Rumble Club
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The best kept secret in music

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"Ready to Rumblebilly?"

By Mike Breen
Rockabilly music seems to have more spin-offs than All In the Family. Sub-genres include Psychobilly, Voodoobilly, Thrashabilly, Punkabilly, Horrorbilly, Countrybilly and numerous others. I even found one Web site that said if you want to start a Rockabilly band but haven't yet, you play "Probabilly."

With a couple of exceptions, many of these 'billy clubs are started by one band, which becomes the sole practitioner. You rap over Eddie Cochran riffs? Congratulations, you're the pioneer of Rapabilly. Your music's like Charlie Parker meets the Stray Cats? Welcome to Bopabilly -- population: you.

The sound of Northern Kentucky's Rumble Club has some elements of many of the various subgenres, but none are quite appropriate to describe the band. The foursome fuses Pscychobilly's rocket-fuel energy but retains strong ties to Rockabilly, Rock & Roll and Country tradition. There's also a little Surf thrown in. For a genre so locked into to tradition, it's refreshing to hear artists like Rumble Club find there own distinct voice. Ultimately, thanks to great songwriting and their less restrictive approach, they land somewhere all their own. Therefore, by the powers invested in me by absolutely no one, I proclaim that Rumble Club's music will now be classified as "Rumblebilly."

Rumble Club began in 2004, releasing an EP, followed by the full-length, Rumble Club Rides Tonight, a year later. The band has drawn international attention, earning radio play on variously formatted stations around the globe and scoring write-ups in publications like Rockabilly Magazine. The band's new record, In Case of Rumble ..., should facilitate even more praise. In Case is being released Friday in conjunction with an RC show at downtown's Poison Room. The fun starts at 10 p.m. and features guests Lost State of Franklin, Hotel War and local Roots music hero, David Rhodes Brown.

Each song on In Case of Rumble is like a mini-version of an old pulp novel, telling tales of juvies, hot rods, gamblers and other cool outsiders and troublemakers. The members are ace instrumentalists and their dexterous chops are one of the main reasons In Case works so well. While it sometimes seems that adrenalized Rockabilly/Psychobilly acts are started by young ruffians weaned on Punk whose admiration of the bygone-era of Rockabilly's peak doesn't translate to convincing performance skills, Rumble Club almost seems the opposite. Their deftness and command enables them to infuse "outside" elements rather naturally.

While more than capably supported by an airtight, vigorous rhythm section, it is singer/guitarist Jack Coray's guitar work and magnetic vocals that are the most instantly grabbing. He plays guitar like a cross between Carl Perkins, Junior Brown and Dick Dale and he's vocally akin to Johnny Cash and Mike Ness, making for a devastating combination. Highlights include chugging, slashing rebel anthem "The Youngers," the clickin' instrumental "Chicken Pickin'," the punky, overdriven "'59 Caddy" (which recalls The Cramps wonderfully) and the more traditional strut of "Rockin' Billy Rooster." Whether you like Rockabilly, Punk or just great, pure Rock & Roll, Rumble Club has just what you need. And more. (rumbleclub.com) - CityBeat Magazine


"3 questions with...Rumble Club"

Releasing its new disc In Case of Rumble on Friday, local rockabilly/psychobilly band Rumble Club throws a bash at Poison Room. I chatted with lead singer/guitarist Jack Coray about the disc, his record label and plans for the future.

When did you start recording this album?

We spent a lot of time on this one - we started recording in November of last year. This time around I decided to build my own studio, and that's why some of it took a little time, putting the studio together. The first session we had, we weren't happy with how it turned out so I had to get some more equipment. We switched to Pro Tools, so it was a bit of a learning curve for me. But by about December we were able to get moving.

The album is on Rumble Club Records. When did you start that?

I started the label in 2004 ... The band is basically signed on to the label and we do the label - myself and a few other folks. I do the producing and we put out the CDs and we have some distributors that we work with. And we sell our CDs all over the world - it's not just a local thing where we go in and sell at our shows. We really push to get out into stores ...

