Pretty Girls Make Graves
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Pretty Girls Make Graves

Band Rock

Calendar

This band has not uploaded any videos
This band has not uploaded any videos

Music

The best kept secret in music

Press


"PGMG"

“Put Pretty Girls on the short list of bands that matter.” - All Music Guide


"Pretty Girls"

“Immediate and experimental all at once.’ - Outburn


"Pretty Girls Make Graves"

“Vital and deadly.” - New Yorker


Discography

Still working on that hot first release.

Photos

Feeling a bit camera shy

Bio

Named for either the Smiths’ song or a line from Kerouac's The Dharma Bums, Seattle, WA's Pretty Girls Make Graves began touring the country only months after the Murder City Devils, which Derek Fudesco also played bass in, called it quits. During the summer of 2001, Fudesco started writing songs with friends Andrea Zollo (whom he played with in Death Wish Kids), ex-Bee Hive Vaults members Nathen Johnson and Nick DeWitt, plus Kill Sadie's Jason Clark. Their first release, a self-titled, four-song EP full of bursts of energy and emotion released on Dim Mak, created enough interest to land them a spot in the AP's "100 Bands You Need to Know in '02." In April 2002, Good Health came out on Lookout! Records. Miming the same energies as the EP, but in nine songs and 27 minutes, the full-length combined early Fugazi and a bit of Rocket from the Crypt, but made new. Add X-Ray Spex and Avengers influences coupled by backup vocals and a hard-hitting rhythm section and it's easy to understand where they're coming from. Zollo resists critics' comparisons to Sleater-Kinney or Bikini Kill, because in fact, Pretty Girls Make Graves sounds nothing like either group. Following the release of Good Health, the band jumped to Matador, releasing the This Is Our Emergency single in late 2003 and the full-length New Romance soon after. The band set off on tours with the likes of Death Cab for Cutie, Bloc Party, and Franz Ferdinand, and after adding keyboardist Leona Marrs to the lineup, released Élan Vital in early 2006.

Their third record – and first since replacing guitarist Nathan Thelen with keyboardist Leona Marrs – is a strikingly modern record which doesn’t appear to be influenced by anything except their beautiful minds.