror whore worth calling your lady. ...We get an eerie score by Jaye Barnes Luckett ...Lots of slick noise in this house!" - The Arrow


"SoYouWannaSellAScript.com - MAY Film Review"

"One more thing to pat on the back before I hit the Bottom Line: The music. Whoever put together the music for MAY had a sharp, uh, ear for some highly appropriate and atmospheric songs, and they deserve some props. Thus: music supervisor for MAY (whom I learn is named Jaye Barnes Luckett), here are your "props". Don't spend them all in one place. And you know - keep up the good work, chief." - Dr. Scott


"TV.com - Music In Film Article"

Jaye Barnes Luckett's work on Lucky McKee's May. May is, for me, the best and most interesting horror film in the last ten years, and I'm a better cinephile for having seen it. It's not about the shock, or the horror, it's about the heart. May is about making you care and feel for its characters, and then breaking your heart. Lucky McKee has already became one of my favorite directors, after a resume of just three films and one episode of a television series (which will appear later on this list). One of his chief talents is his ear for music, and it certainly doesn't help that the person who writes the music for his films is one of most talented musicians in recent memory. Jaye Barnes Luckett is a great writer. Her songs carry a lot of weight and emotion, just like Lucky's films, and when they combine, the experience is two-fold. - SolarisDeschain


"KEQK - CD Review"

Canidid, humorous and affable, Jaye Barnes Luckett has the right instincts to compose and perform music that transcends genre limitations, and in the primary works showcased in her CD - May, Sick Girl, The Woods, and Roman - she demonstrates a balanced use of original score and songs, and shows a rare gift in combining two components of a film that, when composed by disparate talent, often battle for dominance in the final mix: the original score, and songs. - Mark Hasan


Discography

Established artist with several albums and related DVDs at retail. Visit www.poperahouse.com for more information.

Photos

Bio

Full EPK with bio, press, photos, full-length music and more located at http://www.poperratic.com/phe/Poperratic