What plans do you have for touring with this album?

We're trying to expand out. I don't want to jump from our little area here and go overseas or something that quickly. We're trying to start small and work outwards. I want to expand out and go to Chicago and Cleveland - that kind of thing. In 2008 we might go out and do a European tour. But (right now), about every weekend we're playing.

THE SHOW: 10 p.m. Friday, March 30 at Poison Room, 301 W. Fifth St., downtown. With Lost State of Franklin, Hotel War and guest appearance by David Rhodes Brown. $5-$7. 513-333-0010.

THE SITE: www.rumbleclub.com

Contact Kari Wethington at kwethington@cincinnati.com or 513-768-6052. - CIN Weekly


"top40-charts.com "Rumble Club not your usual Psychobilly""

Country (2007-06-28)
Citybeat Entertainment Weekly Says Rumble Club Is Not Your Usual Psychobilly Band!

Covington, KY (Top40 Charts/ Rumble Club Records) - Rumble Club's energy has been described as Kentucky Fried Hellbillies ridin' wild mustangs while Johnny Cash is robbing banks with Social Distortion!
Citybeat Entertainment says:
"The foursome fuses Pscychobilly's rocket-fuel energy but retains strong ties to Rockabilly, Rock & Roll and Country tradition. There's also a little Surf thrown in. For a genre so locked into to tradition, it's refreshing to hear artists like Rumble Club find there own distinct voice.
While more than capably supported by an airtight, vigorous rhythm section, it is singer/guitarist Jack Coray's guitar work and magnetic vocals that are the most instantly grabbing. He plays guitar like a cross between Carl Perkins, Junior Brown and Dick Dale and he's vocally akin to Johnny Cash and Mike Ness, making for a devastating combination. Highlights include chugging, slashing rebel anthem "The Youngers," the clickin' instrumental "Chicken Pickin'," the punky, overdriven "'59 Caddy" (which recalls The Cramps wonderfully) and the more traditional strut of "Rockin' Billy Rooster." Whether you like Rockabilly, Punk or just great, pure Rock & Roll, Rumble Club has just what you need. And more."

http://top40-charts.com/news.php?nid=33751


- top40-charts.com


"UK Magazine article"

Across the land, meanwhile, Kentucky's RUMBLE CLUB just released their 2nd disc, "In Case of Rumble..." (Rumble Club Records).

In 2004, Jack Corey (the man with the sprawling, twanging Gretsch and Johnny Cashesque voice) threw in with rhythm guitarist Chewy Clark, upright-slapper Alex Beckett, and drummer Tim Heinrich. And it wasn't long before the quartet's infamy had spread throughout the Kentucky region (and beyond). A blazing outfit whose sets encompassed raging psycho and machine-gun punk with Wild West-inflected rockabilly rambling, their popularity surged. 2005 debut, "The Rumble Club Rides Tonight" (Rumble Club Records), presented their particular bombast in all its glory -- the swagger, the sneers, the relentless gallop. And it shamed competitors.

But it has now been dwarfed by "In Case of Rumble..."

The new CD reveals the growth a band can experience in some 12 months. The songwriting reaches beyond the usual, even recasting the badlands legend of the scofflaw Younger brothers as engaging rockabilly. Playing is fiercer and still more cohesive. And better production benefits the whole, lending both effective loudness and immediacy.

Rumble Club has succeeded in claiming a singular identity, that of Old West-echoing Southern rockabillies with psycho sensibilities. It's a volatile blend and a vivid one. The bad news? Neither Finn and the Sharks nor Rumble Club are scheduled to appear in the UK anytime soon. The good news? At least there are CDs available. Invite them into your home.

You can even think of it as a DIY festival. - Crackerjack


"RUMBLE CLUB- Rumble Club Rides Tonight"

RUMBLE CLUB- Rumble Club Rides Tonight (Rumble Club Records) Highly appropriate alternate title: Guns, Pussy, Hot Rods & Beer. (And it’s weird how this sometimes happens, but in another piece I’m currently working on for Askew, I just mentioned how this is also the title of a mix I made in 1995. Probably why it so easily popped into my head while listening to this, but it’s totally fitting here). These Kentuckians play authentic, hot rockabilly that’ll have you wishin’ you were a got-dang hayseed just like them. Deep, clear, at times Cash-like vocals, smokin’ lead guitar, F#$!k-thumping standup bass and relentless, rattletrap drums all come together perfectly on this 11-song disc. I’m going to award my first annual Golden Fruit Jar Award (filled with a fiery, vomit-inducing quantity of moonshine and a couple dead flies floating on top, of course) to “Drive ‘Em On.” It’s a blasting, psychobilly-tinged Spaghetti Western-ish wailer that makes Ennio Morricone seem like he left his balls in his wife’s purse in comparison, and it absolutely rules. And while there are a bunch of great originals (at least I think these are originals, but how the f#$! would I really know? All these hillbillies sent us was a loose CD-R with no accompanying information- a CD-R that also temporarily crashed the sound on my computer, no less) on Rumble Club Rides Tonight, their brilliant cover of Golden Earring’s “Twilight Zone” alone makes this disc completely worth buying. They beautifully morph this ‘80s cheeseball anthem into a rockabilly pounder that’s just a joy to hear. This disc has many moments where it’s hotter than two foxes F#$!kin’ in a forest fire, and I bet Rumble Club is even better live. - Askew Reviews


"Rockabilly Magazine: Rumble Club"

NOV./DEC. Rockabilly Magazine: Rumble Club "Rumble Club Rides Tonight" (Rumble Club Records) 2005 This rugged and stalwart Kentucky trio is a "can't miss" entry in the neo-billy field. They've honed a solid and addictive brand of rockin' that's sure to please. All sound good and motivated - this is a fun disc and a furious one. Jack Coray's deep-as-the-Mississippi, Cashesque vocals and rampaging guitar, together with headlong accompaniment by slapper Slimtone Osborn and drummer Matt Walsh, make for a disc most remarkable. This fast-paced and nitro-fueled music cuts full-on rockabilly with western voicings, countryish bopping and fireball psych storming. As likely to remind listeners of the Reverend Horton Heat as of Johnny Cash. One Kentucky pundit called Rumble Club "like the Clash, if they were American and more concerned with cars than politics." RECOMMENDED TRACKS: "My 56," "Lord Have Mercy," "Fantasma Juan," "The Rumble Club" rumbleclub.com CDBaby.com/rumbleclub FIVE STARS

- DC Larson


"CD Debut"

Psychobilly/Rockabilly trio Rumble Club releases its debut album, Rumble Club Rides Tonight, with a show Saturday in the Southgate House's parlour room. The disc was recorded with legendary producer/engineer Erwin Musper at his new Northern Kentucky studio and features 11 sizzling, high-octane songs that buzz with the spirit of vintage Rockabilly and burn with the fire of classic Punk. (rumbleclubrecords.com) - Mike Breen Citybeat Magazine


"Tommy Hash Locals Only Magazine."

The highlight of the record is their version of Golden Earring’s “Twilight Zone”, done in a Rawhide format, which is something you don’t hear everyday. The band shows no mercy unto adding any type of overzealous production to the record, proving that their place in the musical world is fueled by their tight chops and not some sort of imagery or gimmick. The music on this record could probably only be topped by their live shows - Locals Only Magazine


"Local trio Rumble Club are Psychobilly lovers and fighters"

Interview By Dale Johnson


The saying goes, "Rock & Roll will never die." And, while that might be true, it depends a bit more upon who's keeping it alive, particularly when it comes to Rockabilly music. Some oldies cover acts are more embalmers than caretakers. They preserve what was once vital by repeating it ad infinitum, not taking the music anywhere new nor being influenced by any of the other music released in the last 50 years. They turn Rockabilly into a show-piece, like the original Batmobile at a car show that still looks sort of cool if you prod your memory and sense of charity hard enough.

Rumble Club will have none of that, thank you very much. Between Jack Coray's big guitar and big voice, Mike Kiley's big upright bass and Matt Walsh's physically small yet sonically large drums, they're ready to take Rockabilly into the future "like a rocket," to quote one of their song titles.

Formed over the spring and summer of 2004, Rumble Club's members took an unconventional route to get where they are today. Of the three, leader Coray seems to have "walked the walk" of Rockabilly a bit more than the other two.

"I used to be in an Elvis-type Rockabilly band," says Coray. "But I wanted to go in my own direction. So I decided to find someone who could play upright bass and someone who wanted to play some swing beats. I grew up watching my grandfather playing Chet Atkins on a Gretsch (guitar), and I listened to a lot of Rockabilly."

Walsh is a direct 180 degrees from Coray's background. "Before this band, my last experience in a Rock & Roll band was during high school," Walsh says. "And since then, I hadn't been in any kind of performance situation. And, unlike (Coray and Kiley), I didn't have any kind of appreciation for Rockabilly whatsoever. I was looking for a gig and (Rumble Club) was something new, so I thought I'd give it a try."

The band takes a mix of Chuck Berry riffs, surfin' twang (a la Duane Eddy), the big voice of Johnny Cash (Coray sounds eerily like the original Man in Black) and The Reverend Horton Heat's tempo-revving insanity and filters it all through the grit of Punk, coming out sounding like The Clash if they were American and more concerned with cars than politics. Their high-octane attacks prompt them to call themselves "Psychobilly" ("Psychobilly is just Rockabilly sped up," Coray states simply), and that kind of sets them apart from their peers in Cincinnati's burgeoning Rockabilly scene. The band even organized a Psychobilly night at Covington's Madison Theater recently.

While the Rockabilly business is beginning to not so much boom as shake and rattle here in town, the Rockabilly scenes overseas in countries like England, Germany, Japan and (of all places) Finland have sizable, rabid followings. Enter the UK's Nervous Records, with whom Rumble Club has a distribution deal for their first as-yet-to-be recorded CD. Nervous is an independent label that considers itself to be " ... the future of Rock & Roll, Rockabilly, Psychobilly or whatever you wanna call it." The label's goal is to create and distribute Rockabilly so it can co-exist in the marketplace with other current recordings and not be branded with the "nostalgia" tag. That suits Rumble Club to a "T."

"We've had all kinds of people at our shows, from grandmothers to young Punk Rock kids," says Coray, "and they all seem to enjoy it, especially the younger Punk crowd. They can kind of see where their music today came from by listening to ours."

- Citybeat Magazine


"Rockabilly rocks Covington"

By: downtowner
On: 04/10/2007 14:34:36
By Nicole Hamilton

COVINGTON – Playing bass for the rockabilly band Rumble Club is a lot like running down a hill as fast as you can, says Alex “Bones” Becket.

“Its full throttle from the first chord,” says Becket, who has been slapping his upright with Rumble Club for two years. “It’s high energy and intense and just builds in momentum the whole night.”

The Covington-based four-piece, led by singer/songwriter Jack Coray, recently released their second full-length album, “In Case of Rumble” And if the success of the first album is any indication of what is yet to come, Coray and the boys will be sending their CDs all over the globe.

Rumble Club released their first full-length record, “Rumble Club Rides Tonight” in 2005. And soon after, Becket says they were selling albums to listeners as far away as Asia and Europe.

“We sold something like 60 albums one day to a place in Japan,” he says.

Becket says Rumble Club plays “a little bit of everything” at shows, and that’s what sets them apart from other rockabilly bands that play with a heavy country or punk rock accent.

“You can’t classify us – we may play a country tune, and then some psycho-billy, and then an old punk tune,” says Becket.

And the crowd at shows is diverse, says fan Cannon Miller, 35, who has been going to Rumble Club shows since they formed in 2004.

“You get the usual suspects,” says Cannon. “There’s a core group who like to get dressed up and have fun, you know, keep the drama to a minimum. And we’re always bring new friends [to shows] so the circle grows.”


But Coray’s “Deep as the Mississippi,” Cash-like voice and the band’s country tendencies draws an older crowd, too.

“Rockabilly can do that – it can attract a cool mix of people of all ages,” says Cannon, who owns Acme Tattoo and Piercing on Vine Street in Corryville.

Becket says Rumble Club (that also features acoustic guitarist Jay “Chewy” Clark and drummer Tim Heinrich) plans on touring the country soon, in places like Chicago and Chattanooga, Tennessee. Eventually, he says they would like to tour Japan and Europe – where they have a strong following.

“Rockabilly, roots, and alt-country music is really popular right now in Europe. They don’t think of it as your granddaddy’s music,” says Becket.

Miller agrees: “Europeans enjoy authentic American music played by authentic Americans. And if any local boys can pull off [a European tour] its Rumble Club.”
But for now, Coray is focused on the shows a little closer to home. Rumble Club has already shared the stage twice with Rockabilly legend The Reverend Horton Heat, as well as with Rosie Florez, and the Meteorites.

Rumble Club recently played to a packed house Downtown at the Poison Room at 301 West Fifth St. last week for their CD-release concert.

Upcoming shows include opening for Unknown Hinson at 2820 Vine St., Top Cats in Clifton on May 4 and for the legendary Shack Shakers at the Mad Hatter at 620 Scott St. in Covington in June.

Rumble Club plays a show once a month at Mac’s Pizza and Pub 205 W. McMillan St. in Clifton where Coray says they’ve made fans of the college crowd.

He is also busy developing his record label, Rumble Club Records, that produces and promotes roots-rock and alternative-country acts.

Rumble Club plays Mac’s Pizza and Pub April 21.

For locations where Rumble Club will play next, visit www.rumbleclub.com.

Nicole can be contacted via e-mail at nhamilton@townmediainc.com.

- The Downtowner


Discography

EP: 3 Song EP 2004
CD (Full length): Rumble Club Rides Tonight 2005
CD (Single): The Rumble Club 2006
CD (Full length): In Case of Rumble 2007

Rumble Club Rides Tonight CD. Debut CD that is being played on radio stations all over the world. "The Killer" is currently #2 on rockabillyradio.net top 10 requests. The album hit #2 on KVUC 1190 Boulder Colorado’s top 30 albums. Voted one of the best new releases by Citybeat in 2005.

CD Reviews:

RUMBLE CLUB- Rumble Club Rides Tonight (Rumble Club Records) Highly appropriate alternate title: Guns, Pussy, Hot Rods & Beer. (And it’s weird how this sometimes happens, but in another piece I’m currently working on for Askew, I just mentioned how this is also the title of a mix I made in 1995. Probably why it so easily popped into my head while listening to this, but it’s totally fitting here). These Kentuckians play authentic, hot rockabilly that’ll have you wishin’ you were a got-dang hayseed just like them. Deep, clear, at times Cash-like vocals, smokin’ lead guitar, F#$!k-thumping standup bass and relentless, rattletrap drums all come together perfectly on this 11-song disc. I’m going to award my first annual Golden Fruit Jar Award (filled with a fiery, vomit-inducing quantity of moonshine and a couple dead flies floating on top, of course) to “Drive ‘Em On.” It’s a blasting, psychobilly-tinged Spaghetti Western-ish wailer that makes Ennio Morricone seem like he left his balls in his wife’s purse in comparison, and it absolutely rules. And while there are a bunch of great originals (at least I think these are originals, but how the f#$! would I really know? All these hillbillies sent us was a loose CD-R with no accompanying information- a CD-R that also temporarily crashed the sound on my computer, no less) on Rumble Club Rides Tonight, their brilliant cover of Golden Earring’s “Twilight Zone” alone makes this disc completely worth buying. They beautifully morph this ‘80s cheeseball anthem into a rockabilly pounder that’s just a joy to hear. This disc has many moments where it’s hotter than two foxes F#$!kin’ in a forest fire, and I bet Rumble Club is even better live. – Ben Hunter Askew Reviews

Rumble Club Rides tonight was voted one of the best locally released albums of ‘05. Citybeat Magazine

NOV./DEC. Rockabilly Magazine: Rumble Club "Rumble Club Rides Tonight" (Rumble Club Records) 2005 This rugged and stalwart Kentucky trio is a "can't miss" entry in the neo-billy field. They've honed a solid and addictive brand of rockin' that's sure to please. All sound good and motivated - this is a fun disc and a furious one. Jack Coray's deep-as-the-Mississippi, Cashesque vocals and rampaging guitar, together with headlong accompaniment by slapper Slimtone Osborn and drummer Matt Walsh, make for a disc most remarkable. This fast-paced and nitro-fueled music cuts full-on rockabilly with western voicings, countryish bopping and fireball psych storming. As likely to remind listeners of the Reverend Horton Heat as of Johnny Cash. One Kentucky pundit called Rumble Club "like the Clash, if they were American and more concerned with cars than politics." RECOMMENDED TRACKS: "My 56," "Lord Have Mercy," "Fantasma Juan," "The Rumble Club" rumbleclub.com CDBaby.com/rumbleclub FIVE STARS D.C. Larson Rockabilly Magazine
Best of Cincinnati for December 5, 2005 December 3, 2005
Psychobilly/Rockabilly trio Rumble Club releases its debut album, Rumble Club Rides Tonight, with a show Saturday in the Southgate House's parlour room. The disc was recorded with legendary producer/engineer Erwin Musper at his new Northern Kentucky studio and features 11 sizzling, high-octane songs that buzz with the spirit of vintage Rockabilly and burn with the fire of classic Punk. (rumbleclubrecords.com) Mike Breen Citybeat Magazine

Rumble Club is a bad ass Psychobilly-Rockabilly trio from Kentucky. The guys deliver an edgy mix of aggressive Psychobilly with fuzz tone guitar sound, fast Neo-Rockabilly mixed with eerie Johnny Cash sound-a-like Western Bop music and Cow-Punk. Singer (and guitarist) Jack Coray sounds just like Cash!” Blue Suede News Magazine Sept 2005
The highlight of the record is their version of Golden Earring’s “Twilight Zone”, done in a Rawhide format, which is something you don’t hear everyday. The band shows no mercy unto adding any type of overzealous production to the record, proving that their place in the musical world is fueled by their tight chops and not some sort of imagery or gimmick. The music on this record could probably only be topped by their live shows—Tommy Hash Locals Only Magazine.

Photos

Feeling a bit camera shy

Bio

"It is singer/guitarist Jack Coray's guitar work and magnetic vocals that are the most instantly grabbing. He plays guitar like a cross between Carl Perkins, Junior Brown and Dick Dale and he's vocally akin to Johnny Cash and Mike Ness, making for a devastating combination. " - CityBeat Magazine

Formed in 2004 this rugged Kentucky based four piece have become a favorite in the Greater Cincinnati and Tri State area with a loyal following that extends across the nation. Rumble Club released it’s first EP in 2004, followed by a full length CD “Rumble Club Rides Tonight” released in 2005. In 2007 the band expanded it’s depth recording their 2nd record album titled In Case of Rumble.
March 30th 2007 Rumble Club releases their 2nd full length album:
Whether it’s Fisticuffs, Murder Ballads, or Hellbillies in a ‘59 Caddy,.. Rumble Club once again delivers their edgy rampaging sounds on their second full length CD; In Case Of Rumble…
This album of all original songs tells the stories of the Renegade, the Criminal, and the Rebel. With band Leader Jack Coray’s “Deep as the Mississippi Voice” and fully loaded guitar, together with the driving rhythm guitar of Jay “Chewy” Clark, heart pounding stand up bass by Alex “Bones” Becket, and Train rolling drum beats from Tim Heinrich make for fast-paced, nitro-fueled music that cuts full on Psychobilly with fireball psych storming.
“Simply put, Rumble Club is an all original act that sounds like no other…”

Press, Radio and other Achievements:
Rumble Club Rides Tonight—Rockabilly Magazine 5 Stars *****
CD voted “The best of the rest” 2005—CityBeat Magazine
Artist of the week 2006—CIN Weekly
Featured Artist Pabst Blue Ribbon—Live and Local
Artist of the week 2007—CIN Weekly

Radio Airplay: Held in the top 30 KVCU Colorado for one month, hit #2 week of 11/4/05. WEBN, 105.5FM Belgium, KMUD, KUSP (hit #6), KDUR, KDHX, MCWC, Total Rock (UK), Go Kat Go Radio, KSJS, WDIY, Country Juke Box, KOTO, WBER, WBAR, Border Radio (hit #3), WHFR, Rockabilly Radio (hit #2), and KSJS.

TV: Appeared on Northern Kentucky’s Cable access program “Jikes” on channel 21

Press: Blue Suede News, Askew Reviews, Rockabilly Magazine, CityBeat Magazine, CIN Weekly, Boppin’ Around, El Beasto, UK Rock & Roll, Vibe Entertainment, Kentucky Post, Big Beat Magazine, Only Locals music guide, and Americore Magazine, Downtowner Entertainment Guide, Crackerjack Magazine, Dig This Real Magazine.

Performances with: The Legendary Shack Shakers, Unknown Hinson, Rosie Flores, The Meteors, The Reverend Horton Heat, and The Twistin’ Tarantulas.

Latest Articles:

Citybeat - Cincinnati's News and Entertainment Weekly.
Ready to Rumblebilly?

By Mike Breen
Rockabilly music seems to have more spin-offs than All In the Family. Sub-genres include Psychobilly, Voodoobilly, Thrashabilly, Punkabilly, Horrorbilly, Countrybilly and numerous others. I even found one Web site that said if you want to start a Rockabilly band but haven't yet, you play "Probabilly."

With a couple of exceptions, many of these 'billy clubs are started by one band, which becomes the sole practitioner. You rap over Eddie Cochran riffs? Congratulations, you're the pioneer of Rapabilly. Your music's like Charlie Parker meets the Stray Cats? Welcome to Bopabilly -- population: you.

The sound of Northern Kentucky's Rumble Club has some elements of many of the various subgenres, but none are quite appropriate to describe the band. The foursome fuses Pscychobilly's rocket-fuel energy but retains strong ties to Rockabilly, Rock & Roll and Country tradition. There's also a little Surf thrown in. For a genre so locked into to tradition, it's refreshing to hear artists like Rumble Club find there own distinct voice. Ultimately, thanks to great songwriting and their less restrictive approach, they land somewhere all their own. Therefore, by the powers invested in me by absolutely no one, I proclaim that Rumble Club's music will now be classified as "Rumblebilly."

Rumble Club began in 2004, releasing an EP, followed by the full-length, Rumble Club Rides Tonight, a year later. The band has drawn international attention, earning radio play on variously formatted stations around the globe and scoring write-ups in publications like Rockabilly Magazine. The band's new record, In Case of Rumble ..., should facilitate even more praise. In Case is being released Friday in conjunction with an RC show at downtown's Poison Room. The fun starts at 10 p.m. and features guests Lost State of Franklin, Hotel War and local Roots music hero, David Rhodes Brown.

Each song on In Case of Rumble is like a mini-version of an old pulp novel, telling tales of juvies, hot rods, gamblers and other cool outsiders and troublemakers. The members are ace instrumentalists and their dexterous chops are one of the main reasons In Case works so well. While it sometimes seems that adrenalized Rockabilly/Psychobilly acts are started by young ruffians weaned o